Songs like St. Matthew Passion, BWV 244, Pt. 1: Part I: Recitative: Und er kam und fand sie aber schlafend (Evangelist, Jesus, Judas) by Johann Sebastian Bach
Based on a tempo of (+/- 10%) and a similar genre
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Jean Sibelius
6 Impromptus, Op. 5: Impromptu V
72 bpm • B min • 03:51 • -31.63db
41% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
41% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
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George Frideric Handel
Keyboard Suite No. 2 (Set I) in F Major,...
72 bpm • D min • 03:01 • -30db
38% Popularity • 40% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
38% Popularity • 40% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
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Ivo Janssen
Concerto in G minor, after unknown, BWV ...
72 bpm • G min • 02:17 • -26db
32% Popularity • 47% Danceability • 3% Energy • 16% Liveness
93% Instrumentalness • 37% Positiveness
32% Popularity • 47% Danceability • 3% Energy • 16% Liveness
93% Instrumentalness • 37% Positiveness
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Edvard Grieg
Lyric Pieces, Book 5, Op. 54: Nocturne
72 bpm • C Maj • 03:40 • -29.73db
58% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
58% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice) ...
73 bpm • F Maj • 01:37 • -27.52db
50% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
50% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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Giovanni Sgambati
Orfeo ed Euridice: Melody (arr. G. Sgamb...
71 bpm • D min • 03:49 • -34.2db
44% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
44% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
71 bpm • F min • 01:48 • -30db
42% Popularity • 34% Danceability • 6% Energy • 10% Liveness
85% Instrumentalness • 23% Positiveness
42% Popularity • 34% Danceability • 6% Energy • 10% Liveness
85% Instrumentalness • 23% Positiveness
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George Frideric Handel
Ode for St. Cecilia's Day, HWV 76: Air: ...
72 bpm • F# Maj • 08:18 • -29.67db
31% Popularity • 17% Danceability • 1% Energy • 12% Liveness
34% Instrumentalness • 6% Positiveness
31% Popularity • 17% Danceability • 1% Energy • 12% Liveness
34% Instrumentalness • 6% Positiveness
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Wilhelm Kempff
Menuet in G Minor (trans. W. Kempff)
73 bpm • G min • 03:13 • -33db
51% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
51% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
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Ignaz Friedman
Flute Sonata in E-Flat Major, BWV 1031: ...
73 bpm • G min • 02:12 • -30.53db
58% Popularity • 36% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
58% Popularity • 36% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
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François Couperin
Troisième livre de pièces de clavecin:...
73 bpm • F Maj • 02:10 • -24.62db
40% Popularity • 50% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 89% Positiveness
40% Popularity • 50% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 89% Positiveness
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Jules Massenet
Massenet: Élégie (Arr. for Cello and P...
73 bpm • E min • 01:44 • -26db
46% Popularity • 16% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
46% Popularity • 16% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
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John Field
Nocturne No. 1 in E-Flat Major
73 bpm • D# Maj • 03:52 • -36db
46% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
46% Popularity • 35% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 15% Positiveness
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Gustav Mahler
Symphony No. 5 in C-Sharp Minor (arr. J....
71 bpm • F Maj • 09:59 • -24.95db
34% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
34% Popularity • 45% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 6% Positiveness
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Jean-Baptiste Lully
Lully : Ballet des Muses : "Trop indiscr...
71 bpm • F min • 05:06 • -21.53db
38% Popularity • 20% Danceability • 7% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
38% Popularity • 20% Danceability • 7% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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Johann Sebastian Bach
Goldberg Variations, BWV 988: Variatio 7...
71 bpm • G Maj • 02:20 • -25.7db
53% Popularity • 31% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 57% Positiveness
53% Popularity • 31% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 57% Positiveness
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George Frideric Handel
Sarabande Variations : Variation VIII
74 bpm • C# Maj • 01:28 • -42db
46% Popularity • 40% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 43% Positiveness
46% Popularity • 40% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 43% Positiveness
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Alexander Borodin
Borodin - String Quartet No.2 in D major...
