Songs like Stabat Mater by Giovanni Pierluigi da Palestrina
Based on a tempo of (+/- 10%) and a similar genre
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Giovanni Pierluigi da Palestrina
Palestrina: Missa Brevis - 1c. Kyrie II
95 bpm • D# Maj • 00:58 • -24.04db
14% Popularity • 16% Danceability • 17% Energy • 8% Liveness
46% Instrumentalness • 7% Positiveness
14% Popularity • 16% Danceability • 17% Energy • 8% Liveness
46% Instrumentalness • 7% Positiveness
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Alessandro Striggio
All'imperio d'Amore: 9. O Giovenil ardir...
95 bpm • G Maj • 02:16 • -16db
11% Popularity • 31% Danceability • 12% Energy • 14% Liveness
20% Instrumentalness • 10% Positiveness
11% Popularity • 31% Danceability • 12% Energy • 14% Liveness
20% Instrumentalness • 10% Positiveness
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The Schola Cantorum of St. John XXIII Parish
Missa Brevis: Sanctus
95 bpm • E Maj • 02:00 • -22.3db
25% Popularity • 20% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
25% Popularity • 20% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Peter Cornelius
Weihnachtslieder, Op. 8: No. 3, The Thre...
95 bpm • G Maj • 02:42 • -19.34db
16% Popularity • 21% Danceability • 15% Energy • 14% Liveness
5% Instrumentalness • 9% Positiveness
16% Popularity • 21% Danceability • 15% Energy • 14% Liveness
5% Instrumentalness • 9% Positiveness
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Jacob Obrecht
Largire nunc mitissime
95 bpm • C Maj • 01:23 • -18db
35% Popularity • 15% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
35% Popularity • 15% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Thomas Morley
Sing We and Chant It
95 bpm • G Maj • 01:36 • -17.23db
14% Popularity • 54% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 54% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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Giovanni Pierluigi da Palestrina
Adoramus te, Christe, IGP 3
95 bpm • G min • 01:39 • -25.04db
20% Popularity • 18% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 7% Positiveness
20% Popularity • 18% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 7% Positiveness
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The Chapel Choir of Pembroke College, Cambridge
Walford Davies: A Short Requiem - De pro...
94 bpm • D Maj • 02:09 • -34.59db
35% Popularity • 20% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
35% Popularity • 20% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Orazio Benevoli
Missa si Deus pro nobis, a 16 voci: I. K...
94 bpm • C Maj • 04:44 • -19.22db
17% Popularity • 11% Danceability • 13% Energy • 18% Liveness
89% Instrumentalness • 6% Positiveness
17% Popularity • 11% Danceability • 13% Energy • 18% Liveness
89% Instrumentalness • 6% Positiveness
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Dmitry Bortniansky
Sacred Concerto No. 15, "Priidite, vospo...
94 bpm • D# min • 02:02 • -34db
26% Popularity • 24% Danceability • 2% Energy • 11% Liveness
52% Instrumentalness • 3% Positiveness
26% Popularity • 24% Danceability • 2% Energy • 11% Liveness
52% Instrumentalness • 3% Positiveness
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Alexander Gretchaninov
Preserve, O Lord, for Many Years, Op. 79
96 bpm • C Maj • 01:04 • -14db
13% Popularity • 19% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 19% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Louis Vierne
Messe solennelle pour deux orgues et cho...
94 bpm • E Maj • 03:26 • -21db
10% Popularity • 11% Danceability • 2% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 2% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
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Heinrich Isaac
Innsbruck, ich muss dich lassen
94 bpm • F Maj • 04:46 • -24.89db
12% Popularity • 16% Danceability • 2% Energy • 7% Liveness
7% Instrumentalness • 10% Positiveness
12% Popularity • 16% Danceability • 2% Energy • 7% Liveness
7% Instrumentalness • 10% Positiveness
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Pierre de la Rue
Myn hert altyt heeft verlanghen I
96 bpm • G min • 02:22 • -19db
25% Popularity • 17% Danceability • 17% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
25% Popularity • 17% Danceability • 17% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
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Cipriano de Rore
Rore: Descendi in hortum meum - 2. Rever...
