Songs like Start Up by Jonathan & Friends
Based on a tempo of (+/- 10%) and a similar genre
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Jonathan & Friends
Start Up
162 bpm • D# Maj • 02:58 • -10db
39% Popularity • 58% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
39% Popularity • 58% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Gatsby
Lonely
162 bpm • D# Maj • 03:18 • -5.92db
29% Popularity • 55% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
29% Popularity • 55% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Hastings
Chapstick
161 bpm • C Maj • 03:05 • -4.72db
36% Popularity • 72% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
36% Popularity • 72% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Ethan Dufault
View
160 bpm • C# min • 03:27 • -6.55db
41% Popularity • 55% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 23% Positiveness
41% Popularity • 55% Danceability • 69% Energy • 38% Liveness
0% Instrumentalness • 23% Positiveness
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Valley
hiccup
160 bpm • A Maj • 02:44 • -8.96db
50% Popularity • 42% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
50% Popularity • 42% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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Ni/Co
bubble wrap
160 bpm • C# Maj • 02:28 • -9.44db
35% Popularity • 57% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
35% Popularity • 57% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Jonathan & Friends
Start Up (Stripped)
161 bpm • D# Maj • 03:06 • -7.15db
16% Popularity • 33% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 33% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Christian French
avalanche
160 bpm • B Maj • 03:19 • -3.92db
51% Popularity • 64% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
51% Popularity • 64% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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7715
Week - Justin Caruso Remix
164 bpm • E Maj • 03:01 • -4db
31% Popularity • 47% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 47% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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shy martin
Remember you were the one
160 bpm • C min • 02:52 • -7db
31% Popularity • 63% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
31% Popularity • 63% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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jfarr
thinking of ya
160 bpm • B Maj • 03:10 • -7.58db
27% Popularity • 45% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 45% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Clara Mae
Crash
160 bpm • F# Maj • 03:10 • -7db
39% Popularity • 36% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 36% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Jonathan & Friends
Jump First
164 bpm • F Maj • 02:22 • -8.3db
8% Popularity • 56% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
8% Popularity • 56% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Jay Ocean
Love Will Find
160 bpm • C# Maj • 02:36 • -8.55db
39% Popularity • 47% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
39% Popularity • 47% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
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Loote
All the Fucking Time
160 bpm • F# Maj • 02:39 • -5.54db
44% Popularity • 46% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
44% Popularity • 46% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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shy martin
Nobody Likes Moving On
160 bpm • B Maj • 02:46 • -10.78db
43% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
43% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Beren Olivia
Red Ripped Sweater
160 bpm • D Maj • 03:22 • -7.56db
28% Popularity • 55% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 55% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Golds
Fragile
159 bpm • A Maj • 03:12 • -6.99db
30% Popularity • 38% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 38% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Terry Zhong
Home Alright
165 bpm • C min • 03:01 • -5db
37% Popularity • 55% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
37% Popularity • 55% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Nicky Youre
Never Go Wrong
165 bpm • F Maj • 02:35 • -6.45db
55% Popularity • 58% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 93% Positiveness
55% Popularity • 58% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 93% Positiveness
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Timeflies
Raincoat - Loote Remix
166 bpm • A# Maj • 03:21 • -7.95db
26% Popularity • 73% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 73% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Jayde
f this
158 bpm • G# Maj • 03:10 • -7.54db
27% Popularity • 60% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 60% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
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Loote
she's all yours
158 bpm • F# Maj • 02:41 • -6db
49% Popularity • 57% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 57% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Rosie Darling
Always Almost
167 bpm • C Maj • 03:22 • -8.45db
50% Popularity • 38% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
50% Popularity • 38% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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NIIVA
Welcome Back
168 bpm • C Maj • 02:36 • -7db
33% Popularity • 76% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
33% Popularity • 76% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Petey Martin
Bringing Me Back
168 bpm • E Maj • 02:59 • -6db