74 bpm • A Maj • 08:37 • -19.03db
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
36% Popularity • 16% Danceability • 15% Energy • 4% Liveness
62% Instrumentalness • 9% Positiveness
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Valentin Silvestrov
Three Postludes (1981/82): Postlude No. ...
70 bpm • D Maj • 04:15 • -40db
55% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
55% Popularity • 12% Danceability • 0% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Jean-Philippe Rameau
Deuxieme livre, Suite en Mi: X. Tambouri...
70 bpm • E min • 01:30 • -27db
44% Popularity • 39% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
44% Popularity • 39% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 (Arranged by S...
70 bpm • D min • 03:01 • -36.89db
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
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Robert Schumann
No. 1, Von fremden Ländern und Menschen
70 bpm • G Maj • 01:33 • -35.55db
58% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
58% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
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George Frideric Handel
Suite in D Minor, HWV 447: Allemande
74 bpm • D min • 01:36 • -32.68db
52% Popularity • 50% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 56% Positiveness
52% Popularity • 50% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 56% Positiveness
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Johann Sebastian Bach
Gottes Zeit ist die allerbeste Zeit, Son...
74 bpm • D# Maj • 02:18 • -35db
50% Popularity • 49% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
50% Popularity • 49% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 15% Positiveness
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Anonymous
Viola da gamba Sonata in D Major, BWV 10...
74 bpm • D Maj • 02:04 • -26db
18% Popularity • 26% Danceability • 2% Energy • 10% Liveness
85% Instrumentalness • 13% Positiveness
18% Popularity • 26% Danceability • 2% Energy • 10% Liveness
85% Instrumentalness • 13% Positiveness
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Claude Debussy
Rêverie, L. 68: Rêverie
69 bpm • G min • 04:17 • -31.95db
58% Popularity • 30% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
58% Popularity • 30% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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John Field
Nocturne No. 1 in E Flat Major, H.24
75 bpm • D# Maj • 03:41 • -25.07db
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
54% Popularity • 32% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Antonio Vivaldi
Concerto In D Major For 2 Violins, Strin...
75 bpm • E min • 04:27 • -26db
39% Popularity • 20% Danceability • 2% Energy • 11% Liveness
6% Instrumentalness • 17% Positiveness
39% Popularity • 20% Danceability • 2% Energy • 11% Liveness
6% Instrumentalness • 17% Positiveness
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Frédéric Chopin
Berceuse in D-Flat Major, Op. 57
69 bpm • C# Maj • 04:29 • -26.73db
50% Popularity • 28% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
50% Popularity • 28% Danceability • 7% Energy • 12% Liveness
91% Instrumentalness • 14% Positiveness
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Johann Sebastian Bach
Violin Concerto in A Minor, BWV 1041: II...
74 bpm • C Maj • 05:32 • -23db
49% Popularity • 20% Danceability • 7% Energy • 15% Liveness
10% Instrumentalness • 6% Positiveness
49% Popularity • 20% Danceability • 7% Energy • 15% Liveness
10% Instrumentalness • 6% Positiveness
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Franz Liszt
6 Consolations, S. 172: No. 3 in D-Flat ...
69 bpm • C# Maj • 04:14 • -36.76db
59% Popularity • 37% Danceability • 0% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
59% Popularity • 37% Danceability • 0% Energy • 14% Liveness
92% Instrumentalness • 8% Positiveness
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Robert Schumann
Waldszenen, Op. 82: 3. Einsame Blumen
69 bpm • A# Maj • 02:40 • -39db
37% Popularity • 41% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 46% Positiveness
37% Popularity • 41% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 46% Positiveness
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George Frideric Handel
Concerto in D Minor, Op.7, No.4: I. Adag...
75 bpm • C# min • 04:45 • -26.85db
45% Popularity • 7% Danceability • 2% Energy • 10% Liveness
66% Instrumentalness • 7% Positiveness
45% Popularity • 7% Danceability • 2% Energy • 10% Liveness
66% Instrumentalness • 7% Positiveness
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Johannes Brahms
Sechs Klavierstücke, Op. 118: II. Inter...
