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Stanford Rhapsody (Founded on Sir Charles Villiers...
Songs like
Stanford Rhapsody (Founded on Sir Charles Villiers Stanford's 'Songs of the Sea')
by
Haydn Wood
Based on a tempo of (+/- 10%) and a similar genre
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Haydn Wood
Mylecharane: Rhapsody Mylecharane
103 bpm • F Maj • 09:28 • -20.17db
0% Popularity • 22% Danceability • 11% Energy • 7% Liveness
90% Instrumentalness • 9% Positiveness
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Trevor Duncan
Children in the Park: At the Pool
103 bpm • F Maj • 02:04 • -22db
18% Popularity • 34% Danceability • 7% Energy • 18% Liveness
89% Instrumentalness • 12% Positiveness
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Emil Nikolaus von Reznicek
Donna Diana: Overture
102 bpm • A Maj • 05:49 • -12.24db
10% Popularity • 46% Danceability • 54% Energy • 9% Liveness
91% Instrumentalness • 65% Positiveness
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Franz von Suppé
Isabella: Ouvertüre
102 bpm • D Maj • 07:54 • -17.94db
17% Popularity • 35% Danceability • 30% Energy • 9% Liveness
69% Instrumentalness • 19% Positiveness
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Nigel Hess
Be Thou My Vision, Triptych for Orchestr...
104 bpm • G Maj • 06:26 • -22.47db
8% Popularity • 18% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 9% Positiveness
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Edward Elgar
Elgar: Mina
104 bpm • A# Maj • 02:07 • -22.31db
0% Popularity • 25% Danceability • 7% Energy • 14% Liveness
83% Instrumentalness • 13% Positiveness
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Haydn Wood
Fantasy-Concerto: Allegro risoluto
102 bpm • A min • 04:53 • -21.07db
4% Popularity • 24% Danceability • 22% Energy • 36% Liveness
93% Instrumentalness • 15% Positiveness
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Edvard Grieg
Symphonic Dances, Op. 64: II. Allegretto...
101 bpm • A Maj • 03:48 • -21.21db
19% Popularity • 15% Danceability • 9% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
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Leonard Bernstein
Fancy Free Ballet: I. Enter Three Sailor...
105 bpm • G min • 02:50 • -16.14db
11% Popularity • 50% Danceability • 32% Energy • 38% Liveness
78% Instrumentalness • 38% Positiveness
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Aileen
Earth Wind and Fire
105 bpm • C# Maj • 03:05 • -19.92db
18% Popularity • 64% Danceability • 12% Energy • 20% Liveness
89% Instrumentalness • 83% Positiveness
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Various Artists
Voices of Spring Waltz
105 bpm • C min • 06:33 • -23.01db
8% Popularity • 24% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 19% Positiveness
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Edward Elgar
5 Military Marches, Op. 39, "Pomp and Ci...
102 bpm • C Maj • 06:15 • -18db
18% Popularity • 28% Danceability • 19% Energy • 25% Liveness
89% Instrumentalness • 26% Positiveness
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Haydn Wood
Apollo: Apollo: Overture
101 bpm • D Maj • 07:59 • -19.5db
0% Popularity • 24% Danceability • 12% Energy • 14% Liveness
94% Instrumentalness • 22% Positiveness
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Samuel Coleridge-Taylor
Ballade in A Minor, Op. 33: I. Allegro e...
101 bpm • A min • 05:48 • -19.62db
30% Popularity • 25% Danceability • 13% Energy • 32% Liveness
91% Instrumentalness • 7% Positiveness
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John Lanchbery
Tales of Beatrix Potter: Introduction & ...
101 bpm • D Maj • 01:40 • -18.93db
13% Popularity • 14% Danceability • 20% Energy • 20% Liveness
89% Instrumentalness • 7% Positiveness
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Johann Strauss II
Accelerations - Waltz Op. 234
101 bpm • G Maj • 07:39 • -23.01db
16% Popularity • 31% Danceability • 5% Energy • 8% Liveness
41% Instrumentalness • 15% Positiveness
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Aram Khachaturian
Khachaturian: Spartacus Suite No. 2: I. ...
