Songs like Standing [Music for "Buffy the Vampire Slayer"] by Anthony Stewart Head
Based on a tempo of (+/- 10%) and a similar genre
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Sophia Anne Caruso
Prologue: Invisible
81 bpm • E Maj • 02:42 • -11.76db
49% Popularity • 31% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
49% Popularity • 31% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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Ryan McCartan
Our Love Is God
81 bpm • A Maj • 05:18 • -14.21db
54% Popularity • 42% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
54% Popularity • 42% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Original Cast of Hadestown
Mitchell: Wait for Me (Live)
81 bpm • G Maj • 04:08 • -8db
36% Popularity • 49% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
36% Popularity • 49% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
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Frankenstein World Premiere Cast
Amen
81 bpm • D# Maj • 03:32 • -5db
31% Popularity • 44% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 44% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Johnny Depp
By the Sea
80 bpm • A Maj • 02:19 • -12.34db
35% Popularity • 64% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 64% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Alan Cumming
Reefer Madness
82 bpm • C min • 03:07 • -7db
21% Popularity • 33% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 33% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Original Cast of Starship
I Wanna Be
80 bpm • A# min • 03:54 • -6.41db
28% Popularity • 62% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 62% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Barrett Wilbert Weed
I Am Damaged
82 bpm • E Maj • 01:26 • -12.03db
56% Popularity • 56% Danceability • 21% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
56% Popularity • 56% Danceability • 21% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
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Steam Powered Giraffe
The Ballad of Delilah Morreo
80 bpm • F min • 03:28 • -4.68db
30% Popularity • 46% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 46% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Frankenstein World Premiere Cast
Birth to My Creation
80 bpm • D min • 04:22 • -3.61db
31% Popularity • 27% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 27% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Crazy Ex-Girlfriend Cast
I Could If I Wanted To
82 bpm • D Maj • 02:24 • -6.92db
29% Popularity • 74% Danceability • 71% Energy • 26% Liveness
4% Instrumentalness • 24% Positiveness
29% Popularity • 74% Danceability • 71% Energy • 26% Liveness
4% Instrumentalness • 24% Positiveness
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Jessica Lowndes
In All My Dreams I Drown
80 bpm • A# min • 02:26 • -9.74db
34% Popularity • 60% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 60% Danceability • 40% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
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George Salazar
Another Terrible Day
82 bpm • C min • 03:54 • -7.48db
45% Popularity • 75% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
45% Popularity • 75% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Elle McLemore
Lifeboat
82 bpm • G min • 01:39 • -10.1db
55% Popularity • 45% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
55% Popularity • 45% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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The Guy Who Didn't Like Musicals Cast
America Is Great Again
82 bpm • D# Maj • 02:11 • -8.33db
38% Popularity • 58% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
38% Popularity • 58% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Anthony Warlow
Confrontation
82 bpm • E Maj • 04:26 • -10.1db
52% Popularity • 29% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
52% Popularity • 29% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Lauren Marcus
Upgrade
80 bpm • D# Maj • 04:38 • -6.63db
33% Popularity • 49% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
33% Popularity • 49% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
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Alexa Vega
Kiss the Girls
80 bpm • C# Maj • 01:03 • -6.6db
19% Popularity • 53% Danceability • 63% Energy • 35% Liveness
5% Instrumentalness • 32% Positiveness
19% Popularity • 53% Danceability • 63% Energy • 35% Liveness
5% Instrumentalness • 32% Positiveness
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Molly Ranson
The Destruction
80 bpm • F Maj • 02:51 • -3.99db
34% Popularity • 31% Danceability • 83% Energy • 13% Liveness
3% Instrumentalness • 8% Positiveness
34% Popularity • 31% Danceability • 83% Energy • 13% Liveness
3% Instrumentalness • 8% Positiveness
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Katie Ladner
Kindergarten Boyfriend
82 bpm • F Maj • 03:48 • -11.16db
49% Popularity • 40% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
49% Popularity • 40% Danceability • 19% Energy • 18% Liveness
0% Instrumentalness • 19% Positiveness
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Sacha Baron Cohen
The Contest
79 bpm • G Maj • 03:39 • -15.45db
20% Popularity • 67% Danceability • 25% Energy • 90% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 67% Danceability • 25% Energy • 90% Liveness
0% Instrumentalness • 38% Positiveness
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Anthony Warlow
Streak of Madness
79 bpm • D# Maj • 03:37 • -19.87db
29% Popularity • 37% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 37% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Frankenstein World Premiere Cast
Why?
