Songs like St. Elmo's Fire by Michael Franks
Based on a tempo of (+/- 10%) and a similar genre
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Gino Vannelli
Gettin' High
111 bpm • F min • 03:27 • -19db
18% Popularity • 70% Danceability • 23% Energy • 11% Liveness
8% Instrumentalness • 40% Positiveness
18% Popularity • 70% Danceability • 23% Energy • 11% Liveness
8% Instrumentalness • 40% Positiveness
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The Jones Girls
Nights Over Egypt
111 bpm • A min • 04:39 • -14.32db
52% Popularity • 75% Danceability • 36% Energy • 11% Liveness
29% Instrumentalness • 64% Positiveness
52% Popularity • 75% Danceability • 36% Energy • 11% Liveness
29% Instrumentalness • 64% Positiveness
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Michael Franks
Never Satisfied
111 bpm • A# Maj • 03:54 • -13.99db
17% Popularity • 78% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 78% Danceability • 36% Energy • 29% Liveness
0% Instrumentalness • 53% Positiveness
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Latimore
Let Me Go
111 bpm • G# min • 03:04 • -6.73db
47% Popularity • 63% Danceability • 46% Energy • 4% Liveness
1% Instrumentalness • 72% Positiveness
47% Popularity • 63% Danceability • 46% Energy • 4% Liveness
1% Instrumentalness • 72% Positiveness
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The Main Ingredient
Superwoman
110 bpm • A# Maj • 03:13 • -8db
19% Popularity • 67% Danceability • 48% Energy • 50% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 67% Danceability • 48% Energy • 50% Liveness
0% Instrumentalness • 57% Positiveness
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Hiroshima
One Wish
110 bpm • C min • 04:51 • -16db
37% Popularity • 85% Danceability • 41% Energy • 10% Liveness
86% Instrumentalness • 95% Positiveness
37% Popularity • 85% Danceability • 41% Energy • 10% Liveness
86% Instrumentalness • 95% Positiveness
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Shakatak
Bitch to the Boys
110 bpm • G# Maj • 06:27 • -13db
35% Popularity • 78% Danceability • 50% Energy • 9% Liveness
62% Instrumentalness • 91% Positiveness
35% Popularity • 78% Danceability • 50% Energy • 9% Liveness
62% Instrumentalness • 91% Positiveness
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Rotary Connection
Memory Band
110 bpm • F min • 03:20 • -14.86db
29% Popularity • 52% Danceability • 42% Energy • 22% Liveness
88% Instrumentalness • 52% Positiveness
29% Popularity • 52% Danceability • 42% Energy • 22% Liveness
88% Instrumentalness • 52% Positiveness
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Michael Franks
St. Elmo's Fire
111 bpm • D min • 03:59 • -14.4db
42% Popularity • 66% Danceability • 32% Energy • 10% Liveness
25% Instrumentalness • 64% Positiveness
42% Popularity • 66% Danceability • 32% Energy • 10% Liveness
25% Instrumentalness • 64% Positiveness
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Weldon Irvine
Music Is the Key
112 bpm • G Maj • 07:35 • -13db
22% Popularity • 54% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 53% Positiveness
22% Popularity • 54% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 53% Positiveness
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Donald Byrd
Where Are We Going?
