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Stagger Lee
Songs like
Stagger Lee
by
Wilson Pickett
Based on a tempo of (+/- 10%) and a similar genre
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Wilson Pickett
Stagger Lee
79 bpm • D Maj • 02:20 • -10db
29% Popularity • 65% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 91% Positiveness
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Baby Washington
I've Got A Feeling
79 bpm • G# Maj • 02:54 • -11db
30% Popularity • 58% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Big Joe Turner
Corrine Corrina
79 bpm • A# Maj • 02:53 • -4db
31% Popularity • 50% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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P.J. Proby
Nicky Hoeky
80 bpm • F min • 02:32 • -12.25db
8% Popularity • 74% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Jimmy Reed
Big Boss Man
78 bpm • A Maj • 02:50 • -12.67db
37% Popularity • 71% Danceability • 47% Energy • 8% Liveness
1% Instrumentalness • 92% Positiveness
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Little Milton
If Walls Could Talk
80 bpm • C Maj • 03:06 • -12.21db
11% Popularity • 58% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
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Wilson Pickett
Hey Joe
80 bpm • F min • 03:05 • -11.92db
39% Popularity • 51% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Hank Ballard
Hoochie Coochie Coo
78 bpm • D min • 02:34 • -8.79db
11% Popularity • 56% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Arthur Conley
Sweet Soul Music
80 bpm • F Maj • 02:21 • -9.67db
62% Popularity • 59% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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James Carr
That's the Way Love Turned out for Me
77 bpm • G Maj • 03:18 • -7.49db
15% Popularity • 55% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Jimmy McCracklin
The Walk
78 bpm • C Maj • 02:50 • -10.33db
14% Popularity • 72% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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The Impressions
Fool for You
81 bpm • D# min • 02:52 • -8db
38% Popularity • 46% Danceability • 66% Energy • 50% Liveness
0% Instrumentalness • 53% Positiveness
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John Fred and His Playboy Band
Judy in Disguise
81 bpm • G# Maj • 02:57 • -7.82db
39% Popularity • 64% Danceability • 52% Energy • 6% Liveness
16% Instrumentalness • 91% Positiveness
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Tommy Tucker
Hi-Heel Sneakers
81 bpm • F Maj • 02:48 • -8db
40% Popularity • 59% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Bettye LaVette
He Made a Woman Out of Me
77 bpm • A Maj • 02:30 • -18db
20% Popularity • 69% Danceability • 21% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
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James Carr
Everybody Needs Somebody
77 bpm • C Maj • 02:42 • -8.62db
12% Popularity • 65% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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Jimmy McCracklin
The Walk
77 bpm • F Maj • 02:41 • -12db
29% Popularity • 62% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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The Impressions
It's All Right - Single Version
82 bpm • C# Maj • 02:47 • -15db
49% Popularity • 56% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Ike Turner
Rocket 88 (Alternative Take)
76 bpm • A# min • 02:50 • -4db
11% Popularity • 45% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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The Capitols
We Got a Thing That's in the Groove
82 bpm • A Maj • 02:27 • -12.42db
21% Popularity • 66% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Wilson Pickett
I've Come a Long Way
82 bpm • D Maj • 03:16 • -7.09db
13% Popularity • 59% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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L.c. Cooke
Take Me For What I Am
82 bpm • C Maj • 02:34 • -6db
27% Popularity • 65% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
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Phil Upchurch