101 bpm • C# Maj • 04:45 • -19.62db
29% Popularity • 15% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Vladimir Horowitz
The Stars and Stripes Forever
106 bpm • D# Maj • 04:35 • -19.58db
19% Popularity • 41% Danceability • 24% Energy • 7% Liveness
86% Instrumentalness • 50% Positiveness
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Haydn Wood
Mannin Veen
101 bpm • G Maj • 09:29 • -19.74db
3% Popularity • 22% Danceability • 8% Energy • 7% Liveness
88% Instrumentalness • 22% Positiveness
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Camille Saint-Saëns
Symphony No. 3 In C Minor, Op. 78 "Organ...
106 bpm • C Maj • 08:00 • -17db
33% Popularity • 24% Danceability • 27% Energy • 8% Liveness
92% Instrumentalness • 18% Positiveness
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Kurt Weill
Lady in the Dark - Symphonic Nocturne (a...
106 bpm • D min • 01:47 • -13.82db
15% Popularity • 42% Danceability • 43% Energy • 57% Liveness
92% Instrumentalness • 34% Positiveness
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Frederick Delius
Florida Suite: Daybreak - Dance
100 bpm • A Maj • 11:43 • -25.68db
13% Popularity • 14% Danceability • 4% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Le Villi, Act II: The Witches' Sabbath "...
100 bpm • C min • 03:34 • -15.39db
7% Popularity • 44% Danceability • 29% Energy • 29% Liveness
92% Instrumentalness • 37% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 1 i...
106 bpm • G Maj • 04:25 • -12.98db
30% Popularity • 44% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 38% Positiveness
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Giuseppe Verdi
Nabucco: Overture
100 bpm • F Maj • 07:30 • -16.05db
27% Popularity • 29% Danceability • 17% Energy • 14% Liveness
94% Instrumentalness • 17% Positiveness
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William Walton
Orb and Sceptre
106 bpm • E Maj • 07:14 • -15.62db
8% Popularity • 27% Danceability • 35% Energy • 9% Liveness
89% Instrumentalness • 27% Positiveness
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Philharmonia Orchestra
La gazza ladra: "Overture"
107 bpm • E Maj • 09:40 • -17.93db
23% Popularity • 33% Danceability • 20% Energy • 6% Liveness
79% Instrumentalness • 29% Positiveness
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Anton Rubinstein
Melodie in F; op. 3
99 bpm • F Maj • 03:04 • -18.82db
9% Popularity • 21% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 7% Positiveness
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Émile Waldteufel
Estudiantina, Waltz, Op. 191
99 bpm • D Maj • 06:46 • -15.28db
22% Popularity • 37% Danceability • 20% Energy • 7% Liveness
74% Instrumentalness • 56% Positiveness
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Haydn Wood
London Cameos: No. 3 A State Ball at Buc...
99 bpm • A# Maj • 06:40 • -21.51db
0% Popularity • 27% Danceability • 11% Energy • 32% Liveness
61% Instrumentalness • 30% Positiveness
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George Melachrino
Starlight Roof Waltz
99 bpm • E min • 03:07 • -17.88db
8% Popularity • 30% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 24% Positiveness
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Alexander Borodin
Polovetsian Dances from Prince Igor: Mod...
108 bpm • A Maj • 01:15 • -19db
36% Popularity • 20% Danceability • 23% Energy • 19% Liveness
91% Instrumentalness • 36% Positiveness
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Johann Strauss II
Die Fledermaus (The Bat), Overture (RV 5...
99 bpm • D Maj • 02:04 • -20.93db
34% Popularity • 33% Danceability • 14% Energy • 7% Liveness
81% Instrumentalness • 20% Positiveness
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Sergei Prokofiev
Peter and the Wolf, Op. 67 (Without Narr...
