Songs like Star Machine by Bob Mould
Based on a tempo of (+/- 10%) and a similar genre
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VHS or Beta
Solid Gold - Bob Mould Loud Bomb Mix
130 bpm • F# min • 05:33 • -6.26db
1% Popularity • 70% Danceability • 71% Energy • 11% Liveness
88% Instrumentalness • 56% Positiveness
1% Popularity • 70% Danceability • 71% Energy • 11% Liveness
88% Instrumentalness • 56% Positiveness
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The Hold Steady
Soft In the Center
130 bpm • B Maj • 03:50 • -3.88db
1% Popularity • 50% Danceability • 76% Energy • 20% Liveness
10% Instrumentalness • 59% Positiveness
1% Popularity • 50% Danceability • 76% Energy • 20% Liveness
10% Instrumentalness • 59% Positiveness
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Black Francis
She Took All the Money
130 bpm • C Maj • 02:32 • -5.37db
19% Popularity • 62% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 62% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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Les Savy Fav
Patty Lee
130 bpm • A min • 03:51 • -5.16db
24% Popularity • 57% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
24% Popularity • 57% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Bob Mould
Star Machine
130 bpm • C# min • 03:25 • -4.44db
24% Popularity • 52% Danceability • 96% Energy • 12% Liveness
2% Instrumentalness • 55% Positiveness
24% Popularity • 52% Danceability • 96% Energy • 12% Liveness
2% Instrumentalness • 55% Positiveness
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Superdrag
The Staggering Genius
130 bpm • D Maj • 04:02 • -5.91db
20% Popularity • 48% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
20% Popularity • 48% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Cracker
Useless Stuff
130 bpm • A Maj • 02:19 • -5.17db
18% Popularity • 54% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
18% Popularity • 54% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Nada Surf
Icebox
130 bpm • B min • 03:17 • -5.37db
26% Popularity • 40% Danceability • 98% Energy • 25% Liveness
46% Instrumentalness • 34% Positiveness
26% Popularity • 40% Danceability • 98% Energy • 25% Liveness
46% Instrumentalness • 34% Positiveness
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Gord Downie
Crater
130 bpm • C Maj • 02:46 • -3.15db
18% Popularity • 26% Danceability • 98% Energy • 11% Liveness
23% Instrumentalness • 30% Positiveness
18% Popularity • 26% Danceability • 98% Energy • 11% Liveness
23% Instrumentalness • 30% Positiveness
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Sebadoh
Flame
130 bpm • F# Maj • 04:54 • -6.74db
36% Popularity • 49% Danceability • 96% Energy • 18% Liveness
43% Instrumentalness • 49% Positiveness
36% Popularity • 49% Danceability • 96% Energy • 18% Liveness
43% Instrumentalness • 49% Positiveness
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Paul Westerberg
C'mon, C'mon, C'mon
130 bpm • C# Maj • 02:43 • -4.07db
11% Popularity • 63% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 63% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
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The dB's
That Time Is Gone
130 bpm • A Maj • 03:32 • -4.46db
21% Popularity • 39% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 39% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Frank Black
(I Want to Live on an) Abstract Plain
130 bpm • E Maj • 02:17 • -5.65db
28% Popularity • 52% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 52% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Grandpaboy
AAA
130 bpm • G Maj • 03:09 • -3.86db
16% Popularity • 51% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 51% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
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The Raconteurs
These Stones Will Shout
129 bpm • A Maj • 03:52 • -6db
34% Popularity • 64% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 64% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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The Faint
Birth
129 bpm • E min • 03:19 • -6.86db
31% Popularity • 71% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 71% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Paul Westerberg
World Class Fad
129 bpm • F Maj • 03:30 • -3db
24% Popularity • 48% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
