Songs like Standing Outside The Fire by The Sounds Of Garth Brooks
Based on a tempo of (+/- 10%) and a similar genre
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Toby Keith
Mockingbird - Greatest Hits 2 Version
115 bpm • F min • 03:29 • -2.43db
39% Popularity • 69% Danceability • 93% Energy • 58% Liveness
0% Instrumentalness • 81% Positiveness
39% Popularity • 69% Danceability • 93% Energy • 58% Liveness
0% Instrumentalness • 81% Positiveness
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Darius Rucker
Straight To Hell - Full Length Version
115 bpm • F Maj • 05:35 • -4.51db
31% Popularity • 60% Danceability • 79% Energy • 80% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 60% Danceability • 79% Energy • 80% Liveness
0% Instrumentalness • 52% Positiveness
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Suzy Bogguss
Outbound Plane
115 bpm • E Maj • 02:55 • -8.52db
35% Popularity • 68% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
35% Popularity • 68% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Shenandoah
I Want To Be Loved Like That
115 bpm • G Maj • 04:02 • -6.1db
35% Popularity • 45% Danceability • 51% Energy • 35% Liveness
0% Instrumentalness • 20% Positiveness
35% Popularity • 45% Danceability • 51% Energy • 35% Liveness
0% Instrumentalness • 20% Positiveness
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The Sounds Of Garth Brooks
Standing Outside The Fire
115 bpm • A Maj • 03:46 • -9.92db
37% Popularity • 69% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
37% Popularity • 69% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Alabama
She and I
115 bpm • E Maj • 03:36 • -8.72db
32% Popularity • 75% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
32% Popularity • 75% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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James Blundell
Age Of Grace
115 bpm • A Maj • 03:33 • -11.55db
25% Popularity • 66% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 66% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Mindy McCready
The Other Side Of This Kiss
116 bpm • E Maj • 03:04 • -5.75db
20% Popularity • 69% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 69% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Suzy Bogguss
Drive South
115 bpm • A Maj • 03:09 • -7.82db
30% Popularity • 66% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 66% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Ty Herndon
Living In A Moment
116 bpm • G Maj • 03:52 • -6.87db
41% Popularity • 66% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
41% Popularity • 66% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Tony Jackson
It's Only Make Believe
114 bpm • C Maj • 02:27 • -3.98db
22% Popularity • 53% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 53% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Brian McComas
99.9% Sure (I've Never Been Here Before)
116 bpm • G Maj • 03:13 • -3.41db
32% Popularity • 61% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
32% Popularity • 61% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 73% Positiveness
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Jo Dee Messina
You're Not In Kansas Anymore
116 bpm • C# Maj • 02:55 • -7db
33% Popularity • 66% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
33% Popularity • 66% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Lonestar
You're Like Comin' Home
116 bpm • C# Maj • 04:00 • -6.38db
26% Popularity • 62% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 62% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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BlackHawk
Like There Ain't No Yesterday
114 bpm • E Maj • 03:16 • -8.17db
34% Popularity • 76% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
34% Popularity • 76% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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The Country Gentlemen
Standing Outside the Fire
114 bpm • A Maj • 03:53 • -5.33db
42% Popularity • 67% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 67% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Steve Holy
Put Your Best Dress On
114 bpm • E Maj • 03:18 • -6.79db
11% Popularity • 54% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 54% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Kevin Banford
Cowgirl's Rodeo
117 bpm • A min • 03:08 • -4.59db
11% Popularity • 52% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 52% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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George Ducas
Lipstick Promises
117 bpm • A Maj • 04:04 • -9.4db
26% Popularity • 66% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 66% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Jason McCoy
Born Again in Dixieland
113 bpm • B Maj • 03:25 • -7.62db
31% Popularity • 67% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 67% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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BlackHawk
Down In Flames
117 bpm • E Maj • 03:44 • -8.85db
30% Popularity • 74% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 74% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Rhett Akins
That Ain't My Truck - Back Porch Acousti...