83 bpm • G# Maj • 03:38 • -7.02db
22% Popularity • 56% Danceability • 41% Energy • 46% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 56% Danceability • 41% Energy • 46% Liveness
0% Instrumentalness • 60% Positiveness
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The Guy Who Didn't Like Musicals Cast
Show Me Your Hands
79 bpm • A# min • 02:24 • -8db
41% Popularity • 68% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
41% Popularity • 68% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Marc Senter
The Scorpion and the Frog / Trust Me
79 bpm • D min • 02:19 • -13db
38% Popularity • 55% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
38% Popularity • 55% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Terrance Zdunich
After the Fall
83 bpm • A# min • 03:36 • -9db
27% Popularity • 35% Danceability • 66% Energy • 48% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 35% Danceability • 66% Energy • 48% Liveness
0% Instrumentalness • 56% Positiveness
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Marin Mazzie
And Eve Was Weak
83 bpm • F min • 03:16 • -5db
36% Popularity • 51% Danceability • 68% Energy • 58% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 51% Danceability • 68% Energy • 58% Liveness
0% Instrumentalness • 44% Positiveness
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Original StarKid Cast of Twisted
The Golden Rule (Evil Reprise)
84 bpm • C min • 01:21 • -7.65db
35% Popularity • 62% Danceability • 54% Energy • 42% Liveness
0% Instrumentalness • 59% Positiveness
35% Popularity • 62% Danceability • 54% Energy • 42% Liveness
0% Instrumentalness • 59% Positiveness
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Frankenstein World Premiere Cast
The Waking Nightmare
79 bpm • A# min • 02:33 • -3.85db
24% Popularity • 39% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 39% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Josh Groban
Epiphany
84 bpm • C min • 03:07 • -8.26db
33% Popularity • 42% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 42% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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Thomas Borchert
Every Day a Little Death
84 bpm • F min • 04:25 • -12.03db
32% Popularity • 33% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 33% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Evelyn Evelyn
Tragic Events - Part III
84 bpm • C min • 04:16 • -20.59db
20% Popularity • 46% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
20% Popularity • 46% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Rachel Bloom
Ghost Snake
78 bpm • G# Maj • 01:29 • -3.53db
14% Popularity • 82% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 82% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Jekyll Hyde
Confrontation
84 bpm • E min • 03:42 • -9.4db
35% Popularity • 29% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
35% Popularity • 29% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
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Laura Michelle Kelly
Alms Alms
84 bpm • F Maj • 01:16 • -12.54db
14% Popularity • 40% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 40% Danceability • 35% Energy • 21% Liveness
0% Instrumentalness • 8% Positiveness
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Renée Zellweger
Funny Honey
84 bpm • G# Maj • 03:39 • -12.38db
30% Popularity • 35% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 35% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Original StarKid Cast of The Trail To Oregon!