69 bpm • A Maj • 06:18 • -30.92db
61% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
61% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
Lied ohne Worte in F-Sharp Minor, Op. 67...
75 bpm • F# min • 01:44 • -24db
43% Popularity • 35% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 40% Positiveness
43% Popularity • 35% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 40% Positiveness
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Johann Sebastian Bach
Concerto for three violins BWV 1064R in ...
69 bpm • A# min • 05:40 • -19db
27% Popularity • 16% Danceability • 10% Energy • 28% Liveness
0% Instrumentalness • 8% Positiveness
27% Popularity • 16% Danceability • 10% Energy • 28% Liveness
0% Instrumentalness • 8% Positiveness
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Edvard Grieg
Lyric Pieces, Book 1, Op. 12: I. Arietta
75 bpm • A# Maj • 01:25 • -38.8db
60% Popularity • 33% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
60% Popularity • 33% Danceability • 0% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
76 bpm • A min • 03:18 • -25.13db
52% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
52% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio No. 1 in C Minor, Wq. 117/2, H...
76 bpm • F min • 00:58 • -24.95db
63% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
63% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
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François Couperin
La Petite Pince-Sans-Rire: 21ème ordre,...
76 bpm • E min • 01:54 • -28.39db
41% Popularity • 28% Danceability • 4% Energy • 18% Liveness
84% Instrumentalness • 28% Positiveness
41% Popularity • 28% Danceability • 4% Energy • 18% Liveness
84% Instrumentalness • 28% Positiveness
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George Frideric Handel
Rinaldo, HWV 7: Lascia ch'io pianga (Arr...
68 bpm • F Maj • 04:28 • -31.27db
51% Popularity • 25% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
51% Popularity • 25% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
68 bpm • C Maj • 09:52 • -19db
36% Popularity • 37% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 31% Positiveness
36% Popularity • 37% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 31% Positiveness
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Edvard Grieg
Piano Concerto in A minor, Op. 16: II. A...
76 bpm • C# Maj • 06:38 • -27.98db
56% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
56% Popularity • 11% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
68 bpm • C min • 01:33 • -22.73db
49% Popularity • 30% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
49% Popularity • 30% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
68 bpm • D# Maj • 04:42 • -28.66db
55% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
55% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Johann Sebastian Bach
Concerto en ré mineur, BWV 974: II. Ada...
68 bpm • D min • 04:13 • -27db
56% Popularity • 35% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
56% Popularity • 35% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 6% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: Die Torrente in ...
68 bpm • B min • 04:15 • -25.14db
36% Popularity • 16% Danceability • 4% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 4% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
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Franz Liszt
Ständchen in D Minor (After Schubert), ...
76 bpm • D Maj • 05:57 • -28.29db
56% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
56% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626 / Act III: "When...
77 bpm • G min • 03:48 • -23.96db
47% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
47% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Alessandro Marcello
Concerto in D Minor: II. Adagio
68 bpm • D min • 03:47 • -21db
28% Popularity • 20% Danceability • 3% Energy • 11% Liveness
80% Instrumentalness • 16% Positiveness
28% Popularity • 20% Danceability • 3% Energy • 11% Liveness
80% Instrumentalness • 16% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D. 899: No. 3 in G...
67 bpm • F# Maj • 06:17 • -36.15db
47% Popularity • 13% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
47% Popularity • 13% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Johann Sebastian Bach
Bach, JS: Concerto for Flute, Violin and...
68 bpm • A min • 09:00 • -13db
18% Popularity • 30% Danceability • 33% Energy • 19% Liveness
1% Instrumentalness • 55% Positiveness
18% Popularity • 30% Danceability • 33% Energy • 19% Liveness
1% Instrumentalness • 55% Positiveness
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Chiyan Wong
Goldberg Variations (‘Air with Thirty ...