94 bpm • F Maj • 01:45 • -21db
13% Popularity • 23% Danceability • 12% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
13% Popularity • 23% Danceability • 12% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
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The Schola Cantorum of St. John XXIII Parish
Missa Brevis: Benedictus
96 bpm • E Maj • 02:06 • -24.28db
26% Popularity • 15% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
26% Popularity • 15% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Jeronimo Aliseda
Beatus Franciscus
93 bpm • D min • 04:22 • -18.34db
17% Popularity • 23% Danceability • 14% Energy • 7% Liveness
4% Instrumentalness • 6% Positiveness
17% Popularity • 23% Danceability • 14% Energy • 7% Liveness
4% Instrumentalness • 6% Positiveness
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Hans Leo Hassler
Verbum caro factum est
94 bpm • G Maj • 02:56 • -21db
14% Popularity • 17% Danceability • 10% Energy • 6% Liveness
24% Instrumentalness • 8% Positiveness
14% Popularity • 17% Danceability • 10% Energy • 6% Liveness
24% Instrumentalness • 8% Positiveness
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Wacław of Szamotuły
Ego sum pastor bonus
97 bpm • F# min • 02:52 • -21.98db
8% Popularity • 19% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 19% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Peter Philips
Christus resurgens
97 bpm • B Maj • 03:43 • -18db
26% Popularity • 29% Danceability • 14% Energy • 9% Liveness
17% Instrumentalness • 10% Positiveness
26% Popularity • 29% Danceability • 14% Energy • 9% Liveness
17% Instrumentalness • 10% Positiveness
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markpowell
Christ Has Risen (2)
93 bpm • A min • 01:19 • -17.31db
14% Popularity • 15% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 15% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Adrian Willaert
Huc me sidereo
93 bpm • A min • 09:24 • -22db
13% Popularity • 11% Danceability • 14% Energy • 7% Liveness
11% Instrumentalness • 5% Positiveness
13% Popularity • 11% Danceability • 14% Energy • 7% Liveness
11% Instrumentalness • 5% Positiveness
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Johannes Brahms
Der 13. Psalm, Op. 27
93 bpm • G Maj • 05:08 • -22.07db
14% Popularity • 16% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
14% Popularity • 16% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Tomás Luis de Victoria
O quam gloriosum est regnum
92 bpm • D# Maj • 02:14 • -20.21db
20% Popularity • 15% Danceability • 16% Energy • 14% Liveness
1% Instrumentalness • 14% Positiveness
20% Popularity • 15% Danceability • 16% Energy • 14% Liveness
1% Instrumentalness • 14% Positiveness
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Giovanni Pierluigi da Palestrina
Madrigals, Book 1 (Il primo libro di mad...
98 bpm • A# min • 02:18 • -23.24db
10% Popularity • 19% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 19% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Finn Mathiassen
Lille Almanak – Little Almanac 3
98 bpm • D# Maj • 01:34 • -31.46db
8% Popularity • 31% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
8% Popularity • 31% Danceability • 2% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
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Heinrich Kaminski
Psalm 130: Ich Harre auf den Herren
92 bpm • A# Maj • 01:08 • -27.74db
36% Popularity • 25% Danceability • 5% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
36% Popularity • 25% Danceability • 5% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
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Girolamo Frescobaldi
Messa Della Domenica: Kyrye III
92 bpm • C# min • 01:03 • -25.36db
31% Popularity • 22% Danceability • 5% Energy • 13% Liveness
59% Instrumentalness • 6% Positiveness
31% Popularity • 22% Danceability • 5% Energy • 13% Liveness
59% Instrumentalness • 6% Positiveness
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John Sheppard
Sheppard: Missa Cantate - 5c. Agnus Dei ...
92 bpm • G Maj • 01:49 • -19.2db
13% Popularity • 24% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 24% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Amor Artis Chamber Choir
Domine, Non Sum Dignus
92 bpm • A min • 01:15 • -22.41db
11% Popularity • 14% Danceability • 12% Energy • 12% Liveness
63% Instrumentalness • 9% Positiveness
11% Popularity • 14% Danceability • 12% Energy • 12% Liveness
63% Instrumentalness • 9% Positiveness
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![De Beata Marie [Virginis] I: Christe cover art](https://i.scdn.co/image/ab67616d00001e021eecdc2e80e94346015850d3)
Giovanni Pierluigi da Palestrina
De Beata Marie [Virginis] I: Christe
92 bpm • D Maj • 01:19 • -19.71db
10% Popularity • 15% Danceability • 13% Energy • 10% Liveness
21% Instrumentalness • 24% Positiveness
10% Popularity • 15% Danceability • 13% Energy • 10% Liveness
21% Instrumentalness • 24% Positiveness
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Nordic Chamber Choir - Nicol Matt
Se Per Havervi, Oime
92 bpm • C# Maj • 04:26 • -29db
10% Popularity • 13% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
10% Popularity • 13% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41, ...
