Songs like Stabat mater in C Major: Virgo virginum by Emanuele d'Astorga
Based on a tempo of (+/- 10%) and a similar genre
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Emanuele d'Astorga
Stabat mater in C Major: Virgo virginum
123 bpm • D Maj • 02:51 • -23.25db
5% Popularity • 21% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
5% Popularity • 21% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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František Tůma
Motetto de S. Joanne Baptista: II. Aria....
123 bpm • E Maj • 02:17 • -25.95db
8% Popularity • 28% Danceability • 7% Energy • 63% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 28% Danceability • 7% Energy • 63% Liveness
0% Instrumentalness • 26% Positiveness
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Jean-Baptiste Lully
Te deum, LWV 55: XIII. Dignare Domine di...
123 bpm • C# Maj • 02:51 • -21.05db
12% Popularity • 19% Danceability • 12% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
12% Popularity • 19% Danceability • 12% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626, Act I: Shake th...
123 bpm • B min • 01:06 • -16.84db
13% Popularity • 33% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 33% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Joseph Haydn
Missa in Angustiis "Lord Nelson Mass": I...
123 bpm • D Maj • 02:44 • -19db
11% Popularity • 35% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 35% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Jan Dismas Zelenka
Magnificat, ZWV 108: Magnificat anima me...
122 bpm • G# Maj • 03:52 • -16.11db
9% Popularity • 39% Danceability • 21% Energy • 14% Liveness
7% Instrumentalness • 45% Positiveness
9% Popularity • 39% Danceability • 21% Energy • 14% Liveness
7% Instrumentalness • 45% Positiveness
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Antonio Caldara
Stabat Mater: VII. Juxta crucem
124 bpm • A Maj • 01:05 • -21db
28% Popularity • 24% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
28% Popularity • 24% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Johann Sebastian Bach
Aus der Tiefen rufe ich, Herr, zu dir, B...
124 bpm • C# min • 03:12 • -19.39db
9% Popularity • 20% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
9% Popularity • 20% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
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Antonio Vivaldi
Jubilate, o amoeni chori, RV 639 - Glori...
122 bpm • C# Maj • 03:01 • -21.11db
7% Popularity • 27% Danceability • 12% Energy • 5% Liveness
48% Instrumentalness • 20% Positiveness
7% Popularity • 27% Danceability • 12% Energy • 5% Liveness
48% Instrumentalness • 20% Positiveness
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The Sixteen
Cantata IV: Ad latus (To the Side): Salv...
122 bpm • C# min • 01:16 • -24.09db
8% Popularity • 31% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 31% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Johann Adolf Hasse
Mass in D Minor: Kyrie: Kyrie I
125 bpm • C# min • 02:33 • -20.65db
19% Popularity • 20% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
19% Popularity • 20% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Dietrich Buxtehude
Fürwahr er trug unsere Krankheit, BuxWV...
125 bpm • C min • 11:32 • -22.47db
10% Popularity • 23% Danceability • 6% Energy • 12% Liveness
5% Instrumentalness • 6% Positiveness
10% Popularity • 23% Danceability • 6% Energy • 12% Liveness
5% Instrumentalness • 6% Positiveness
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Jan Dismas Zelenka
Missa Paschalis, ZWV 7: Kyrie. Kyrie ele...
121 bpm • C# Maj • 02:52 • -16db
10% Popularity • 27% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 21% Positiveness
10% Popularity • 27% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 21% Positiveness
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Johann Sebastian Bach
St. John Passion, BWV 245: No. 27, Die K...
124 bpm • B Maj • 03:32 • -20.88db
9% Popularity • 41% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 41% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Francesco Durante
Magnificat in B flat major: Sicut erat i...
125 bpm • A Maj • 01:56 • -18db
15% Popularity • 32% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 32% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Antonio Vivaldi
Jubilate, o amoeni chori, RV 639 - Glori...