68 bpm • E min • 00:59 • -28.4db
33% Popularity • 55% Danceability • 4% Energy • 20% Liveness
84% Instrumentalness • 79% Positiveness
33% Popularity • 55% Danceability • 4% Energy • 20% Liveness
84% Instrumentalness • 79% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 10. Fast zu ernst
67 bpm • G# min • 02:00 • -34.37db
42% Popularity • 39% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
42% Popularity • 39% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
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George Frideric Handel
Concerto-Pasticcio in C Major: I. Largo
67 bpm • G Maj • 01:46 • -17.4db
44% Popularity • 15% Danceability • 5% Energy • 12% Liveness
50% Instrumentalness • 8% Positiveness
44% Popularity • 15% Danceability • 5% Energy • 12% Liveness
50% Instrumentalness • 8% Positiveness
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John Field
Nocturne No. 2 in C Minor
67 bpm • C min • 03:43 • -33.29db
57% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
57% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
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Franz Schubert
Du bist die Ruh, Op. 59/3, D. 776
67 bpm • D# Maj • 05:01 • -27.52db
41% Popularity • 20% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
41% Popularity • 20% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
► Preview
Christoph Willibald Gluck
Orpheo ed Euridice, Wq. 30, Act II: Danc...
67 bpm • D min • 03:27 • -25.5db
43% Popularity • 24% Danceability • 10% Energy • 13% Liveness
98% Instrumentalness • 7% Positiveness
43% Popularity • 24% Danceability • 10% Energy • 13% Liveness
98% Instrumentalness • 7% Positiveness
► Preview
Johann Sebastian Bach
Weinen, Klagen, Sorgen, Zagen, BWV 12: I...
67 bpm • D Maj • 05:14 • -20db
11% Popularity • 26% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 6% Positiveness
11% Popularity • 26% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 6% Positiveness
► Preview
Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
78 bpm • D Maj • 01:32 • -17db
54% Popularity • 23% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
54% Popularity • 23% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Jean-Baptiste Lully
La naissance de Vénus, LWV 27, Pt. 2: G...
78 bpm • D min • 01:18 • -23.57db
45% Popularity • 60% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
45% Popularity • 60% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Serenade for Strings in C major, Op. 48:...
66 bpm • G Maj • 03:29 • -22.41db
49% Popularity • 24% Danceability • 12% Energy • 13% Liveness
66% Instrumentalness • 19% Positiveness
49% Popularity • 24% Danceability • 12% Energy • 13% Liveness
66% Instrumentalness • 19% Positiveness
► Preview
Robert Schumann
Carnaval, Op. 9: XII. Chopin
66 bpm • G# Maj • 01:30 • -36.35db
50% Popularity • 32% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
50% Popularity • 32% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
► Preview
Domenico Scarlatti
Sonate en La Mineur, K. 109. Adagio
78 bpm • A min • 06:26 • -29.41db
31% Popularity • 33% Danceability • 3% Energy • 13% Liveness
93% Instrumentalness • 6% Positiveness
31% Popularity • 33% Danceability • 3% Energy • 13% Liveness
93% Instrumentalness • 6% Positiveness
► Preview
Johann Sebastian Bach
Bach, JS: Concerto for Two Violins in D ...
77 bpm • F Maj • 07:43 • -22db
23% Popularity • 19% Danceability • 16% Energy • 35% Liveness
62% Instrumentalness • 19% Positiveness
23% Popularity • 19% Danceability • 16% Energy • 35% Liveness
62% Instrumentalness • 19% Positiveness
► Preview
Luc Beauséjour
The Well-Tempered Clavier, Book 1, BWV 8...
78 bpm • B Maj • 01:57 • -21db
42% Popularity • 9% Danceability • 31% Energy • 8% Liveness
93% Instrumentalness • 69% Positiveness
42% Popularity • 9% Danceability • 31% Energy • 8% Liveness
93% Instrumentalness • 69% Positiveness
► Preview
Bedřich Smetana
6 Album Leaves, Op. 2, JB 1:51: No. 2 in...
66 bpm • A min • 01:37 • -30db
63% Popularity • 19% Danceability • 3% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
63% Popularity • 19% Danceability • 3% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
► Preview
Henri Vieuxtemps
Violin Concerto No. 4 in D Minor, Op. 31...