109 bpm • F Maj • 04:37 • -11.95db
44% Popularity • 68% Danceability • 64% Energy • 10% Liveness
66% Instrumentalness • 89% Positiveness
44% Popularity • 68% Danceability • 64% Energy • 10% Liveness
66% Instrumentalness • 89% Positiveness
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Sly & The Family Stone
Ha Ha, Hee Hee
109 bpm • C Maj • 03:45 • -9db
39% Popularity • 74% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
39% Popularity • 74% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
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Joe Bataan
I Wish You Love, Pt. 1
113 bpm • C Maj • 03:32 • -13db
51% Popularity • 68% Danceability • 35% Energy • 11% Liveness
7% Instrumentalness • 26% Positiveness
51% Popularity • 68% Danceability • 35% Energy • 11% Liveness
7% Instrumentalness • 26% Positiveness
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Breakwater
No Limit
109 bpm • C# Maj • 04:15 • -13db
29% Popularity • 65% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
29% Popularity • 65% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Michael Franks
Antonio's Song (The Rainbow)
110 bpm • A min • 05:06 • -16.3db
40% Popularity • 66% Danceability • 42% Energy • 11% Liveness
10% Instrumentalness • 84% Positiveness
40% Popularity • 66% Danceability • 42% Energy • 11% Liveness
10% Instrumentalness • 84% Positiveness
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Linda Lewis
Old Smokey
114 bpm • G min • 03:19 • -13.76db
17% Popularity • 82% Danceability • 30% Energy • 9% Liveness
2% Instrumentalness • 64% Positiveness
17% Popularity • 82% Danceability • 30% Energy • 9% Liveness
2% Instrumentalness • 64% Positiveness
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Brick
Southern Sunset
113 bpm • A# min • 04:04 • -5db
25% Popularity • 58% Danceability • 74% Energy • 9% Liveness
17% Instrumentalness • 85% Positiveness
25% Popularity • 58% Danceability • 74% Energy • 9% Liveness
17% Instrumentalness • 85% Positiveness
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Al Green
Full of Fire
114 bpm • D min • 05:15 • -10.72db
38% Popularity • 77% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
38% Popularity • 77% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Ned Doheny
Each Time You Pray
108 bpm • B min • 03:38 • -13.09db
24% Popularity • 50% Danceability • 55% Energy • 3% Liveness
28% Instrumentalness • 86% Positiveness
24% Popularity • 50% Danceability • 55% Energy • 3% Liveness
28% Instrumentalness • 86% Positiveness
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Lalah Hathaway
On Your Own
108 bpm • F min • 06:39 • -10.19db
32% Popularity • 48% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 48% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Michael Franks
Inside You
109 bpm • A Maj • 04:13 • -23db
22% Popularity • 62% Danceability • 16% Energy • 8% Liveness
44% Instrumentalness • 39% Positiveness
22% Popularity • 62% Danceability • 16% Energy • 8% Liveness
44% Instrumentalness • 39% Positiveness
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Donald Byrd
Think Twice
108 bpm • F min • 06:12 • -9db
35% Popularity • 55% Danceability • 83% Energy • 8% Liveness
4% Instrumentalness • 80% Positiveness
35% Popularity • 55% Danceability • 83% Energy • 8% Liveness
4% Instrumentalness • 80% Positiveness
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Gil Scott-Heron
Your Daddy Loves You (For Gia Louise)
114 bpm • F Maj • 03:16 • -13.76db
23% Popularity • 75% Danceability • 55% Energy • 10% Liveness
22% Instrumentalness • 88% Positiveness
23% Popularity • 75% Danceability • 55% Energy • 10% Liveness
22% Instrumentalness • 88% Positiveness
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Rob Mehl
House On The Rock
114 bpm • F# Maj • 03:25 • -10db
30% Popularity • 95% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
30% Popularity • 95% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Leroy Hutson
I Think I'm Falling In Love
108 bpm • F min • 03:39 • -9.96db
34% Popularity • 70% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 70% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Keith Mansfield
Before Summer Ends
108 bpm • E Maj • 06:30 • -13.03db
20% Popularity • 36% Danceability • 53% Energy • 10% Liveness
35% Instrumentalness • 10% Positiveness
20% Popularity • 36% Danceability • 53% Energy • 10% Liveness
35% Instrumentalness • 10% Positiveness
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Michael Franks
When Sly Calls (Don't Touch That Phone)
108 bpm • B min • 05:46 • -5.9db
