Songs like St. Petersburg by Sarah Schachner
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Chad Cannon
Face the Judgment of Your Ancestors
77 bpm • A Maj • 03:03 • -20.07db
15% Popularity • 15% Danceability • 11% Energy • 16% Liveness
65% Instrumentalness • 3% Positiveness
15% Popularity • 15% Danceability • 11% Energy • 16% Liveness
65% Instrumentalness • 3% Positiveness
► Preview
Robin Carolan
Strike, Brother
77 bpm • D# Maj • 02:51 • -16db
29% Popularity • 19% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
29% Popularity • 19% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Wilbert Roget, II
Home
77 bpm • A Maj • 02:03 • -26db
31% Popularity • 25% Danceability • 2% Energy • 7% Liveness
35% Instrumentalness • 4% Positiveness
31% Popularity • 25% Danceability • 2% Energy • 7% Liveness
35% Instrumentalness • 4% Positiveness
► Preview
Hans Zimmer
Blood for Blood
77 bpm • G min • 02:29 • -20.08db
50% Popularity • 7% Danceability • 14% Energy • 17% Liveness
96% Instrumentalness • 4% Positiveness
50% Popularity • 7% Danceability • 14% Energy • 17% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Russell Brower
Dalaran
77 bpm • F Maj • 03:26 • -13.57db
35% Popularity • 14% Danceability • 40% Energy • 13% Liveness
81% Instrumentalness • 6% Positiveness
35% Popularity • 14% Danceability • 40% Energy • 13% Liveness
81% Instrumentalness • 6% Positiveness
► Preview
Maclaine Diemer
Rata Novus
77 bpm • E min • 02:45 • -22.05db
30% Popularity • 15% Danceability • 16% Energy • 8% Liveness
88% Instrumentalness • 6% Positiveness
30% Popularity • 15% Danceability • 16% Energy • 8% Liveness
88% Instrumentalness • 6% Positiveness
► Preview
Cris Velasco
The End...
78 bpm • D min • 00:58 • -15.07db
35% Popularity • 41% Danceability • 27% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
35% Popularity • 41% Danceability • 27% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
► Preview
Justin Bell
Burial Isle
76 bpm • A# Maj • 01:50 • -13.24db
41% Popularity • 22% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
41% Popularity • 22% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Mikolai Stroinski
After The Storm
78 bpm • D min • 01:30 • -15.64db
52% Popularity • 16% Danceability • 13% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
52% Popularity • 16% Danceability • 13% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Sarah Schachner
St. Petersburg
76 bpm • G Maj • 03:57 • -14.61db
20% Popularity • 20% Danceability • 35% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
20% Popularity • 20% Danceability • 35% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Piotr Musiał
Damned Souls
76 bpm • E min • 04:38 • -16db
34% Popularity • 18% Danceability • 41% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
34% Popularity • 18% Danceability • 41% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Hans Zimmer
Contingency
76 bpm • G Maj • 02:15 • -13.7db
36% Popularity • 45% Danceability • 58% Energy • 54% Liveness
94% Instrumentalness • 32% Positiveness
36% Popularity • 45% Danceability • 58% Energy • 54% Liveness
94% Instrumentalness • 32% Positiveness
► Preview
Joris de Man
Tell Me - Part 1 - Motherland
78 bpm • C min • 02:06 • -18.69db
32% Popularity • 16% Danceability • 12% Energy • 8% Liveness
26% Instrumentalness • 7% Positiveness
32% Popularity • 16% Danceability • 12% Energy • 8% Liveness
26% Instrumentalness • 7% Positiveness
► Preview
Jeff van Dyck
Journey to Rome, Pt. 1
78 bpm • C Maj • 02:16 • -19.46db
31% Popularity • 7% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
31% Popularity • 7% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Wilbert Roget, II
A Brotherhood of Heroes
78 bpm • F# min • 02:55 • -13.71db