117 bpm • G Maj • 03:57 • -8.42db
24% Popularity • 72% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 72% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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South Sixty Five
A Random Act of Senseless Kindness
113 bpm • C Maj • 03:57 • -8.19db
11% Popularity • 74% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 74% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Lonestar
Class Reunion (That Used To Be Us)
117 bpm • G Maj • 04:32 • -2.63db
22% Popularity • 59% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 59% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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The Road Hammers
Eastbound and Down
117 bpm • G Maj • 03:13 • -5db
33% Popularity • 71% Danceability • 95% Energy • 43% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 71% Danceability • 95% Energy • 43% Liveness
0% Instrumentalness • 74% Positiveness
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John Schneider
Wherever She Is
117 bpm • D Maj • 03:51 • -5.22db
14% Popularity • 65% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 65% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 49% Positiveness
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Terri Clark
No Fear
113 bpm • A# Maj • 03:58 • -6.17db
26% Popularity • 66% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 66% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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McAlister Kemp
Fight Me
113 bpm • A Maj • 03:27 • -6.89db
23% Popularity • 63% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 63% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Faith Hill
The Secret of Life
118 bpm • E Maj • 04:14 • -7.58db
33% Popularity • 61% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 61% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Lila McCann
I Wanna Fall in Love
112 bpm • F# Maj • 04:18 • -6.39db
38% Popularity • 64% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
38% Popularity • 64% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Prairie Oyster
Black-Eyed Susan
118 bpm • F Maj • 03:30 • -8.08db
12% Popularity • 61% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 61% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Little Big Town
Life In A Northern Town - Live
118 bpm • C Maj • 04:16 • -6db
44% Popularity • 56% Danceability • 65% Energy • 93% Liveness
0% Instrumentalness • 22% Positiveness
44% Popularity • 56% Danceability • 65% Energy • 93% Liveness
0% Instrumentalness • 22% Positiveness
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Trick Pony
On a Night Like This
118 bpm • F Maj • 03:30 • -5db
33% Popularity • 60% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
33% Popularity • 60% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
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Aaron Pritchett
My Way
118 bpm • E Maj • 03:44 • -7.17db
14% Popularity • 55% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 55% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Darius Rucker
True Believers
118 bpm • G Maj • 04:04 • -6.47db
38% Popularity • 59% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
38% Popularity • 59% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Terri Clark
The World Needs A Drink
112 bpm • C# Maj • 03:59 • -4.83db
11% Popularity • 69% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 69% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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John Berry
She's Taken a Shine
118 bpm • A# Maj • 03:43 • -3.86db
22% Popularity • 70% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 70% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Sammy Kershaw
She Don't Know She's Beautiful
118 bpm • A Maj • 03:04 • -5db
20% Popularity • 67% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 67% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Matt Scullion
The Aldi Song
118 bpm • C Maj • 03:06 • -6.64db
30% Popularity • 83% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
30% Popularity • 83% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Lionel Cartwright
Leap of Faith
112 bpm • F Maj • 04:31 • -13.85db
19% Popularity • 84% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
19% Popularity • 84% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Blaine Larsen
Spoken Like A Man
112 bpm • E Maj • 02:45 • -2.85db
13% Popularity • 75% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 75% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Chely Wright
Jezebel
112 bpm • C Maj • 03:11 • -7.67db
27% Popularity • 64% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
27% Popularity • 64% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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John Berry
She's Taken A Shine
118 bpm • A# Maj • 03:41 • -9.67db
17% Popularity • 67% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
17% Popularity • 67% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Brooks & Dunn
That's What It's All About
118 bpm • A Maj • 03:59 • -3.06db
35% Popularity • 52% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 52% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Boy Howdy
They Don't Make Them Like That Anymore
119 bpm • A Maj • 03:26 • -6.13db
25% Popularity • 69% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 69% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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Sara Evans
Coalmine
111 bpm • G# Maj • 03:26 • -3.61db
26% Popularity • 61% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 61% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 57% Positiveness
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Jimmy Rankin
Followed Her Around
119 bpm • C Maj • 04:01 • -2.93db
31% Popularity • 63% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 63% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Eli Young Band
The Closer You Get
111 bpm • C Maj • 03:38 • -6.91db
21% Popularity • 64% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 64% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Chris Cummings
The Kind of Heart That Breaks
119 bpm • D Maj • 02:37 • -5.51db
19% Popularity • 65% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
19% Popularity • 65% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
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Ronnie Milsap
Stranger in My House
111 bpm • C Maj • 04:17 • -5.57db
25% Popularity • 61% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
25% Popularity • 61% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Andy Griggs
I'll Go Crazy
111 bpm • D Maj • 03:04 • -9.03db
24% Popularity • 68% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 68% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Paul Brandt
Yeah!