30% Popularity • 60% Danceability • 84% Energy • 65% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 60% Danceability • 84% Energy • 65% Liveness
0% Instrumentalness • 39% Positiveness
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Donald Byrd
Flight-Time
114 bpm • F Maj • 08:31 • -9db
30% Popularity • 77% Danceability • 81% Energy • 42% Liveness
90% Instrumentalness • 97% Positiveness
30% Popularity • 77% Danceability • 81% Energy • 42% Liveness
90% Instrumentalness • 97% Positiveness
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Curtis Mayfield
When Seasons Change
108 bpm • A# Maj • 05:26 • -12.39db
31% Popularity • 58% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 58% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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The Jones Girls
Love Don't Ever Say Goodbye
107 bpm • A# Maj • 04:35 • -16.46db
19% Popularity • 68% Danceability • 32% Energy • 14% Liveness
5% Instrumentalness • 68% Positiveness
19% Popularity • 68% Danceability • 32% Energy • 14% Liveness
5% Instrumentalness • 68% Positiveness
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Eric Redd
Don't Look Any Further - Ricky Redd Mix
115 bpm • F min • 03:57 • -6.76db
5% Popularity • 86% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
5% Popularity • 86% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Roberta Flack
Where Is the Love
115 bpm • G# Maj • 02:43 • -15db
52% Popularity • 55% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
52% Popularity • 55% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Michael Franks
When It's Over
108 bpm • A min • 03:06 • -18.32db
26% Popularity • 61% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
26% Popularity • 61% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 82% Positiveness
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Piero Piccioni
It's Possible
115 bpm • F Maj • 04:55 • -12.01db
50% Popularity • 37% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
50% Popularity • 37% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Gil Scott-Heron
Morning Thoughts
115 bpm • E min • 04:40 • -14.56db
26% Popularity • 51% Danceability • 40% Energy • 36% Liveness
31% Instrumentalness • 24% Positiveness
26% Popularity • 51% Danceability • 40% Energy • 36% Liveness
31% Instrumentalness • 24% Positiveness
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Donald Fagen
The Goodbye Look
107 bpm • A min • 04:50 • -19.33db
39% Popularity • 81% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
39% Popularity • 81% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Donald Byrd
Woman Of The World
115 bpm • F Maj • 06:51 • -10.53db
32% Popularity • 68% Danceability • 53% Energy • 38% Liveness
21% Instrumentalness • 38% Positiveness
32% Popularity • 68% Danceability • 53% Energy • 38% Liveness
21% Instrumentalness • 38% Positiveness
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Steve Kuhn
The Meaning of Love
107 bpm • G Maj • 03:00 • -15.87db
34% Popularity • 40% Danceability • 34% Energy • 10% Liveness
60% Instrumentalness • 34% Positiveness
34% Popularity • 40% Danceability • 34% Energy • 10% Liveness
60% Instrumentalness • 34% Positiveness
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Michael Franks
Nightmoves
107 bpm • A# min • 04:03 • -15db
39% Popularity • 72% Danceability • 33% Energy • 10% Liveness
6% Instrumentalness • 60% Positiveness
39% Popularity • 72% Danceability • 33% Energy • 10% Liveness
6% Instrumentalness • 60% Positiveness
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Universal Togetherness Band
My Sentiment
107 bpm • F Maj • 04:24 • -10.25db
31% Popularity • 81% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 81% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Blue Magic
I Like You
116 bpm • G# Maj • 03:16 • -13.27db
20% Popularity • 71% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 71% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Donald Fagen
The Nightfly
106 bpm • G Maj • 05:47 • -8.92db
44% Popularity • 83% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
44% Popularity • 83% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Timmy Thomas
I've Got to See You Tonight
106 bpm • G Maj • 03:08 • -10.94db
33% Popularity • 86% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
33% Popularity • 86% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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The Cyrkle
The Visit (She Was Here)
116 bpm • G Maj • 02:18 • -20.84db
41% Popularity • 70% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
41% Popularity • 70% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Michael Franks
