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Stars Fell On Alabama
Songs like
Stars Fell On Alabama
by
Jack Teagarden
Based on a tempo of (+/- 10%) and a similar genre
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Rudy Vallee and His Connecticut Yankees
Dancing in the Moonlight
80 bpm • G# Maj • 02:52 • -16db
37% Popularity • 50% Danceability • 26% Energy • 11% Liveness
8% Instrumentalness • 65% Positiveness
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Frankie Carle
Rumors Are Flying
80 bpm • B Maj • 03:03 • -11db
16% Popularity • 29% Danceability • 29% Energy • 58% Liveness
0% Instrumentalness • 32% Positiveness
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Ethel Waters
Baby, What Else Can I Do?
80 bpm • F Maj • 02:57 • -15.73db
34% Popularity • 49% Danceability • 7% Energy • 24% Liveness
0% Instrumentalness • 33% Positiveness
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Dinah Washington
A Slick Chick On The Mellow Side
80 bpm • A# Maj • 02:44 • -8.37db
30% Popularity • 64% Danceability • 32% Energy • 25% Liveness
22% Instrumentalness • 69% Positiveness
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Boilermaker Jazz Band
Slow Boat To China
81 bpm • D min • 03:37 • -10db
21% Popularity • 75% Danceability • 43% Energy • 8% Liveness
6% Instrumentalness • 73% Positiveness
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Bix Beiderbecke and His Gang
Jazz Me Blues
81 bpm • A# Maj • 03:02 • -10.97db
13% Popularity • 60% Danceability • 44% Energy • 48% Liveness
88% Instrumentalness • 97% Positiveness
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James P. Johnson
I'm Gonna Sit Right Down (And Write Myse...
81 bpm • C# Maj • 02:49 • -18db
27% Popularity • 72% Danceability • 25% Energy • 9% Liveness
85% Instrumentalness • 91% Positiveness
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Jack Teagarden
When Your Lover Has Gone
81 bpm • G# Maj • 03:30 • -16.41db
6% Popularity • 55% Danceability • 10% Energy • 13% Liveness
94% Instrumentalness • 35% Positiveness
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Doris Day
My Dreams Are Getting Better All the Tim...
79 bpm • G# Maj • 03:19 • -13.22db
30% Popularity • 63% Danceability • 18% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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King Oliver
Chimes Blues
81 bpm • C Maj • 02:51 • -10db
18% Popularity • 56% Danceability • 30% Energy • 19% Liveness
92% Instrumentalness • 79% Positiveness
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Cab Calloway & His Orchestra
Are You All Reet?
79 bpm • C# Maj • 03:02 • -9.26db
8% Popularity • 75% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Helen Humes
Song of the Wanderer
81 bpm • A# Maj • 01:45 • -6.22db
18% Popularity • 75% Danceability • 27% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
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Annette Hanshaw
I Want a Good Man
82 bpm • E Maj • 02:49 • -9db
33% Popularity • 64% Danceability • 16% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Charlie Barnet
I Like to Riff
82 bpm • C# Maj • 02:54 • -8.05db
18% Popularity • 72% Danceability • 52% Energy • 27% Liveness
1% Instrumentalness • 65% Positiveness
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Jack Teagarden
Doctor Jazz
78 bpm • A# Maj • 02:58 • -14.13db
0% Popularity • 69% Danceability • 13% Energy • 38% Liveness
81% Instrumentalness • 86% Positiveness
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Tex Beneke
Give Me Five Minutes More
82 bpm • F Maj • 02:35 • -4db
27% Popularity • 49% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Glenn Miller & His Orchestra; Vocal by Smith Ballew
A Blues Serenade - 78rpm Version
82 bpm • G# Maj • 02:49 • -20db
26% Popularity • 45% Danceability • 11% Energy • 36% Liveness
36% Instrumentalness • 56% Positiveness
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Cootie Williams
Slidin' And Glidin'
78 bpm • A# Maj • 03:35 • -8.71db
26% Popularity • 68% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Carroll Gibbons
There's a Lull In My Life
78 bpm • F min • 03:21 • -18db
27% Popularity • 34% Danceability • 10% Energy • 12% Liveness
60% Instrumentalness • 24% Positiveness
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Johnny Hodges & His Orchestra
Jeep's Blues
83 bpm • A# Maj • 02:56 • -14.01db
39% Popularity • 56% Danceability • 21% Energy • 18% Liveness
84% Instrumentalness • 62% Positiveness
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Jack Teagarden
Bad Acting Woman
78 bpm • A# min • 05:16 • -7.92db
8% Popularity • 58% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Martha Tilton
A Fine Romance
77 bpm • G# Maj • 02:44 • -13.4db