111 bpm • B min • 04:14 • -9.19db
22% Popularity • 60% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
22% Popularity • 60% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
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Alabama
If You're Gonna Play in Texas (You Gotta...
111 bpm • A Maj • 04:28 • -19.44db
29% Popularity • 49% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
29% Popularity • 49% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Mindy McCready
A Girl's Gotta Do (What A Girl's Gotta D...
120 bpm • F# Maj • 02:39 • -5.55db
37% Popularity • 67% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
37% Popularity • 67% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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BlackHawk
Love Like This
120 bpm • G Maj • 03:03 • -8.85db
30% Popularity • 74% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 74% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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The Good Brothers
Fox on the Run
120 bpm • A# Maj • 03:02 • -4.74db
13% Popularity • 57% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 57% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Sawyer Brown
Smokin' Hot Wife
120 bpm • D Maj • 03:10 • -3.21db
26% Popularity • 69% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
26% Popularity • 69% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Elvis-Kingtinued
I've Got Friends in Low Places
120 bpm • A Maj • 03:30 • -11.3db
33% Popularity • 71% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 71% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Lorrie Morgan
War Paint
120 bpm • B min • 04:54 • -10.86db
16% Popularity • 72% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 72% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Toby Keith
Get out of My Car
120 bpm • G Maj • 03:30 • -6db
31% Popularity • 75% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
31% Popularity • 75% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Shania Twain
(If You're Not In It For Love) I'm Outta...
120 bpm • F Maj • 03:51 • -2.18db
39% Popularity • 72% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
39% Popularity • 72% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 85% Positiveness
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Trick Pony
It's A Heartache
120 bpm • C Maj • 03:29 • -4db
31% Popularity • 56% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 56% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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Brooks & Dunn
Proud of the House We Built
120 bpm • F# Maj • 03:46 • -4.97db
39% Popularity • 62% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
39% Popularity • 62% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Aaron Lines
The Lights Of My Hometown
120 bpm • C# Maj • 03:31 • -5.48db
13% Popularity • 66% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 66% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Adam Gregory
The World Could Use A Cowboy
120 bpm • G Maj • 03:48 • -5.21db
11% Popularity • 63% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
11% Popularity • 63% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
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BlackHawk
Stone By Stone
120 bpm • G Maj • 03:55 • -9.55db
17% Popularity • 76% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 76% Danceability • 46% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
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Stagecoach Stars
Wild Horses
120 bpm • E Maj • 03:20 • -7.82db
14% Popularity • 71% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 71% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Shania Twain
(If You're Not In It For Love) I'm Outta...
