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St. Louis Blues
Songs like
St. Louis Blues
by
Count Basie
Based on a tempo of (+/- 10%) and a similar genre
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Lucky Millinder
Apollo Jump
141 bpm • F# Maj • 03:26 • -8db
36% Popularity • 58% Danceability • 45% Energy • 6% Liveness
59% Instrumentalness • 73% Positiveness
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Nancy Wilson
The Boy From Ipanema
141 bpm • C min • 02:14 • -11db
49% Popularity • 60% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Artie Shaw
Begin the Beguine
141 bpm • G Maj • 03:16 • -15.92db
49% Popularity • 63% Danceability • 16% Energy • 45% Liveness
38% Instrumentalness • 37% Positiveness
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Arturo Sandoval
Funky Cha-Cha
141 bpm • F min • 07:28 • -13.16db
32% Popularity • 58% Danceability • 70% Energy • 67% Liveness
56% Instrumentalness • 82% Positiveness
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Harry Connick, Jr.
Recipe For Love
141 bpm • C min • 02:34 • -17db
45% Popularity • 62% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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June Christy
It's A Most Unusual Day
142 bpm • G Maj • 02:23 • -13.56db
37% Popularity • 59% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Jonny Blu
I Get No Kick From Champagne
140 bpm • A# min • 03:09 • -9db
17% Popularity • 57% Danceability • 32% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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Judy Garland
Zing! Went The Strings Of My Heart
142 bpm • G Maj • 03:41 • -11.14db
44% Popularity • 49% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Members Of The Glenn Miller Orchestra
String of Pearls
140 bpm • C Maj • 03:04 • -18.16db
44% Popularity • 55% Danceability • 14% Energy • 36% Liveness
54% Instrumentalness • 35% Positiveness
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Sammy Davis Jr.
All Of You
143 bpm • C# Maj • 02:44 • -11db
48% Popularity • 39% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Count Basie
You Betcha My Life
139 bpm • F min • 02:38 • -15.61db
13% Popularity • 56% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 66% Positiveness
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Barry Manilow
Come Dance With Me / Come Fly With Me
143 bpm • D min • 03:00 • -6.47db
25% Popularity • 41% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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June Christy
Give Me The Simple Life
139 bpm • F min • 02:17 • -12.51db
51% Popularity • 62% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Nat King Cole Trio
Too Marvelous For Words
138 bpm • D min • 02:34 • -21db
56% Popularity • 62% Danceability • 5% Energy • 13% Liveness
2% Instrumentalness • 61% Positiveness
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Stan Getz
Desafinado
144 bpm • A# Maj • 04:08 • -17.52db
58% Popularity • 50% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Sammy Davis Jr.
Something's Gotta Give
138 bpm • A min • 02:05 • -8.72db
58% Popularity • 54% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Count Basie
The Kid from Red Bank
139 bpm • C Maj • 02:42 • -10db
30% Popularity • 53% Danceability • 63% Energy • 24% Liveness
36% Instrumentalness • 72% Positiveness
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Justin Hurwitz
When I Wake
138 bpm • D Maj • 03:52 • -11db
38% Popularity • 59% Danceability • 21% Energy • 16% Liveness
63% Instrumentalness • 54% Positiveness
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Dinah Washington
You Don't Know What Love Is
138 bpm • A# min • 04:05 • -13db
42% Popularity • 52% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Tony Bennett
Are You Having Any Fun
137 bpm • C Maj • 02:43 • -5.85db
36% Popularity • 41% Danceability • 62% Energy • 45% Liveness
0% Instrumentalness • 74% Positiveness
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Miles Davis
So What
137 bpm • C Maj • 09:22 • -17.27db
62% Popularity • 53% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Bobby Darin
Beyond the Sea
136 bpm • D min • 02:52 • -7.46db
69% Popularity • 52% Danceability • 52% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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Count Basie
Vine Street Rumble
144 bpm • F Maj • 03:43 • -13db
27% Popularity • 50% Danceability • 35% Energy • 9% Liveness
1% Instrumentalness • 51% Positiveness
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Etta Jones
Till There Was You
136 bpm • G Maj • 02:06 • -16.49db
59% Popularity • 48% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Bob Howard
Easy Living
136 bpm • G# Maj • 03:02 • -16.3db
37% Popularity • 56% Danceability • 12% Energy • 22% Liveness