24% Popularity • 48% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Archers Of Loaf
Wrong
131 bpm • A Maj • 03:40 • -7.77db
35% Popularity • 38% Danceability • 92% Energy • 32% Liveness
68% Instrumentalness • 80% Positiveness
35% Popularity • 38% Danceability • 92% Energy • 32% Liveness
68% Instrumentalness • 80% Positiveness
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Redd Kross
One of the Good Ones
131 bpm • E Maj • 02:32 • -5.46db
8% Popularity • 62% Danceability • 86% Energy • 14% Liveness
1% Instrumentalness • 73% Positiveness
8% Popularity • 62% Danceability • 86% Energy • 14% Liveness
1% Instrumentalness • 73% Positiveness
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Material Issue
What Girls Want
131 bpm • A Maj • 03:54 • -9db
24% Popularity • 58% Danceability • 90% Energy • 51% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 58% Danceability • 90% Energy • 51% Liveness
0% Instrumentalness • 70% Positiveness
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fIREHOSE
Flyin' the Flannel
129 bpm • D Maj • 02:48 • -7.5db
20% Popularity • 64% Danceability • 88% Energy • 33% Liveness
5% Instrumentalness • 54% Positiveness
20% Popularity • 64% Danceability • 88% Energy • 33% Liveness
5% Instrumentalness • 54% Positiveness
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Matthew Sweet
Superdeformed
129 bpm • G Maj • 03:55 • -6.37db
14% Popularity • 33% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 33% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 74% Positiveness
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For Squirrels
8:02 PM
131 bpm • A Maj • 03:27 • -5.52db
18% Popularity • 34% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 34% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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Sugar
JC Auto
129 bpm • E Maj • 06:13 • -4.42db
15% Popularity • 40% Danceability • 95% Energy • 51% Liveness
83% Instrumentalness • 31% Positiveness
15% Popularity • 40% Danceability • 95% Energy • 51% Liveness
83% Instrumentalness • 31% Positiveness
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Supergrass
Cheapskate
131 bpm • A Maj • 02:43 • -9.28db
28% Popularity • 52% Danceability • 84% Energy • 13% Liveness
73% Instrumentalness • 38% Positiveness
28% Popularity • 52% Danceability • 84% Energy • 13% Liveness
73% Instrumentalness • 38% Positiveness
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The Lemonheads
It's a Shame About Ray - Remastered
131 bpm • A Maj • 03:07 • -9db
47% Popularity • 64% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
47% Popularity • 64% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Material Issue
Kim The Waitress
129 bpm • D Maj • 04:57 • -7.75db
21% Popularity • 23% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 23% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
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The Mooney Suzuki
Oh Sweet Susanna
129 bpm • D Maj • 03:34 • -5.34db
10% Popularity • 46% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 46% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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The Datsuns
Harmonic Generator
128 bpm • C# Maj • 03:03 • -3.76db
33% Popularity • 67% Danceability • 91% Energy • 72% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 67% Danceability • 91% Energy • 72% Liveness
0% Instrumentalness • 70% Positiveness
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Frank Black
Headache
132 bpm • B Maj • 02:52 • -4.87db
37% Popularity • 59% Danceability • 95% Energy • 37% Liveness
6% Instrumentalness • 87% Positiveness
37% Popularity • 59% Danceability • 95% Energy • 37% Liveness
6% Instrumentalness • 87% Positiveness
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Buffalo Tom
Staples
132 bpm • D Maj • 03:35 • -9.69db
18% Popularity • 33% Danceability • 95% Energy • 4% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 33% Danceability • 95% Energy • 4% Liveness
0% Instrumentalness • 32% Positiveness
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Screaming Trees
Halo of Ashes
132 bpm • D Maj • 04:04 • -6db
23% Popularity • 40% Danceability • 88% Energy • 19% Liveness
7% Instrumentalness • 29% Positiveness
23% Popularity • 40% Danceability • 88% Energy • 19% Liveness
7% Instrumentalness • 29% Positiveness
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...And You Will Know Us by the Trail of Dead
