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St. Augustine At Night
Songs like
St. Augustine At Night
by
Dawes
Based on a tempo of (+/- 10%) and a similar genre
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Michigan Rattlers
Desert Heat
150 bpm • E Maj • 03:34 • -6db
20% Popularity • 53% Danceability • 81% Energy • 16% Liveness
13% Instrumentalness • 67% Positiveness
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Dawes
St. Augustine At Night
150 bpm • A Maj • 05:13 • -13.89db
28% Popularity • 49% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Ryan Montbleau
Helplessly Hoping
150 bpm • G Maj • 03:03 • -9.58db
27% Popularity • 33% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Sarah Jarosz
Hometown
150 bpm • A Maj • 03:00 • -13db
41% Popularity • 58% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Bonny Light Horseman
Clementine
150 bpm • D Maj • 03:10 • -8db
27% Popularity • 41% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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William Prince
Leave It by the Sea
148 bpm • A Maj • 03:46 • -11.32db
23% Popularity • 61% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Trampled by Turtles
Fake Plastic Trees
149 bpm • A Maj • 04:34 • -8.76db
22% Popularity • 41% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Molly Tuttle
Strong Enough
148 bpm • D Maj • 03:17 • -16.61db
32% Popularity • 61% Danceability • 33% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Kathleen Edwards
Hard On Everyone
148 bpm • F# Maj • 05:32 • -7.12db
29% Popularity • 58% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Sarah Jarosz
Painted Blue
152 bpm • C Maj • 04:21 • -13.26db
26% Popularity • 35% Danceability • 21% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Joel Plaskett
Frontlines of the Hard Times
148 bpm • A# Maj • 03:34 • -8.65db
9% Popularity • 60% Danceability • 48% Energy • 11% Liveness
1% Instrumentalness • 51% Positiveness
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Bonny Light Horseman
Lowlands
149 bpm • F Maj • 03:29 • -7.95db
29% Popularity • 49% Danceability • 48% Energy • 10% Liveness
2% Instrumentalness • 37% Positiveness
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Dawes
Who Do You Think You're Talking To?
152 bpm • E Maj • 03:19 • -7.23db
35% Popularity • 46% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Aoife O'Donovan
Nebraska - Acoustic
148 bpm • D Maj • 03:48 • -13db
38% Popularity • 52% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Anthony da Costa
You're Free Now
148 bpm • E Maj • 04:19 • -13.52db
35% Popularity • 42% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Sarah Jarosz
Eve
148 bpm • G Maj • 03:26 • -9.29db
24% Popularity • 55% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Rachel Baiman
Something To Lose
147 bpm • C min • 03:12 • -13.14db
27% Popularity • 64% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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The Dead Tongues
Peaceful Ambassador
153 bpm • C Maj • 04:15 • -9.76db
19% Popularity • 45% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Watkins Family Hour
Just Another Reason
153 bpm • G# Maj • 03:20 • -4.8db
13% Popularity • 66% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Bermuda Triangle
Rosey
153 bpm • G Maj • 03:45 • -11db
31% Popularity • 54% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Dawes
Moon in the Water
147 bpm • E Maj • 04:02 • -21.47db
23% Popularity • 50% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
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Sarah Jarosz
I’ll Be Gone
152 bpm • F# min • 03:35 • -6.71db
30% Popularity • 60% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
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Tyler Ramsey
Back On The Chain Gang
153 bpm • F# Maj • 03:51 • -15.57db
9% Popularity • 40% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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The Brothers Comatose
Joshua Tree
147 bpm • D Maj • 04:13 • -16.26db
16% Popularity • 38% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Ken Yates
Two Wrongs
154 bpm • G Maj • 04:00 • -15.09db
30% Popularity • 48% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Ray LaMontagne
Highway to the Sun
145 bpm • C Maj • 05:31 • -11.11db
37% Popularity • 46% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Old Man Luedecke
I Skipped A Stone
145 bpm • E Maj • 03:20 • -12.24db
31% Popularity • 61% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Lula Wiles
Love Gone Wrong
155 bpm • B Maj • 03:56 • -10.39db
23% Popularity • 39% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Middle Brother
Daydreaming
145 bpm • E Maj • 04:50 • -12db
30% Popularity • 53% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Dawes
Free As We Wanna Be - Acoustic
144 bpm • G Maj • 03:53 • -11db
26% Popularity • 49% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Andrew Duhon
Comin' around
156 bpm • F Maj • 03:32 • -8db
40% Popularity • 58% Danceability • 67% Energy • 9% Liveness
5% Instrumentalness • 57% Positiveness
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Thomas Csorba
Murmur of Yearning
144 bpm • F# Maj • 03:50 • -10.23db
31% Popularity • 68% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Hiss Golden Messenger
Hardlytown
145 bpm • C# Maj • 03:17 • -10.93db
39% Popularity • 60% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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The Stray Birds
Shining in the Distance
144 bpm • C Maj • 04:25 • -5.82db
29% Popularity • 45% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Nathaniel Rateliff
Mavis
157 bpm • B Maj • 04:12 • -11.65db
42% Popularity • 49% Danceability • 52% Energy • 10% Liveness
