Songs like Stand by Your Man by Candi Staton
Based on a tempo of (+/- 10%) and a similar genre
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The Ikettes
I'm Blue (The Gong Gong Song)
111 bpm • G# min • 02:33 • -8db
34% Popularity • 67% Danceability • 38% Energy • 7% Liveness
6% Instrumentalness • 90% Positiveness
34% Popularity • 67% Danceability • 38% Energy • 7% Liveness
6% Instrumentalness • 90% Positiveness
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Chairmen Of The Board
Working on a Building of Love
111 bpm • F Maj • 02:56 • -8db
19% Popularity • 57% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
19% Popularity • 57% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Wee Willie Walker
There Goes My Used to Be
111 bpm • A min • 03:01 • -6db
10% Popularity • 67% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 67% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Candi Staton
Stand by Your Man
111 bpm • A Maj • 02:58 • -12.9db
31% Popularity • 66% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
31% Popularity • 66% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Spencer Wiggins
Lonely Man
111 bpm • F# Maj • 02:12 • -7db
27% Popularity • 70% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 70% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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The Soul Children
Signed, Sealed And Delivered
111 bpm • A# Maj • 03:22 • -12db
16% Popularity • 64% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 64% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Joe Simon
Power of Love
111 bpm • C Maj • 02:54 • -7db
26% Popularity • 83% Danceability • 67% Energy • 46% Liveness
0% Instrumentalness • 97% Positiveness
26% Popularity • 83% Danceability • 67% Energy • 46% Liveness
0% Instrumentalness • 97% Positiveness
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Jean Knight
Pick Up The Pieces
111 bpm • D Maj • 02:31 • -12.82db
15% Popularity • 74% Danceability • 37% Energy • 16% Liveness
5% Instrumentalness • 90% Positiveness
15% Popularity • 74% Danceability • 37% Energy • 16% Liveness
5% Instrumentalness • 90% Positiveness
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Sharon Jones & The Dap-Kings
Tell Me
111 bpm • F# Maj • 02:46 • -8db
59% Popularity • 77% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
59% Popularity • 77% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Clyde McPhatter
Let's Forget About The Past
112 bpm • F Maj • 02:31 • -6.86db
13% Popularity • 59% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 59% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Jimmy Hughes
I Worship The Ground
111 bpm • A# Maj • 02:26 • -5.19db
22% Popularity • 53% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
22% Popularity • 53% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Candi Staton
Freedom Is Just Beyond the Door
110 bpm • F Maj • 02:50 • -14db
14% Popularity • 66% Danceability • 46% Energy • 43% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 66% Danceability • 46% Energy • 43% Liveness
0% Instrumentalness • 92% Positiveness
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Delaney & Bonnie
We Can Love
112 bpm • C Maj • 02:23 • -8.34db
21% Popularity • 62% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 62% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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David Ruffin
My Whole World Ended (The Moment You Lef...
