Songs like Stated With Peace by David Murray
Based on a tempo of (+/- 10%) and a similar genre
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Jazzy Boy
Jazz Is Life
135 bpm • A# min • 02:18 • -13.55db
16% Popularity • 57% Danceability • 72% Energy • 35% Liveness
83% Instrumentalness • 85% Positiveness
16% Popularity • 57% Danceability • 72% Energy • 35% Liveness
83% Instrumentalness • 85% Positiveness
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Fredrik Ljungkvist and the Yun Kan 5
Badaling
135 bpm • B min • 07:34 • -13.18db
8% Popularity • 52% Danceability • 26% Energy • 20% Liveness
30% Instrumentalness • 18% Positiveness
8% Popularity • 52% Danceability • 26% Energy • 20% Liveness
30% Instrumentalness • 18% Positiveness
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Peter Kronreif
A Late Premonition
135 bpm • A min • 01:26 • -16.58db
23% Popularity • 43% Danceability • 13% Energy • 11% Liveness
75% Instrumentalness • 16% Positiveness
23% Popularity • 43% Danceability • 13% Energy • 11% Liveness
75% Instrumentalness • 16% Positiveness
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Christian Galvez
SILENCE FORCE Alternative Studio Version
135 bpm • G min • 10:28 • -13.73db
8% Popularity • 42% Danceability • 56% Energy • 6% Liveness
30% Instrumentalness • 46% Positiveness
8% Popularity • 42% Danceability • 56% Energy • 6% Liveness
30% Instrumentalness • 46% Positiveness
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David Murray
Stated With Peace
135 bpm • G Maj • 07:50 • -12.99db
5% Popularity • 37% Danceability • 75% Energy • 9% Liveness
4% Instrumentalness • 38% Positiveness
5% Popularity • 37% Danceability • 75% Energy • 9% Liveness
4% Instrumentalness • 38% Positiveness
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Wajdi Riahi
Hroub
135 bpm • C min • 02:06 • -15.95db
25% Popularity • 22% Danceability • 42% Energy • 10% Liveness
95% Instrumentalness • 81% Positiveness
25% Popularity • 22% Danceability • 42% Energy • 10% Liveness
95% Instrumentalness • 81% Positiveness
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Eric Vloeimans
Ieder Zijn Plek
134 bpm • F Maj • 01:36 • -14.15db
16% Popularity • 72% Danceability • 46% Energy • 9% Liveness
94% Instrumentalness • 75% Positiveness
16% Popularity • 72% Danceability • 46% Energy • 9% Liveness
94% Instrumentalness • 75% Positiveness
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Victor Goines
Madam C. J. Walker
134 bpm • C min • 07:19 • -9.53db
9% Popularity • 51% Danceability • 42% Energy • 35% Liveness
31% Instrumentalness • 52% Positiveness
9% Popularity • 51% Danceability • 42% Energy • 35% Liveness
31% Instrumentalness • 52% Positiveness
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Jim Snidero
You Go to My Head
136 bpm • C# Maj • 07:32 • -10.21db
9% Popularity • 57% Danceability • 28% Energy • 11% Liveness
56% Instrumentalness • 45% Positiveness
9% Popularity • 57% Danceability • 28% Energy • 11% Liveness
56% Instrumentalness • 45% Positiveness
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One For All
This I Dig of You
134 bpm • C min • 06:39 • -11.76db
10% Popularity • 46% Danceability • 48% Energy • 16% Liveness
40% Instrumentalness • 42% Positiveness
10% Popularity • 46% Danceability • 48% Energy • 16% Liveness
40% Instrumentalness • 42% Positiveness
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David Murray
Cycles and Seasons
134 bpm • D min • 05:08 • -14.52db
0% Popularity • 57% Danceability • 42% Energy • 12% Liveness
8% Instrumentalness • 55% Positiveness
0% Popularity • 57% Danceability • 42% Energy • 12% Liveness
8% Instrumentalness • 55% Positiveness
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Wajdi Riahi
Akahaw
136 bpm • C min • 01:04 • -28.33db
20% Popularity • 55% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 47% Positiveness
20% Popularity • 55% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 47% Positiveness
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Dan Wilson
For Tomorrow Bass Intro
134 bpm • G# Maj • 01:44 • -24.55db
10% Popularity • 64% Danceability • 11% Energy • 11% Liveness
95% Instrumentalness • 23% Positiveness
10% Popularity • 64% Danceability • 11% Energy • 11% Liveness
95% Instrumentalness • 23% Positiveness
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Anni Kiviniemi Trio
Mengi
136 bpm • G# Maj • 04:56 • -11.78db
10% Popularity • 52% Danceability • 45% Energy • 8% Liveness
84% Instrumentalness • 58% Positiveness
10% Popularity • 52% Danceability • 45% Energy • 8% Liveness
84% Instrumentalness • 58% Positiveness
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John Blum
Kinetic Crawl
134 bpm • B Maj • 03:21 • -10.57db
2% Popularity • 60% Danceability • 60% Energy • 25% Liveness
83% Instrumentalness • 61% Positiveness