64% Instrumentalness • 63% Positiveness
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Dawes
Between The Zero And The One
144 bpm • C Maj • 04:50 • -6.3db
21% Popularity • 50% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Dan Reeder
I Don't Always Miss You
157 bpm • D Maj • 02:31 • -14.87db
18% Popularity • 42% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Matt the Electrician
The Bear (Trio)
143 bpm • E Maj • 04:24 • -12.46db
35% Popularity • 60% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Dylan LeBlanc
Honor Among Thieves
143 bpm • A# Maj • 03:20 • -10db
16% Popularity • 38% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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William Prince
Reliever
142 bpm • C Maj • 04:13 • -11.41db
19% Popularity • 34% Danceability • 20% Energy • 25% Liveness
0% Instrumentalness • 21% Positiveness
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Molly Tuttle
Million Miles
142 bpm • B Maj • 03:49 • -7.42db
24% Popularity • 58% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Middle Brother
Wilderness
158 bpm • C Maj • 02:42 • -7.81db
28% Popularity • 51% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Robert Ellis
Father
142 bpm • F Maj • 04:57 • -11.71db
4% Popularity • 63% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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The Head And The Heart
Our House
142 bpm • A Maj • 03:02 • -9.32db
39% Popularity • 52% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Sean Hayes
Smoking Signals
159 bpm • E Maj • 04:06 • -16db
13% Popularity • 58% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Forest Sun
On My Way to You
142 bpm • D# Maj • 03:12 • -14.61db
18% Popularity • 42% Danceability • 23% Energy • 11% Liveness
2% Instrumentalness • 17% Positiveness
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Lake Street Dive
Nobody's Stopping You Now
160 bpm • B Maj • 03:47 • -5.81db
38% Popularity • 48% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
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Watchhouse
Amsterdam (Recorded at Spotify Studios N...
141 bpm • C Maj • 03:13 • -11db
48% Popularity • 53% Danceability • 32% Energy • 11% Liveness
3% Instrumentalness • 28% Positiveness
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Ida Mae
Love is Still a Long Road
141 bpm • D# Maj • 03:19 • -8.77db
12% Popularity • 63% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Langhorne Slim
No Right Way
140 bpm • D# Maj • 02:30 • -12.52db
13% Popularity • 42% Danceability • 27% Energy • 12% Liveness
6% Instrumentalness • 50% Positiveness
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Gabriel Kelley
Oh How It Rained
140 bpm • D Maj • 04:18 • -13.48db
11% Popularity • 53% Danceability • 42% Energy • 10% Liveness
6% Instrumentalness • 51% Positiveness
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Anderson East
Josephine
140 bpm • B Maj • 03:42 • -11.56db
31% Popularity • 56% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Bahamas
Can't Complain
140 bpm • G Maj • 01:54 • -11.57db
37% Popularity • 84% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Fruition
Counting The Days
140 bpm • D Maj • 03:47 • -8.3db
13% Popularity • 70% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Middle Brother
Thanks for Nothing
140 bpm • A Maj • 03:44 • -11.28db
24% Popularity • 60% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Mary Chapin Carpenter
Between the Dirt and the Stars
140 bpm • F Maj • 07:43 • -9.71db
27% Popularity • 42% Danceability • 36% Energy • 12% Liveness
2% Instrumentalness • 39% Positiveness
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Nathaniel Rateliff
All Or Nothing
140 bpm • A Maj • 05:01 • -9.44db
37% Popularity • 45% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 53% Positiveness
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Kathleen Edwards
Feelings Fade
140 bpm • A min • 03:21 • -9.66db
14% Popularity • 49% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Dustbowl Revival
Beside You
140 bpm • B Maj • 06:32 • -14.84db
26% Popularity • 56% Danceability • 36% Energy • 11% Liveness
4% Instrumentalness • 36% Positiveness
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Susto
Daniel
140 bpm • A Maj • 03:40 • -10.64db
28% Popularity • 59% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Lake Street Dive
I Can Change
140 bpm • C Maj • 03:11 • -12db
53% Popularity • 55% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Dawes
My Way Back Home
140 bpm • G Maj • 06:36 • -18.83db
20% Popularity • 48% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Nathaniel Rateliff
Kissing Our Friends
139 bpm • C Maj • 03:03 • -12.44db
32% Popularity • 53% Danceability • 22% Energy • 23% Liveness
11% Instrumentalness • 26% Positiveness
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Aoife O'Donovan
Bull Frogs Croon: ii. The Darkness
139 bpm • A# min • 03:31 • -12.39db
13% Popularity • 48% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Caamp
Penny, Heads Up
139 bpm • E Maj • 03:27 • -11.42db
50% Popularity • 59% Danceability • 37% Energy • 26% Liveness
13% Instrumentalness • 75% Positiveness
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Langhorne Slim
Long Journey (bonus track)
163 bpm • C# Maj • 02:08 • -12db
14% Popularity • 37% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Mara Connor
Someone New
139 bpm • G# Maj • 03:17 • -11.6db
19% Popularity • 54% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Birds of Chicago
Love in Wartime
138 bpm • E Maj • 05:49 • -11.14db
16% Popularity • 47% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Nathaniel Rateliff
Brakeman
