Songs like Staring At The Sun by Nicki Bluhm
Based on a tempo of (+/- 10%) and a similar genre
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Nicki Bluhm
Staring At The Sun
128 bpm • D Maj • 05:32 • -6.69db
4% Popularity • 43% Danceability • 54% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
4% Popularity • 43% Danceability • 54% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Bob Weir
Only a River
128 bpm • D Maj • 05:28 • -9db
33% Popularity • 52% Danceability • 46% Energy • 11% Liveness
7% Instrumentalness • 45% Positiveness
33% Popularity • 52% Danceability • 46% Energy • 11% Liveness
7% Instrumentalness • 45% Positiveness
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Will Kimbrough
I Like It Down Here
128 bpm • E min • 03:43 • -8.22db
14% Popularity • 69% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 69% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Aoife O'Donovan
Red & White & Blue & Gold
128 bpm • B Maj • 03:20 • -10db
46% Popularity • 61% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
46% Popularity • 61% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 40% Positiveness
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Ray Bonneville
Funny 'Bout Love
128 bpm • C Maj • 03:44 • -11.02db
29% Popularity • 68% Danceability • 51% Energy • 11% Liveness
2% Instrumentalness • 74% Positiveness
29% Popularity • 68% Danceability • 51% Energy • 11% Liveness
2% Instrumentalness • 74% Positiveness
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Watkins Family Hour
Steal Your Heart Away
128 bpm • D Maj • 02:45 • -6.15db
20% Popularity • 53% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 53% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 66% Positiveness
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Aaron Lee Tasjan
Where The Road Begins And Ends
128 bpm • G Maj • 04:40 • -7db
12% Popularity • 49% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 49% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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AJ Lee & Blue Summit
Still Love You Still
128 bpm • A Maj • 04:55 • -5.61db
22% Popularity • 61% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 61% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Shannon McNally
Banshee Moan
128 bpm • G min • 04:01 • -12.81db
30% Popularity • 67% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 67% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Kirby Brown
Broken Bell
128 bpm • F Maj • 04:07 • -6.14db
0% Popularity • 44% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
0% Popularity • 44% Danceability • 46% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Yarn
Life Is Weird
128 bpm • C Maj • 04:06 • -9.21db
28% Popularity • 67% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
28% Popularity • 67% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Watkins Family Hour
Going Going Gone
128 bpm • C# min • 03:12 • -10db
10% Popularity • 58% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 58% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Birds of Chicago
Farewell Tenderhearts
127 bpm • D Maj • 04:51 • -9.93db
14% Popularity • 63% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 63% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Lukas Nelson and Promise of the Real
Forget About Georgia
129 bpm • C# Maj • 08:17 • -6.53db
41% Popularity • 62% Danceability • 60% Energy • 18% Liveness
3% Instrumentalness • 30% Positiveness
41% Popularity • 62% Danceability • 60% Energy • 18% Liveness
3% Instrumentalness • 30% Positiveness
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Andrew Combs
Emily
127 bpm • G# Maj • 03:59 • -9.61db
22% Popularity • 82% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 82% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Bonnie Raitt
Angel from Montgomery
127 bpm • G# Maj • 04:11 • -9.54db
22% Popularity • 47% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 47% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Sam Lewis
Love Me Again
129 bpm • G Maj • 03:50 • -13.49db
0% Popularity • 74% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 74% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Watkins Family Hour
Brokedown Palace
127 bpm • D Maj • 04:09 • -8.54db
28% Popularity • 64% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 64% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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Nicki Bluhm
Needles and Pins
129 bpm • G# Maj • 02:43 • -11.57db
3% Popularity • 61% Danceability • 70% Energy • 17% Liveness
18% Instrumentalness • 86% Positiveness
3% Popularity • 61% Danceability • 70% Energy • 17% Liveness
18% Instrumentalness • 86% Positiveness
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Los Colognes
Jumpin' Jack Flash
127 bpm • C Maj • 04:15 • -7.09db
22% Popularity • 55% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 55% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Chris Smither
Lonely Time
127 bpm • E Maj • 03:22 • -10.38db
32% Popularity • 61% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 61% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Kelley Mickwee
River Girl
129 bpm • D Maj • 04:47 • -9db
28% Popularity • 41% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 17% Positiveness
28% Popularity • 41% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 17% Positiveness
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Alejandro Escovedo
Bottom Of The World
126 bpm • D Maj • 03:04 • -9db
29% Popularity • 66% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 66% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Tedeschi Trucks Band
It's So Heavy
126 bpm • G Maj • 04:56 • -11db
36% Popularity • 48% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 48% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Nicki Bluhm
The Beat Goes On