44% Popularity • 20% Danceability • 30% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
44% Popularity • 20% Danceability • 30% Energy • 12% Liveness
87% Instrumentalness • 8% Positiveness
► Preview
David Vanacore
Callous Heart
78 bpm • A# min • 01:05 • -19.35db
5% Popularity • 14% Danceability • 31% Energy • 15% Liveness
84% Instrumentalness • 14% Positiveness
5% Popularity • 14% Danceability • 31% Energy • 15% Liveness
84% Instrumentalness • 14% Positiveness
► Preview
Ted Reedy
Legacy of the Horadrim
76 bpm • A min • 06:40 • -17.54db
27% Popularity • 13% Danceability • 21% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
27% Popularity • 13% Danceability • 21% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Hesham Nazih
Eye of Horus
78 bpm • C# Maj • 01:11 • -15.37db
26% Popularity • 14% Danceability • 24% Energy • 11% Liveness
98% Instrumentalness • 12% Positiveness
26% Popularity • 14% Danceability • 24% Energy • 11% Liveness
98% Instrumentalness • 12% Positiveness
► Preview
Joris de Man
The Proving - Part 1 - Motherland
76 bpm • F Maj • 01:43 • -16.08db
32% Popularity • 31% Danceability • 56% Energy • 9% Liveness
83% Instrumentalness • 15% Positiveness
32% Popularity • 31% Danceability • 56% Energy • 9% Liveness
83% Instrumentalness • 15% Positiveness
► Preview
Pawel Blaszczak
River Of Life
75 bpm • E min • 05:21 • -14.53db
42% Popularity • 8% Danceability • 19% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
42% Popularity • 8% Danceability • 19% Energy • 13% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Sarah Schachner
Predator Instinct
79 bpm • G Maj • 03:02 • -17db
25% Popularity • 37% Danceability • 17% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
25% Popularity • 37% Danceability • 17% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Wilbert Roget, II
A Long Way from Texas
78 bpm • E Maj • 02:09 • -22.51db
24% Popularity • 17% Danceability • 5% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 5% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Robin Carolan
The Gates of Hel / Slain by Iron
75 bpm • C min • 02:47 • -21.88db
20% Popularity • 8% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
20% Popularity • 8% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
Greg Edmonson
Drake's Elegy
79 bpm • C# Maj • 01:56 • -16.96db
25% Popularity • 7% Danceability • 21% Energy • 10% Liveness
97% Instrumentalness • 8% Positiveness
25% Popularity • 7% Danceability • 21% Energy • 10% Liveness
97% Instrumentalness • 8% Positiveness
► Preview
Pedro Bromfman
Viva Clara
79 bpm • D# min • 02:14 • -26.61db
16% Popularity • 20% Danceability • 15% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
16% Popularity • 20% Danceability • 15% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
► Preview
Chad Cannon
The Tale of Clan Sakai
79 bpm • G min • 03:06 • -15.99db
21% Popularity • 28% Danceability • 10% Energy • 11% Liveness
28% Instrumentalness • 8% Positiveness
21% Popularity • 28% Danceability • 10% Energy • 11% Liveness
28% Instrumentalness • 8% Positiveness
► Preview
Nick Arundel
Invasion
75 bpm • C# Maj • 02:50 • -16.55db
31% Popularity • 33% Danceability • 43% Energy • 10% Liveness
85% Instrumentalness • 14% Positiveness
31% Popularity • 33% Danceability • 43% Energy • 10% Liveness
85% Instrumentalness • 14% Positiveness
► Preview
Piotr Musiał
Into the Storm
75 bpm • G min • 04:34 • -13.84db
35% Popularity • 7% Danceability • 47% Energy • 31% Liveness
77% Instrumentalness • 7% Positiveness
35% Popularity • 7% Danceability • 47% Energy • 31% Liveness
77% Instrumentalness • 7% Positiveness
► Preview
Bill Brown
Final Conflict
75 bpm • A# min • 02:05 • -10db
36% Popularity • 40% Danceability • 53% Energy • 10% Liveness
91% Instrumentalness • 42% Positiveness