125 bpm • G# min • 02:39 • -27.8db
18% Popularity • 30% Danceability • 3% Energy • 21% Liveness
44% Instrumentalness • 12% Positiveness
18% Popularity • 30% Danceability • 3% Energy • 21% Liveness
44% Instrumentalness • 12% Positiveness
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Antonio Lotti
I. Credo
125 bpm • E Maj • 03:25 • -16.21db
9% Popularity • 41% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 41% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: IVa. Ad la...
122 bpm • C# min • 02:03 • -20.1db
12% Popularity • 32% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 32% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Jan Dismas Zelenka
Missa Paschalis, ZWV 7: Kyrie. Kyrie ele...
121 bpm • C# Maj • 01:19 • -15.26db
23% Popularity • 31% Danceability • 26% Energy • 10% Liveness
74% Instrumentalness • 43% Positiveness
23% Popularity • 31% Danceability • 26% Energy • 10% Liveness
74% Instrumentalness • 43% Positiveness
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The Sixteen
Cantata II: Ad genua (To the Knees): Ut ...
121 bpm • D Maj • 01:06 • -22.68db
11% Popularity • 26% Danceability • 9% Energy • 14% Liveness
3% Instrumentalness • 15% Positiveness
11% Popularity • 26% Danceability • 9% Energy • 14% Liveness
3% Instrumentalness • 15% Positiveness
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Claudio Monteverdi
Madrigals, Book 9: Entri pur nel nostro ...
125 bpm • G Maj • 00:56 • -20.69db
9% Popularity • 27% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 27% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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Henry Purcell
Dido & Aeneas: Dido & Aeneas: Act I, Bel...
125 bpm • B min • 00:59 • -21.44db
13% Popularity • 41% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 41% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232, Kyrie: No. 2, ...
125 bpm • C# Maj • 05:38 • -19db
17% Popularity • 24% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 24% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Carl Philipp Emanuel Bach
Magnificat in D Major, Wq. 215: No. 1, M...
125 bpm • C# Maj • 03:08 • -17db
14% Popularity • 34% Danceability • 32% Energy • 15% Liveness
86% Instrumentalness • 59% Positiveness
14% Popularity • 34% Danceability • 32% Energy • 15% Liveness
86% Instrumentalness • 59% Positiveness
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Antonio Caldara
Stabat Mater: V. Tui nati vulnerati
126 bpm • E min • 01:48 • -23.14db
16% Popularity • 17% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 17% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Marc-Antoine Charpentier
Litanies de la Vierge, H. 83: II. Sancta...
126 bpm • C# min • 01:11 • -22.34db
8% Popularity • 17% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 17% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Francesco Durante
Magnificat in B flat major: Magnificat a...
126 bpm • A Maj • 02:35 • -16db
16% Popularity • 28% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 28% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Jan Dismas Zelenka
Missa Paschalis, ZWV 7: Dona nobis pacem
120 bpm • C# Maj • 01:30 • -14.77db
8% Popularity • 28% Danceability • 27% Energy • 15% Liveness
93% Instrumentalness • 13% Positiveness
8% Popularity • 28% Danceability • 27% Energy • 15% Liveness
93% Instrumentalness • 13% Positiveness
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Johann Sebastian Bach
Der Herr denket an uns, BWV 196: Duet. D...
120 bpm • C# Maj • 01:52 • -24.62db
13% Popularity • 26% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 26% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
126 bpm • C min • 01:33 • -20.73db
20% Popularity • 35% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
20% Popularity • 35% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 7% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626, Act II: The Gro...
127 bpm • G# min • 03:44 • -16.73db
8% Popularity • 28% Danceability • 18% Energy • 11% Liveness
28% Instrumentalness • 20% Positiveness
8% Popularity • 28% Danceability • 18% Energy • 11% Liveness
28% Instrumentalness • 20% Positiveness
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Joby Talbot
Mistress mine
127 bpm • G Maj • 02:24 • -26.02db
7% Popularity • 44% Danceability • 4% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
7% Popularity • 44% Danceability • 4% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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George Frideric Handel
Ode for the Birthday of Queen Anne, HWV ...