28% Popularity • 80% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Members Of The Glenn Miller Orchestra
Little Brown Jug
77 bpm • C# Maj • 03:06 • -18db
32% Popularity • 60% Danceability • 24% Energy • 13% Liveness
8% Instrumentalness • 75% Positiveness
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Helen Ward
All My Life
77 bpm • F min • 03:13 • -10.41db
23% Popularity • 60% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Rudy Vallee and His Connecticut Yankees
Same Old Moon
77 bpm • C Maj • 03:07 • -18.6db
38% Popularity • 31% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Red McKenzie
Basin St Blues
77 bpm • F Maj • 01:56 • -15db
18% Popularity • 69% Danceability • 15% Energy • 12% Liveness
2% Instrumentalness • 58% Positiveness
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Jack Teagarden
Music to Love By
83 bpm • A# Maj • 02:14 • -10.3db
14% Popularity • 61% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Martha Tilton
That's My Desire
77 bpm • G# Maj • 02:56 • -15.43db
34% Popularity • 34% Danceability • 5% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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Members Of The Glenn Miller Orchestra
Pennsylvania 6-5000
83 bpm • G# Maj • 02:55 • -12.21db
30% Popularity • 46% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
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Jack Teagarden And His Orchestra
Dark eyes
83 bpm • D Maj • 03:20 • -4.5db
0% Popularity • 67% Danceability • 60% Energy • 85% Liveness
55% Instrumentalness • 58% Positiveness
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Adrian Rollini
Sugar
77 bpm • F Maj • 02:54 • -15.98db
16% Popularity • 63% Danceability • 18% Energy • 10% Liveness
74% Instrumentalness • 78% Positiveness
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Erskine Hawkins
Soft Winds
84 bpm • C# Maj • 03:35 • -8db
10% Popularity • 59% Danceability • 33% Energy • 14% Liveness
84% Instrumentalness • 88% Positiveness
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Jack Teagarden
I Gotta Right To Sing the Blues
77 bpm • A# Maj • 02:47 • -12.38db
0% Popularity • 49% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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Wilbur De Paris
Madagascar
76 bpm • G# Maj • 06:21 • -11.46db
23% Popularity • 55% Danceability • 43% Energy • 32% Liveness
73% Instrumentalness • 73% Positiveness
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John Vincent's Californians
Loving You the Way I Do
84 bpm • D min • 02:49 • -11.73db
24% Popularity • 69% Danceability • 31% Energy • 7% Liveness
86% Instrumentalness • 96% Positiveness
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Ambrose & His Orchestra
Night & Day
76 bpm • A# Maj • 02:59 • -10db
32% Popularity • 53% Danceability • 37% Energy • 36% Liveness
45% Instrumentalness • 31% Positiveness
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Jack Teagarden And His Orchestra
That's what I like about you
85 bpm • D# Maj • 03:24 • -3.18db
0% Popularity • 63% Danceability • 61% Energy • 10% Liveness
1% Instrumentalness • 64% Positiveness
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Johnny Dodds
Wild Man Blues (Alternate Take)
85 bpm • F# min • 03:13 • -11db
18% Popularity • 74% Danceability • 30% Energy • 8% Liveness
62% Instrumentalness • 73% Positiveness
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Annette Hanshaw
I've Got a Feeling I'm Falling
85 bpm • A min • 02:55 • -11.92db
26% Popularity • 66% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Ethel Waters
Stormy Weather
85 bpm • C Maj • 03:12 • -14db
31% Popularity • 36% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Jack Teagarden
Cottage For Sale
85 bpm • A Maj • 03:45 • -13db
9% Popularity • 35% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Members Of The Glenn Miller Orchestra
Serenade In Blue
75 bpm • G# Maj • 02:09 • -18db
37% Popularity • 33% Danceability • 10% Energy • 7% Liveness
44% Instrumentalness • 37% Positiveness
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Joe Venuti
Dinah
75 bpm • G# Maj • 02:49 • -15.11db
8% Popularity • 66% Danceability • 19% Energy • 11% Liveness
79% Instrumentalness • 88% Positiveness
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Erskine Hawkins
Tuxedo Junction
75 bpm • F min • 03:15 • -6.46db
23% Popularity • 63% Danceability • 37% Energy • 18% Liveness
45% Instrumentalness • 78% Positiveness
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Jack Teagarden And His Orchestra
Hawaii sang me to sleep
74 bpm • C# Maj • 02:59 • -5.18db
0% Popularity • 53% Danceability • 44% Energy • 37% Liveness
10% Instrumentalness • 38% Positiveness
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Ethel Waters
Stormy Weather (Keeps Rainin' All The Ti...