36% Popularity • 40% Danceability • 53% Energy • 10% Liveness
91% Instrumentalness • 42% Positiveness
► Preview
Sonya Belousova
It's an Ultimatum
75 bpm • A Maj • 03:54 • -10.93db
34% Popularity • 26% Danceability • 55% Energy • 12% Liveness
71% Instrumentalness • 4% Positiveness
34% Popularity • 26% Danceability • 55% Energy • 12% Liveness
71% Instrumentalness • 4% Positiveness
► Preview
Jeremy Soule
Death or Sovngarde
75 bpm • F min • 03:00 • -10.38db
46% Popularity • 25% Danceability • 50% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
46% Popularity • 25% Danceability • 50% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
► Preview
Ryan Amon
By Three They Come
75 bpm • G min • 01:58 • -11.55db
32% Popularity • 16% Danceability • 64% Energy • 4% Liveness
93% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 64% Energy • 4% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Sam Hulick
We Face Our Enemy Together
75 bpm • E min • 01:40 • -10.13db
30% Popularity • 20% Danceability • 27% Energy • 9% Liveness
86% Instrumentalness • 12% Positiveness
30% Popularity • 20% Danceability • 27% Energy • 9% Liveness
86% Instrumentalness • 12% Positiveness
► Preview
Piotr Musiał
Brave New World
75 bpm • C Maj • 04:01 • -15db
35% Popularity • 38% Danceability • 30% Energy • 9% Liveness
87% Instrumentalness • 17% Positiveness
35% Popularity • 38% Danceability • 30% Energy • 9% Liveness
87% Instrumentalness • 17% Positiveness
► Preview
David GarcÃa DÃaz
Ray of Hope
79 bpm • A# Maj • 03:18 • -25.39db
23% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Daniel Licht
Main Theme
79 bpm • C Maj • 02:09 • -22.29db
41% Popularity • 18% Danceability • 12% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
41% Popularity • 18% Danceability • 12% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Greg Edmonson
Reunion
79 bpm • F min • 01:41 • -15.81db
33% Popularity • 19% Danceability • 29% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
33% Popularity • 19% Danceability • 29% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Sonya Belousova
Point Me to Temeria
75 bpm • G# Maj • 00:56 • -11.81db
28% Popularity • 20% Danceability • 63% Energy • 10% Liveness
75% Instrumentalness • 11% Positiveness
28% Popularity • 20% Danceability • 63% Energy • 10% Liveness
75% Instrumentalness • 11% Positiveness
► Preview
Sam Hulick
Farewell and Into the Inevitable
80 bpm • C Maj • 02:00 • -12.94db
33% Popularity • 24% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
33% Popularity • 24% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Joris de Man
Into The Frozen Wilds
75 bpm • G# Maj • 01:11 • -19db
38% Popularity • 16% Danceability • 31% Energy • 18% Liveness
95% Instrumentalness • 6% Positiveness
38% Popularity • 16% Danceability • 31% Energy • 18% Liveness
95% Instrumentalness • 6% Positiveness
► Preview
Joseph Trapanese
Witcher Training
80 bpm • D min • 02:11 • -16db
33% Popularity • 46% Danceability • 36% Energy • 16% Liveness
71% Instrumentalness • 25% Positiveness
33% Popularity • 46% Danceability • 36% Energy • 16% Liveness
71% Instrumentalness • 25% Positiveness
► Preview
Ted Reedy
Promises
80 bpm • A min • 01:45 • -19.33db
25% Popularity • 20% Danceability • 19% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
25% Popularity • 20% Danceability • 19% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
► Preview
Greg Edmonson
Badlands
75 bpm • D Maj • 02:44 • -12db
25% Popularity • 22% Danceability • 51% Energy • 44% Liveness
91% Instrumentalness • 20% Positiveness
25% Popularity • 22% Danceability • 51% Energy • 44% Liveness
91% Instrumentalness • 20% Positiveness
► Preview
Sonya Belousova
You'll Have to Fight It Until Dawn
74 bpm • C# Maj • 09:04 • -14.22db