110 bpm • F Maj • 03:32 • -9db
41% Popularity • 57% Danceability • 67% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
41% Popularity • 57% Danceability • 67% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
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Rudolph Taylor
What's That You Got
112 bpm • A# Maj • 02:51 • -10db
8% Popularity • 87% Danceability • 53% Energy • 10% Liveness
8% Instrumentalness • 98% Positiveness
8% Popularity • 87% Danceability • 53% Energy • 10% Liveness
8% Instrumentalness • 98% Positiveness
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Garnet Mimms
Look Away
110 bpm • A Maj • 02:33 • -13.23db
14% Popularity • 62% Danceability • 50% Energy • 40% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 62% Danceability • 50% Energy • 40% Liveness
0% Instrumentalness • 68% Positiveness
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Eddie Hinton
I'll Come Running Back (To You )
110 bpm • A Maj • 04:30 • -9.27db
13% Popularity • 79% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 79% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Candi Staton
Stand by Your Man - Rerecorded
110 bpm • G# Maj • 03:04 • -9.46db
12% Popularity • 66% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
12% Popularity • 66% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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The Ovations
I'm Living Good
110 bpm • A# Maj • 02:45 • -12.41db
18% Popularity • 61% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 61% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Jean Wells
I'll Drown in My Own Tears
110 bpm • F Maj • 04:10 • -7db
11% Popularity • 51% Danceability • 33% Energy • 17% Liveness
2% Instrumentalness • 16% Positiveness
11% Popularity • 51% Danceability • 33% Energy • 17% Liveness
2% Instrumentalness • 16% Positiveness
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Betty Wright
I'm Thankful
109 bpm • C Maj • 02:07 • -7db
23% Popularity • 46% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
23% Popularity • 46% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Fred Hughes
Oo Wee Baby, I Love You
112 bpm • F min • 02:25 • -13.53db
13% Popularity • 51% Danceability • 45% Energy • 11% Liveness
17% Instrumentalness • 45% Positiveness
13% Popularity • 51% Danceability • 45% Energy • 11% Liveness
17% Instrumentalness • 45% Positiveness
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The Elgins
Darling Baby
113 bpm • A# Maj • 02:50 • -4.13db
10% Popularity • 59% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 59% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Timi Yuro
What's A Matter Baby (Is It Hurting You)
113 bpm • A Maj • 02:45 • -5.72db
31% Popularity • 62% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 62% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
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Carolyn Crawford
My Smile Is Just A Frown (Turned Upside ...
109 bpm • D Maj • 03:02 • -3.94db
15% Popularity • 63% Danceability • 71% Energy • 42% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 63% Danceability • 71% Energy • 42% Liveness
0% Instrumentalness • 60% Positiveness
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Bobby "Blue" Bland
Cry, Cry, Cry
109 bpm • F Maj • 02:40 • -12.6db
20% Popularity • 56% Danceability • 28% Energy • 60% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 56% Danceability • 28% Energy • 60% Liveness
0% Instrumentalness • 24% Positiveness
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Candi Staton
A Little Taste of Love
109 bpm • G Maj • 02:52 • -10.59db
14% Popularity • 74% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 74% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Betty Wright
He's Bad, Bad, Bad
113 bpm • B min • 02:25 • -8db
27% Popularity • 78% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 78% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Cookie & The Cupcakes
I've Been So Lonely
113 bpm • B Maj • 02:16 • -5db
27% Popularity • 64% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
27% Popularity • 64% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Joe Simon
Get Down, Get Down
113 bpm • G# min • 03:48 • -6db
21% Popularity • 66% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
21% Popularity • 66% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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Little Milton
Who's Cheating Who?
113 bpm • C Maj • 02:55 • -12.53db
12% Popularity • 47% Danceability • 58% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
12% Popularity • 47% Danceability • 58% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
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Jimmy Radcliffe
Long After Tonight Is All Over
113 bpm • A# min • 02:41 • -10db
34% Popularity • 53% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
34% Popularity • 53% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Candi Staton
Listen to the Music
113 bpm • D Maj • 03:44 • -12db
15% Popularity • 75% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 75% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Hues Corporation
Freedom for the Stallion
109 bpm • D# Maj • 04:00 • -10.31db
30% Popularity • 52% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 52% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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King Floyd
Woman Don't Go Astray
113 bpm • C# Maj • 02:24 • -10db
22% Popularity • 81% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
22% Popularity • 81% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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Detroit Emeralds
Do Me Right
113 bpm • D Maj • 02:50 • -9.51db
13% Popularity • 83% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 83% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Roy C
Shotgun Wedding
113 bpm • A Maj • 02:16 • -8.95db
24% Popularity • 54% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 54% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
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Rufus Thomas
Do The Funky Chicken
113 bpm • F min • 03:27 • -11db
25% Popularity • 85% Danceability • 56% Energy • 10% Liveness
78% Instrumentalness • 55% Positiveness
25% Popularity • 85% Danceability • 56% Energy • 10% Liveness
78% Instrumentalness • 55% Positiveness
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Candi Staton
I'm Just a Prisoner (Of Your Good Lovin'...