85 bpm • C Maj • 03:05 • -12.81db
13% Popularity • 35% Danceability • 21% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
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Doris Day
You Won't Be Satisfied (Until You Break ...
74 bpm • F# min • 03:03 • -13db
20% Popularity • 58% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Jack Teagarden
If I Could Be With You One Hour Tonight
85 bpm • F Maj • 05:54 • -12db
8% Popularity • 59% Danceability • 28% Energy • 11% Liveness
5% Instrumentalness • 64% Positiveness
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Charlie Barnet & His Orchestra
Pompton Turnpike
86 bpm • F min • 03:02 • -13.67db
19% Popularity • 43% Danceability • 22% Energy • 9% Liveness
28% Instrumentalness • 27% Positiveness
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Cootie Williams
Juice Head Baby
87 bpm • C min • 03:09 • -10db
23% Popularity • 52% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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June Christy
It Could Happen To You - Mono
74 bpm • C# Maj • 01:57 • -7db
38% Popularity • 46% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Bunny Berigan
I Can't Get Started
73 bpm • C Maj • 04:45 • -13.48db
31% Popularity • 50% Danceability • 20% Energy • 7% Liveness
56% Instrumentalness • 39% Positiveness
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Slim Gaillard
The Flat Foot Floogie
88 bpm • C Maj • 02:49 • -12db
22% Popularity • 80% Danceability • 40% Energy • 38% Liveness
2% Instrumentalness • 87% Positiveness
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Bea Wain
Deep Purple
88 bpm • A# Maj • 03:41 • -15db
14% Popularity • 28% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Jack Teagarden
Meet Me Where They Play the Blues
88 bpm • A# min • 03:49 • -8.89db
30% Popularity • 61% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Larry Clinton
True Confession
89 bpm • A# min • 02:59 • -20.79db
27% Popularity • 50% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Billy Cotton
You Brought a New Kind of Love to Me
72 bpm • G# Maj • 03:21 • -17db
37% Popularity • 48% Danceability • 13% Energy • 17% Liveness
39% Instrumentalness • 58% Positiveness
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Johnny Hodges & His Orchestra
Things Ain't What They Used To Be - 1995...
89 bpm • C# Maj • 03:37 • -17.04db
30% Popularity • 65% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 53% Positiveness
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Slim Gaillard
The Flat Foot Floogie
89 bpm • F Maj • 02:51 • -17.17db
24% Popularity • 79% Danceability • 30% Energy • 13% Liveness
84% Instrumentalness • 85% Positiveness
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Woody Herman & His Orchestra
Blues in the Night
89 bpm • C Maj • 03:11 • -11.68db
26% Popularity • 54% Danceability • 17% Energy • 55% Liveness
0% Instrumentalness • 43% Positiveness
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Jack Teagarden
I'm Gonna Sit Right Down and Write Mysel...