64% Instrumentalness • 55% Positiveness
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Nicola Arigliano
Ain't She Sweet
136 bpm • G Maj • 02:11 • -12db
46% Popularity • 59% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Sidney Bechet
Blues My Naughty Sweetie Gives To Me
136 bpm • G min • 05:43 • -9.46db
40% Popularity • 71% Danceability • 48% Energy • 20% Liveness
91% Instrumentalness • 82% Positiveness
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Sil Austin
Slow Walk
146 bpm • F Maj • 02:39 • -9db
51% Popularity • 61% Danceability • 53% Energy • 26% Liveness
82% Instrumentalness • 69% Positiveness
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Count Basie
Corner Pocket
138 bpm • F# Maj • 05:15 • -12.07db
39% Popularity • 52% Danceability • 33% Energy • 5% Liveness
5% Instrumentalness • 76% Positiveness
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Hot Sugar Band
Harlem Swing
136 bpm • C min • 03:05 • -7.3db
33% Popularity • 61% Danceability • 39% Energy • 10% Liveness
49% Instrumentalness • 72% Positiveness
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Nat King Cole
Unforgettable
136 bpm • F Maj • 03:11 • -13.51db
70% Popularity • 35% Danceability • 18% Energy • 14% Liveness
2% Instrumentalness • 18% Positiveness
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Peggy Lee
Fever
136 bpm • E min • 03:19 • -12.61db
67% Popularity • 84% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Shirley Horn
Hit The Road Jack
146 bpm • D min • 03:11 • -17.4db
50% Popularity • 66% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Etta Jones
Yes Sir, That's My Baby
147 bpm • G# Maj • 04:20 • -8.39db
44% Popularity • 63% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Count Basie
A Hard Day's Night
137 bpm • C# Maj • 04:22 • -10.52db
29% Popularity • 59% Danceability • 36% Energy • 13% Liveness
3% Instrumentalness • 66% Positiveness
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Ella Fitzgerald
Tea For Two
135 bpm • C Maj • 03:17 • -16.11db
30% Popularity • 65% Danceability • 23% Energy • 3% Liveness
0% Instrumentalness • 68% Positiveness
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Billy Eckstine
(She's Got The) Blues For Sale
135 bpm • A# Maj • 03:01 • -12.25db
39% Popularity • 68% Danceability • 19% Energy • 6% Liveness
2% Instrumentalness • 60% Positiveness
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Wayne Newton
Danke Schoen
147 bpm • A min • 02:35 • -8.71db
56% Popularity • 39% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Erskine Hawkins & His Orchestra
Tuxedo Junction
147 bpm • A# Maj • 03:17 • -11db
30% Popularity • 56% Danceability • 32% Energy • 17% Liveness
71% Instrumentalness • 72% Positiveness
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Tony Bennett
Anything Goes
135 bpm • C Maj • 02:17 • -5.7db
22% Popularity • 35% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Count Basie
Blues in Hoss' Flat - 2003 Remaster
136 bpm • C# Maj • 03:13 • -9.93db
32% Popularity • 52% Danceability • 40% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
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Ella Fitzgerald
Autumn In New York
135 bpm • G min • 05:56 • -18.61db
57% Popularity • 42% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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John Coltrane
Blue Train - Remastered 2003/Rudy Van Ge...
135 bpm • G# Maj • 10:44 • -7.76db
49% Popularity • 51% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
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Naomi & Her Handsome Devils
Take It Easy Greasy
134 bpm • G min • 03:45 • -9.46db
37% Popularity • 76% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Etta Jones
Someday My Prince Will Come
134 bpm • C min • 03:01 • -17db
40% Popularity • 62% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Blossom Dearie
'Deed I Do
134 bpm • G Maj • 02:13 • -17db
55% Popularity • 57% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Sammy Davis Jr.
The Girl From Ipanema
134 bpm • D Maj • 04:07 • -15db
22% Popularity • 54% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Ernestine Anderson
It Don't Mean A Thing (If It Ain't Got T...
134 bpm • F min • 02:18 • -16.38db
47% Popularity • 58% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Count Basie
Twelfth Street Rag (78rpm Version)
134 bpm • C min • 03:03 • -14.48db
4% Popularity • 65% Danceability • 29% Energy • 15% Liveness
83% Instrumentalness • 92% Positiveness
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Duke Ellington
Jumpin' at the Woodside
134 bpm • C min • 03:08 • -10.26db
34% Popularity • 42% Danceability • 63% Energy • 9% Liveness
2% Instrumentalness • 76% Positiveness
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Nancy Wilson
What A Little Moonlight Can Do - Remaste...