113 bpm • A Maj • 03:12 • -15db
33% Popularity • 64% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
33% Popularity • 64% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Lou Johnson
Rock Me Baby
109 bpm • C Maj • 02:15 • -10.7db
17% Popularity • 58% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 58% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Delaney & Bonnie
It's Been A Long Time Coming
108 bpm • A Maj • 02:16 • -10.21db
12% Popularity • 50% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 50% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
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The Bar-Kays
A Hard Day's Night
114 bpm • C Maj • 02:41 • -9.45db
11% Popularity • 64% Danceability • 65% Energy • 37% Liveness
87% Instrumentalness • 83% Positiveness
11% Popularity • 64% Danceability • 65% Energy • 37% Liveness
87% Instrumentalness • 83% Positiveness
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The Impressions
You Must Believe Me
114 bpm • E Maj • 02:31 • -9.27db
22% Popularity • 76% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 76% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Syl Johnson
Take Me to the River
114 bpm • A Maj • 03:05 • -8.37db
26% Popularity • 92% Danceability • 74% Energy • 9% Liveness
72% Instrumentalness • 90% Positiveness
26% Popularity • 92% Danceability • 74% Energy • 9% Liveness
72% Instrumentalness • 90% Positiveness
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Candi Staton
Honest I Do Love You
114 bpm • A# Maj • 05:53 • -9.22db
8% Popularity • 70% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
8% Popularity • 70% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Inez & Charlie Foxx
Broken Hearted Fool
108 bpm • E Maj • 02:17 • 0.78db
8% Popularity • 83% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 83% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Clyde McPhatter
Without Love (There Is Nothing)
108 bpm • F Maj • 02:58 • -8.43db
6% Popularity • 40% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
6% Popularity • 40% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Chairmen Of The Board
Chairman of the Board
108 bpm • A# min • 03:35 • -5.73db
13% Popularity • 68% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 68% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
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Freda Payne
Deeper And Deeper
108 bpm • C Maj • 03:02 • -7.3db
14% Popularity • 62% Danceability • 51% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
14% Popularity • 62% Danceability • 51% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
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The Contours
What Becomes of the Broken Hearted
107 bpm • F Maj • 02:51 • -9.95db
31% Popularity • 70% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
31% Popularity • 70% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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James & Bobby Purify
You Left The Water Running
115 bpm • G Maj • 02:48 • -11.81db
15% Popularity • 74% Danceability • 51% Energy • 49% Liveness
0% Instrumentalness • 95% Positiveness
15% Popularity • 74% Danceability • 51% Energy • 49% Liveness
0% Instrumentalness • 95% Positiveness
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Joe Simon
Step by Step
115 bpm • D Maj • 03:24 • -7.29db
20% Popularity • 72% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
20% Popularity • 72% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Wilbert Harrison
Louie Louie
115 bpm • G Maj • 05:30 • -5.87db
10% Popularity • 66% Danceability • 70% Energy • 10% Liveness
42% Instrumentalness • 81% Positiveness
10% Popularity • 66% Danceability • 70% Energy • 10% Liveness
42% Instrumentalness • 81% Positiveness
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Shorty Long
Function At The Junction
115 bpm • G Maj • 02:56 • -14db
26% Popularity • 82% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 94% Positiveness
26% Popularity • 82% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 94% Positiveness
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The Soul Children
Hearsay
107 bpm • C Maj • 03:35 • -13.18db
24% Popularity • 77% Danceability • 57% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 77% Danceability • 57% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Rufus Thomas
Do The Funky Chicken
115 bpm • G# Maj • 03:18 • -14db
29% Popularity • 80% Danceability • 40% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
29% Popularity • 80% Danceability • 40% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
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Bobby "Blue" Bland
Ain't Nothing You Can Do - Single Versio...