Pure Radio Cosplay
128 bpm • B Maj • 05:26 • -6.5db
13% Popularity • 23% Danceability • 90% Energy • 12% Liveness
60% Instrumentalness • 10% Positiveness
13% Popularity • 23% Danceability • 90% Energy • 12% Liveness
60% Instrumentalness • 10% Positiveness
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Matthew Sweet
Devil With The Green Eyes
128 bpm • B min • 04:42 • -6.89db
22% Popularity • 40% Danceability • 80% Energy • 13% Liveness
1% Instrumentalness • 50% Positiveness
22% Popularity • 40% Danceability • 80% Energy • 13% Liveness
1% Instrumentalness • 50% Positiveness
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Black Francis
Test Pilot Blues
132 bpm • D Maj • 02:56 • -6.77db
11% Popularity • 55% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 55% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Gigolo Aunts
Cope
128 bpm • E min • 03:49 • -7.85db
9% Popularity • 43% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 43% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Superdrag
Do the Vampire
132 bpm • C# Maj • 03:40 • -7.87db
19% Popularity • 60% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 60% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Bob Mould
Sinners And Their Repentances
128 bpm • F# Maj • 04:06 • -14.84db
18% Popularity • 44% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
18% Popularity • 44% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Catherine Wheel
Waydown
128 bpm • G Maj • 03:14 • -7.32db
25% Popularity • 53% Danceability • 87% Energy • 21% Liveness
30% Instrumentalness • 36% Positiveness
25% Popularity • 53% Danceability • 87% Energy • 21% Liveness
30% Instrumentalness • 36% Positiveness
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Spoon
Not Turning Off
128 bpm • C Maj • 03:08 • -5.38db
17% Popularity • 57% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 57% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Black Francis
Dead Man's Curve
132 bpm • C Maj • 02:56 • -7.08db
10% Popularity • 39% Danceability • 76% Energy • 12% Liveness
66% Instrumentalness • 55% Positiveness
10% Popularity • 39% Danceability • 76% Energy • 12% Liveness
66% Instrumentalness • 55% Positiveness
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Uncle Tupelo
Graveyard Shift
132 bpm • D Maj • 04:43 • -9.55db
27% Popularity • 37% Danceability • 83% Energy • 41% Liveness
31% Instrumentalness • 66% Positiveness
27% Popularity • 37% Danceability • 83% Energy • 41% Liveness
31% Instrumentalness • 66% Positiveness
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Superdrag
Keep It Close to Me
132 bpm • F Maj • 03:50 • -5.72db
25% Popularity • 38% Danceability • 89% Energy • 64% Liveness
0% Instrumentalness • 26% Positiveness
25% Popularity • 38% Danceability • 89% Energy • 64% Liveness
0% Instrumentalness • 26% Positiveness
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Bob Mould
Lucifer and God
132 bpm • G# min • 03:45 • -6.5db
7% Popularity • 31% Danceability • 57% Energy • 43% Liveness
4% Instrumentalness • 21% Positiveness
7% Popularity • 31% Danceability • 57% Energy • 43% Liveness
4% Instrumentalness • 21% Positiveness
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Eleventh Dream Day
Makin' Like a Rug
132 bpm • E Maj • 03:43 • -9.85db
13% Popularity • 46% Danceability • 87% Energy • 17% Liveness
17% Instrumentalness • 58% Positiveness
13% Popularity • 46% Danceability • 87% Energy • 17% Liveness
17% Instrumentalness • 58% Positiveness
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Sloan
I Hate My Generation
133 bpm • A Maj • 02:26 • -9.93db
21% Popularity • 51% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 51% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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The Shazam
On the Airwaves
133 bpm • G Maj • 03:27 • -4.77db
9% Popularity • 20% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 20% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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Nada Surf
Sick of You
133 bpm • D Maj • 05:06 • -7.06db
11% Popularity • 31% Danceability • 85% Energy • 10% Liveness
53% Instrumentalness • 25% Positiveness
11% Popularity • 31% Danceability • 85% Energy • 10% Liveness
53% Instrumentalness • 25% Positiveness
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Flop
Hello
127 bpm • D Maj • 02:07 • -10.95db