92 bpm • C Maj • 03:04 • -20.14db
18% Popularity • 19% Danceability • 14% Energy • 10% Liveness
16% Instrumentalness • 4% Positiveness
18% Popularity • 19% Danceability • 14% Energy • 10% Liveness
16% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Ubi Caritas
99 bpm • F# min • 03:17 • -29db
20% Popularity • 16% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Owain Park
O Send Out Thy Light
91 bpm • B Maj • 02:33 • -24.18db
19% Popularity • 17% Danceability • 4% Energy • 15% Liveness
89% Instrumentalness • 3% Positiveness
19% Popularity • 17% Danceability • 4% Energy • 15% Liveness
89% Instrumentalness • 3% Positiveness
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Jheronimus Vinders
O mors inevitabili
91 bpm • G Maj • 02:44 • -18.84db
8% Popularity • 18% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 18% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Giovanni Pierluigi da Palestrina
Palestrina: Assumpta est Maria - 2. Quae...
91 bpm • A# Maj • 03:58 • -20.18db
14% Popularity • 17% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 17% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Maddalena Casulana
Il desiderio: No. 3, Morir non può il m...
91 bpm • G Maj • 01:54 • -21db
30% Popularity • 18% Danceability • 9% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 9% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Three Elizabethan Partsongs: I. Sweet Da...
91 bpm • E min • 02:01 • -30db
9% Popularity • 15% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 6% Positiveness
9% Popularity • 15% Danceability • 3% Energy • 13% Liveness
4% Instrumentalness • 6% Positiveness
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Fraser Wilson
Wishes
99 bpm • E min • 04:14 • -27.09db
5% Popularity • 14% Danceability • 5% Energy • 10% Liveness
7% Instrumentalness • 4% Positiveness
5% Popularity • 14% Danceability • 5% Energy • 10% Liveness
7% Instrumentalness • 4% Positiveness
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Giovanni Gabrieli
Exaudi, Deus, orationem meam in F Minor,...
100 bpm • A Maj • 03:05 • -20db
22% Popularity • 19% Danceability • 13% Energy • 12% Liveness
56% Instrumentalness • 4% Positiveness
22% Popularity • 19% Danceability • 13% Energy • 12% Liveness
56% Instrumentalness • 4% Positiveness
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Gregorio Allegri
Messe vidi turbam magnam: No. 3, Gloria
100 bpm • F Maj • 03:20 • -19db
16% Popularity • 18% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
16% Popularity • 18% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Giovanni Pierluigi da Palestrina
Missa sine nomine: IIIa. Credo
99 bpm • A Maj • 02:35 • -21.85db
1% Popularity • 24% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
1% Popularity • 24% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Alfred Schnittke
Three Sacred Hymns: I. Gegrüßet seist ...
90 bpm • C min • 01:35 • -30db
13% Popularity • 20% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
13% Popularity • 20% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Mathieu Gascongne
Missa, "Myn herte heeft altyt verlanghen...
100 bpm • G min • 03:46 • -20db
9% Popularity • 17% Danceability • 16% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
9% Popularity • 17% Danceability • 16% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
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The Schola Cantorum of St. John XXIII Parish
Missa Brevis: Kyrie
90 bpm • E Maj • 02:34 • -24db
25% Popularity • 22% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
25% Popularity • 22% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Kim André Arnesen
Making or Breaking
90 bpm • D Maj • 04:37 • -23.28db
20% Popularity • 10% Danceability • 11% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
20% Popularity • 10% Danceability • 11% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Philippe de Vitry
Vos quied admiramini - Gratissima vigini...
101 bpm • F Maj • 03:20 • -18.67db
11% Popularity • 23% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 23% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Giovanni Pierluigi da Palestrina
Palestrina: Missa Brevis - 09. Sanctus
90 bpm • D# Maj • 02:12 • -23.67db
11% Popularity • 16% Danceability • 13% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 13% Energy • 10% Liveness
12% Instrumentalness • 4% Positiveness
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William Croft
Burial Sentences: IV. Man that is Born o...