31% Popularity • 12% Danceability • 54% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
31% Popularity • 12% Danceability • 54% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
► Preview
Hans Zimmer
Safeguard
80 bpm • F min • 02:43 • -11.06db
33% Popularity • 45% Danceability • 55% Energy • 7% Liveness
91% Instrumentalness • 21% Positiveness
33% Popularity • 45% Danceability • 55% Energy • 7% Liveness
91% Instrumentalness • 21% Positiveness
► Preview
Sarah Schachner
Hometown
80 bpm • C min • 04:03 • -14.26db
22% Popularity • 26% Danceability • 53% Energy • 19% Liveness
89% Instrumentalness • 8% Positiveness
22% Popularity • 26% Danceability • 53% Energy • 19% Liveness
89% Instrumentalness • 8% Positiveness
► Preview
Tyler Bates
Primordial Rage
80 bpm • D min • 02:28 • -12.04db
25% Popularity • 36% Danceability • 60% Energy • 10% Liveness
73% Instrumentalness • 27% Positiveness
25% Popularity • 36% Danceability • 60% Energy • 10% Liveness
73% Instrumentalness • 27% Positiveness
► Preview
Mikolai Stroinski
Monstrous Might
80 bpm • D Maj • 04:06 • -14db
26% Popularity • 57% Danceability • 73% Energy • 35% Liveness
93% Instrumentalness • 70% Positiveness
26% Popularity • 57% Danceability • 73% Energy • 35% Liveness
93% Instrumentalness • 70% Positiveness
► Preview
Kevin Riepl
Beast of the Blood Eaters
80 bpm • C# Maj • 02:26 • -15db
34% Popularity • 54% Danceability • 64% Energy • 18% Liveness
84% Instrumentalness • 53% Positiveness
34% Popularity • 54% Danceability • 64% Energy • 18% Liveness
84% Instrumentalness • 53% Positiveness
► Preview
Junkie XL
The Rig - Extended Version
80 bpm • F Maj • 06:31 • -16.67db
25% Popularity • 18% Danceability • 23% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
25% Popularity • 18% Danceability • 23% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
James Hannigan
200 Years Ago, On an Icy Planet...
80 bpm • D min • 07:20 • -15db
18% Popularity • 17% Danceability • 35% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 35% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Sarah Schachner
Violence and Timing
80 bpm • D Maj • 02:34 • -13.82db
28% Popularity • 58% Danceability • 42% Energy • 16% Liveness
93% Instrumentalness • 5% Positiveness
28% Popularity • 58% Danceability • 42% Energy • 16% Liveness
93% Instrumentalness • 5% Positiveness
► Preview
NINJA TRACKS
Darkness Awaits
80 bpm • E min • 02:33 • -11db
29% Popularity • 36% Danceability • 59% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
29% Popularity • 36% Danceability • 59% Energy • 8% Liveness
94% Instrumentalness • 5% Positiveness
► Preview
Mikolai Stroinski
Wake Up, Ciri
80 bpm • D min • 01:34 • -11.93db
48% Popularity • 14% Danceability • 27% Energy • 26% Liveness
69% Instrumentalness • 3% Positiveness
48% Popularity • 14% Danceability • 27% Energy • 26% Liveness
69% Instrumentalness • 3% Positiveness
► Preview
Chad Cannon
Ankhsar Khatun, The Eagle
80 bpm • C# Maj • 02:15 • -16db
17% Popularity • 24% Danceability • 28% Energy • 37% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 24% Danceability • 28% Energy • 37% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Ludvig Forssell
Strands
74 bpm • E Maj • 08:41 • -22.39db
28% Popularity • 7% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
28% Popularity • 7% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Greg Edmonson
Bustin' Chops
74 bpm • D Maj • 02:07 • -10.82db
23% Popularity • 53% Danceability • 58% Energy • 15% Liveness
80% Instrumentalness • 31% Positiveness
23% Popularity • 53% Danceability • 58% Energy • 15% Liveness
80% Instrumentalness • 31% Positiveness
► Preview
Sarah Schachner
Horseback Ambush
80 bpm • F# Maj • 02:30 • -14.52db
18% Popularity • 43% Danceability • 45% Energy • 14% Liveness