8% Popularity • 32% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 32% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Bob Mould
Out Of Your Life
132 bpm • C Maj • 03:33 • -11.14db
14% Popularity • 53% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 53% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Redd Kross
Jimmy's Fantasy
133 bpm • A Maj • 03:46 • -8db
22% Popularity • 28% Danceability • 83% Energy • 9% Liveness
70% Instrumentalness • 42% Positiveness
22% Popularity • 28% Danceability • 83% Energy • 9% Liveness
70% Instrumentalness • 42% Positiveness
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Superdrag
Hellbent
133 bpm • E Maj • 03:03 • -6.17db
20% Popularity • 49% Danceability • 72% Energy • 28% Liveness
1% Instrumentalness • 85% Positiveness
20% Popularity • 49% Danceability • 72% Energy • 28% Liveness
1% Instrumentalness • 85% Positiveness
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The Jon Spencer Blues Explosion
Wail
127 bpm • A Maj • 03:08 • -2.83db
26% Popularity • 41% Danceability • 99% Energy • 21% Liveness
22% Instrumentalness • 17% Positiveness
26% Popularity • 41% Danceability • 99% Energy • 21% Liveness
22% Instrumentalness • 17% Positiveness
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Louis XIV
Louis XIV - Album/EP Version
127 bpm • A Maj • 02:38 • -3db
23% Popularity • 45% Danceability • 95% Energy • 14% Liveness
18% Instrumentalness • 55% Positiveness
23% Popularity • 45% Danceability • 95% Energy • 14% Liveness
18% Instrumentalness • 55% Positiveness
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Guided By Voices
Skills Like This
127 bpm • D Maj • 02:47 • -4.44db
17% Popularity • 41% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
17% Popularity • 41% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Bob Mould
It's Too Late
128 bpm • E Maj • 04:03 • -11.24db
25% Popularity • 52% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
25% Popularity • 52% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
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Ned's Atomic Dustbin
Selfish
133 bpm • B Maj • 03:49 • -11.49db
22% Popularity • 27% Danceability • 85% Energy • 33% Liveness
1% Instrumentalness • 70% Positiveness
22% Popularity • 27% Danceability • 85% Energy • 33% Liveness
1% Instrumentalness • 70% Positiveness
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The Brian Jonestown Massacre
Going To Hell
134 bpm • D Maj • 02:58 • -4.34db
29% Popularity • 56% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
29% Popularity • 56% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Local H
Joey
126 bpm • F# Maj • 04:15 • -6.06db
30% Popularity • 41% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
30% Popularity • 41% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Eleventh Dream Day
Testify
126 bpm • A Maj • 04:03 • -6.04db
8% Popularity • 36% Danceability • 88% Energy • 36% Liveness
93% Instrumentalness • 50% Positiveness
8% Popularity • 36% Danceability • 88% Energy • 36% Liveness
93% Instrumentalness • 50% Positiveness
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Sloan
Underwhelmed
134 bpm • B Maj • 04:45 • -7db
33% Popularity • 42% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 42% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Redd Kross
Lady In The Front Row
134 bpm • C Maj • 03:19 • -8db
19% Popularity • 27% Danceability • 93% Energy • 18% Liveness
82% Instrumentalness • 46% Positiveness
19% Popularity • 27% Danceability • 93% Energy • 18% Liveness
82% Instrumentalness • 46% Positiveness
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Screaming Trees
Ash Gray Sunday
134 bpm • D Maj • 03:36 • -7.27db
29% Popularity • 49% Danceability • 80% Energy • 14% Liveness
67% Instrumentalness • 54% Positiveness
29% Popularity • 49% Danceability • 80% Energy • 14% Liveness
67% Instrumentalness • 54% Positiveness
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Tom Morello: the Nightwatchman
Black Spartacus Heart Attack Machine
134 bpm • D Maj • 03:31 • -5.44db
6% Popularity • 71% Danceability • 78% Energy • 2% Liveness
0% Instrumentalness • 84% Positiveness
6% Popularity • 71% Danceability • 78% Energy • 2% Liveness
0% Instrumentalness • 84% Positiveness
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Bob Mould
First Time Joy
126 bpm • G# min • 04:53 • -5.17db
8% Popularity • 48% Danceability • 91% Energy • 9% Liveness