89 bpm • C# Maj • 03:09 • -14.03db
0% Popularity • 60% Danceability • 30% Energy • 5% Liveness
13% Instrumentalness • 81% Positiveness
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Lucky Millinder
Shorty's Got to Go
72 bpm • F min • 03:15 • -8db
25% Popularity • 75% Danceability • 31% Energy • 38% Liveness
0% Instrumentalness • 82% Positiveness
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Bunny Berigan
I Can't Get Started (Alternate Take)
72 bpm • C Maj • 04:46 • -15db
25% Popularity • 48% Danceability • 9% Energy • 9% Liveness
10% Instrumentalness • 27% Positiveness
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Maxine Sullivan
Meet Me Where They Play the Blues
90 bpm • C# Maj • 03:48 • -10.08db
1% Popularity • 62% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Paul Whiteman
Basin Street Blues
90 bpm • A# Maj • 03:48 • -11.61db
2% Popularity • 59% Danceability • 27% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
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Una Mae Carlisle
Walkin' by the River
90 bpm • G Maj • 03:04 • -14.91db
13% Popularity • 71% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Glen Gray
Save Your Sorrow for Tomorrow
90 bpm • A# Maj • 03:03 • -14.38db
8% Popularity • 75% Danceability • 30% Energy • 13% Liveness
2% Instrumentalness • 71% Positiveness
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Freddy Martin & His Orchestra
What a Difference a Day Made
71 bpm • F min • 03:04 • -11.3db
18% Popularity • 43% Danceability • 20% Energy • 33% Liveness
0% Instrumentalness • 32% Positiveness
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Glenn Miller & The Army Air Force Band
Tail End Charlie - Remastered 2001
91 bpm • G# Maj • 03:24 • -10.87db
8% Popularity • 67% Danceability • 49% Energy • 20% Liveness
23% Instrumentalness • 76% Positiveness
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Louis Jordan
Don't Worry 'Bout That Mule
91 bpm • G min • 02:09 • -11.41db
23% Popularity • 69% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Jack Teagarden
I'm An Old Cowhand
91 bpm • F Maj • 03:08 • -12.03db
0% Popularity • 76% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 86% Positiveness
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Members Of The Glenn Miller Orchestra
Sunrise Serenade
91 bpm • F min • 02:03 • -13.3db
37% Popularity • 48% Danceability • 23% Energy • 7% Liveness
19% Instrumentalness • 46% Positiveness
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Ben Selvin & His Orchestra
Dardanella
91 bpm • D# Maj • 03:21 • -8.09db
1% Popularity • 55% Danceability • 44% Energy • 9% Liveness
90% Instrumentalness • 46% Positiveness
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Slim Gaillard
8, 9 and 10
91 bpm • D Maj • 02:43 • -17.49db
30% Popularity • 81% Danceability • 16% Energy • 12% Liveness
2% Instrumentalness • 79% Positiveness
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The Cats & The Fiddle
We Cats Will Swing for You
91 bpm • C min • 02:38 • -10.82db
24% Popularity • 78% Danceability • 47% Energy • 9% Liveness
62% Instrumentalness • 90% Positiveness
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Cab Calloway & His Orchestra
I'll Be Around
92 bpm • C min • 03:05 • -15.23db
5% Popularity • 35% Danceability • 13% Energy • 19% Liveness
2% Instrumentalness • 31% Positiveness
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Jack Teagarden
The Man I Love
70 bpm • A Maj • 03:04 • -14.36db
12% Popularity • 40% Danceability • 13% Energy • 11% Liveness
20% Instrumentalness • 30% Positiveness
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Jack Teagarden And His Orchestra
Fatima's drummer boy
92 bpm • C min • 02:49 • -5.64db
0% Popularity • 55% Danceability • 61% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Paul Whiteman & His Orchestra
You Were Never Lovelier
92 bpm • D# Maj • 03:17 • -17db
16% Popularity • 27% Danceability • 11% Energy • 28% Liveness
3% Instrumentalness • 22% Positiveness
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Erskine Hawkins
Hawk's Boogie
92 bpm • G Maj • 02:58 • -5.07db
22% Popularity • 61% Danceability • 56% Energy • 30% Liveness
84% Instrumentalness • 80% Positiveness
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Noel Coward
Party's over Now, The (Words and Music)
92 bpm • C Maj • 03:37 • -19db
31% Popularity • 33% Danceability • 13% Energy • 35% Liveness
48% Instrumentalness • 34% Positiveness