Jardin Botanico
115 bpm • A Maj • 03:33 • -18.74db
26% Popularity • 83% Danceability • 33% Energy • 7% Liveness
2% Instrumentalness • 69% Positiveness
26% Popularity • 83% Danceability • 33% Energy • 7% Liveness
2% Instrumentalness • 69% Positiveness
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Gábor Szabó
Stormy
116 bpm • E min • 03:18 • -19.61db
53% Popularity • 51% Danceability • 35% Energy • 12% Liveness
91% Instrumentalness • 50% Positiveness
53% Popularity • 51% Danceability • 35% Energy • 12% Liveness
91% Instrumentalness • 50% Positiveness
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Boz Scaggs
Lowdown (2023 Remaster)
117 bpm • B min • 05:17 • -12.15db
63% Popularity • 69% Danceability • 55% Energy • 3% Liveness
10% Instrumentalness • 94% Positiveness
63% Popularity • 69% Danceability • 55% Energy • 3% Liveness
10% Instrumentalness • 94% Positiveness
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Bill LaBounty
I'm Hurtin'
117 bpm • C min • 03:36 • -13.63db
25% Popularity • 72% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 72% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Syreeta
Black Maybe
117 bpm • F# Maj • 04:34 • -10db
25% Popularity • 36% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
25% Popularity • 36% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Donald Byrd
Lansana's Priestess
117 bpm • C Maj • 07:39 • -9db
33% Popularity • 48% Danceability • 88% Energy • 38% Liveness
34% Instrumentalness • 89% Positiveness
33% Popularity • 48% Danceability • 88% Energy • 38% Liveness
34% Instrumentalness • 89% Positiveness
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Michael Franks
I Don't Know Why I'm so Happy I'm Sad
115 bpm • C Maj • 04:15 • -18db
32% Popularity • 71% Danceability • 32% Energy • 9% Liveness
12% Instrumentalness • 57% Positiveness
32% Popularity • 71% Danceability • 32% Energy • 9% Liveness
12% Instrumentalness • 57% Positiveness
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Shakatak
Night Birds
117 bpm • C min • 06:25 • -13.91db
30% Popularity • 69% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 85% Positiveness
30% Popularity • 69% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 85% Positiveness
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The Ethics
Lost in A Lonely World
105 bpm • E min • 02:34 • -11.12db
35% Popularity • 50% Danceability • 12% Energy • 10% Liveness
7% Instrumentalness • 20% Positiveness
35% Popularity • 50% Danceability • 12% Energy • 10% Liveness
7% Instrumentalness • 20% Positiveness
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Ambrosia
You're the Only Woman - You & I
105 bpm • G# min • 04:22 • -9db
59% Popularity • 74% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
59% Popularity • 74% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Lalo Schifrin
Middle Of The Night
105 bpm • F Maj • 04:03 • -9.16db
27% Popularity • 57% Danceability • 68% Energy • 29% Liveness
13% Instrumentalness • 79% Positiveness
27% Popularity • 57% Danceability • 68% Energy • 29% Liveness
13% Instrumentalness • 79% Positiveness
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Twilight
Give Love a Try
105 bpm • B min • 02:54 • -7db
35% Popularity • 75% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 75% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Michael Franks
Alone at Night
115 bpm • C min • 04:30 • -14.61db
18% Popularity • 78% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 78% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Sade
Frankie's First Affair
105 bpm • C Maj • 04:38 • -7.09db
50% Popularity • 75% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
50% Popularity • 75% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Dr. Buzzard's Original Savannah Band
Sunshower
118 bpm • G# min • 04:05 • -19.71db
40% Popularity • 56% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 56% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Dionne Warwick
Walk the Way You Talk
118 bpm • D min • 02:50 • -9db
24% Popularity • 78% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 78% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Billy Paul
I See the Light
118 bpm • B min • 06:12 • -11.9db
14% Popularity • 45% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 45% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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The Crusaders
Keep That Same Old Feeling
104 bpm • F min • 05:38 • -16.13db
35% Popularity • 64% Danceability • 47% Energy • 8% Liveness
1% Instrumentalness • 92% Positiveness
35% Popularity • 64% Danceability • 47% Energy • 8% Liveness