66 bpm • D# Maj • 06:16 • -24.47db
34% Popularity • 9% Danceability • 10% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
34% Popularity • 9% Danceability • 10% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
► Preview
Johann Christian Bach
Viola Concerto in C Minor: III. Allegro ...
79 bpm • G min • 03:28 • -13.45db
26% Popularity • 31% Danceability • 31% Energy • 13% Liveness
82% Instrumentalness • 25% Positiveness
26% Popularity • 31% Danceability • 31% Energy • 13% Liveness
82% Instrumentalness • 25% Positiveness
► Preview
AntonÃn Dvořák
2 Pieces, Op. posth., B. 188: No. 1. Lul...
66 bpm • G Maj • 03:11 • -29.06db
54% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
54% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Johann Sebastian Bach
Trio Sonata in G Major, BWV 1038: III. A...
77 bpm • E min • 02:16 • -17db
14% Popularity • 23% Danceability • 19% Energy • 42% Liveness
5% Instrumentalness • 10% Positiveness
14% Popularity • 23% Danceability • 19% Energy • 42% Liveness
5% Instrumentalness • 10% Positiveness
► Preview
Tomaso Albinoni
Oboe Concerto in C Major, Op. 9, No. 5: ...
79 bpm • A min • 01:58 • -19db
48% Popularity • 9% Danceability • 14% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
48% Popularity • 9% Danceability • 14% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
► Preview
Johannes Brahms
16 Waltzes, Op. 39 (1867 version): No. 1...
79 bpm • A Maj • 01:25 • -39.13db
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
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Gabriel Fauré
3 Romances sans paroles, Op. 17: No. 3 i...
79 bpm • A Maj • 02:02 • -27.11db
45% Popularity • 16% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
45% Popularity • 16% Danceability • 5% Energy • 12% Liveness
88% Instrumentalness • 16% Positiveness
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John Field
Nocturne No. 2 in C Minor, H.25
80 bpm • C min • 03:11 • -19.31db
45% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
45% Popularity • 35% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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François Couperin
Le Rossignol-en-Amour: 14ème ordre, 3è...
65 bpm • A Maj • 02:36 • -31.92db
41% Popularity • 40% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 37% Positiveness
41% Popularity • 40% Danceability • 2% Energy • 7% Liveness
95% Instrumentalness • 37% Positiveness
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Johann Sebastian Bach
Bach, JS: Concerto for Two Violins in D ...
77 bpm • F Maj • 07:33 • -21.98db
14% Popularity • 8% Danceability • 17% Energy • 17% Liveness
32% Instrumentalness • 15% Positiveness
14% Popularity • 8% Danceability • 17% Energy • 17% Liveness
32% Instrumentalness • 15% Positiveness
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Claude Debussy
Debussy: Piano Trio in G Major, L. 5: II...
80 bpm • F# min • 03:12 • -26db
39% Popularity • 39% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 34% Positiveness
39% Popularity • 39% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 34% Positiveness
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Cologne Chamber Orchestra
Concerto For 4 Harpsichords In A Minor, ...
81 bpm • G Maj • 02:03 • -20db
47% Popularity • 31% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 31% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Wilhelm Kempff
Orfeo ed Euridice, Act II Scene 2: Balle...
81 bpm • F Maj • 04:45 • -33.57db
34% Popularity • 29% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
34% Popularity • 29% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
81 bpm • A Maj • 01:08 • -19db
61% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
61% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
81 bpm • C Maj • 06:23 • -20db
31% Popularity • 51% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 54% Positiveness
31% Popularity • 51% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 54% Positiveness
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Johann Sebastian Bach
Concerto in C Major, BWV 1064 (arr. for ...