Wagon on Fire
85 bpm • C# Maj • 02:15 • -5.7db
38% Popularity • 28% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
38% Popularity • 28% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Sarah Brightman
Crucifixus
85 bpm • A# min • 01:48 • -11.26db
28% Popularity • 31% Danceability • 48% Energy • 22% Liveness
5% Instrumentalness • 16% Positiveness
28% Popularity • 31% Danceability • 48% Energy • 22% Liveness
5% Instrumentalness • 16% Positiveness
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The Guy Who Didn't Like Musicals Cast
Inevitable
85 bpm • G# Maj • 02:57 • -7.3db
41% Popularity • 37% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
41% Popularity • 37% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Gavin Lee
I'm Not a Loser
85 bpm • A min • 04:38 • -7.12db
38% Popularity • 51% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 43% Positiveness
38% Popularity • 51% Danceability • 50% Energy • 4% Liveness
0% Instrumentalness • 43% Positiveness
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Chameleon Circuit
The Doctor Is Dying
77 bpm • G min • 03:35 • -11.5db
30% Popularity • 48% Danceability • 52% Energy • 40% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 48% Danceability • 52% Energy • 40% Liveness
0% Instrumentalness • 24% Positiveness
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Tech N9ne
Hitting on All Sevens
85 bpm • F min • 03:01 • -8.27db
20% Popularity • 42% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
20% Popularity • 42% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Mary Kate Wiles
Prisoner of My Past
77 bpm • A min • 01:59 • -19.25db
29% Popularity • 59% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 59% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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John C. Reilly
Mister Cellophane
85 bpm • E Maj • 03:57 • -13.21db
32% Popularity • 45% Danceability • 16% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 45% Danceability • 16% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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Anthony Warlow
The Wedding Reception
77 bpm • B Maj • 04:16 • -10.88db
29% Popularity • 30% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 30% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Frankenstein World Premiere Cast
The Proposition
86 bpm • C min • 04:46 • -3.76db
23% Popularity • 34% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 34% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
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Anthony Stewart Head
Let the Monster Rise
77 bpm • G Maj • 02:42 • -6db
34% Popularity • 34% Danceability • 61% Energy • 72% Liveness
0% Instrumentalness • 29% Positiveness
34% Popularity • 34% Danceability • 61% Energy • 72% Liveness
0% Instrumentalness • 29% Positiveness
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Adam Pascal
Down at the Midnight Rectory
85 bpm • C Maj • 02:23 • -5.56db
19% Popularity • 48% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 48% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Jayne Wisener
Green Finch and Linnett Bird
77 bpm • A# Maj • 02:16 • -12.23db
22% Popularity • 32% Danceability • 30% Energy • 35% Liveness
1% Instrumentalness • 12% Positiveness
22% Popularity • 32% Danceability • 30% Energy • 35% Liveness
1% Instrumentalness • 12% Positiveness
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Tim Curry
I Can Make You a Man (Reprise)
86 bpm • A# Maj • 01:45 • -11.08db
42% Popularity • 48% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
42% Popularity • 48% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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BenjamÃn Ayub Soto
Phantoms
76 bpm • F min • 02:31 • -17.14db
9% Popularity • 60% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
9% Popularity • 60% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Anthony Warlow
The World Has Gone Insane
87 bpm • F Maj • 03:07 • -8.36db
36% Popularity • 50% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 50% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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Lindsay Mendez
The Party Goes with You
87 bpm • G# min • 04:27 • -10.36db
30% Popularity • 25% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 25% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Thomas Borchert
When We Are Kings
87 bpm • A# Maj • 03:39 • -10.41db
23% Popularity • 22% Danceability • 40% Energy • 8% Liveness
30% Instrumentalness • 10% Positiveness
23% Popularity • 22% Danceability • 40% Energy • 8% Liveness
30% Instrumentalness • 10% Positiveness
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Stephen Bienskie
I'd Fuck Me
75 bpm • E Maj • 02:57 • -8.4db
8% Popularity • 63% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 63% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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The Guy Who Didn't Like Musicals Cast
Show Stoppin Number
87 bpm • G Maj • 05:19 • -10.13db
42% Popularity • 54% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
42% Popularity • 54% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