101 bpm • D# Maj • 01:24 • -22.47db
14% Popularity • 28% Danceability • 7% Energy • 13% Liveness
28% Instrumentalness • 3% Positiveness
14% Popularity • 28% Danceability • 7% Energy • 13% Liveness
28% Instrumentalness • 3% Positiveness
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Fr. Gregor Aichinger
Regina Caeli (Aichinger)
102 bpm • E Maj • 02:16 • -20.53db
29% Popularity • 26% Danceability • 8% Energy • 13% Liveness
52% Instrumentalness • 19% Positiveness
29% Popularity • 26% Danceability • 8% Energy • 13% Liveness
52% Instrumentalness • 19% Positiveness
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Thomas Fabri
Ach Vlaendere vrie
89 bpm • A# Maj • 02:58 • -22.01db
14% Popularity • 13% Danceability • 16% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
14% Popularity • 13% Danceability • 16% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
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Henry Purcell
Jehova, quam multi sunt hostes mei, Z. 1...
89 bpm • A min • 06:25 • -24.42db
8% Popularity • 16% Danceability • 10% Energy • 12% Liveness
35% Instrumentalness • 10% Positiveness
8% Popularity • 16% Danceability • 10% Energy • 12% Liveness
35% Instrumentalness • 10% Positiveness
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Guillaume Dufay
Se la face ay pale
103 bpm • A# Maj • 02:53 • -23db
13% Popularity • 22% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 22% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Giovanni Pierluigi da Palestrina
In festis Apostolorum I: Ib. Christe
89 bpm • A min • 01:12 • -14.04db
9% Popularity • 18% Danceability • 32% Energy • 10% Liveness
80% Instrumentalness • 17% Positiveness
9% Popularity • 18% Danceability • 32% Energy • 10% Liveness
80% Instrumentalness • 17% Positiveness
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William Croft
Burial Sentences: III. We Brought Nothin...
88 bpm • F min • 01:12 • -27.47db
32% Popularity • 12% Danceability • 4% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
32% Popularity • 12% Danceability • 4% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
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Paul Hindemith
6 Chansons: No. 1. La biche
102 bpm • C# min • 01:17 • -28db
29% Popularity • 22% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 22% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Giulio Caccini
All'imperio d'Amore: 7. Ineffabile ardor...
103 bpm • A# Maj • 00:54 • -16db
21% Popularity • 18% Danceability • 26% Energy • 30% Liveness
99% Instrumentalness • 5% Positiveness
21% Popularity • 18% Danceability • 26% Energy • 30% Liveness
99% Instrumentalness • 5% Positiveness
► Preview
Thomas Morley
A lieta vita (Sing and we chant it)
103 bpm • F# Maj • 01:31 • -22db
23% Popularity • 48% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 48% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
John Taverner
Taverner: Missa Corona spinea - 01. Glor...
88 bpm • D# Maj • 05:32 • -21db
9% Popularity • 14% Danceability • 13% Energy • 21% Liveness
14% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 13% Energy • 21% Liveness
14% Instrumentalness • 4% Positiveness
► Preview
Giovanni Pierluigi da Palestrina
Pueri Hebraeorum in F Major, IGP 78
89 bpm • G Maj • 02:01 • -26.94db
16% Popularity • 14% Danceability • 8% Energy • 6% Liveness
91% Instrumentalness • 7% Positiveness
16% Popularity • 14% Danceability • 8% Energy • 6% Liveness
91% Instrumentalness • 7% Positiveness
► Preview
Guillaume de Machaut
Messe de Notre-Dame: X. Agnus Dei
87 bpm • F# Maj • 03:27 • -28db
24% Popularity • 18% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
24% Popularity • 18% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Antonio Lotti
Lotti: Crucifixus a 8 voci
103 bpm • C min • 03:44 • -25.69db
14% Popularity • 16% Danceability • 6% Energy • 10% Liveness
60% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 6% Energy • 10% Liveness
60% Instrumentalness • 3% Positiveness
► Preview
Andrés Barea
Miserere mei Deus (psaume L) – à 8, a...