65% Instrumentalness • 7% Positiveness
18% Popularity • 43% Danceability • 45% Energy • 14% Liveness
65% Instrumentalness • 7% Positiveness
► Preview
Christopher Lennertz
Final Conversation
73 bpm • G min • 01:37 • -24.05db
34% Popularity • 23% Danceability • 16% Energy • 9% Liveness
96% Instrumentalness • 6% Positiveness
34% Popularity • 23% Danceability • 16% Energy • 9% Liveness
96% Instrumentalness • 6% Positiveness
► Preview
Kevin Riepl
Crimhorn
73 bpm • A Maj • 04:29 • -24db
27% Popularity • 12% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
27% Popularity • 12% Danceability • 12% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Robin Carolan
Blood Tree, Part 1
73 bpm • G# Maj • 01:33 • -12.75db
33% Popularity • 22% Danceability • 56% Energy • 12% Liveness
85% Instrumentalness • 6% Positiveness
33% Popularity • 22% Danceability • 56% Energy • 12% Liveness
85% Instrumentalness • 6% Positiveness
► Preview
Nathan Whitehead
Days Gone
81 bpm • D min • 03:41 • -16.68db
42% Popularity • 9% Danceability • 26% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
42% Popularity • 9% Danceability • 26% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
► Preview
Primal
Tragic Death
81 bpm • C min • 01:22 • -20.25db
20% Popularity • 16% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
20% Popularity • 16% Danceability • 12% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Sarah Schachner
The Anthem of Creation
73 bpm • A Maj • 02:40 • -15.36db
23% Popularity • 26% Danceability • 45% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
23% Popularity • 26% Danceability • 45% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Sonya Belousova
Yennefer of Vengerberg
73 bpm • B Maj • 03:10 • -16.04db
32% Popularity • 10% Danceability • 14% Energy • 16% Liveness
93% Instrumentalness • 3% Positiveness
32% Popularity • 10% Danceability • 14% Energy • 16% Liveness
93% Instrumentalness • 3% Positiveness
► Preview
Ilan Eshkeri
Lady Masako
81 bpm • G min • 04:01 • -16.35db
33% Popularity • 16% Danceability • 30% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
33% Popularity • 16% Danceability • 30% Energy • 10% Liveness
89% Instrumentalness • 7% Positiveness
► Preview
Christopher Drake
Gotham City, 1986
73 bpm • A Maj • 01:30 • -17.6db
31% Popularity • 14% Danceability • 34% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
31% Popularity • 14% Danceability • 34% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Greg Edmonson
The Setup
82 bpm • D Maj • 02:29 • -12.53db
24% Popularity • 32% Danceability • 20% Energy • 12% Liveness
82% Instrumentalness • 7% Positiveness
24% Popularity • 32% Danceability • 20% Energy • 12% Liveness
82% Instrumentalness • 7% Positiveness
► Preview
Jeff van Dyck
Rome Total War
82 bpm • G# Maj • 02:59 • -13.08db
29% Popularity • 18% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Piotr Musiał
On the Edge Theme
82 bpm • C min • 02:49 • -11.66db
34% Popularity • 33% Danceability • 42% Energy • 5% Liveness
75% Instrumentalness • 23% Positiveness
34% Popularity • 33% Danceability • 42% Energy • 5% Liveness
75% Instrumentalness • 23% Positiveness
► Preview
Robin Carolan
A Burning Barn
82 bpm • C Maj • 01:24 • -16.7db
32% Popularity • 13% Danceability • 17% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
32% Popularity • 13% Danceability • 17% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Mikolai Stroinski
Fate Calls
72 bpm • A# Maj • 01:58 • -17.17db
47% Popularity • 16% Danceability • 15% Energy • 24% Liveness
63% Instrumentalness • 4% Positiveness
47% Popularity • 16% Danceability • 15% Energy • 24% Liveness
63% Instrumentalness • 4% Positiveness
► Preview
Joris de Man
Within The Embrace - Part 2 - Out of the...