120 bpm • F Maj • 04:30 • -8db
52% Popularity • 77% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
52% Popularity • 77% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Lonestar
Come Cryin' To Me
120 bpm • B Maj • 03:41 • -7db
34% Popularity • 69% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
34% Popularity • 69% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Big & Rich
Faster Than Angels Fly
110 bpm • C Maj • 04:24 • -10.19db
5% Popularity • 66% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
5% Popularity • 66% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Alabama
Mountain Music
110 bpm • A Maj • 04:11 • -7.89db
38% Popularity • 52% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 52% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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BlackHawk
One Night In New Orleans
110 bpm • G Maj • 03:37 • -5.77db
16% Popularity • 62% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 62% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Trace Adkins
I Got My Game On
110 bpm • G Maj • 03:10 • -4.6db
35% Popularity • 65% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
35% Popularity • 65% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
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Lionel Cartwright
I Watched It All (On My Radio)
121 bpm • G# Maj • 03:22 • -13.74db
22% Popularity • 69% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 69% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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John Berry
I Think About It All the Time
121 bpm • B Maj • 03:35 • -3.99db
12% Popularity • 74% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 74% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Collin Raye
I Think About You
121 bpm • C Maj • 03:26 • -7db
48% Popularity • 70% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
48% Popularity • 70% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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George Ducas
Every Time She Passes By
121 bpm • A Maj • 03:29 • -5.1db
8% Popularity • 64% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 64% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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BlackHawk
I'm Not Strong Enough To Say No
110 bpm • C# Maj • 04:24 • -4.03db
15% Popularity • 71% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 71% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Joey + Rory
Josephine
121 bpm • E Maj • 05:21 • -8.7db
22% Popularity • 67% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 67% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Big & Rich
Big Time
121 bpm • D Maj • 03:56 • -1.39db
36% Popularity • 66% Danceability • 93% Energy • 51% Liveness
0% Instrumentalness • 72% Positiveness
36% Popularity • 66% Danceability • 93% Energy • 51% Liveness
0% Instrumentalness • 72% Positiveness
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John Berry
Kiss Me In The Car
121 bpm • C# Maj • 03:29 • -11.85db
26% Popularity • 77% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
26% Popularity • 77% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Paul Brandt
The King
121 bpm • C min • 03:52 • -10.03db
10% Popularity • 78% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
10% Popularity • 78% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Heartland
Let's Get Dirty
121 bpm • D Maj • 04:07 • -5.68db
16% Popularity • 70% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
16% Popularity • 70% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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The Bacon Brothers
Guilty of the Crime
109 bpm • C# Maj • 03:41 • -7.44db
27% Popularity • 75% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
27% Popularity • 75% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Kevin Sharp
Measure of a Man
121 bpm • D Maj • 03:08 • -5.4db
16% Popularity • 72% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 72% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Doc Walker
Get Up
109 bpm • A Maj • 03:55 • -8.56db
8% Popularity • 65% Danceability • 66% Energy • 44% Liveness
0% Instrumentalness • 82% Positiveness
8% Popularity • 65% Danceability • 66% Energy • 44% Liveness
0% Instrumentalness • 82% Positiveness
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Michelle Wright
Nobody's Girl
109 bpm • D# Maj • 03:19 • -6db
19% Popularity • 68% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 68% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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George Strait
Amarillo By Morning - Live
121 bpm • D Maj • 03:02 • -10.51db
40% Popularity • 49% Danceability • 65% Energy • 95% Liveness
1% Instrumentalness • 49% Positiveness
40% Popularity • 49% Danceability • 65% Energy • 95% Liveness
1% Instrumentalness • 49% Positiveness
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Shania Twain
Party For Two - Country Version With Int...
121 bpm • B Maj • 03:32 • -5db
42% Popularity • 75% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
42% Popularity • 75% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Steve Wariner
Two Teardrops
121 bpm • F Maj • 04:29 • -9db
36% Popularity • 75% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 75% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Diamond Rio
Wrinkles
109 bpm • E Maj • 03:08 • -7.38db
17% Popularity • 68% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
17% Popularity • 68% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 33% Positiveness
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Blue County
Good Little Girls
122 bpm • D Maj • 03:01 • -5db
17% Popularity • 67% Danceability • 81% Energy • 3% Liveness
0% Instrumentalness • 78% Positiveness
17% Popularity • 67% Danceability • 81% Energy • 3% Liveness
0% Instrumentalness • 78% Positiveness
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Luke O'Shea
Wayne And Wanita
122 bpm • E Maj • 04:05 • -6.27db
28% Popularity • 66% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 66% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
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Travis Tritt
What Say You
122 bpm • G# Maj • 03:19 • -4.38db
21% Popularity • 60% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
21% Popularity • 60% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Trick Pony
Just What I Do
122 bpm • F Maj • 03:22 • -5.65db
28% Popularity • 67% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 67% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Shania Twain
Don't Be Stupid (You Know I Love You)
122 bpm • D Maj • 03:34 • -4.95db
54% Popularity • 78% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
54% Popularity • 78% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
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Mark Collie
Born To Love You
108 bpm • G Maj • 03:10 • -11db
29% Popularity • 70% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
29% Popularity • 70% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Sawyer Brown
800 Pound Jesus
122 bpm • D Maj • 02:54 • -7.44db
13% Popularity • 72% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
13% Popularity • 72% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
