Songs like St. Matthew Passion, BWV 244, Pt. 2: Part II: Chorale: Wer hat dich so geschlagen (Chorus) by Johann Sebastian Bach

170 bpm • D# Maj • 07:53 • -21db

41% Popularity • 17% Danceability • 10% Energy • 9% Liveness
63% Instrumentalness • 5% Positiveness

169 bpm • C# min • 03:54 • -14db

41% Popularity • 33% Danceability • 26% Energy • 5% Liveness
77% Instrumentalness • 51% Positiveness

172 bpm • E Maj • 04:04 • -14db

40% Popularity • 39% Danceability • 36% Energy • 11% Liveness
70% Instrumentalness • 73% Positiveness

173 bpm • C Maj • 01:49 • -20db

50% Popularity • 26% Danceability • 37% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness

173 bpm • C Maj • 02:05 • -37db

49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness

168 bpm • G min • 01:58 • -37db

55% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness

169 bpm • D Maj • 01:54 • -15.5db

46% Popularity • 26% Danceability • 30% Energy • 15% Liveness
8% Instrumentalness • 52% Positiveness

174 bpm • C# Maj • 01:59 • -16.95db

46% Popularity • 12% Danceability • 14% Energy • 8% Liveness
61% Instrumentalness • 7% Positiveness

169 bpm • C min • 05:22 • -23.81db

38% Popularity • 12% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 24% Positiveness

175 bpm • C Maj • 03:14 • -23.21db

50% Popularity • 11% Danceability • 7% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness

176 bpm • C# Maj • 01:08 • -15.77db

39% Popularity • 37% Danceability • 53% Energy • 37% Liveness
26% Instrumentalness • 57% Positiveness

166 bpm • G Maj • 01:04 • -25db

45% Popularity • 33% Danceability • 25% Energy • 15% Liveness
87% Instrumentalness • 95% Positiveness

176 bpm • C min • 05:22 • -29db

32% Popularity • 28% Danceability • 16% Energy • 22% Liveness
0% Instrumentalness • 46% Positiveness

165 bpm • D min • 03:03 • -25.22db

30% Popularity • 35% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 9% Positiveness

175 bpm • C min • 05:10 • -25.69db

16% Popularity • 36% Danceability • 28% Energy • 21% Liveness
34% Instrumentalness • 84% Positiveness

164 bpm • F Maj • 02:33 • -22db

38% Popularity • 9% Danceability • 13% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness

181 bpm • G# Maj • 01:31 • -23db

45% Popularity • 30% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 44% Positiveness

182 bpm • C# Maj • 03:01 • -30.24db

32% Popularity • 20% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness

183 bpm • E Maj • 08:04 • -17.76db

22% Popularity • 30% Danceability • 23% Energy • 26% Liveness
4% Instrumentalness • 67% Positiveness

186 bpm • D Maj • 06:37 • -24.47db

50% Popularity • 21% Danceability • 5% Energy • 11% Liveness
64% Instrumentalness • 15% Positiveness

165 bpm • B min • 03:47 • -20.95db

21% Popularity • 25% Danceability • 33% Energy • 10% Liveness
93% Instrumentalness • 82% Positiveness

187 bpm • E Maj • 02:37 • -21.89db

50% Popularity • 38% Danceability • 7% Energy • 10% Liveness
87% Instrumentalness • 78% Positiveness

187 bpm • G# Maj • 01:04 • -28db

49% Popularity • 37% Danceability • 13% Energy • 14% Liveness
1% Instrumentalness • 46% Positiveness

156 bpm • F# min • 05:40 • -17.03db

42% Popularity • 34% Danceability • 15% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness

151 bpm • E Maj • 02:08 • -17.98db

37% Popularity • 36% Danceability • 39% Energy • 41% Liveness
90% Instrumentalness • 78% Positiveness

197 bpm • B min • 02:47 • -35.32db

55% Popularity • 30% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 34% Positiveness

161 bpm • C Maj • 07:10 • -19.92db

10% Popularity • 32% Danceability • 27% Energy • 13% Liveness
90% Instrumentalness • 71% Positiveness

147 bpm • C min • 01:15 • -18db

55% Popularity • 28% Danceability • 8% Energy • 27% Liveness
5% Instrumentalness • 20% Positiveness

146 bpm • C# Maj • 02:24 • -14db

50% Popularity • 29% Danceability • 19% Energy • 10% Liveness
21% Instrumentalness • 25% Positiveness

147 bpm • B min • 06:21 • -35.22db

29% Popularity • 41% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 32% Positiveness

146 bpm • G min • 01:31 • -15db

52% Popularity • 51% Danceability • 42% Energy • 27% Liveness
91% Instrumentalness • 97% Positiveness

179 bpm • D min • 04:03 • -16db

34% Popularity • 41% Danceability • 33% Energy • 18% Liveness
10% Instrumentalness • 81% Positiveness

149 bpm • C# min • 01:48 • -29.94db

46% Popularity • 31% Danceability • 4% Energy • 14% Liveness
90% Instrumentalness • 63% Positiveness

149 bpm • D min • 05:58 • -19.17db

12% Popularity • 44% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness

149 bpm • A min • 05:22 • -17.55db

7% Popularity • 31% Danceability • 16% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness

146 bpm • C min • 06:13 • -31.37db

5% Popularity • 44% Danceability • 5% Energy • 22% Liveness
91% Instrumentalness • 74% Positiveness

145 bpm • D min • 04:33 • -17db

36% Popularity • 41% Danceability • 16% Energy • 12% Liveness
82% Instrumentalness • 43% Positiveness