149 bpm • C min • 02:27 • -5db
45% Popularity • 59% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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Antônio Carlos Jobim
The Girl From Ipanema
134 bpm • F Maj • 03:20 • -14.42db
65% Popularity • 54% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Harry Connick, Jr.
Come By Me
149 bpm • A# Maj • 04:00 • -7.8db
36% Popularity • 43% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Ernestine Anderson
They Didn't Believe Me
133 bpm • C# Maj • 02:24 • -14.3db
43% Popularity • 54% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Mel Tormé
They Can't Take That Away from Me (2012 ...
133 bpm • F min • 03:01 • -10.19db
46% Popularity • 49% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Chet Baker
My Funny Valentine
133 bpm • C min • 02:21 • -26.44db
67% Popularity • 44% Danceability • 1% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Dakota Staton
The Late, Late Show
132 bpm • G# Maj • 02:36 • -15.24db
35% Popularity • 74% Danceability • 19% Energy • 3% Liveness
0% Instrumentalness • 51% Positiveness
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Count Basie
Kansas City
133 bpm • G min • 04:00 • -12.19db
16% Popularity • 64% Danceability • 26% Energy • 12% Liveness
2% Instrumentalness • 46% Positiveness
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Bix Beiderbecke
Singin' The Blues
132 bpm • C min • 03:00 • -12db
39% Popularity • 71% Danceability • 21% Energy • 8% Liveness
80% Instrumentalness • 82% Positiveness
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Tony Bennett
With Plenty Of Money And You
132 bpm • F min • 01:30 • -6.17db
34% Popularity • 37% Danceability • 78% Energy • 49% Liveness
0% Instrumentalness • 79% Positiveness
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Teddy Joyce And His Orchestra
March Winds And April Showers
151 bpm • D Maj • 03:05 • -25.96db
4% Popularity • 52% Danceability • 4% Energy • 14% Liveness
50% Instrumentalness • 52% Positiveness
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Wayne Newton
Remember When
132 bpm • F Maj • 02:16 • -14db
45% Popularity • 59% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Kay Starr
It's a Good Day
151 bpm • C Maj • 01:59 • -8db
29% Popularity • 65% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Count Basie
All Of Me
150 bpm • G Maj • 02:30 • -17.23db
32% Popularity • 53% Danceability • 18% Energy • 5% Liveness
72% Instrumentalness • 79% Positiveness
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Naomi & Her Handsome Devils
I Can't Give You Anything but Love
131 bpm • A min • 03:49 • -11.45db
31% Popularity • 74% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Kitty Kallen
It's Been a Long, Long Time
132 bpm • C Maj • 03:26 • -16.14db
59% Popularity • 33% Danceability • 16% Energy • 31% Liveness
0% Instrumentalness • 44% Positiveness
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Jimmy Dorsey & His Orchestra
I Got Rhythm
151 bpm • D min • 03:05 • -9db
34% Popularity • 60% Danceability • 75% Energy • 10% Liveness
94% Instrumentalness • 88% Positiveness
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Glenn Miller
A String of Pearls
131 bpm • C min • 03:13 • -11.27db
43% Popularity • 77% Danceability • 18% Energy • 11% Liveness
77% Instrumentalness • 69% Positiveness
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Vic Damone
Let's Fall in Love
131 bpm • C# min • 01:58 • -9.06db
50% Popularity • 44% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Diana Krall
L-O-V-E
131 bpm • A min • 04:20 • -13.29db
49% Popularity • 68% Danceability • 20% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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June Christy
I Want To Be Happy
131 bpm • A min • 01:23 • -14db
43% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Bobby Darin
More - Remastered 2004
152 bpm • F min • 02:25 • -8.74db
63% Popularity • 50% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Harry Connick, Jr.
The Way You Look Tonight
130 bpm • C# Maj • 03:45 • -13.7db
34% Popularity • 46% Danceability • 23% Energy • 27% Liveness
0% Instrumentalness • 52% Positiveness
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Stan Getz
The Girl From Ipanema
130 bpm • A# min • 05:20 • -17.87db
68% Popularity • 65% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Marvin Gaye
Ain't No Mountain High Enough
130 bpm • G Maj • 02:31 • -10.87db
85% Popularity • 66% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Vic Damone
On the Street Where You Live - Single V...