115 bpm • E Maj • 02:38 • -8.68db
29% Popularity • 61% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 61% Danceability • 57% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Inez & Charlie Foxx
La De Da I Love You
115 bpm • D Maj • 02:23 • -6.58db
17% Popularity • 70% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
17% Popularity • 70% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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The Velvelettes
(We've Got) Honey Love
115 bpm • C# Maj • 02:33 • -8.18db
37% Popularity • 75% Danceability • 81% Energy • 6% Liveness
3% Instrumentalness • 94% Positiveness
37% Popularity • 75% Danceability • 81% Energy • 6% Liveness
3% Instrumentalness • 94% Positiveness
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The Source & Candi Staton
You Got The Love - New Voyager Radio Edi...
107 bpm • F# Maj • 03:13 • -5db
64% Popularity • 59% Danceability • 90% Energy • 41% Liveness
0% Instrumentalness • 48% Positiveness
64% Popularity • 59% Danceability • 90% Energy • 41% Liveness
0% Instrumentalness • 48% Positiveness
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The Winstons
Color Him Father
115 bpm • F min • 03:10 • -7.31db
36% Popularity • 53% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
36% Popularity • 53% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
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The Marvelettes
The Hunter Gets Captured By The Game
115 bpm • B min • 02:50 • -11.43db
35% Popularity • 66% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
35% Popularity • 66% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Jackie Ross
Take Me For A Little While - Single Vers...
115 bpm • C# Maj • 02:33 • -8db
14% Popularity • 56% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
14% Popularity • 56% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Chairmen Of The Board
I'm on My Way to a Better Place
115 bpm • C# Maj • 04:06 • -4.95db
20% Popularity • 64% Danceability • 84% Energy • 59% Liveness
0% Instrumentalness • 87% Positiveness
20% Popularity • 64% Danceability • 84% Energy • 59% Liveness
0% Instrumentalness • 87% Positiveness
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George Jackson
To Me It's Storming
107 bpm • C Maj • 02:44 • -11.69db
16% Popularity • 81% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 81% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Joe Henderson
Snap Your Fingers
107 bpm • A# Maj • 02:57 • -14.54db
9% Popularity • 66% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
9% Popularity • 66% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Pete Tong
You Got The Love
107 bpm • F# Maj • 03:29 • -5.3db
36% Popularity • 57% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
36% Popularity • 57% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Betty Wright
I Love the Way You Love
107 bpm • E min • 03:06 • -9db
30% Popularity • 59% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 59% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Jimmy Hughes
I'm A Man Of Action
116 bpm • D Maj • 02:13 • -5.07db
27% Popularity • 76% Danceability • 74% Energy • 8% Liveness
4% Instrumentalness • 84% Positiveness
27% Popularity • 76% Danceability • 74% Energy • 8% Liveness
4% Instrumentalness • 84% Positiveness
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David Ruffin
I Want You Back
107 bpm • C Maj • 02:49 • -8.29db
28% Popularity • 52% Danceability • 77% Energy • 56% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 52% Danceability • 77% Energy • 56% Liveness
0% Instrumentalness • 87% Positiveness
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Otis Clay
Trying To Live My Life Without You
106 bpm • D# Maj • 02:53 • -7.02db
13% Popularity • 84% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 84% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Rufus Thomas
Walking the Dog - Mono
116 bpm • G# Maj • 02:38 • -9.03db
35% Popularity • 80% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
35% Popularity • 80% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Doris Duke
I Can't Do Without You
106 bpm • C Maj • 02:09 • -11.91db
9% Popularity • 61% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
9% Popularity • 61% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Bobby "Blue" Bland
Turn On Your Love Light
106 bpm • F Maj • 02:38 • -9.12db
35% Popularity • 63% Danceability • 74% Energy • 59% Liveness
0% Instrumentalness • 82% Positiveness
35% Popularity • 63% Danceability • 74% Energy • 59% Liveness
0% Instrumentalness • 82% Positiveness
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Shorty Long
Here Comes The Judge
116 bpm • C# Maj • 02:37 • -16db
26% Popularity • 70% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 70% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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The Elgins
Put Yourself In My Place
116 bpm • C Maj • 02:40 • -4.39db
15% Popularity • 54% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 54% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
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Mable John
Sorry About That - Take 1
106 bpm • A min • 02:19 • -11.88db
40% Popularity • 77% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