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Forgive Durden
The Spider and the Lamps
75 bpm • A min • 05:10 • -8.68db
27% Popularity • 38% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 38% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
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Paul Sorvino
Cloud Serenade
75 bpm • D Maj • 01:25 • -7.59db
13% Popularity • 29% Danceability • 45% Energy • 7% Liveness
73% Instrumentalness • 24% Positiveness
13% Popularity • 29% Danceability • 45% Energy • 7% Liveness
73% Instrumentalness • 24% Positiveness
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Thoushaltnot
The White Beyond
88 bpm • C min • 03:20 • -9.09db
11% Popularity • 35% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 35% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Frankenstein World Premiere Cast
Amen (Reprise)
75 bpm • A Maj • 03:50 • -18.93db
18% Popularity • 51% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
18% Popularity • 51% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Jeremy Jordan
Raise a Little Hell
88 bpm • A min • 03:08 • -10db
39% Popularity • 44% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
39% Popularity • 44% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
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Neil Patrick Harris
Death Trap
75 bpm • E min • 01:49 • -10.03db
24% Popularity • 43% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 43% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 4% Positiveness
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Bryce Pinkham
Sibella
75 bpm • F# Maj • 03:01 • -11.63db
32% Popularity • 30% Danceability • 23% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 30% Danceability • 23% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
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Nick Blaemire
When the Going Gets Tough
74 bpm • F min • 02:47 • -6.75db
40% Popularity • 70% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
40% Popularity • 70% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Edward Sanders
Not While I'm Around
89 bpm • F Maj • 04:11 • -12db
26% Popularity • 32% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
26% Popularity • 32% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
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Frankenstein World Premiere Cast
Prelude
88 bpm • G min • 02:36 • -7.43db
18% Popularity • 46% Danceability • 44% Energy • 40% Liveness
2% Instrumentalness • 8% Positiveness
18% Popularity • 46% Danceability • 44% Energy • 40% Liveness
2% Instrumentalness • 8% Positiveness
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Benjamin Walker
I'm Not That Guy
89 bpm • E min • 02:29 • -8.02db
22% Popularity • 58% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 58% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Kimiko Glenn
Taurnado
90 bpm • C# Maj • 02:42 • -6.84db
37% Popularity • 35% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
37% Popularity • 35% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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André De Shields
Wait for Me ("Hey, the big artiste...") ...
89 bpm • A min • 01:31 • -12.3db
49% Popularity • 69% Danceability • 34% Energy • 49% Liveness
0% Instrumentalness • 18% Positiveness
49% Popularity • 69% Danceability • 34% Energy • 49% Liveness
0% Instrumentalness • 18% Positiveness
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Brooke Maxwell
Be Safe, Be Good (for Rachel)
90 bpm • A# Maj • 02:10 • -19db
40% Popularity • 66% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 66% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Mary Crowell
Acolytes of the Machine
90 bpm • C min • 05:00 • -13.58db
9% Popularity • 50% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 50% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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Frankenstein World Premiere Cast
The Chase
90 bpm • D min • 02:51 • -5.42db
19% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Steam Powered Giraffe
Photographic Memories
90 bpm • F Maj • 07:28 • -6.42db
20% Popularity • 54% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
20% Popularity • 54% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Laura Benanti
Model Behavior
90 bpm • G# Maj • 05:10 • -10.06db
28% Popularity • 74% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
28% Popularity • 74% Danceability • 63% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Tim Curry
Toxic Love
72 bpm • E min • 04:39 • -10.42db
43% Popularity • 64% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
43% Popularity • 64% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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Emily Rohm
Karnak's Dream of Life
90 bpm • E min • 01:28 • -20.13db
47% Popularity • 21% Danceability • 9% Energy • 36% Liveness
0% Instrumentalness • 4% Positiveness
47% Popularity • 21% Danceability • 9% Energy • 36% Liveness
0% Instrumentalness • 4% Positiveness
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Thoushaltnot
The Haunted Phonograph
91 bpm • C Maj • 03:46 • -6.89db