128 bpm • A Maj • 02:29 • -21.11db
9% Popularity • 32% Danceability • 8% Energy • 20% Liveness
2% Instrumentalness • 40% Positiveness
9% Popularity • 32% Danceability • 8% Energy • 20% Liveness
2% Instrumentalness • 40% Positiveness
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Michael Haydn
Missa Quadragesimalis, MH 552: Benedictu...
128 bpm • G# min • 00:55 • -19.55db
19% Popularity • 23% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 23% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Johann Sebastian Bach
Wie schön leuchtet der Morgenstern, BWV...
120 bpm • E Maj • 08:08 • -17.51db
11% Popularity • 31% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
11% Popularity • 31% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad faciem:...
127 bpm • C min • 01:19 • -19.06db
14% Popularity • 28% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
14% Popularity • 28% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 20% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: Act II: Belinda...
119 bpm • C# min • 03:07 • -22.65db
9% Popularity • 36% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
9% Popularity • 36% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Felix Mendelssohn
Paulus: II. Teil: Nr. 42 Chor "Sehet, we...
128 bpm • G# Maj • 02:46 • -26.04db
24% Popularity • 24% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 11% Positiveness
24% Popularity • 24% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 11% Positiveness
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Johann Michael Bach
Herr, wenn ich nur dich habe
128 bpm • A# Maj • 03:14 • -24db
10% Popularity • 29% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 29% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Jean-Baptiste Lully
Atys, Acte I, Scène 1 - Scène 2: Ritou...
128 bpm • F# min • 04:01 • -25db
10% Popularity • 38% Danceability • 8% Energy • 25% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 38% Danceability • 8% Energy • 25% Liveness
0% Instrumentalness • 22% Positiveness
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Johann Sebastian Bach
St. John Passion, BWV 245, Pt. 2 (Sung i...
126 bpm • C# Maj • 04:15 • -25.93db
7% Popularity • 34% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
7% Popularity • 34% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad faciem:...
128 bpm • C min • 00:54 • -15.68db
15% Popularity • 27% Danceability • 18% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
15% Popularity • 27% Danceability • 18% Energy • 29% Liveness
0% Instrumentalness • 16% Positiveness
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Jan Dismas Zelenka
Requeim in C Minor, ZWV. 48
118 bpm • E Maj • 01:10 • -19.12db
17% Popularity • 29% Danceability • 15% Energy • 13% Liveness
96% Instrumentalness • 29% Positiveness
17% Popularity • 29% Danceability • 15% Energy • 13% Liveness
96% Instrumentalness • 29% Positiveness
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Emanuele d'Astorga
Stabat mater in C Major: Fac me tecum
117 bpm • B min • 02:22 • -26.99db
4% Popularity • 27% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
4% Popularity • 27% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Domenico Scarlatti
Stabat Mater pour dix voix et basse cont...
129 bpm • B min • 01:53 • -22.72db
12% Popularity • 20% Danceability • 8% Energy • 18% Liveness
7% Instrumentalness • 14% Positiveness
12% Popularity • 20% Danceability • 8% Energy • 18% Liveness
7% Instrumentalness • 14% Positiveness
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Marc-Antoine Charpentier
Assumpta Est Maria, H. 11: III. Christe
129 bpm • C# min • 01:08 • -26db
12% Popularity • 23% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
12% Popularity • 23% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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Johann Sebastian Bach
Magnificat in E-Flat Major, BWV 243a: Et...
127 bpm • A min • 03:29 • -24.91db
8% Popularity • 18% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Michael Haydn
Tenuisti manum, MH 695
129 bpm • C# min • 01:44 • -20.68db
16% Popularity • 25% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
16% Popularity • 25% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Jan Dismas Zelenka
Confitebor tibi Domine, ZWV 72: Magna op...