You Can't Sit Down, Pt. Two
76 bpm • F Maj • 02:16 • -6.87db
4% Popularity • 36% Danceability • 75% Energy • 38% Liveness
74% Instrumentalness • 90% Positiveness
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The Staple Singers
The Weight
76 bpm • A# Maj • 04:35 • -13.67db
49% Popularity • 63% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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Tommy Tucker
Hi-Heel Sneakers
82 bpm • F Maj • 02:51 • -7.31db
10% Popularity • 61% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Aaron Neville
Over You
83 bpm • B min • 02:18 • -11.7db
20% Popularity • 51% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 91% Positiveness
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James Carr
A Man Needs a Woman
75 bpm • G# Maj • 02:49 • -8db
29% Popularity • 55% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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The Capitols
Cool Jerk
83 bpm • A# min • 02:36 • -13.08db
19% Popularity • 72% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Esther Phillips
Mojo Hannah
83 bpm • F# Maj • 02:20 • -9db
17% Popularity • 56% Danceability • 67% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Johnny "Guitar" Watson
Cuttin' In
83 bpm • A# Maj • 03:15 • -7.91db
29% Popularity • 53% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Tommy Tucker
Long Tall Shorty
83 bpm • C Maj • 02:26 • -7db
15% Popularity • 64% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Phil Upchurch
You Can't Sit Down, Pt. One
84 bpm • F Maj • 02:14 • -6db
14% Popularity • 63% Danceability • 63% Energy • 41% Liveness
83% Instrumentalness • 92% Positiveness
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James Carr
To Love Somebody
83 bpm • A# Maj • 03:18 • -7.78db
26% Popularity • 42% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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The Capitols
Cool Jerk
84 bpm • A# min • 02:46 • -14.52db
43% Popularity • 70% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Clarence "Frogman" Henry
Ain't Got No Home - Remastered
85 bpm • C Maj • 02:18 • -8db
36% Popularity • 45% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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Sir Douglas Quintet
She's About A Mover - Re-recorded 1968
85 bpm • E Maj • 03:13 • -10db
13% Popularity • 56% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Wilson Pickett
New Orleans
86 bpm • D Maj • 02:31 • -16.13db
21% Popularity • 61% Danceability • 46% Energy • 9% Liveness
27% Instrumentalness • 80% Positiveness
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Eddie Floyd
High-Heel Sneakers
86 bpm • A Maj • 02:42 • -15.28db
10% Popularity • 77% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Manfred Mann
Don't Ask Me What I Say
87 bpm • G# Maj • 03:01 • -6.21db
28% Popularity • 68% Danceability • 83% Energy • 9% Liveness
11% Instrumentalness • 94% Positiveness
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Carl Perkins
Boppin' The Blues
88 bpm • D Maj • 02:47 • -7.46db
41% Popularity • 78% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Sam & Dave
I Take What I Want - Mono
89 bpm • D Maj • 02:34 • -12.06db
30% Popularity • 74% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Jean Knight
You Think You're Hot Stuff
89 bpm • G# Maj • 02:29 • -13.2db
29% Popularity • 81% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Wilson Pickett
I Don't Want No Partime Love
86 bpm • A# min • 02:24 • -4.26db
7% Popularity • 32% Danceability • 57% Energy • 9% Liveness
2% Instrumentalness • 44% Positiveness
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The Majors
A Wonderful Dream
89 bpm • F Maj • 02:01 • -5.12db
25% Popularity • 58% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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James Carr
Gonna Send You Back to Georgia
89 bpm • G# Maj • 02:17 • -5.89db
19% Popularity • 69% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Alvin Robinson
Tuned in, Turned On
89 bpm • F min • 02:52 • -9db
11% Popularity • 69% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Kim Weston
Take Me In Your Arms (Rock Me A Little W...