127 bpm • C# Maj • 03:39 • -11db
6% Popularity • 75% Danceability • 41% Energy • 14% Liveness
2% Instrumentalness • 10% Positiveness
6% Popularity • 75% Danceability • 41% Energy • 14% Liveness
2% Instrumentalness • 10% Positiveness
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Lukas Nelson and Promise of the Real
Turn Off The News (Build A Garden)
130 bpm • D Maj • 03:43 • -6db
23% Popularity • 29% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 29% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Colvin & Earle
You Were On My Mind
130 bpm • E Maj • 02:56 • -7.81db
29% Popularity • 48% Danceability • 64% Energy • 29% Liveness
1% Instrumentalness • 42% Positiveness
29% Popularity • 48% Danceability • 64% Energy • 29% Liveness
1% Instrumentalness • 42% Positiveness
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Justin Townes Earle
15-25
126 bpm • C Maj • 04:02 • -7.19db
31% Popularity • 54% Danceability • 83% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
31% Popularity • 54% Danceability • 83% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
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Maggie Koerner
He Calls Me Mama
126 bpm • A# Maj • 03:19 • -7.69db
21% Popularity • 46% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 46% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Ordinary Elephant
Another Day
126 bpm • A Maj • 04:55 • -12db
20% Popularity • 69% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 69% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Nicki Bluhm
Danny's Song
129 bpm • F Maj • 04:02 • -9.7db
30% Popularity • 66% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 66% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Steve Earle
Sparkle and Shine
130 bpm • F Maj • 03:12 • -10.24db
32% Popularity • 71% Danceability • 56% Energy • 11% Liveness
2% Instrumentalness • 56% Positiveness
32% Popularity • 71% Danceability • 56% Energy • 11% Liveness
2% Instrumentalness • 56% Positiveness
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Robert Ellis
Steady as the Rising Sun
130 bpm • F Maj • 04:09 • -9.55db
20% Popularity • 60% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 60% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Amanda Shires
Shake the Walls
126 bpm • A Maj • 03:20 • -9.69db
15% Popularity • 75% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 75% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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The Waybacks
Lyin' Eyes
130 bpm • D Maj • 06:18 • -14.49db
1% Popularity • 56% Danceability • 33% Energy • 43% Liveness
0% Instrumentalness • 67% Positiveness
1% Popularity • 56% Danceability • 33% Energy • 43% Liveness
0% Instrumentalness • 67% Positiveness
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Caroline Spence
Long Haul
126 bpm • D Maj • 04:01 • -6db
25% Popularity • 62% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
25% Popularity • 62% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Nicki Bluhm
Juniper Woodsmoke
129 bpm • D Maj • 03:52 • -10.56db
3% Popularity • 39% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
3% Popularity • 39% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Yola
What You Do
126 bpm • G Maj • 03:16 • -4.52db
24% Popularity • 55% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 55% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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The Be Good Tanyas
Light Enough to Travel
126 bpm • G Maj • 04:58 • -9db
33% Popularity • 59% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 59% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Yarn
Undone
125 bpm • G Maj • 03:27 • -8.75db
29% Popularity • 72% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 72% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Greg Brown
Dream Café
131 bpm • F Maj • 05:57 • -16.78db
31% Popularity • 77% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 77% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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David Rawlings
Midnight Train
131 bpm • A Maj • 03:18 • -11db
27% Popularity • 56% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 56% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Nicki Bluhm
Last to Know
126 bpm • A# Maj • 04:33 • -12.35db
4% Popularity • 44% Danceability • 36% Energy • 11% Liveness
2% Instrumentalness • 29% Positiveness
4% Popularity • 44% Danceability • 36% Energy • 11% Liveness
2% Instrumentalness • 29% Positiveness
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Justin Townes Earle
What's Goin' Wrong
131 bpm • D Maj • 03:25 • -10.46db
24% Popularity • 48% Danceability • 45% Energy • 10% Liveness
3% Instrumentalness • 37% Positiveness
24% Popularity • 48% Danceability • 45% Energy • 10% Liveness
3% Instrumentalness • 37% Positiveness
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Shovels & Rope
Patience
125 bpm • G Maj • 05:26 • -7.34db
26% Popularity • 52% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
26% Popularity • 52% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Front Country
If Something Breaks
125 bpm • A# Maj • 04:56 • -8.4db
26% Popularity • 78% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 78% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Erik Koskinen
First Time in Years
125 bpm • C Maj • 03:52 • -8db
16% Popularity • 64% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 64% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Mary Gauthier
The War After the War
132 bpm • G Maj • 03:44 • -8.14db
24% Popularity • 62% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 62% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Maia Sharp
Nothing But the Radio
132 bpm • F Maj • 03:19 • -6.04db
29% Popularity • 72% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
29% Popularity • 72% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