117 bpm • B Maj • 04:53 • -21.09db
9% Popularity • 38% Danceability • 19% Energy • 35% Liveness
29% Instrumentalness • 42% Positiveness
9% Popularity • 38% Danceability • 19% Energy • 35% Liveness
29% Instrumentalness • 42% Positiveness
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Antonio Vivaldi
Jubilate, o amoeni chori, RV 639 - Glori...
129 bpm • F# Maj • 01:11 • -21.27db
16% Popularity • 21% Danceability • 13% Energy • 7% Liveness
2% Instrumentalness • 13% Positiveness
16% Popularity • 21% Danceability • 13% Energy • 7% Liveness
2% Instrumentalness • 13% Positiveness
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Claudio Monteverdi
Vespro della Beata Vergine, SV 206: XIII...
117 bpm • A# min • 01:00 • -22.81db
18% Popularity • 31% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
18% Popularity • 31% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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George Frideric Handel
Saul: Act III, Scene V - Elegy on the De...
117 bpm • B Maj • 05:22 • -15.38db
8% Popularity • 37% Danceability • 31% Energy • 11% Liveness
6% Instrumentalness • 53% Positiveness
8% Popularity • 37% Danceability • 31% Energy • 11% Liveness
6% Instrumentalness • 53% Positiveness
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Johann Sebastian Bach
Christ lag in Todes Banden, BWV 4: Duet....
118 bpm • F min • 01:29 • -24.42db
17% Popularity • 38% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 38% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Michael Haydn
Missa Quadragesimalis, MH 552: Kyrie
117 bpm • G# min • 02:06 • -19.52db
18% Popularity • 23% Danceability • 14% Energy • 16% Liveness
3% Instrumentalness • 14% Positiveness
18% Popularity • 23% Danceability • 14% Energy • 16% Liveness
3% Instrumentalness • 14% Positiveness
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Domenico Scarlatti
Stabat Mater pour dix voix et basse cont...
130 bpm • B min • 03:05 • -23db
11% Popularity • 21% Danceability • 8% Energy • 21% Liveness
13% Instrumentalness • 4% Positiveness
11% Popularity • 21% Danceability • 8% Energy • 21% Liveness
13% Instrumentalness • 4% Positiveness
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Jan Dismas Zelenka
Requeim in C Minor, ZWV. 48
117 bpm • C# min • 02:22 • -20.03db
12% Popularity • 18% Danceability • 19% Energy • 12% Liveness
41% Instrumentalness • 10% Positiveness
12% Popularity • 18% Danceability • 19% Energy • 12% Liveness
41% Instrumentalness • 10% Positiveness
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Antonio Vivaldi
Kyrie Eleison, RV. 587: Coro "Kyrie elei...
117 bpm • F# Maj • 02:09 • -14.07db
10% Popularity • 22% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
10% Popularity • 22% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Marianna Martines
Psalm 110: IV. Juravit Dominius
116 bpm • G# min • 03:11 • -13.59db
7% Popularity • 31% Danceability • 30% Energy • 16% Liveness
13% Instrumentalness • 11% Positiveness
7% Popularity • 31% Danceability • 30% Energy • 16% Liveness
13% Instrumentalness • 11% Positiveness
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Johann Sebastian Bach
Gottes Zeit ist die allerbeste Zeit, BWV...
128 bpm • F# min • 03:27 • -24.34db
9% Popularity • 27% Danceability • 4% Energy • 15% Liveness
4% Instrumentalness • 11% Positiveness
9% Popularity • 27% Danceability • 4% Energy • 15% Liveness
4% Instrumentalness • 11% Positiveness
► Preview
Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad manus: ...