99 bpm • C Maj • 01:12 • -37.4db
51% Popularity • 35% Danceability • 1% Energy • 26% Liveness
53% Instrumentalness • 13% Positiveness
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Georges Bizet
Carmen Suite No. 2: VI. Danse Boheme
108 bpm • C Maj • 04:52 • -22db
8% Popularity • 35% Danceability • 7% Energy • 8% Liveness
38% Instrumentalness • 20% Positiveness
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Rodion Shchedrin
Shchedrin: Carmen Suite: IX. Torero (aft...
108 bpm • F Maj • 02:58 • -17.04db
9% Popularity • 52% Danceability • 35% Energy • 27% Liveness
92% Instrumentalness • 28% Positiveness
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Hamish MacCunn
The Land of the Mountain and the Flood, ...
108 bpm • B Maj • 09:10 • -18.48db
13% Popularity • 27% Danceability • 8% Energy • 13% Liveness
79% Instrumentalness • 11% Positiveness
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Frederic Curzon
The Boulevardier
98 bpm • A# Maj • 03:56 • -25.67db
11% Popularity • 69% Danceability • 9% Energy • 9% Liveness
37% Instrumentalness • 61% Positiveness
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Johann Strauss II
Roses from the South - Waltz Op. 388
98 bpm • F Maj • 08:48 • -20db
27% Popularity • 30% Danceability • 7% Energy • 5% Liveness
83% Instrumentalness • 21% Positiveness
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Haydn Wood
Love's Garden of Roses
108 bpm • G# Maj • 03:27 • -10.68db
2% Popularity • 31% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Albert Ketèlbey
In A Monastery Garden
108 bpm • F Maj • 05:23 • -16.55db
17% Popularity • 17% Danceability • 23% Energy • 16% Liveness
81% Instrumentalness • 4% Positiveness
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Richard Wagner
Tannhauser: Overture
98 bpm • B Maj • 09:48 • -21db
31% Popularity • 18% Danceability • 4% Energy • 58% Liveness
92% Instrumentalness • 4% Positiveness
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Cecil Armstrong Gibbs
Dusk
98 bpm • G Maj • 03:13 • -19.02db
16% Popularity • 14% Danceability • 14% Energy • 23% Liveness
94% Instrumentalness • 4% Positiveness
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Edward Elgar
Pomp And Circumstance March No 4
108 bpm • G Maj • 05:16 • -15.26db
25% Popularity • 32% Danceability • 30% Energy • 17% Liveness
85% Instrumentalness • 20% Positiveness
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Johann Strauss II
Artist's Life - Waltz Op. 316
98 bpm • C Maj • 08:40 • -24db
33% Popularity • 31% Danceability • 3% Energy • 12% Liveness
64% Instrumentalness • 13% Positiveness
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The Gerst Ensemble
Studies for the Piano, Op. 65: No. 4 All...
98 bpm • G Maj • 01:00 • -27.26db
16% Popularity • 27% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 33% Positiveness
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Joseph Hellmesberger, Sr.
Ballszene
98 bpm • B Maj • 07:58 • -25db
8% Popularity • 47% Danceability • 28% Energy • 10% Liveness
90% Instrumentalness • 35% Positiveness
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Richard Wagner
Die Walküre, WWV 86B, Act III Scene 1: ...
108 bpm • G Maj • 04:41 • -16.35db
8% Popularity • 24% Danceability • 33% Energy • 26% Liveness
78% Instrumentalness • 13% Positiveness
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Haydn Wood
Moods - Suite: VI. Joyousness
109 bpm • G Maj • 04:29 • -17.17db
2% Popularity • 35% Danceability • 20% Energy • 26% Liveness
92% Instrumentalness • 31% Positiveness
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Felix Mendelssohn
On Wings of Song, Op. 34, No. 2
98 bpm • G# Maj • 03:00 • -16db
12% Popularity • 25% Danceability • 22% Energy • 12% Liveness
71% Instrumentalness • 15% Positiveness
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Alexander Glazunov
Scènes de ballet, Op. 52: Marionettes
109 bpm • D Maj • 02:06 • -29.06db
21% Popularity • 47% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 35% Positiveness
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AntonÃn Dvořák
Slavonic Dances, Series 2, Op. 72, B. 14...