87 bpm • E min • 09:32 • -20db
9% Popularity • 13% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 13% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
The Tallis Scholars
Tallis: Sancte Deus - 1. Sancte Deus
104 bpm • A min • 01:46 • -23.94db
37% Popularity • 25% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
37% Popularity • 25% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Jacob Clemens non Papa
Adesto dolori meo
87 bpm • A# Maj • 06:23 • -25.6db
21% Popularity • 22% Danceability • 8% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
21% Popularity • 22% Danceability • 8% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Giovanni Pierluigi da Palestrina
Motets for 5-8 Voices: Book 4 for 5 Voic...
89 bpm • F# min • 04:04 • -23.05db
9% Popularity • 15% Danceability • 12% Energy • 14% Liveness
49% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 12% Energy • 14% Liveness
49% Instrumentalness • 4% Positiveness
► Preview
Jacobus Gallus
Pueri concinite
87 bpm • F Maj • 01:51 • -25db
36% Popularity • 14% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
36% Popularity • 14% Danceability • 8% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Victor Kalinnikov
Hymn To The Mother Of God (Bogoroditse D...
87 bpm • D min • 01:23 • -42db
31% Popularity • 21% Danceability • 2% Energy • 9% Liveness
98% Instrumentalness • 6% Positiveness
31% Popularity • 21% Danceability • 2% Energy • 9% Liveness
98% Instrumentalness • 6% Positiveness
► Preview
Heinrich Schütz
Johannes-Passion, SWV 481: I. Introitus
86 bpm • A# min • 01:39 • -18.45db
13% Popularity • 17% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
13% Popularity • 17% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
S. Serafimovich
Peaceful Light (Valaam Monestary Chant)
104 bpm • C Maj • 02:13 • -29.63db
18% Popularity • 27% Danceability • 4% Energy • 16% Liveness
7% Instrumentalness • 4% Positiveness
18% Popularity • 27% Danceability • 4% Energy • 16% Liveness
7% Instrumentalness • 4% Positiveness
► Preview
Gregorio Allegri
Messe vidi turbam magnam: No. 4, Graduel...
105 bpm • A min • 03:03 • -26.33db
17% Popularity • 24% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
17% Popularity • 24% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Giovanni Pierluigi da Palestrina
Missa Sine Nomine
88 bpm • A min • 03:33 • -29.07db
0% Popularity • 18% Danceability • 11% Energy • 16% Liveness
31% Instrumentalness • 4% Positiveness
0% Popularity • 18% Danceability • 11% Energy • 16% Liveness
31% Instrumentalness • 4% Positiveness
► Preview
The Schola Cantorum of St. John XXIII Parish
Missa Brevis: Gloria
86 bpm • E Maj • 03:10 • -22.67db
22% Popularity • 12% Danceability • 14% Energy • 15% Liveness
48% Instrumentalness • 12% Positiveness
22% Popularity • 12% Danceability • 14% Energy • 15% Liveness
48% Instrumentalness • 12% Positiveness
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Jean Richafort
Requiem in memoriam Josquin Desprez: I. ...
86 bpm • F Maj • 04:18 • -20.99db
15% Popularity • 9% Danceability • 14% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
15% Popularity • 9% Danceability • 14% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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Westminster Williamson Voices
Tantum Ergo
105 bpm • F min • 01:21 • -35db
36% Popularity • 28% Danceability • 4% Energy • 8% Liveness
30% Instrumentalness • 6% Positiveness
36% Popularity • 28% Danceability • 4% Energy • 8% Liveness
30% Instrumentalness • 6% Positiveness
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Philippe de Monte
Missa super mon coeur se recomande: Sanc...
86 bpm • C# Maj • 03:10 • -22db
9% Popularity • 12% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
9% Popularity • 12% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Léonin
Léonin / Pérotin: Magnus Liber / Feast...
86 bpm • G Maj • 01:32 • -16db
10% Popularity • 15% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 15% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Giovanni Pierluigi da Palestrina
Motettorum - Liber Secundus: No. 16 Pecc...
87 bpm • C min • 03:57 • -24.84db
12% Popularity • 12% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 12% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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The Schola Cantorum of St. John XXIII Parish
Sicut Cervus
86 bpm • G# Maj • 02:43 • -23.02db
25% Popularity • 11% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
25% Popularity • 11% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Jean Richafort
Requiem in memoriam Josquin Desprez: III...