25% Popularity • 60% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 60% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Jonny Glenn
Don't Wanna Let You Down
156 bpm • F# Maj • 02:46 • -6.84db
26% Popularity • 65% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
26% Popularity • 65% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Lost Kings
Broken In All The Right Places
155 bpm • D Maj • 02:45 • -5.18db
45% Popularity • 63% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
45% Popularity • 63% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Why Don't We
How Do You Love Somebody
156 bpm • A Maj • 03:00 • -4.14db
57% Popularity • 63% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
57% Popularity • 63% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 46% Positiveness
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Valley
homebody
155 bpm • C# Maj • 03:11 • -7.24db
43% Popularity • 62% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
43% Popularity • 62% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Blake Rose
Casanova
155 bpm • B Maj • 03:01 • -6db
44% Popularity • 57% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
44% Popularity • 57% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
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Alec Chambers
Boston
170 bpm • G# Maj • 03:26 • -5db
36% Popularity • 53% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 53% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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ELLIANA
everybody else in LA
170 bpm • D min • 03:23 • -6.51db
17% Popularity • 56% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 56% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Great Good Fine Ok
Could Be Us
170 bpm • C min • 02:36 • -6.31db
45% Popularity • 73% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
45% Popularity • 73% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Conor Matthews
Take All Night
170 bpm • C# min • 02:42 • -5db
42% Popularity • 58% Danceability • 83% Energy • 39% Liveness
0% Instrumentalness • 47% Positiveness
42% Popularity • 58% Danceability • 83% Energy • 39% Liveness
0% Instrumentalness • 47% Positiveness
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Mykyl
Oxytocin
170 bpm • D Maj • 03:14 • -8.03db
35% Popularity • 51% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
35% Popularity • 51% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Valley
CHAMPAGNE - Valley Remix
170 bpm • F# Maj • 03:15 • -6.77db
17% Popularity • 57% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
17% Popularity • 57% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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ayokay
Don't Wanna Be Your Friend
170 bpm • C# min • 02:33 • -5.46db
41% Popularity • 66% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
41% Popularity • 66% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Alexa Cappelli
Whiplash
170 bpm • F Maj • 03:07 • -4.29db
37% Popularity • 66% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
37% Popularity • 66% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Annika Wells
Stay High
154 bpm • F Maj • 03:25 • -6db
29% Popularity • 62% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
29% Popularity • 62% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Rosie Darling
Fucked Up Summer
171 bpm • G Maj • 03:15 • -6db
44% Popularity • 45% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
44% Popularity • 45% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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HRVY
I Wish I Could Hate You
171 bpm • C Maj • 02:22 • -8.12db
34% Popularity • 66% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
34% Popularity • 66% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Fiji Blue
Up Down
153 bpm • C Maj • 03:10 • -8.03db
43% Popularity • 65% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
43% Popularity • 65% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Zach Hood
i ain't rich, girl
172 bpm • F Maj • 02:08 • -5.18db
34% Popularity • 51% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
34% Popularity • 51% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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NATIIVE
Over With
172 bpm • G# Maj • 02:32 • -6db
29% Popularity • 58% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 58% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Chris James
The Reminder
172 bpm • C# Maj • 02:38 • -6db
55% Popularity • 49% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
55% Popularity • 49% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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New Rules
Go The Distance
172 bpm • G# min • 02:47 • -3.75db
40% Popularity • 63% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
40% Popularity • 63% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Valley
CHAMPAGNE
172 bpm • F# Maj • 03:00 • -5db
43% Popularity • 54% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
43% Popularity • 54% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Ridgely
Busy Body
172 bpm • G# Maj • 02:44 • -7db
38% Popularity • 54% Danceability • 55% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 54% Danceability • 55% Energy • 42% Liveness
0% Instrumentalness • 64% Positiveness
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emma løv
Friends
152 bpm • C Maj • 02:50 • -6.73db
48% Popularity • 67% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
48% Popularity • 67% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Grey
DEEP END
152 bpm • C# Maj • 02:38 • -8.46db
31% Popularity • 66% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 66% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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damnboy!