89 bpm • F min • 02:50 • -7.03db
31% Popularity • 54% Danceability • 79% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
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Arthur Conley
I Can't Stop (No, No, No)
90 bpm • G Maj • 02:29 • -8.23db
14% Popularity • 52% Danceability • 57% Energy • 39% Liveness
0% Instrumentalness • 63% Positiveness
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Wilson Pickett
Lah Tee Lah Taa
71 bpm • C# Maj • 02:05 • -3.64db
14% Popularity • 50% Danceability • 63% Energy • 9% Liveness
12% Instrumentalness • 95% Positiveness
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Lloyd Price
Stagger Lee
70 bpm • D# Maj • 02:24 • -6.86db
50% Popularity • 44% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Sir Douglas Quintet
She's About a Mover
90 bpm • E Maj • 02:22 • -5.77db
37% Popularity • 63% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Big Joe Turner
Boogie Woogie Country Girl
90 bpm • G min • 02:57 • -6.54db
30% Popularity • 77% Danceability • 73% Energy • 2% Liveness
0% Instrumentalness • 95% Positiveness
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Ann Peebles
I Pity the Fool
90 bpm • F Maj • 02:59 • -7.07db
32% Popularity • 80% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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L.c. Cooke
Gonna Have A Good Time
90 bpm • C Maj • 02:14 • -5.29db
16% Popularity • 65% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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Tony Clarke
Ain't Love Good, Ain't Love Proud
91 bpm • D# Maj • 03:15 • -4.45db
11% Popularity • 57% Danceability • 90% Energy • 88% Liveness
0% Instrumentalness • 77% Positiveness
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Larry Williams
She Said Yeah
91 bpm • F Maj • 01:51 • -11db
30% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Wilson Pickett
Soft Soul Boogie Woogie
91 bpm • F Maj • 02:38 • -12.2db
19% Popularity • 78% Danceability • 67% Energy • 67% Liveness
0% Instrumentalness • 96% Positiveness
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Little Milton
That's What Love Will Make You Do
91 bpm • C# Maj • 03:49 • -10.05db
26% Popularity • 69% Danceability • 74% Energy • 5% Liveness
5% Instrumentalness • 78% Positiveness
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Jimmy Reed
Bright Lights, Big City
92 bpm • D Maj • 02:49 • -9db
38% Popularity • 74% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
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The O'Kaysions
Girl Watcher
93 bpm • D Maj • 02:36 • -11.68db
26% Popularity • 66% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Johnny "Guitar" Watson
Those Lonely, Lonely Nights
93 bpm • E Maj • 02:49 • -8db
27% Popularity • 75% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Jimmy Ruffin
Let's Say Goodbye Tomorrow
93 bpm • A# Maj • 03:11 • -9.71db
20% Popularity • 57% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Wilson Pickett
You Keep Me Hangin' On - 2007 Remaster
92 bpm • A Maj • 04:56 • -13.46db
10% Popularity • 39% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Lloyd Price
Lawdy Miss Clawdy
93 bpm • F min • 02:30 • -9.48db
26% Popularity • 63% Danceability • 57% Energy • 34% Liveness
2% Instrumentalness • 70% Positiveness
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Jean Knight
Mr. Big Stuff
93 bpm • G# Maj • 02:44 • -12.59db
67% Popularity • 89% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
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The O'Kaysions
Girl Watcher
92 bpm • A Maj • 02:37 • -9db
26% Popularity • 66% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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The New Summer Fun Project
Girl Watcher
94 bpm • D Maj • 02:30 • -6.12db
23% Popularity • 58% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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David Ruffin
Put A Little Love In Your Heart
94 bpm • C# Maj • 02:48 • -10.9db
38% Popularity • 56% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
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LaVern Baker
See See Rider
94 bpm • F# Maj • 02:30 • -11db
40% Popularity • 67% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Ian Whitcomb
You Turn Me On
94 bpm • A# Maj • 02:43 • -8.55db
20% Popularity • 74% Danceability • 80% Energy • 6% Liveness
1% Instrumentalness • 92% Positiveness
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Lorraine Ellison
Try (Just a Little Bit Harder)
94 bpm • A Maj • 03:03 • -10.8db
18% Popularity • 64% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Elmore James
Shake Your Money Maker
95 bpm • D Maj • 02:30 • -7db
29% Popularity • 48% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Carla Thomas
Red Rooster
95 bpm • D# Maj • 04:00 • -12.8db
15% Popularity • 70% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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The Del Rios
Just Across The Street
96 bpm • E min • 02:21 • -11db
18% Popularity • 51% Danceability • 33% Energy • 39% Liveness
0% Instrumentalness • 48% Positiveness
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James Carr
You've Got My Mind Messed Up
96 bpm • F min • 02:25 • -7.93db
36% Popularity • 58% Danceability • 63% Energy • 53% Liveness
0% Instrumentalness • 78% Positiveness
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Billy Preston
I Wrote A Simple Song
97 bpm • G min • 03:25 • -9.89db
27% Popularity • 70% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Wilson Pickett
I'm Not Tired
96 bpm • A# Maj • 02:47 • -11db
21% Popularity • 77% Danceability • 31% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
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The Young Rascals
Mustang Sally - Single Version
98 bpm • C Maj • 04:01 • -16db
20% Popularity • 66% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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King Floyd
Hard to Handle
98 bpm • D# Maj • 02:25 • -8db
29% Popularity • 73% Danceability • 69% Energy • 47% Liveness
0% Instrumentalness • 96% Positiveness
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Ollie & The Nightengales
I Got A Sure Thing
98 bpm • B min • 02:36 • -11db
15% Popularity • 58% Danceability • 43% Energy • 57% Liveness
0% Instrumentalness • 71% Positiveness
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James Hunter
Talkin' 'Bout My Love
98 bpm • F# min • 02:20 • -6db
11% Popularity • 60% Danceability • 85% Energy • 34% Liveness
3% Instrumentalness • 88% Positiveness
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James Carr
She's Better Than You
97 bpm • A# Maj • 02:22 • -6.84db
26% Popularity • 62% Danceability • 53% Energy • 11% Liveness
7% Instrumentalness • 64% Positiveness
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Wilson Pickett
Mini-Skirt Minnie - 2006 Remaster; Singl...