130 bpm • B Maj • 02:43 • -9.75db
34% Popularity • 26% Danceability • 39% Energy • 40% Liveness
0% Instrumentalness • 40% Positiveness
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Nat King Cole Trio
Blue And Sentimental - 1947 Version
130 bpm • G# Maj • 02:35 • -24.44db
49% Popularity • 51% Danceability • 2% Energy • 12% Liveness
51% Instrumentalness • 33% Positiveness
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Herbie Hancock
Watermelon Man - Remastered 2007
129 bpm • C min • 07:09 • -8.56db
55% Popularity • 61% Danceability • 53% Energy • 18% Liveness
3% Instrumentalness • 59% Positiveness
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Etta Jones
Don't Go To Strangers
129 bpm • G Maj • 03:48 • -13.58db
52% Popularity • 50% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Jimmy Dorsey & His Orchestra
I'm Stepping out with a Memory Tonight
129 bpm • F min • 02:45 • -12.11db
25% Popularity • 52% Danceability • 22% Energy • 18% Liveness
7% Instrumentalness • 70% Positiveness
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Margaret Whiting
Make Someone Happy
129 bpm • B min • 02:09 • -7.34db
47% Popularity • 55% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Dinah Washington
I Could Write A Book
129 bpm • D min • 04:28 • -11.35db
35% Popularity • 67% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Chet Baker
I Fall In Love Too Easily
129 bpm • C min • 03:21 • -19.14db
68% Popularity • 53% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Kay Starr
C'est Magnifique - Remastered
155 bpm • F# min • 02:19 • -10.03db
46% Popularity • 68% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Louis Jordan
Keep a Knockin' (But You Can't Come In)
155 bpm • C# Maj • 02:32 • -10.52db
44% Popularity • 76% Danceability • 29% Energy • 5% Liveness
38% Instrumentalness • 83% Positiveness
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Sam Cooke
(What A) Wonderful World - Mono
129 bpm • B Maj • 02:08 • -5.52db
76% Popularity • 69% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Nat King Cole
Orange Colored Sky
129 bpm • A# Maj • 02:33 • -15.2db
61% Popularity • 54% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Dakota Staton
You've Changed
129 bpm • F min • 02:51 • -20.63db
28% Popularity • 41% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Fats Waller
Honeysuckle Rose
155 bpm • F Maj • 02:38 • -17db
35% Popularity • 73% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 79% Positiveness
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Dinah Washington
Destination Moon - 1997 Remaster
128 bpm • F min • 02:35 • -8.04db
22% Popularity • 56% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Ella Mae Morse
Mr. Five By Five
128 bpm • E min • 03:03 • -18.13db
29% Popularity • 76% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Wayne Newton
MIchelle - Digitally Remastered 99
128 bpm • F min • 01:51 • -17.5db
43% Popularity • 50% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Jimmy Dorsey & His Orchestra
Tangerine
155 bpm • B min • 03:12 • -11.09db
39% Popularity • 48% Danceability • 20% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Nat King Cole Trio
You're Nobody 'Til Somebody Loves You
128 bpm • C min • 02:51 • -18db
43% Popularity • 70% Danceability • 9% Energy • 9% Liveness
18% Instrumentalness • 49% Positiveness
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Harry Connick, Jr.
Blue Light, Red Light (Someone's There)
128 bpm • F min • 03:28 • -14.89db
24% Popularity • 57% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Jimmy Dorsey
I'm Steppin' out with a Memory Tonight
127 bpm • F min • 02:46 • -9.34db
25% Popularity • 52% Danceability • 29% Energy • 22% Liveness
12% Instrumentalness • 68% Positiveness
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Roy Orbison
Oh, Pretty Woman
127 bpm • A Maj • 02:58 • -9.48db
78% Popularity • 62% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Dizzy Gillespie
All The Things You Are
127 bpm • G# Maj • 02:49 • -17.66db
51% Popularity • 56% Danceability • 8% Energy • 11% Liveness
58% Instrumentalness • 48% Positiveness
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Thad Jones
The Groove Merchant (Live) [1994 Remaste...
127 bpm • G# Maj • 05:12 • -10db
32% Popularity • 66% Danceability • 37% Energy • 15% Liveness
13% Instrumentalness • 62% Positiveness
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Richard M. Jones
Red Wagon
156 bpm • C Maj • 02:54 • -21.94db
0% Popularity • 75% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 60% Positiveness
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St. Louis Blues