116 bpm • G min • 01:41 • -15db
17% Popularity • 27% Danceability • 20% Energy • 14% Liveness
32% Instrumentalness • 11% Positiveness
17% Popularity • 27% Danceability • 20% Energy • 14% Liveness
32% Instrumentalness • 11% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
116 bpm • B min • 01:20 • -18.99db
11% Popularity • 27% Danceability • 13% Energy • 23% Liveness
17% Instrumentalness • 19% Positiveness
11% Popularity • 27% Danceability • 13% Energy • 23% Liveness
17% Instrumentalness • 19% Positiveness
► Preview
Jan Dismas Zelenka
Dixit Dominus, ZWV 66: Sicut erat in pri...
117 bpm • F# Maj • 02:04 • -16.12db
22% Popularity • 31% Danceability • 32% Energy • 10% Liveness
57% Instrumentalness • 63% Positiveness
22% Popularity • 31% Danceability • 32% Energy • 10% Liveness
57% Instrumentalness • 63% Positiveness
► Preview
Alessandro Stradella
San Giovanni Battista: Deste un tempo
116 bpm • D Maj • 01:19 • -17db
20% Popularity • 33% Danceability • 16% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 33% Danceability • 16% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Johann Adam Reincken
Hortus Musicus "Sonata Prima" in A Minor...
116 bpm • A min • 01:22 • -21.54db
18% Popularity • 43% Danceability • 19% Energy • 12% Liveness
8% Instrumentalness • 76% Positiveness
18% Popularity • 43% Danceability • 19% Energy • 12% Liveness
8% Instrumentalness • 76% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232, Gloria: No. 10...
116 bpm • A# min • 04:44 • -21.04db
15% Popularity • 26% Danceability • 5% Energy • 10% Liveness
15% Instrumentalness • 14% Positiveness
15% Popularity • 26% Danceability • 5% Energy • 10% Liveness
15% Instrumentalness • 14% Positiveness
► Preview
George Frideric Handel
Dixit Dominus, HWV 232: Iuravit Dominus
131 bpm • F# min • 02:08 • -17.26db
9% Popularity • 38% Danceability • 26% Energy • 26% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 38% Danceability • 26% Energy • 26% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Alessandro Scarlatti
Stabat Mater: No. 10, Sancta Mater. Anda...
116 bpm • F# min • 02:40 • -23.95db
6% Popularity • 29% Danceability • 3% Energy • 15% Liveness
5% Instrumentalness • 4% Positiveness
6% Popularity • 29% Danceability • 3% Energy • 15% Liveness
5% Instrumentalness • 4% Positiveness
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Niccolò Jommelli
Requiem, Kyrie: III. Kyrie eleison
116 bpm • D# Maj • 01:06 • -20.68db
17% Popularity • 36% Danceability • 12% Energy • 24% Liveness
16% Instrumentalness • 22% Positiveness
17% Popularity • 36% Danceability • 12% Energy • 24% Liveness
16% Instrumentalness • 22% Positiveness
► Preview
Henri Desmarets
Te Deum "de Lyon": IV. Te martyrum candi...
131 bpm • F Maj • 01:09 • -16.55db
11% Popularity • 26% Danceability • 49% Energy • 19% Liveness
99% Instrumentalness • 30% Positiveness
11% Popularity • 26% Danceability • 49% Energy • 19% Liveness
99% Instrumentalness • 30% Positiveness
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Antonio Vivaldi
Sanctus (contrafactum by Les Arts Floris...
115 bpm • G# Maj • 01:10 • -16.63db
12% Popularity • 27% Danceability • 10% Energy • 8% Liveness
34% Instrumentalness • 14% Positiveness
12% Popularity • 27% Danceability • 10% Energy • 8% Liveness
34% Instrumentalness • 14% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232, Gloria: No. 6,...