87% Instrumentalness • 29% Positiveness
8% Popularity • 48% Danceability • 91% Energy • 9% Liveness
87% Instrumentalness • 29% Positiveness
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The Thermals
Never Listen To Me
134 bpm • E Maj • 04:30 • -8.35db
25% Popularity • 67% Danceability • 69% Energy • 11% Liveness
10% Instrumentalness • 79% Positiveness
25% Popularity • 67% Danceability • 69% Energy • 11% Liveness
10% Instrumentalness • 79% Positiveness
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Guided By Voices
Chasing Heather Crazy
126 bpm • C Maj • 02:53 • -4.44db
27% Popularity • 48% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 48% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
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Joe Strummer
All In A Day
126 bpm • D Maj • 04:53 • -4.67db
23% Popularity • 61% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 61% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Sloan
Penpals
134 bpm • E Maj • 03:08 • -10db
23% Popularity • 56% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
23% Popularity • 56% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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The Posies
Dream All Day
126 bpm • B min • 03:04 • -5.81db
39% Popularity • 48% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 49% Positiveness
39% Popularity • 48% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 49% Positiveness
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Screaming Trees
Witness
134 bpm • D min • 03:38 • -4.38db
29% Popularity • 43% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 43% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Sister Double Happiness
Sweet-Talker
126 bpm • E Maj • 03:14 • -9.3db
13% Popularity • 56% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 56% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Frank Black
Speedy Marie
126 bpm • F Maj • 03:34 • -8.37db
25% Popularity • 58% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 58% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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D Generation
Capital Offender
135 bpm • C# Maj • 02:41 • -4db
13% Popularity • 50% Danceability • 93% Energy • 26% Liveness
8% Instrumentalness • 89% Positiveness
13% Popularity • 50% Danceability • 93% Energy • 26% Liveness
8% Instrumentalness • 89% Positiveness
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Thurston Moore
Germs Burn
135 bpm • C Maj • 05:52 • -6db
22% Popularity • 37% Danceability • 94% Energy • 30% Liveness
62% Instrumentalness • 47% Positiveness
22% Popularity • 37% Danceability • 94% Energy • 30% Liveness
62% Instrumentalness • 47% Positiveness
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Brad
Secret Girl
135 bpm • E Maj • 03:13 • -6.43db
22% Popularity • 48% Danceability • 84% Energy • 22% Liveness
1% Instrumentalness • 62% Positiveness
22% Popularity • 48% Danceability • 84% Energy • 22% Liveness
1% Instrumentalness • 62% Positiveness
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Verbena
Hot Blood
135 bpm • C# Maj • 03:45 • -5.62db
7% Popularity • 29% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
7% Popularity • 29% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Iggy Pop
Wild America
125 bpm • D# Maj • 05:45 • -6.53db
23% Popularity • 40% Danceability • 99% Energy • 63% Liveness
3% Instrumentalness • 9% Positiveness
23% Popularity • 40% Danceability • 99% Energy • 63% Liveness
3% Instrumentalness • 9% Positiveness
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Buffalo Tom
Velvet Roof
135 bpm • C Maj • 03:55 • -8.99db
21% Popularity • 41% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 41% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
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Spoon
Nefarious
125 bpm • C Maj • 02:47 • -5.13db
18% Popularity • 56% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 56% Danceability • 95% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
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The Posies
Love Letter Boxes
135 bpm • D Maj • 03:09 • -5.88db
21% Popularity • 31% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 31% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Black Francis
Tight Black Rubber
135 bpm • E Maj • 04:19 • -4.03db
12% Popularity • 62% Danceability • 89% Energy • 8% Liveness
84% Instrumentalness • 57% Positiveness