Everything You Said Was A Lie
173 bpm • B min • 02:27 • -5.05db
27% Popularity • 55% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
27% Popularity • 55% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Emily Vaughn
love me from a distance
151 bpm • E Maj • 01:59 • -11.53db
60% Popularity • 72% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
60% Popularity • 72% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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HRVY
Talking to the Stars
151 bpm • C Maj • 03:04 • -8.69db
30% Popularity • 54% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 54% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Madison Olds
Cliché of Falling In Love
174 bpm • G Maj • 03:08 • -5.85db
12% Popularity • 61% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 61% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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PARRIS MITCHELL
by now.
174 bpm • B Maj • 03:11 • -7db
28% Popularity • 42% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 42% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Cheat Codes
All Things $ Can Do
150 bpm • G# Maj • 02:57 • -5.91db
26% Popularity • 61% Danceability • 69% Energy • 12% Liveness
8% Instrumentalness • 18% Positiveness
26% Popularity • 61% Danceability • 69% Energy • 12% Liveness
8% Instrumentalness • 18% Positiveness
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JORDY
IDK SH!T
150 bpm • D Maj • 02:51 • -4db
44% Popularity • 65% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
44% Popularity • 65% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Mykyl
Insecure
175 bpm • F Maj • 02:57 • -7db
37% Popularity • 53% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 53% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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wolfi
invincible
150 bpm • B Maj • 03:29 • -12.01db
27% Popularity • 42% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 42% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Beren Olivia
Read My Mind
150 bpm • D Maj • 02:58 • -9.2db
40% Popularity • 53% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
40% Popularity • 53% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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gavn!
Emerald City
150 bpm • B Maj • 02:46 • -10.5db
52% Popularity • 43% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
52% Popularity • 43% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Cheat Codes
Hurricane
150 bpm • D# Maj • 02:24 • -6db
28% Popularity • 58% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 58% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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Brainheart
Feels Like Destiny
150 bpm • D Maj • 03:35 • -8db
21% Popularity • 61% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 61% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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SABAI
Me + You
150 bpm • B min • 02:51 • -6.71db
50% Popularity • 62% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
50% Popularity • 62% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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OSTON
Stay for Me
150 bpm • E min • 03:04 • -9.37db
35% Popularity • 59% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 59% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Jonathan & Friends
LOVE U 2 DEATH
176 bpm • C# min • 02:47 • -4.89db
35% Popularity • 61% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
35% Popularity • 61% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Valley
The Problem Song
176 bpm • B Maj • 02:37 • -5db
40% Popularity • 52% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
40% Popularity • 52% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Bravo
Skyfall
176 bpm • G min • 03:22 • -7.35db
35% Popularity • 45% Danceability • 62% Energy • 52% Liveness
0% Instrumentalness • 41% Positiveness
35% Popularity • 45% Danceability • 62% Energy • 52% Liveness
0% Instrumentalness • 41% Positiveness
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Julia Michaels
Sorry To Me Too
148 bpm • B min • 03:29 • -6.77db
49% Popularity • 68% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
49% Popularity • 68% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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david hugo
we made it.