67 bpm • B min • 05:59 • -20db
26% Popularity • 25% Danceability • 11% Energy • 29% Liveness
12% Instrumentalness • 12% Positiveness
26% Popularity • 25% Danceability • 11% Energy • 29% Liveness
12% Instrumentalness • 12% Positiveness
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John Shrapnel
Music: Stolzel: Bist Du Bei Mir
64 bpm • D# Maj • 02:25 • -19db
42% Popularity • 21% Danceability • 14% Energy • 13% Liveness
52% Instrumentalness • 8% Positiveness
42% Popularity • 21% Danceability • 14% Energy • 13% Liveness
52% Instrumentalness • 8% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
82 bpm • G min • 01:52 • -34.43db
53% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
53% Popularity • 34% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
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Georg Philipp Telemann
Concerto for Recorder, Transverse Flute,...
82 bpm • D min • 02:29 • -14.92db
38% Popularity • 60% Danceability • 32% Energy • 15% Liveness
88% Instrumentalness • 75% Positiveness
38% Popularity • 60% Danceability • 32% Energy • 15% Liveness
88% Instrumentalness • 75% Positiveness
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Arcangelo Corelli
Oboe Concerto in A Major (arr. J. Barbir...
82 bpm • F Maj • 02:27 • -29.76db
42% Popularity • 17% Danceability • 4% Energy • 13% Liveness
85% Instrumentalness • 10% Positiveness
42% Popularity • 17% Danceability • 4% Energy • 13% Liveness
85% Instrumentalness • 10% Positiveness
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Anonymous
Cello Suite No. 1 in G Major, BWV 1007 (...
82 bpm • A Maj • 02:23 • -22.32db
13% Popularity • 38% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 57% Positiveness
13% Popularity • 38% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 57% Positiveness
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Johann Sebastian Bach
Matthäus-Passion, BWV 244, Erster Teil:...
78 bpm • A# min • 00:42 • -25db
41% Popularity • 36% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
41% Popularity • 36% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Unico Wilhelm van Wassenaer
Concerto Armonico No. 1 in G Major: Grav...
63 bpm • F# Maj • 01:57 • -21db
41% Popularity • 6% Danceability • 6% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
41% Popularity • 6% Danceability • 6% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
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Inge Rosar
Kleine Präludien: No.3 in D Minor, BWV ...
83 bpm • D min • 01:01 • -26.65db
36% Popularity • 43% Danceability • 10% Energy • 11% Liveness
73% Instrumentalness • 87% Positiveness
36% Popularity • 43% Danceability • 10% Energy • 11% Liveness
73% Instrumentalness • 87% Positiveness
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Christoph Willibald Gluck
Orfeo Ed Euridice: Dance of the Blessed ...
63 bpm • F Maj • 06:45 • -28db
44% Popularity • 16% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
44% Popularity • 16% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
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Cologne Chamber Orchestra
Brandenburg Concerto No. 6 In B Flat Maj...
83 bpm • C min • 04:43 • -23db
43% Popularity • 17% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
43% Popularity • 17% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 15% Positiveness
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Georg Philipp Telemann
Overture in D Minor, TWV 55:2: Rondeau
83 bpm • D min • 01:05 • -19db
42% Popularity • 70% Danceability • 9% Energy • 12% Liveness
22% Instrumentalness • 72% Positiveness
42% Popularity • 70% Danceability • 9% Energy • 12% Liveness
22% Instrumentalness • 72% Positiveness
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Johann Sebastian Bach
Schweigt stille, plaudert nicht Cantata,...
66 bpm • A# min • 04:12 • -22db
38% Popularity • 52% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 52% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Arcangelo Corelli
Violin Sonata in B-Flat Major, Op. 5 No....
83 bpm • G# Maj • 01:21 • -13.02db
55% Popularity • 51% Danceability • 30% Energy • 16% Liveness
64% Instrumentalness • 67% Positiveness
55% Popularity • 51% Danceability • 30% Energy • 16% Liveness
64% Instrumentalness • 67% Positiveness
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Jean Sibelius
6 Impromptus, Op. 5: Impromptu VI
62 bpm • E Maj • 06:09 • -36.51db
49% Popularity • 45% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
49% Popularity • 45% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
Giulio Cesare, HWV 17: Se pieta de mi no...
83 bpm • F min • 01:45 • -26.51db
32% Popularity • 45% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 68% Positiveness
32% Popularity • 45% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 68% Positiveness