97 bpm • C Maj • 05:26 • -22.22db
9% Popularity • 17% Danceability • 6% Energy • 19% Liveness
76% Instrumentalness • 8% Positiveness
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Giacomo Puccini
La bohème: Quando men vo (Musetta's Wal...
109 bpm • A Maj • 02:15 • -15db
21% Popularity • 25% Danceability • 24% Energy • 16% Liveness
80% Instrumentalness • 21% Positiveness
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Reinhold Glière
Bronze Horseman Suite: VI. Waltz. Tempo ...
109 bpm • D Maj • 03:44 • -29.06db
13% Popularity • 21% Danceability • 3% Energy • 5% Liveness
48% Instrumentalness • 6% Positiveness
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Haydn Wood
London Cameos: No. 1 The City (Miniature...
98 bpm • F Maj • 04:39 • -20.3db
0% Popularity • 29% Danceability • 24% Energy • 32% Liveness
89% Instrumentalness • 40% Positiveness
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Felix Mendelssohn
Symphony No. 2 in B-Flat Major, Op. 52, ...
109 bpm • G min • 05:56 • -27.77db
29% Popularity • 21% Danceability • 3% Energy • 26% Liveness
95% Instrumentalness • 10% Positiveness
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Ronald Binge
Miss Melanie
109 bpm • A Maj • 02:49 • -28.04db
16% Popularity • 66% Danceability • 1% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Dmitri Shostakovich
Jazz Suite No. 2: IV. Waltz 1
109 bpm • A# Maj • 02:47 • -19db
34% Popularity • 24% Danceability • 21% Energy • 15% Liveness
93% Instrumentalness • 39% Positiveness
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Johann Strauss II
Die Fledermaus: Overture
97 bpm • B min • 08:42 • -24db
32% Popularity • 28% Danceability • 7% Energy • 10% Liveness
76% Instrumentalness • 16% Positiveness
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Daniel Auber
Lestocq, ou l'intrigue et l'amour, S. 24...
110 bpm • C min • 01:07 • -18.17db
25% Popularity • 58% Danceability • 27% Energy • 21% Liveness
97% Instrumentalness • 8% Positiveness
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Franz Lehár
Die lustige Witwe (The Merry Widow) (arr...
97 bpm • G Maj • 06:27 • -12.42db
17% Popularity • 36% Danceability • 30% Energy • 30% Liveness
90% Instrumentalness • 35% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 72, B. 147: 2. Du...
97 bpm • C Maj • 05:41 • -15db
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
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Hugo Alfvén
Swedish Rhapsody
110 bpm • D Maj • 03:02 • -16.12db
17% Popularity • 68% Danceability • 28% Energy • 20% Liveness
92% Instrumentalness • 51% Positiveness
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Giuseppe Verdi
Aida, Act II: Grand March
110 bpm • D# Maj • 01:35 • -23.76db
40% Popularity • 54% Danceability • 4% Energy • 16% Liveness
97% Instrumentalness • 37% Positiveness
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Johann Strauss II
Voices of Spring, Op. 410
110 bpm • A# Maj • 05:53 • -14db
26% Popularity • 35% Danceability • 20% Energy • 27% Liveness
91% Instrumentalness • 43% Positiveness
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Pyotr Ilyich Tchaikovsky
Le lac des cygnes, Op. 20 ; TH 12, Act. ...