105 bpm • A min • 06:26 • -19.02db
9% Popularity • 15% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
9% Popularity • 15% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: IV. Beth
86 bpm • F# min • 01:12 • -24db
37% Popularity • 9% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
37% Popularity • 9% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Jan Pieterszoon Sweelinck
Pseaumes de David, Livre 2: No. 25, Qui ...
86 bpm • E min • 03:24 • -22db
9% Popularity • 15% Danceability • 15% Energy • 26% Liveness
5% Instrumentalness • 9% Positiveness
9% Popularity • 15% Danceability • 15% Energy • 26% Liveness
5% Instrumentalness • 9% Positiveness
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Frank Martin
Mass for Double Choir: Gloria
86 bpm • D min • 06:10 • -27db
12% Popularity • 12% Danceability • 6% Energy • 6% Liveness
30% Instrumentalness • 4% Positiveness
12% Popularity • 12% Danceability • 6% Energy • 6% Liveness
30% Instrumentalness • 4% Positiveness
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Giovanni Pierluigi da Palestrina
Palestrina: Missa Brevis - 08. Crucifixu...
87 bpm • D# Maj • 02:56 • -22.04db
9% Popularity • 14% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 14% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Millikin University Choir
Stetit Angelus
86 bpm • A min • 04:38 • -24db
29% Popularity • 12% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
29% Popularity • 12% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Johannes Ockeghem
D'un autre amer: D'ung aultre amer
86 bpm • D min • 03:07 • -22.11db
15% Popularity • 15% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
15% Popularity • 15% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 8% Positiveness
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Guillaume de Machaut
Messe de Notre-Dame: III. Gloria
86 bpm • A# min • 05:59 • -24db
16% Popularity • 11% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
16% Popularity • 11% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Michael Haydn
Missa Sanctae Crucis, MH 56: Gloria
105 bpm • B Maj • 02:53 • -21db
14% Popularity • 24% Danceability • 10% Energy • 36% Liveness
0% Instrumentalness • 9% Positiveness
14% Popularity • 24% Danceability • 10% Energy • 36% Liveness
0% Instrumentalness • 9% Positiveness
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Heinrich Schütz
Johannes-Passion, SWV 481: I. Introitus
85 bpm • A# min • 01:45 • -20.84db
11% Popularity • 18% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
11% Popularity • 18% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Giovanni Pierluigi da Palestrina
Palestrina: Missa Papae Marcelli - 13. A...
86 bpm • B Maj • 03:55 • -23.27db
12% Popularity • 10% Danceability • 12% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
12% Popularity • 10% Danceability • 12% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Hans Leo Hassler
Dixit Maria
106 bpm • G Maj • 02:34 • -23.66db
9% Popularity • 21% Danceability • 12% Energy • 15% Liveness
15% Instrumentalness • 8% Positiveness
9% Popularity • 21% Danceability • 12% Energy • 15% Liveness
15% Instrumentalness • 8% Positiveness
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Annibale Padovano
Missa Domine a lingua dolosa: Vb. Agnus ...
85 bpm • G# Maj • 02:21 • -20.77db
21% Popularity • 11% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
21% Popularity • 11% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Claude Debussy
Dieu, qu'il l'a fait bon regarder
85 bpm • G# min • 02:15 • -36db
13% Popularity • 9% Danceability • 1% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 9% Danceability • 1% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
2 Choeurs, Op. 68: No. 2. Les fleurs et ...
106 bpm • E Maj • 01:43 • -19.4db
11% Popularity • 24% Danceability • 16% Energy • 11% Liveness
76% Instrumentalness • 5% Positiveness
11% Popularity • 24% Danceability • 16% Energy • 11% Liveness
76% Instrumentalness • 5% Positiveness
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Heinrich Schütz
Das ist je gewißlich wahr, SWV 277
106 bpm • A min • 04:43 • -18.71db
14% Popularity • 22% Danceability • 13% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
14% Popularity • 22% Danceability • 13% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
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Giovanni Pierluigi da Palestrina
Palestrina: Missa Brevis - 12. Agnus Dei...
85 bpm • D# Maj • 02:20 • -26.5db
12% Popularity • 19% Danceability • 8% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
12% Popularity • 19% Danceability • 8% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Palestrina: Missa Assumpta Est Maria - 1...
85 bpm • A# Maj • 01:40 • -22.61db
25% Popularity • 11% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
25% Popularity • 11% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