115 bpm • G# Maj • 04:27 • -20.37db
15% Popularity • 30% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 30% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Frantisek Tuma
Stabat Mater in G Minor: V. Vidit suum
132 bpm • E min • 01:05 • -25.23db
17% Popularity • 22% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 22% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Marc-Antoine Charpentier
Assumpta Est Maria, H. 11: VII. Sanctus
114 bpm • C# min • 01:12 • -21.89db
11% Popularity • 33% Danceability • 8% Energy • 20% Liveness
4% Instrumentalness • 44% Positiveness
11% Popularity • 33% Danceability • 8% Energy • 20% Liveness
4% Instrumentalness • 44% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
132 bpm • B min • 05:19 • -18.53db
9% Popularity • 24% Danceability • 14% Energy • 15% Liveness
14% Instrumentalness • 8% Positiveness
9% Popularity • 24% Danceability • 14% Energy • 15% Liveness
14% Instrumentalness • 8% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad latus: ...
114 bpm • D min • 01:21 • -19.36db
16% Popularity • 29% Danceability • 10% Energy • 28% Liveness
2% Instrumentalness • 11% Positiveness
16% Popularity • 29% Danceability • 10% Energy • 28% Liveness
2% Instrumentalness • 11% Positiveness
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Antonio Vivaldi
Jubilate, o amoeni chori, RV 639 - Glori...
132 bpm • C# Maj • 03:37 • -21.45db
8% Popularity • 32% Danceability • 12% Energy • 9% Liveness
55% Instrumentalness • 28% Positiveness
8% Popularity • 32% Danceability • 12% Energy • 9% Liveness
55% Instrumentalness • 28% Positiveness
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Johann Sebastian Bach
Ihr Menschen, ruhmet Gottes Liebe, BWV 1...
133 bpm • D# min • 01:57 • -30.42db
14% Popularity • 32% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
14% Popularity • 32% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Jan Dismas Zelenka
Requeim in C Minor, ZWV. 48
133 bpm • B Maj • 01:23 • -20.57db
9% Popularity • 26% Danceability • 12% Energy • 14% Liveness
4% Instrumentalness • 10% Positiveness
9% Popularity • 26% Danceability • 12% Energy • 14% Liveness
4% Instrumentalness • 10% Positiveness
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Claudio Monteverdi
Vespro della Beata Vergine, SV 206: V. C...
114 bpm • G# Maj • 03:34 • -28db
9% Popularity • 27% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 27% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
133 bpm • D Maj • 01:22 • -16.01db
10% Popularity • 22% Danceability • 26% Energy • 14% Liveness
5% Instrumentalness • 22% Positiveness
10% Popularity • 22% Danceability • 26% Energy • 14% Liveness
5% Instrumentalness • 22% Positiveness
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Chor und Orchester von St. Augustin
Missa in D-Dur, KV194: Benedictus
114 bpm • D Maj • 02:03 • -21.92db
8% Popularity • 26% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
8% Popularity • 26% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Antonio Vivaldi
Magnificat en sol mineur, RV 610: X. Sic...
114 bpm • F# min • 01:27 • -15.57db
21% Popularity • 26% Danceability • 29% Energy • 16% Liveness
50% Instrumentalness • 19% Positiveness
21% Popularity • 26% Danceability • 29% Energy • 16% Liveness
50% Instrumentalness • 19% Positiveness
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George Frideric Handel
Handel: Lucrezia, HWV 145: "Già nel sen...
133 bpm • D Maj • 01:16 • -27.54db
10% Popularity • 24% Danceability • 3% Energy • 19% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 24% Danceability • 3% Energy • 19% Liveness
0% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Wachet auf, ruft uns die Stimme, BWV 140...
115 bpm • B min • 05:57 • -23.63db
7% Popularity • 23% Danceability • 6% Energy • 26% Liveness
0% Instrumentalness • 11% Positiveness
7% Popularity • 23% Danceability • 6% Energy • 26% Liveness
0% Instrumentalness • 11% Positiveness
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Anónimo
Pasión: O Vos Omnes. Coro.