110 bpm • F# min • 01:29 • -18.06db
14% Popularity • 55% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 82% Positiveness
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Charles Williams and his Concert Orchestra
A Quiet Stroll
96 bpm • G Maj • 02:52 • -12.1db
14% Popularity • 62% Danceability • 23% Energy • 10% Liveness
51% Instrumentalness • 72% Positiveness
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Franz Lehár
Gold und Silber (Gold and Silver), Op. 7...
96 bpm • C Maj • 07:18 • -17.72db
10% Popularity • 25% Danceability • 13% Energy • 27% Liveness
86% Instrumentalness • 24% Positiveness
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Ottorino Respighi
Ancient Airs & Dances, Suite No. 3, P. 1...
96 bpm • A# Maj • 02:49 • -23.61db
25% Popularity • 18% Danceability • 12% Energy • 24% Liveness
87% Instrumentalness • 30% Positiveness
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Giuseppe Verdi
Aida: Celeste Aida
110 bpm • A# Maj • 03:12 • -15.87db
9% Popularity • 19% Danceability • 17% Energy • 27% Liveness
88% Instrumentalness • 7% Positiveness
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Lev Atovmyan
Ballet Suite No. 4 (arr. L. Atovmyan): W...
96 bpm • C Maj • 03:29 • -16db
11% Popularity • 25% Danceability • 16% Energy • 5% Liveness
88% Instrumentalness • 25% Positiveness
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Anonymous
Serenade in A Major, Op. 7 (arr. for vio...
96 bpm • F# min • 02:33 • -16.11db
0% Popularity • 20% Danceability • 35% Energy • 37% Liveness
0% Instrumentalness • 19% Positiveness
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Yuri Sazonoff & Jerry Caringi
La Boheme: "Musetta's Waltz"
96 bpm • A Maj • 02:59 • -21.04db
11% Popularity • 26% Danceability • 8% Energy • 18% Liveness
67% Instrumentalness • 28% Positiveness
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Leonard Bernstein
3 Dance Episodes from "On the Town": III...
96 bpm • G min • 04:38 • -16.3db
8% Popularity • 37% Danceability • 32% Energy • 14% Liveness
82% Instrumentalness • 46% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo sinfoni...
95 bpm • F Maj • 03:27 • -20db
31% Popularity • 19% Danceability • 10% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Richard Rodney Bennett
Entr'acte
112 bpm • C Maj • 03:40 • -7.3db
9% Popularity • 36% Danceability • 47% Energy • 12% Liveness
68% Instrumentalness • 25% Positiveness
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Aram Khachaturian
Maskerade-Suite: IV. Romance
112 bpm • G# Maj • 04:13 • -23.01db
11% Popularity • 17% Danceability • 8% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
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Haydn Wood
Moods: Moods Suite: No. 6, Joyousness, C...
95 bpm • G Maj • 04:57 • -21.27db
0% Popularity • 27% Danceability • 9% Energy • 12% Liveness
76% Instrumentalness • 26% Positiveness
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Richard Wagner
Tristan und Isolde, Act III: Liebestod (...
94 bpm • B Maj • 07:26 • -16db
28% Popularity • 12% Danceability • 15% Energy • 13% Liveness
90% Instrumentalness • 3% Positiveness
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Percy Grainger
Handel in the Strand, RMTB 2a
112 bpm • G Maj • 04:02 • -20db
14% Popularity • 50% Danceability • 14% Energy • 16% Liveness
93% Instrumentalness • 52% Positiveness
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Henry Purcell
Trumpet Tune in C Major, Z. 697
112 bpm • F Maj • 01:17 • -18.5db
40% Popularity • 50% Danceability • 9% Energy • 14% Liveness
87% Instrumentalness • 45% Positiveness
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Mantovani
Sigmund Romberg Suite - Pt 1 - Wanting Y...
94 bpm • C Maj • 01:44 • -8.37db
12% Popularity • 17% Danceability • 42% Energy • 31% Liveness
85% Instrumentalness • 7% Positiveness
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Samuel Coleridge-Taylor
Othello, Op. 79: II. Children's Intermez...