98 bpm • A Maj • 02:59 • -9.48db
5% Popularity • 68% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
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Lloyd Price
Lawdy Miss Clawdy
98 bpm • A# Maj • 02:24 • -9.82db
21% Popularity • 56% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 90% Positiveness
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Jimmy Ruffin
Don't You Miss Me A Little Bit Baby
98 bpm • F Maj • 02:55 • -7.14db
14% Popularity • 68% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Eddie Cochran
Weekend
99 bpm • G# Maj • 01:53 • -8.35db
30% Popularity • 74% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Johnny Otis
Willie and the Hand Jive
99 bpm • G# min • 02:35 • -9.12db
39% Popularity • 78% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 93% Positiveness
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Lee Rogers
You're The Cream Of The Crop
99 bpm • A Maj • 03:02 • -5.09db
8% Popularity • 60% Danceability • 73% Energy • 16% Liveness
2% Instrumentalness • 83% Positiveness
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Wilson Pickett
Sugar Sugar
98 bpm • G Maj • 02:58 • -16db
25% Popularity • 66% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
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Eddie Floyd
Raise Your Hand
100 bpm • A Maj • 02:23 • -16.75db
21% Popularity • 71% Danceability • 25% Energy • 24% Liveness
0% Instrumentalness • 93% Positiveness
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Roosevelt Sykes
Hey Big Momma
100 bpm • C Maj • 04:26 • -16.43db
14% Popularity • 51% Danceability • 26% Energy • 12% Liveness
18% Instrumentalness • 71% Positiveness
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Ann Peebles
Part Time Love
100 bpm • C Maj • 02:54 • -11.89db
33% Popularity • 78% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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The Contours
It Must Be Love - Single Version
100 bpm • D# Maj • 02:27 • -8.68db
12% Popularity • 66% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
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Sam & Dave
Broke Down Piece of Man
100 bpm • E Maj • 02:57 • -11.89db
31% Popularity • 73% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Wilson Pickett
I'm Drifting
99 bpm • D# min • 02:54 • -11.93db
15% Popularity • 82% Danceability • 59% Energy • 6% Liveness
2% Instrumentalness • 92% Positiveness
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Maxine Brown
Hold on I'm Coming
100 bpm • F Maj • 02:49 • -11.49db
28% Popularity • 58% Danceability • 49% Energy • 48% Liveness
0% Instrumentalness • 70% Positiveness
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The Staple Singers
If You're Ready (Come Go With Me)
101 bpm • E Maj • 04:27 • -14.66db
43% Popularity • 64% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Lonnie Mack
Memphis
102 bpm • G Maj • 02:28 • -9.74db
29% Popularity • 66% Danceability • 60% Energy • 4% Liveness
95% Instrumentalness • 77% Positiveness
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Big Maybelle
Blues Early, Early, Pts. 1 & 2
100 bpm • G# Maj • 04:32 • -9.98db
29% Popularity • 61% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Dan Penn
Close to Me
102 bpm • B min • 02:10 • -9.13db
14% Popularity • 73% Danceability • 41% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
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Stagger Lee