40% Popularity • 77% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Barbara Lewis
Thankful for What I've Got
116 bpm • C Maj • 02:47 • -17db
21% Popularity • 56% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 56% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Major Lance
Since I Lost My Baby’s Love
116 bpm • C Maj • 03:21 • -9.31db
14% Popularity • 81% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
14% Popularity • 81% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Betty Wright
I'm Gonna Hate Myself in the Morning
106 bpm • F Maj • 02:14 • -10.28db
15% Popularity • 83% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 83% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 97% Positiveness
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Shorty Long
Devil With The Blue Dress
106 bpm • D# Maj • 03:13 • -15.41db
30% Popularity • 76% Danceability • 46% Energy • 6% Liveness
4% Instrumentalness • 75% Positiveness
30% Popularity • 76% Danceability • 46% Energy • 6% Liveness
4% Instrumentalness • 75% Positiveness
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Chairmen Of The Board
Everything's Tuesday
117 bpm • C Maj • 02:50 • -5.91db
25% Popularity • 74% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
25% Popularity • 74% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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The Marvelettes
Destination: Anywhere
117 bpm • G min • 02:38 • -8db
34% Popularity • 71% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 89% Positiveness
34% Popularity • 71% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 89% Positiveness
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Honey Cone
One Monkey Don't Stop No Show - Pt. 1
117 bpm • F# Maj • 03:31 • -8.16db
17% Popularity • 76% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 76% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Candi Staton
Run to Me
117 bpm • F Maj • 04:18 • -8.7db
28% Popularity • 52% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 52% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Womack & Womack
Good Man Monologue
105 bpm • C# Maj • 04:30 • -15.5db
20% Popularity • 85% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 85% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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The Blossoms
Good, Good Lovin'
117 bpm • G Maj • 02:46 • -7.84db
23% Popularity • 77% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
23% Popularity • 77% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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The Parliaments
(I Wanna) Testify (Mono Single Version)
105 bpm • A# Maj • 03:03 • -5.75db
24% Popularity • 67% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
24% Popularity • 67% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Willie Hutch
Lucky to Be Loved by You
117 bpm • C# min • 02:55 • -6db
26% Popularity • 62% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
26% Popularity • 62% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
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Rufus Thomas
(Do The) Push And Pull - Pt. 1
105 bpm • F min • 03:18 • -9.75db
32% Popularity • 72% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
32% Popularity • 72% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
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Timi Yuro
It'll Never Be Over For Me
117 bpm • C min • 02:55 • -10.39db
33% Popularity • 59% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
33% Popularity • 59% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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Candi Staton
Destiny
117 bpm • C Maj • 03:54 • -7.78db
18% Popularity • 59% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 59% Danceability • 71% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
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Major Lance
Um, Um, Um, Um, Um, Um
117 bpm • B min • 02:19 • -12db
39% Popularity • 85% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
39% Popularity • 85% Danceability • 42% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
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Patti Labelle And The Bluebells
You Forgot How to Love
117 bpm • F# Maj • 02:25 • -7.01db
11% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Dobie Gray
The "In" Crowd
117 bpm • C# Maj • 02:55 • -7.85db
22% Popularity • 68% Danceability • 80% Energy • 14% Liveness
2% Instrumentalness • 79% Positiveness
22% Popularity • 68% Danceability • 80% Energy • 14% Liveness
2% Instrumentalness • 79% Positiveness
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Tony Clarke
The Entertainer
105 bpm • G Maj • 02:35 • -7db
30% Popularity • 74% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 74% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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The Marvelettes
When You're Young And In Love
118 bpm • G# Maj • 02:39 • -10.22db
39% Popularity • 50% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
39% Popularity • 50% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Tyrone Davis
Turn Back The Hands Of Time
118 bpm • F# Maj • 02:58 • -6db
43% Popularity • 56% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
43% Popularity • 56% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