139 bpm • A# min • 02:17 • -10.73db
38% Popularity • 65% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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David Ramirez
Good Heart
138 bpm • C Maj • 03:19 • -7.98db
30% Popularity • 49% Danceability • 51% Energy • 6% Liveness
1% Instrumentalness • 56% Positiveness
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Bonny Light Horseman
The Roving
138 bpm • F Maj • 04:20 • -7.34db
40% Popularity • 54% Danceability • 45% Energy • 11% Liveness
2% Instrumentalness • 57% Positiveness
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Molly Tuttle
Messed With My Mind
138 bpm • G Maj • 03:01 • -6.48db
20% Popularity • 54% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Dawes
Easy/Lucky/Free
138 bpm • C Maj • 05:32 • -12.44db
14% Popularity • 56% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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The New Basement Tapes
Kansas City
164 bpm • C Maj • 04:04 • -8.15db
60% Popularity • 54% Danceability • 62% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
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I'm With Her
Wild One
137 bpm • C Maj • 03:58 • -17.57db
25% Popularity • 43% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Ivan & Alyosha
Whiskey & Wine
137 bpm • A Maj • 04:53 • -5.86db
13% Popularity • 48% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
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Brent Cobb
Feet Off The Ground
137 bpm • A Maj • 04:18 • -6.5db
45% Popularity • 46% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Molly Tuttle
When You're Ready
138 bpm • C min • 03:47 • -8db
29% Popularity • 56% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Sarah Harmer
Just Get Here
137 bpm • G Maj • 03:41 • -11.77db
24% Popularity • 54% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Blitzen Trapper
Sons and Unwed Mothers - Demo
164 bpm • D Maj • 03:20 • -15db
13% Popularity • 51% Danceability • 31% Energy • 13% Liveness
5% Instrumentalness • 69% Positiveness
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Craig Finn
Something to Hope For
165 bpm • B Maj • 04:45 • -6.71db
28% Popularity • 53% Danceability • 80% Energy • 11% Liveness
1% Instrumentalness • 72% Positiveness
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I'm With Her
Overland
136 bpm • D Maj • 03:25 • -14db
39% Popularity • 59% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Aoife O'Donovan
Red & White & Blue & Gold - Acoustic
136 bpm • B Maj • 03:05 • -10.33db
15% Popularity • 53% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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David Ramirez
Heaven
136 bpm • E min • 03:24 • -5.08db
27% Popularity • 63% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Fruit Bats
Ocean
166 bpm • C Maj • 03:18 • -13.19db
51% Popularity • 56% Danceability • 27% Energy • 11% Liveness
14% Instrumentalness • 31% Positiveness
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Langhorne Slim
Sing My Song
136 bpm • D Maj • 02:22 • -12.04db
7% Popularity • 44% Danceability • 29% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Robert Ellis
Aren't We Supposed To Be In Love?
136 bpm • F# Maj • 03:35 • -8.12db
4% Popularity • 59% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Lula Wiles
Leave Me Now
135 bpm • A# Maj • 04:30 • -12.23db
23% Popularity • 39% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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Dan Mangan
Just Fear
136 bpm • C Maj • 03:52 • -9.62db
21% Popularity • 69% Danceability • 38% Energy • 13% Liveness
4% Instrumentalness • 30% Positiveness
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Ken Yates
Grey County Blues
166 bpm • A Maj • 03:50 • -17.91db
34% Popularity • 44% Danceability • 7% Energy • 9% Liveness
1% Instrumentalness • 11% Positiveness
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Dawes
Still Feel Like A Kid
135 bpm • G Maj • 03:12 • -5.25db
23% Popularity • 48% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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JOSEPH
Come On Up To The House
135 bpm • D Maj • 04:00 • -10.5db
19% Popularity • 41% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
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Joe Pug
Call It What You Will
134 bpm • E Maj • 02:56 • -8.61db
36% Popularity • 56% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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The Secret Sisters
Hand Over My Heart
134 bpm • D# Maj • 04:17 • -7.76db
25% Popularity • 60% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
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Jeffrey Martin
Billy Burroughs
134 bpm • G# min • 03:55 • -11db
24% Popularity • 63% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Houndmouth
Cool Jam
134 bpm • A Maj • 03:26 • -8.93db
45% Popularity • 79% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Dawes
To Be Completely Honest
135 bpm • D Maj • 04:43 • -10.35db
26% Popularity • 48% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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The New Basement Tapes
Six Months In Kansas City (Liberty Stree...
133 bpm • C Maj • 03:36 • -6.73db
21% Popularity • 44% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Bahamas
Half Your Love
133 bpm • A Maj • 02:23 • -7.03db
37% Popularity • 65% Danceability • 35% Energy • 13% Liveness
2% Instrumentalness • 60% Positiveness
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Kishi Bashi
Early Morning Breeze
169 bpm • E Maj • 04:16 • -13db
27% Popularity • 39% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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St. Augustine At Night