1% Instrumentalness • 92% Positiveness
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Michael Franks
All Dressed up with Nowhere to Go
107 bpm • F Maj • 03:48 • -19db
33% Popularity • 78% Danceability • 38% Energy • 11% Liveness
4% Instrumentalness • 72% Positiveness
33% Popularity • 78% Danceability • 38% Energy • 11% Liveness
4% Instrumentalness • 72% Positiveness
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Milton Wright
The Silence That You Keep
104 bpm • D Maj • 03:27 • -5.3db
39% Popularity • 54% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
39% Popularity • 54% Danceability • 88% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
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Sade
I Will Be Your Friend
118 bpm • F# min • 04:43 • -9.83db
52% Popularity • 77% Danceability • 60% Energy • 7% Liveness
3% Instrumentalness • 86% Positiveness
52% Popularity • 77% Danceability • 60% Energy • 7% Liveness
3% Instrumentalness • 86% Positiveness
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Smokey Robinson
Baby That's Backatcha
119 bpm • A min • 03:48 • -7.08db
33% Popularity • 58% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
33% Popularity • 58% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Miles Davis
Maiysha (So Long)
119 bpm • G Maj • 07:29 • -10.64db
41% Popularity • 70% Danceability • 48% Energy • 8% Liveness
7% Instrumentalness • 47% Positiveness
41% Popularity • 70% Danceability • 48% Energy • 8% Liveness
7% Instrumentalness • 47% Positiveness
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Donald Byrd
Dominoes
104 bpm • C# min • 04:33 • -11db
43% Popularity • 69% Danceability • 60% Energy • 7% Liveness
1% Instrumentalness • 82% Positiveness
43% Popularity • 69% Danceability • 60% Energy • 7% Liveness
1% Instrumentalness • 82% Positiveness
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Michael Franks
Sunday Morning Here with You
116 bpm • B Maj • 04:34 • -21.26db
16% Popularity • 35% Danceability • 12% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 35% Danceability • 12% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
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Lafayette Afro Rock Band
Darkest Light
104 bpm • B Maj • 06:26 • -5db
41% Popularity • 40% Danceability • 80% Energy • 24% Liveness
6% Instrumentalness • 56% Positiveness
41% Popularity • 40% Danceability • 80% Energy • 24% Liveness
6% Instrumentalness • 56% Positiveness
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Reuben Wilson
We're In Love
104 bpm • A min • 03:29 • -12.02db
29% Popularity • 55% Danceability • 42% Energy • 8% Liveness
80% Instrumentalness • 56% Positiveness
29% Popularity • 55% Danceability • 42% Energy • 8% Liveness
80% Instrumentalness • 56% Positiveness
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Donald Fagen
I.G.Y.
119 bpm • G# min • 06:03 • -9.37db
56% Popularity • 83% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
56% Popularity • 83% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Prince
Crazy You
103 bpm • E min • 02:17 • -22.04db
29% Popularity • 92% Danceability • 8% Energy • 7% Liveness
1% Instrumentalness • 61% Positiveness
29% Popularity • 92% Danceability • 8% Energy • 7% Liveness
1% Instrumentalness • 61% Positiveness
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The Manhattans
Wish That You Were Mine
120 bpm • A min • 04:20 • -10.09db
43% Popularity • 62% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
43% Popularity • 62% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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Michael Franks
Tahitian Moon
116 bpm • B min • 04:37 • -23.02db
17% Popularity • 64% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 64% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Steps
Your Burning Love
120 bpm • F Maj • 03:11 • -4.1db
15% Popularity • 50% Danceability • 76% Energy • 48% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 50% Danceability • 76% Energy • 48% Liveness
0% Instrumentalness • 43% Positiveness
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Matthew Larkin Cassell
Heaven
103 bpm • E Maj • 03:35 • -14.28db
11% Popularity • 58% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 58% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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The Family Circle
I Hope You Really Love Me
120 bpm • G min • 02:25 • -12.76db
43% Popularity • 65% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
43% Popularity • 65% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Me Phi Me
(Think...) Where Are You Going?