12% Popularity • 62% Danceability • 89% Energy • 8% Liveness
84% Instrumentalness • 57% Positiveness
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The Birds of Satan
Thanks for the Line
135 bpm • C# Maj • 03:37 • -6db
21% Popularity • 71% Danceability • 92% Energy • 49% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 71% Danceability • 92% Energy • 49% Liveness
0% Instrumentalness • 82% Positiveness
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Cracker
Sunrise In The Land Of Milk And Honey
124 bpm • A# Maj • 03:26 • -3.43db
16% Popularity • 51% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
16% Popularity • 51% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Nada Surf
Happy Kid
136 bpm • B Maj • 04:10 • -5.03db
9% Popularity • 42% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 42% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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The Lemonheads
Rudderless - Remastered
136 bpm • A Maj • 03:19 • -7.41db
34% Popularity • 55% Danceability • 93% Energy • 44% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 55% Danceability • 93% Energy • 44% Liveness
0% Instrumentalness • 68% Positiveness
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The Posies
Flavor Of The Month
135 bpm • E Maj • 02:36 • -6db
32% Popularity • 43% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 43% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Buffalo Tom
Summer
124 bpm • A# Maj • 04:02 • -5db
28% Popularity • 39% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 39% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Sloan
The Good in Everyone
136 bpm • E min • 02:17 • -3.81db
35% Popularity • 34% Danceability • 99% Energy • 60% Liveness
9% Instrumentalness • 58% Positiveness
35% Popularity • 34% Danceability • 99% Energy • 60% Liveness
9% Instrumentalness • 58% Positiveness
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The Jesus and Mary Chain
Blues From a Gun
124 bpm • B Maj • 04:44 • -5db
33% Popularity • 44% Danceability • 95% Energy • 25% Liveness
1% Instrumentalness • 40% Positiveness
33% Popularity • 44% Danceability • 95% Energy • 25% Liveness
1% Instrumentalness • 40% Positiveness
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Guided By Voices
Everywhere with Helicopter
136 bpm • C Maj • 02:38 • -4.93db
26% Popularity • 41% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
26% Popularity • 41% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
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The Von Bondies
Been Swank
124 bpm • E min • 02:43 • -4.5db
21% Popularity • 52% Danceability • 91% Energy • 20% Liveness
2% Instrumentalness • 40% Positiveness
21% Popularity • 52% Danceability • 91% Energy • 20% Liveness
2% Instrumentalness • 40% Positiveness
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Cracker
I Hate My Generation
124 bpm • G Maj • 02:56 • -4db
30% Popularity • 56% Danceability • 95% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 56% Danceability • 95% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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Paul Westerberg
Waiting for Somebody
136 bpm • C Maj • 03:25 • -9.97db
37% Popularity • 50% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
37% Popularity • 50% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Spoon
Don't Buy The Realistic
124 bpm • F Maj • 03:54 • -5.35db
18% Popularity • 62% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 62% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
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The Datsuns
Girls Best Friend
137 bpm • A Maj • 02:49 • -4db
20% Popularity • 36% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 36% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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The Jesus and Mary Chain
I Love Rock 'N' Roll
123 bpm • C# Maj • 02:37 • -6.14db
28% Popularity • 36% Danceability • 78% Energy • 30% Liveness
87% Instrumentalness • 52% Positiveness
28% Popularity • 36% Danceability • 78% Energy • 30% Liveness
87% Instrumentalness • 52% Positiveness
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Porno for Pyros
Tahitian Moon
137 bpm • G Maj • 03:47 • -8.66db
47% Popularity • 37% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
47% Popularity • 37% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