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King Oliver
Mahogany Hall Stomp
93 bpm • C Maj • 02:39 • -10.36db
26% Popularity • 63% Danceability • 37% Energy • 6% Liveness
92% Instrumentalness • 85% Positiveness
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Jack Teagarden
Dr. Heckle And Mr. Jibe
93 bpm • C# Maj • 03:28 • -10.29db
0% Popularity • 68% Danceability • 42% Energy • 10% Liveness
26% Instrumentalness • 86% Positiveness
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Charlie Barnet & His Orchestra
Flying Home
92 bpm • F Maj • 02:55 • -5.86db
15% Popularity • 61% Danceability • 68% Energy • 32% Liveness
82% Instrumentalness • 91% Positiveness
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Paul Whiteman
The Birth Of The Blues
93 bpm • F Maj • 03:18 • -16db
28% Popularity • 65% Danceability • 18% Energy • 31% Liveness
25% Instrumentalness • 78% Positiveness
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Jack Hylton
One, Two, Button Your Shoe
93 bpm • C min • 02:34 • -17.06db
17% Popularity • 86% Danceability • 22% Energy • 8% Liveness
7% Instrumentalness • 84% Positiveness
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Ben Selvin & His Orchestra
Between the Devil and the Deep Blue Sea
93 bpm • G min • 03:29 • -10.06db
14% Popularity • 75% Danceability • 37% Energy • 4% Liveness
0% Instrumentalness • 79% Positiveness
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Red McKenzie
Murder in the Moonlight (It's Love in th...
94 bpm • A min • 02:59 • -11.32db
10% Popularity • 67% Danceability • 29% Energy • 18% Liveness
94% Instrumentalness • 36% Positiveness
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Jack Teagarden
I Couldn't If I Wanted To
93 bpm • G Maj • 03:13 • -15.64db
0% Popularity • 59% Danceability • 32% Energy • 15% Liveness
38% Instrumentalness • 87% Positiveness
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Slim & Slam
A-Well-A-Take-'em-A-Joe, Crap Shooter's ...
94 bpm • F Maj • 03:02 • -12.26db
12% Popularity • 71% Danceability • 46% Energy • 16% Liveness
44% Instrumentalness • 82% Positiveness
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King Oliver's Creole Jazz Band
Dippermouth Blues
94 bpm • C Maj • 02:26 • -12.98db
30% Popularity • 58% Danceability • 34% Energy • 11% Liveness
93% Instrumentalness • 88% Positiveness
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Frankie Carle
A Little On The Lonely Side
94 bpm • G min • 03:04 • -13.81db
11% Popularity • 50% Danceability • 12% Energy • 21% Liveness
1% Instrumentalness • 52% Positiveness
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Paul Whiteman
The Darktown Strutters' Ball
94 bpm • B Maj • 02:58 • -4.9db
28% Popularity • 78% Danceability • 59% Energy • 6% Liveness
78% Instrumentalness • 91% Positiveness
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Goofus Five
I Like Pie I Like Cake - But I Like You ...
94 bpm • D# Maj • 03:14 • -17.68db
18% Popularity • 74% Danceability • 22% Energy • 20% Liveness
2% Instrumentalness • 81% Positiveness
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Jack Teagarden
Forty Seventh And State
94 bpm • F min • 02:55 • -13.25db
0% Popularity • 51% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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Louis Jordan
Ration Blues
94 bpm • F min • 03:09 • -10.1db
19% Popularity • 79% Danceability • 26% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
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Kay Kyser
There Goes That Song Again
95 bpm • C# Maj • 02:22 • -12db
9% Popularity • 44% Danceability • 16% Energy • 48% Liveness
0% Instrumentalness • 47% Positiveness
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Mills Blue Rhythm Band
Mr. Ghost Goes to Town
95 bpm • D# Maj • 03:24 • -14.05db
11% Popularity • 75% Danceability • 31% Energy • 16% Liveness
54% Instrumentalness • 88% Positiveness
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King Oliver
Dipper Mouth Blues, Pt. 1
95 bpm • C Maj • 02:30 • -12.05db
20% Popularity • 57% Danceability • 38% Energy • 6% Liveness
92% Instrumentalness • 86% Positiveness
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Ted Lewis
Royal Garden Blues
95 bpm • A# Maj • 02:59 • -8.3db
10% Popularity • 72% Danceability • 37% Energy • 8% Liveness
52% Instrumentalness • 89% Positiveness
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Stars Fell On Alabama