41% Popularity • 70% Danceability • 69% Energy • 61% Liveness
0% Instrumentalness • 58% Positiveness
41% Popularity • 70% Danceability • 69% Energy • 61% Liveness
0% Instrumentalness • 58% Positiveness
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Seahorse Trash
What Kind Of Crazy
72 bpm • D# min • 02:18 • -17.62db
12% Popularity • 46% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 46% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Frankenstein World Premiere Cast
The Hands of Time
91 bpm • F min • 02:46 • -6.11db
21% Popularity • 52% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
21% Popularity • 52% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 22% Positiveness
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Mary Kate Wiles
The Coldest Goodbye
91 bpm • G min • 01:22 • -17db
33% Popularity • 53% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 53% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Nathan Fillion
Everyone's A Hero
92 bpm • G Maj • 02:45 • -7.67db
33% Popularity • 62% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 62% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Lillian Castillo
The Uranium Suite
91 bpm • C Maj • 03:56 • -14db
51% Popularity • 41% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
51% Popularity • 41% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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David Hasselhoff
Only by Design
92 bpm • G# min • 01:31 • -6.79db
17% Popularity • 67% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 67% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Johnny Depp
Final Scene
71 bpm • G Maj • 10:19 • -15db
19% Popularity • 22% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 22% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Crazy Ex-Girlfriend Cast
I'm The Villain In My Own Story
71 bpm • B Maj • 03:17 • -6db
29% Popularity • 63% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 63% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Thoushaltnot
True Love
92 bpm • E min • 04:38 • -10db
18% Popularity • 33% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
18% Popularity • 33% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Original Cast of Hadestown
Mitchell: Chant (Live)
93 bpm • C# min • 05:27 • -6.48db
33% Popularity • 52% Danceability • 60% Energy • 76% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 52% Danceability • 60% Energy • 76% Liveness
0% Instrumentalness • 59% Positiveness
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White Collar Prison
If It's Not Too Much Trouble (You're Goi...
93 bpm • C# Maj • 03:02 • -8.38db
17% Popularity • 38% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 38% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Matt Smith
Not A Common Man
93 bpm • D min • 03:10 • -8.17db
29% Popularity • 66% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 66% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Douglas Sills
The Creation of Man
94 bpm • B Maj • 03:41 • -11.03db
22% Popularity • 70% Danceability • 43% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
22% Popularity • 70% Danceability • 43% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
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Crazy Ex-Girlfriend Cast
What a Rush to Be a Bride
93 bpm • F# Maj • 01:29 • -3.68db
20% Popularity • 61% Danceability • 76% Energy • 53% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 61% Danceability • 76% Energy • 53% Liveness
0% Instrumentalness • 42% Positiveness
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Jonathan Coulton
Creepy Doll
70 bpm • A min • 04:00 • -8db
27% Popularity • 56% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 56% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 14% Positiveness
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Helena Bonham Carter
The Worst Pies in London
94 bpm • F Maj • 02:23 • -10.99db
33% Popularity • 61% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 61% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Anthony Stewart Head
Mum's Song
70 bpm • F# Maj • 01:22 • -31.54db
4% Popularity • 13% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 20% Positiveness
4% Popularity • 13% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 20% Positiveness
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Sarah Brightman
Chromaggia
70 bpm • D# min • 02:35 • -10.28db
29% Popularity • 43% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 43% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Alex Brightman
Crazytown
94 bpm • F# Maj • 05:06 • -9db
32% Popularity • 67% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 67% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Anthony Warlow
Board of Govenors
69 bpm • E min • 09:25 • -10.77db
32% Popularity • 39% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 39% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Evelyn Evelyn
You Only Want Me 'cause You Want My Sist...
95 bpm • G Maj • 03:49 • -10db
32% Popularity • 56% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 56% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