176 bpm • F Maj • 02:44 • -7.91db
50% Popularity • 65% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
50% Popularity • 65% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Matt Hall
gut feelings
148 bpm • G# Maj • 02:51 • -4.14db
28% Popularity • 57% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 57% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Sam Feldt
Better
148 bpm • C Maj • 02:55 • -9db
38% Popularity • 62% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
38% Popularity • 62% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Devin Kennedy
Hurt U
148 bpm • D Maj • 02:52 • -8.24db
50% Popularity • 68% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
50% Popularity • 68% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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raph
HOPELESS
178 bpm • C# min • 02:11 • -5.64db
49% Popularity • 54% Danceability • 78% Energy • 94% Liveness
0% Instrumentalness • 65% Positiveness
49% Popularity • 54% Danceability • 78% Energy • 94% Liveness
0% Instrumentalness • 65% Positiveness
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Clara Mae
Alright
147 bpm • F# Maj • 02:41 • -4.94db
43% Popularity • 54% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
43% Popularity • 54% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Carlie Hanson
Girls in Line for the Bathroom
147 bpm • C# Maj • 02:27 • -6.53db
33% Popularity • 70% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
33% Popularity • 70% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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BEAUZ
Never Gonna Regret U
180 bpm • C Maj • 03:09 • -5db
37% Popularity • 52% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
37% Popularity • 52% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Annika Wells
Fuck Being Sober
180 bpm • G# Maj • 03:32 • -6.63db
46% Popularity • 69% Danceability • 55% Energy • 51% Liveness
0% Instrumentalness • 38% Positiveness
46% Popularity • 69% Danceability • 55% Energy • 51% Liveness
0% Instrumentalness • 38% Positiveness
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Lost Kings
Under The Influence
180 bpm • F min • 02:28 • -5db
39% Popularity • 56% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
39% Popularity • 56% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Munn
in limbo - Johnny Chay Remix
145 bpm • F Maj • 03:53 • -3.94db
18% Popularity • 45% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
18% Popularity • 45% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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The Astronomers
All In
145 bpm • A# Maj • 02:43 • -4db
26% Popularity • 62% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 62% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
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Dylan Matthew
One Sided Love
145 bpm • A# Maj • 03:28 • -4db
26% Popularity • 55% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 55% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Sierd
As If I Haven't Moved On
145 bpm • C# Maj • 02:50 • -7.53db
31% Popularity • 63% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 63% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Olivver the Kid
We Know Who We Are
145 bpm • A Maj • 04:07 • -5db
36% Popularity • 50% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 17% Positiveness
36% Popularity • 50% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 17% Positiveness
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Jonathan & Friends
Young Morales
144 bpm • A# Maj • 02:26 • -8db
28% Popularity • 65% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 65% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Munn
in limbo
145 bpm • F Maj • 03:00 • -6.99db
34% Popularity • 52% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
34% Popularity • 52% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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19&YOU
HEAD/HEART
144 bpm • G Maj • 02:49 • -6.49db
20% Popularity • 58% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 58% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Fells
Stuck Like Glue
144 bpm • A# Maj • 03:46 • -4.4db
32% Popularity • 50% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 50% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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raph
Whole World
144 bpm • G Maj • 03:36 • -6.66db
39% Popularity • 55% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
39% Popularity • 55% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Beren Olivia
Hurt Again
144 bpm • A min • 03:00 • -7.72db
31% Popularity • 68% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 68% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Alexander Stewart
24 Hours
144 bpm • A# Maj • 03:18 • -7db
44% Popularity • 51% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
44% Popularity • 51% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Victoria Anthony
Kinda Into You
143 bpm • F Maj • 02:56 • -3.46db
33% Popularity • 65% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 65% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Jack Newsome
All My Friends Are Falling in Love
184 bpm • B min • 03:07 • -5db
30% Popularity • 74% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 74% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
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Rival
Traffic Light
184 bpm • A# Maj • 02:43 • -5.51db
41% Popularity • 39% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
41% Popularity • 39% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Said The Sky
Treading Water
184 bpm • E Maj • 03:33 • -8.18db
45% Popularity • 34% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
45% Popularity • 34% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Johnny Chay
NOTHING BUT MINE
184 bpm • E Maj • 02:57 • -5db
31% Popularity • 44% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 44% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Beren Olivia
Early Hours of the AM
184 bpm • C# min • 02:50 • -5.94db
25% Popularity • 45% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 45% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