113 bpm • F Maj • 03:45 • -26.66db
16% Popularity • 17% Danceability • 4% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
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Milo Paulus
The Long Day Closes: I. Main Titles
94 bpm • A Maj • 02:07 • -23.29db
15% Popularity • 13% Danceability • 4% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Richard Wagner
Lohengrin, Act III: Prelude
94 bpm • G Maj • 02:31 • -17db
41% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
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Percy Grainger
Grainger: Shepherd's Hey, BFMS 16
94 bpm • E Maj • 02:13 • -16.72db
3% Popularity • 47% Danceability • 37% Energy • 23% Liveness
65% Instrumentalness • 88% Positiveness
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Ottorino Respighi
Roman Festivals, P. 157: IV. The Epiphan...
94 bpm • D Maj • 05:35 • -14.75db
11% Popularity • 31% Danceability • 49% Energy • 18% Liveness
71% Instrumentalness • 41% Positiveness
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William Walton
Orb And Sceptre
113 bpm • E Maj • 06:49 • -20.23db
10% Popularity • 33% Danceability • 22% Energy • 6% Liveness
85% Instrumentalness • 30% Positiveness
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Philip Lane
Pantomime: Vivace
113 bpm • G min • 02:02 • -22db
15% Popularity • 48% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 37% Positiveness
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Arthur Bliss
March From Things To Come
114 bpm • C Maj • 03:57 • -15db
18% Popularity • 31% Danceability • 45% Energy • 8% Liveness
87% Instrumentalness • 7% Positiveness
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Leonard Bernstein
On the Town: I. The Great Lover
114 bpm • C Maj • 01:59 • -20db
15% Popularity • 53% Danceability • 16% Energy • 6% Liveness
37% Instrumentalness • 24% Positiveness
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Alec Wilder
Tuba Suite No. 1 "Effie the Elephant": 6...
93 bpm • C Maj • 03:16 • -25.47db
11% Popularity • 11% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Mantovani Orchestra
I Feel Pretty (Westside Story)
93 bpm • E Maj • 02:08 • -37.64db
8% Popularity • 28% Danceability • 1% Energy • 16% Liveness
12% Instrumentalness • 25% Positiveness
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Sir Henry Wood
Fantasia on British Sea Songs (excerpts)...
93 bpm • C Maj • 01:54 • -40db
17% Popularity • 12% Danceability • 1% Energy • 12% Liveness
33% Instrumentalness • 7% Positiveness
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George Frideric Handel
Beecham & Handel: The Gods Go a'Begging:...
93 bpm • A# Maj • 01:35 • -15.55db
12% Popularity • 15% Danceability • 15% Energy • 14% Liveness
91% Instrumentalness • 8% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: II. Sarabande (An...
93 bpm • G Maj • 03:55 • -24.11db
7% Popularity • 13% Danceability • 3% Energy • 9% Liveness
68% Instrumentalness • 4% Positiveness
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Rodion Shchedrin
Carmen Suite: VIII. Bolero (after G. Biz...
114 bpm • G Maj • 01:58 • -28db
16% Popularity • 60% Danceability • 7% Energy • 56% Liveness
7% Instrumentalness • 53% Positiveness
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Paul Reade
Suite from The Victorian Kitchen Garden:...
93 bpm • A# Maj • 03:13 • -30.78db
15% Popularity • 21% Danceability • 1% Energy • 11% Liveness
40% Instrumentalness • 4% Positiveness
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Ronald Binge
The Dance of the Snowflakes
93 bpm • C Maj • 03:31 • -31.35db
10% Popularity • 33% Danceability • 2% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Haydn Wood
Love's Garden of Roses
93 bpm • G Maj • 04:02 • -22.71db
0% Popularity • 27% Danceability • 7% Energy • 16% Liveness
1% Instrumentalness • 6% Positiveness
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Stanford Rhapsody (Founded on Sir Charles Villiers...