120 bpm • D Maj • 04:32 • -17.16db
7% Popularity • 96% Danceability • 29% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 96% Danceability • 29% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Steely Dan
Hey Nineteen
120 bpm • D Maj • 05:09 • -18.34db
62% Popularity • 94% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
62% Popularity • 94% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Michael Franks
Still Life
117 bpm • C Maj • 04:14 • -25.57db
17% Popularity • 46% Danceability • 4% Energy • 11% Liveness
25% Instrumentalness • 9% Positiveness
17% Popularity • 46% Danceability • 4% Energy • 11% Liveness
25% Instrumentalness • 9% Positiveness
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Gino Vannelli
Love Is A Night
120 bpm • G Maj • 03:55 • -11.91db
15% Popularity • 49% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 49% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Sun
Time Is Passing
120 bpm • F min • 07:11 • -14.43db
13% Popularity • 59% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 59% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 59% Positiveness
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Starcrost
Quicksand
120 bpm • C min • 05:04 • -6.67db
28% Popularity • 55% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 55% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Donald Byrd
You And The Music
102 bpm • F min • 05:21 • -10.05db
36% Popularity • 67% Danceability • 71% Energy • 9% Liveness
32% Instrumentalness • 96% Positiveness
36% Popularity • 67% Danceability • 71% Energy • 9% Liveness
32% Instrumentalness • 96% Positiveness
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Curtis Mayfield
So in Love
121 bpm • G# Maj • 05:14 • -9.66db
51% Popularity • 68% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
51% Popularity • 68% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Michael Franks
Meet Me in the Deerpark
117 bpm • E min • 06:02 • -20.82db
17% Popularity • 82% Danceability • 24% Energy • 11% Liveness
22% Instrumentalness • 54% Positiveness
17% Popularity • 82% Danceability • 24% Energy • 11% Liveness
22% Instrumentalness • 54% Positiveness
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John Klemmer
We Couldn't Start Over
102 bpm • F Maj • 04:04 • -15db
13% Popularity • 59% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
13% Popularity • 59% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Ned Doheny
Sing To Me
121 bpm • B min • 03:36 • -11.93db
23% Popularity • 80% Danceability • 54% Energy • 9% Liveness
1% Instrumentalness • 84% Positiveness
23% Popularity • 80% Danceability • 54% Energy • 9% Liveness
1% Instrumentalness • 84% Positiveness
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Spyro Gyra
Cafe Amore
102 bpm • A Maj • 05:05 • -12.98db
35% Popularity • 70% Danceability • 54% Energy • 6% Liveness
33% Instrumentalness • 92% Positiveness
35% Popularity • 70% Danceability • 54% Energy • 6% Liveness
33% Instrumentalness • 92% Positiveness
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Donny Hathaway
Memory of Our Love
102 bpm • G# Maj • 02:55 • -20db
39% Popularity • 65% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
39% Popularity • 65% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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The Whatnauts
I'll Erase Away Your Pain
121 bpm • G# Maj • 03:11 • -12.74db
12% Popularity • 55% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 55% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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Michael Franks
Rainy Night in Tokyo
118 bpm • C# min • 04:44 • -21.17db
27% Popularity • 64% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 64% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Gino Vannelli
Felicia
121 bpm • C min • 03:03 • -16.52db
36% Popularity • 68% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
36% Popularity • 68% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
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Amnesty
We Have Love
121 bpm • F Maj • 04:32 • -9.48db
38% Popularity • 44% Danceability • 26% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness
38% Popularity • 44% Danceability • 26% Energy • 26% Liveness
0% Instrumentalness • 16% Positiveness
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Pieces Of A Dream
Fo-Fi-Fo
121 bpm • C min • 04:41 • -14.57db
31% Popularity • 82% Danceability • 45% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
31% Popularity • 82% Danceability • 45% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
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Spyro Gyra
Morning Dance
102 bpm • A# min • 03:56 • -7.28db
52% Popularity • 70% Danceability • 78% Energy • 10% Liveness
65% Instrumentalness • 84% Positiveness
52% Popularity • 70% Danceability • 78% Energy • 10% Liveness
65% Instrumentalness • 84% Positiveness
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The Whatnauts
I'll Erase Away Your Pain
121 bpm • G# Maj • 03:14 • -14.21db
38% Popularity • 57% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness
38% Popularity • 57% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 56% Positiveness