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Reina del Cid
When You Were Mine
124 bpm • C Maj • 04:10 • -14.24db
12% Popularity • 79% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 79% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Nicki Bluhm
Friends (How To Do It)
124 bpm • D Maj • 03:34 • -7.81db
9% Popularity • 65% Danceability • 67% Energy • 66% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 65% Danceability • 67% Energy • 66% Liveness
0% Instrumentalness • 70% Positiveness
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Catherine MacLellan
Take A Break
124 bpm • E Maj • 02:46 • -10.49db
16% Popularity • 68% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 68% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Sam Lewis
3/4 Time
132 bpm • F# Maj • 03:39 • -10.3db
10% Popularity • 60% Danceability • 57% Energy • 12% Liveness
4% Instrumentalness • 94% Positiveness
10% Popularity • 60% Danceability • 57% Energy • 12% Liveness
4% Instrumentalness • 94% Positiveness
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Jonah Tolchin
The Grateful Song (Thanksgiving)
133 bpm • G Maj • 04:11 • -14db
15% Popularity • 60% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
15% Popularity • 60% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Shannon McNally
It Makes No Difference
123 bpm • C Maj • 05:27 • -10db
17% Popularity • 62% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 62% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Julian Taylor
Love Enough
123 bpm • C# min • 03:30 • -7.81db
15% Popularity • 57% Danceability • 72% Energy • 23% Liveness
4% Instrumentalness • 56% Positiveness
15% Popularity • 57% Danceability • 72% Energy • 23% Liveness
4% Instrumentalness • 56% Positiveness
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Nicki Bluhm
Wall of Early Morning Light
123 bpm • B min • 03:54 • -10.07db
2% Popularity • 36% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
2% Popularity • 36% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Birds of Chicago
Cannonball
133 bpm • C# Maj • 04:06 • -8.2db
20% Popularity • 61% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
20% Popularity • 61% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Amelia Curran
You Won't Find Me
133 bpm • G# Maj • 03:23 • -9.25db
22% Popularity • 67% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 67% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Sam Lewis
Natural Disaster
133 bpm • G Maj • 05:29 • -7.41db
9% Popularity • 56% Danceability • 57% Energy • 12% Liveness
6% Instrumentalness • 41% Positiveness
9% Popularity • 56% Danceability • 57% Energy • 12% Liveness
6% Instrumentalness • 41% Positiveness
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Tedeschi Trucks Band
The Ending
123 bpm • C# Maj • 05:02 • -14.31db
19% Popularity • 56% Danceability • 9% Energy • 38% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 56% Danceability • 9% Energy • 38% Liveness
0% Instrumentalness • 18% Positiveness
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The Milk Carton Kids
White Girl
133 bpm • D Maj • 03:44 • -12.14db
20% Popularity • 72% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 72% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Nicki Bluhm
You Stopped Loving Me
123 bpm • E min • 04:39 • -10.11db
3% Popularity • 48% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
3% Popularity • 48% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Birds of Chicago
Remember Wild Horses
123 bpm • C Maj • 04:46 • -9.62db
17% Popularity • 62% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 62% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Lukas Nelson and Promise of the Real
Set Me Down On A Cloud
123 bpm • F# Maj • 07:16 • -6.03db
35% Popularity • 48% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 48% Danceability • 54% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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Caitlin Canty
Onto You
134 bpm • D# min • 03:30 • -11.19db
23% Popularity • 59% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
23% Popularity • 59% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Tedeschi Trucks Band
Sweet And Low
133 bpm • G Maj • 05:02 • -11.2db
30% Popularity • 55% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 55% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Amanda Anne Platt & the Honeycutters
Brand New Start
134 bpm • E Maj • 03:13 • -7.52db
10% Popularity • 57% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 57% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Ray LaMontagne
God Willin' & the Creek Don't Rise
123 bpm • G Maj • 03:09 • -7.97db
39% Popularity • 56% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
39% Popularity • 56% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Jeffrey Foucault
Lodi
122 bpm • F# Maj • 02:53 • -14db
50% Popularity • 55% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
50% Popularity • 55% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Frankie Lee
East Side Blues
134 bpm • E Maj • 05:30 • -10.5db
11% Popularity • 53% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
11% Popularity • 53% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 21% Positiveness
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Greg Brown
Just By Myself
122 bpm • G Maj • 04:45 • -21db
24% Popularity • 72% Danceability • 20% Energy • 6% Liveness
5% Instrumentalness • 32% Positiveness
24% Popularity • 72% Danceability • 20% Energy • 6% Liveness
5% Instrumentalness • 32% Positiveness
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Tedeschi Trucks Band
It's So Heavy
122 bpm • G Maj • 04:35 • -9.35db
12% Popularity • 54% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 54% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Nicki Bluhm
Things I've Done
122 bpm • F Maj • 03:21 • -6.33db