83 bpm • F Maj • 04:21 • -21.65db
30% Popularity • 8% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
30% Popularity • 8% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
Hans Zimmer
Extraction Point
83 bpm • D Maj • 03:35 • -10.66db
46% Popularity • 45% Danceability • 67% Energy • 11% Liveness
80% Instrumentalness • 25% Positiveness
46% Popularity • 45% Danceability • 67% Energy • 11% Liveness
80% Instrumentalness • 25% Positiveness
► Preview
Walter Mair
The Best of Us
83 bpm • F# Maj • 01:51 • -17.3db
25% Popularity • 21% Danceability • 22% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
25% Popularity • 21% Danceability • 22% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Piotr Musiał
Streets of New London
83 bpm • C min • 03:58 • -15.53db
35% Popularity • 12% Danceability • 30% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
35% Popularity • 12% Danceability • 30% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Jesper Kyd
Leaving Valhalla
71 bpm • A min • 01:32 • -14.29db
43% Popularity • 26% Danceability • 34% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
43% Popularity • 26% Danceability • 34% Energy • 10% Liveness
93% Instrumentalness • 12% Positiveness
► Preview
Sarah Schachner
The Freelancers
84 bpm • A Maj • 01:51 • -16.62db
19% Popularity • 22% Danceability • 30% Energy • 15% Liveness
97% Instrumentalness • 5% Positiveness
19% Popularity • 22% Danceability • 30% Energy • 15% Liveness
97% Instrumentalness • 5% Positiveness
► Preview
Adam Skorupa
An Ominous Place
71 bpm • G min • 05:12 • -18.58db
31% Popularity • 10% Danceability • 18% Energy • 22% Liveness
94% Instrumentalness • 3% Positiveness
31% Popularity • 10% Danceability • 18% Energy • 22% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Daniel Licht
Streets of Karnaca (Ambient)
84 bpm • G min • 02:31 • -28db
38% Popularity • 21% Danceability • 7% Energy • 11% Liveness
44% Instrumentalness • 4% Positiveness
38% Popularity • 21% Danceability • 7% Energy • 11% Liveness
44% Instrumentalness • 4% Positiveness
► Preview
Ilan Eshkeri
Jin Sakai
84 bpm • G min • 02:51 • -14.26db
45% Popularity • 43% Danceability • 44% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
45% Popularity • 43% Danceability • 44% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
► Preview
Piotr Musiał
Are We Alone?