114 bpm • F# Maj • 02:04 • -14.8db
12% Popularity • 22% Danceability • 18% Energy • 12% Liveness
6% Instrumentalness • 9% Positiveness
12% Popularity • 22% Danceability • 18% Energy • 12% Liveness
6% Instrumentalness • 9% Positiveness
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Georg Philipp Telemann
Wie ist dein Name so groß (Donner-Ode T...
113 bpm • C# Maj • 05:26 • -19.5db
7% Popularity • 33% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
7% Popularity • 33% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75: III. Ad ma...
113 bpm • G min • 08:20 • -22.32db
8% Popularity • 25% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 25% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Antonio Vivaldi
Sonata in G Major for Two Flutes and Bas...
114 bpm • D# min • 01:35 • -25.87db
8% Popularity • 29% Danceability • 3% Energy • 15% Liveness
11% Instrumentalness • 15% Positiveness
8% Popularity • 29% Danceability • 3% Energy • 15% Liveness
11% Instrumentalness • 15% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54, Pt I. "Lamentat...
114 bpm • F# min • 03:26 • -16.71db
8% Popularity • 33% Danceability • 16% Energy • 11% Liveness
14% Instrumentalness • 16% Positiveness
8% Popularity • 33% Danceability • 16% Energy • 11% Liveness
14% Instrumentalness • 16% Positiveness
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Johann Sebastian Bach
Ich ruf zu dir, Herr Jesu Christ BWV 177...
114 bpm • F# min • 07:38 • -21db
8% Popularity • 27% Danceability • 11% Energy • 19% Liveness
48% Instrumentalness • 14% Positiveness
8% Popularity • 27% Danceability • 11% Energy • 19% Liveness
48% Instrumentalness • 14% Positiveness
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Michael Haydn
Missa Tempore Quadragesimae, MH 553: Cre...
113 bpm • C# min • 01:12 • -19.45db
29% Popularity • 47% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 47% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Alessandro Scarlatti
Il giardino di Rose: Mentr'io godo in do...
113 bpm • B min • 05:32 • -21db
8% Popularity • 26% Danceability • 4% Energy • 11% Liveness
4% Instrumentalness • 8% Positiveness
8% Popularity • 26% Danceability • 4% Energy • 11% Liveness
4% Instrumentalness • 8% Positiveness
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Dietrich Buxtehude
Gott Hilf Mir, BuxWV 34: Concerto Fürch...
113 bpm • D# Maj • 01:12 • -13db
12% Popularity • 34% Danceability • 33% Energy • 41% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 34% Danceability • 33% Energy • 41% Liveness
0% Instrumentalness • 24% Positiveness
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Domenico Scarlatti
Stabat Mater pour dix voix et basse cont...
113 bpm • E min • 04:23 • -23db
12% Popularity • 17% Danceability • 4% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 4% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54: Part II, The Ex...
133 bpm • B min • 01:05 • -18.47db
14% Popularity • 53% Danceability • 37% Energy • 12% Liveness
98% Instrumentalness • 59% Positiveness
14% Popularity • 53% Danceability • 37% Energy • 12% Liveness
98% Instrumentalness • 59% Positiveness
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Claudio Monteverdi
Chiome d'oro
113 bpm • B Maj • 03:37 • -21.75db
13% Popularity • 44% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 44% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Johann Sebastian Bach
Nun ist das Heil und die Kraft, BWV 50
135 bpm • C# Maj • 03:14 • -16.37db
11% Popularity • 49% Danceability • 34% Energy • 9% Liveness
10% Instrumentalness • 57% Positiveness
11% Popularity • 49% Danceability • 34% Energy • 9% Liveness
10% Instrumentalness • 57% Positiveness
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Marc-Antoine Charpentier
Assumpta Est Maria, H. 11: V. Gloria
112 bpm • C# min • 07:10 • -20db
10% Popularity • 28% Danceability • 15% Energy • 18% Liveness
2% Instrumentalness • 10% Positiveness
10% Popularity • 28% Danceability • 15% Energy • 18% Liveness
2% Instrumentalness • 10% Positiveness