2% Popularity • 55% Danceability • 78% Energy • 45% Liveness
0% Instrumentalness • 69% Positiveness
2% Popularity • 55% Danceability • 78% Energy • 45% Liveness
0% Instrumentalness • 69% Positiveness
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Amanda Anne Platt & the Honeycutters
Desert Flowers
134 bpm • A Maj • 05:09 • -12.04db
7% Popularity • 60% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
7% Popularity • 60% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Midnight North
Greene County
122 bpm • C Maj • 04:38 • -11.63db
8% Popularity • 63% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 63% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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The Gourds
Everybody's Missing the Sun
122 bpm • G Maj • 02:59 • -9.4db
30% Popularity • 68% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 68% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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Richard Shindell
Willin'
134 bpm • G Maj • 03:15 • -10.74db
22% Popularity • 62% Danceability • 49% Energy • 98% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 62% Danceability • 49% Energy • 98% Liveness
0% Instrumentalness • 40% Positiveness
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Jimmy LaFave
Let My Love Open the Door
122 bpm • A# Maj • 04:46 • -9.12db
19% Popularity • 40% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 40% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Nicki Bluhm
Mountain out of Nothing
122 bpm • C# Maj • 03:11 • -6.16db
3% Popularity • 56% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
3% Popularity • 56% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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David Gray
Money (That's What I Want)
121 bpm • F Maj • 03:54 • -6db
42% Popularity • 66% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 66% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Robert Bradley's Blackwater Surprise
Once Upon A Time
135 bpm • A Maj • 03:20 • -7db
31% Popularity • 63% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 63% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
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Yarn
Sweet Dolly
135 bpm • D Maj • 04:22 • -8.65db
21% Popularity • 65% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 65% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Birds of Chicago
The Good Fight
135 bpm • D Maj • 03:16 • -9.3db
9% Popularity • 76% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 76% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Oliver Wood
Soul of This Town
135 bpm • F# Maj • 04:14 • -6db
21% Popularity • 47% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 33% Positiveness
21% Popularity • 47% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 33% Positiveness
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Nanci Griffith
Going Back to Georgia
135 bpm • F Maj • 04:16 • -11db
31% Popularity • 50% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
31% Popularity • 50% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Grace Potter & The Nocturnals
Toothbrush And My Table
135 bpm • G min • 04:29 • -8.29db
32% Popularity • 67% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 67% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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The Mastersons
Perfect
121 bpm • C Maj • 04:03 • -6.03db
8% Popularity • 53% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 53% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Caroline Spence
Hotel Amarillo
121 bpm • C Maj • 04:00 • -7.09db
31% Popularity • 65% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 65% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Justin Townes Earle
Trouble Is
136 bpm • G Maj • 03:22 • -9.65db
41% Popularity • 72% Danceability • 67% Energy • 10% Liveness
5% Instrumentalness • 90% Positiveness
41% Popularity • 72% Danceability • 67% Energy • 10% Liveness
5% Instrumentalness • 90% Positiveness
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Parker Millsap
Your Water
136 bpm • G Maj • 02:12 • -7.19db
32% Popularity • 67% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
32% Popularity • 67% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Nicki Bluhm
Big Road
120 bpm • F Maj • 03:22 • -5.72db
2% Popularity • 56% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 97% Positiveness
2% Popularity • 56% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 97% Positiveness
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Leon Majcen
Love and Misery
120 bpm • D min • 04:10 • -6.78db
29% Popularity • 69% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 69% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Lukas Nelson and Promise of the Real
If I Started Over
136 bpm • C Maj • 03:12 • -9db
26% Popularity • 35% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
26% Popularity • 35% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Bruce Cockburn
Last Night Of The World
120 bpm • C Maj • 04:51 • -10db
34% Popularity • 72% Danceability • 58% Energy • 10% Liveness
12% Instrumentalness • 18% Positiveness
34% Popularity • 72% Danceability • 58% Energy • 10% Liveness
12% Instrumentalness • 18% Positiveness
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Scot Sax
Off the Mat
120 bpm • F min • 02:38 • -9.34db
0% Popularity • 81% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 81% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Wynonna
Ramble On Rose
120 bpm • B Maj • 05:37 • -6.43db
13% Popularity • 72% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 72% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Lori McKenna
The Bird & The Rifle
137 bpm • D Maj • 04:24 • -12.52db
27% Popularity • 62% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 62% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