83 bpm • D min • 03:53 • -17db
40% Popularity • 8% Danceability • 32% Energy • 9% Liveness
98% Instrumentalness • 6% Positiveness
40% Popularity • 8% Danceability • 32% Energy • 9% Liveness
98% Instrumentalness • 6% Positiveness
► Preview
Jed Kurzel
Future Glory
84 bpm • A# min • 02:21 • -15db
29% Popularity • 23% Danceability • 68% Energy • 8% Liveness
95% Instrumentalness • 23% Positiveness
29% Popularity • 23% Danceability • 68% Energy • 8% Liveness
95% Instrumentalness • 23% Positiveness
► Preview
Sarah Schachner
Old Comrades
84 bpm • C# min • 03:01 • -12db
32% Popularity • 17% Danceability • 44% Energy • 8% Liveness
66% Instrumentalness • 8% Positiveness
32% Popularity • 17% Danceability • 44% Energy • 8% Liveness
66% Instrumentalness • 8% Positiveness
► Preview
Joris de Man
Promise of the West
84 bpm • A min • 02:55 • -16.13db
34% Popularity • 19% Danceability • 48% Energy • 6% Liveness
88% Instrumentalness • 9% Positiveness
34% Popularity • 19% Danceability • 48% Energy • 6% Liveness
88% Instrumentalness • 9% Positiveness
► Preview
Daniel Pemberton
The Story of Mordred
70 bpm • B min • 02:00 • -15db
32% Popularity • 40% Danceability • 37% Energy • 12% Liveness
82% Instrumentalness • 16% Positiveness
32% Popularity • 40% Danceability • 37% Energy • 12% Liveness
82% Instrumentalness • 16% Positiveness
► Preview
Ilan Eshkeri
Komoda Beach
84 bpm • G# Maj • 03:31 • -20.07db
34% Popularity • 10% Danceability • 16% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
34% Popularity • 10% Danceability • 16% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Piotr Musiał
The Last Flame
70 bpm • F min • 04:40 • -13db
36% Popularity • 12% Danceability • 25% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
36% Popularity • 12% Danceability • 25% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Stephen Barton
When Two Sides Go to War
85 bpm • A min • 04:09 • -14.02db
21% Popularity • 20% Danceability • 44% Energy • 11% Liveness
82% Instrumentalness • 9% Positiveness
21% Popularity • 20% Danceability • 44% Energy • 11% Liveness
82% Instrumentalness • 9% Positiveness
► Preview
Sarah Schachner
Draw the Line
71 bpm • D min • 01:38 • -22.47db
23% Popularity • 14% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
23% Popularity • 14% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
► Preview
Reylynn
The Color Of Wrath
70 bpm • B min • 03:18 • -10.3db
27% Popularity • 15% Danceability • 84% Energy • 12% Liveness
56% Instrumentalness • 13% Positiveness
27% Popularity • 15% Danceability • 84% Energy • 12% Liveness
56% Instrumentalness • 13% Positiveness
► Preview
Brad Derrick
Moons of Evening Star
70 bpm • F# min • 05:32 • -18.07db
46% Popularity • 17% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
46% Popularity • 17% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Sean Murray
Pentagon
85 bpm • D Maj • 03:13 • -15.48db
45% Popularity • 32% Danceability • 21% Energy • 16% Liveness
71% Instrumentalness • 8% Positiveness
45% Popularity • 32% Danceability • 21% Energy • 16% Liveness
71% Instrumentalness • 8% Positiveness
► Preview
Piotr Musiał
The Shepherd
85 bpm • A min • 04:04 • -15.55db
34% Popularity • 13% Danceability • 30% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
34% Popularity • 13% Danceability • 30% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
► Preview
Filippo Beck Peccoz
Stealthy Nature - Bonus Track
85 bpm • A# Maj • 02:46 • -19.73db
18% Popularity • 68% Danceability • 23% Energy • 11% Liveness
81% Instrumentalness • 31% Positiveness
18% Popularity • 68% Danceability • 23% Energy • 11% Liveness
81% Instrumentalness • 31% Positiveness
► Preview
Junkie XL
Walhalla Awaits - Bonus Track
85 bpm • C min • 02:40 • -10.9db
27% Popularity • 20% Danceability • 29% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
27% Popularity • 20% Danceability • 29% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
► Preview
Doug Bossi
Taking the Next Territory
69 bpm • D min • 01:52 • -19.97db
1% Popularity • 41% Danceability • 38% Energy • 54% Liveness
92% Instrumentalness • 35% Positiveness
1% Popularity • 41% Danceability • 38% Energy • 54% Liveness
92% Instrumentalness • 35% Positiveness
► Preview
Brad Derrick
Battledrums
69 bpm • G Maj • 01:09 • -15db
43% Popularity • 42% Danceability • 71% Energy • 13% Liveness
80% Instrumentalness • 19% Positiveness
43% Popularity • 42% Danceability • 71% Energy • 13% Liveness
80% Instrumentalness • 19% Positiveness