2% Popularity • 60% Danceability • 60% Energy • 25% Liveness
83% Instrumentalness • 61% Positiveness
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Marco Vezzoso
Zio Funky
134 bpm • A# Maj • 04:57 • -11db
19% Popularity • 72% Danceability • 35% Energy • 8% Liveness
90% Instrumentalness • 81% Positiveness
19% Popularity • 72% Danceability • 35% Energy • 8% Liveness
90% Instrumentalness • 81% Positiveness
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David Murray
Tin Can Alley
134 bpm • C# Maj • 05:39 • -9.81db
1% Popularity • 57% Danceability • 64% Energy • 30% Liveness
16% Instrumentalness • 71% Positiveness
1% Popularity • 57% Danceability • 64% Energy • 30% Liveness
16% Instrumentalness • 71% Positiveness
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Christian Galvez
SILENCE FORCE
134 bpm • A min • 08:12 • -13.93db
9% Popularity • 37% Danceability • 44% Energy • 13% Liveness
87% Instrumentalness • 37% Positiveness
9% Popularity • 37% Danceability • 44% Energy • 13% Liveness
87% Instrumentalness • 37% Positiveness
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David Friedman
Amiga
134 bpm • G Maj • 02:52 • -19.51db
19% Popularity • 61% Danceability • 13% Energy • 9% Liveness
85% Instrumentalness • 30% Positiveness
19% Popularity • 61% Danceability • 13% Energy • 9% Liveness
85% Instrumentalness • 30% Positiveness
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Ulysses Owens Jr.
Chicken An' Dumplins
137 bpm • D Maj • 05:41 • -10.17db
11% Popularity • 52% Danceability • 50% Energy • 34% Liveness
1% Instrumentalness • 63% Positiveness
11% Popularity • 52% Danceability • 50% Energy • 34% Liveness
1% Instrumentalness • 63% Positiveness
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Michael Olivera
Moaning por BulerÃas
133 bpm • F min • 06:07 • -17.72db
9% Popularity • 42% Danceability • 40% Energy • 8% Liveness
89% Instrumentalness • 74% Positiveness
9% Popularity • 42% Danceability • 40% Energy • 8% Liveness
89% Instrumentalness • 74% Positiveness
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Dave Gisler Trio
See You out There
137 bpm • D min • 05:17 • -16.18db
0% Popularity • 23% Danceability • 39% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
0% Popularity • 23% Danceability • 39% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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David Murray
Crucifixion
137 bpm • B min • 05:23 • -23.21db
0% Popularity • 38% Danceability • 8% Energy • 10% Liveness
72% Instrumentalness • 15% Positiveness
0% Popularity • 38% Danceability • 8% Energy • 10% Liveness
72% Instrumentalness • 15% Positiveness
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Matthew Shipp
Non Circle
137 bpm • C Maj • 07:00 • -12.05db
10% Popularity • 43% Danceability • 40% Energy • 6% Liveness
87% Instrumentalness • 50% Positiveness
10% Popularity • 43% Danceability • 40% Energy • 6% Liveness
87% Instrumentalness • 50% Positiveness
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Victor Goines
The Suffragists
137 bpm • D# Maj • 06:41 • -7.31db
9% Popularity • 47% Danceability • 66% Energy • 6% Liveness
17% Instrumentalness • 64% Positiveness
9% Popularity • 47% Danceability • 66% Energy • 6% Liveness
17% Instrumentalness • 64% Positiveness
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Johnathan Blake
Calodendrum
133 bpm • A min • 01:59 • -24.36db
19% Popularity • 52% Danceability • 23% Energy • 11% Liveness
96% Instrumentalness • 31% Positiveness
19% Popularity • 52% Danceability • 23% Energy • 11% Liveness
96% Instrumentalness • 31% Positiveness
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Marco Vezzoso
Jap Jam
133 bpm • A# min • 04:24 • -10db
23% Popularity • 67% Danceability • 38% Energy • 8% Liveness
62% Instrumentalness • 45% Positiveness
23% Popularity • 67% Danceability • 38% Energy • 8% Liveness
62% Instrumentalness • 45% Positiveness
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Tobin Mueller
A Prayer for Those Who Come After
137 bpm • C# Maj • 04:24 • -17.59db
20% Popularity • 45% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
20% Popularity • 45% Danceability • 14% Energy • 10% Liveness
91% Instrumentalness • 10% Positiveness
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David Murray
Positive Messages
133 bpm • B Maj • 05:19 • -16.48db
0% Popularity • 68% Danceability • 28% Energy • 14% Liveness
61% Instrumentalness • 68% Positiveness
0% Popularity • 68% Danceability • 28% Energy • 14% Liveness
61% Instrumentalness • 68% Positiveness
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Elenata Harmony
Midnight Serenade, Pt. 4
133 bpm • A# min • 01:20 • -22.09db
18% Popularity • 75% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 54% Positiveness
18% Popularity • 75% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 54% Positiveness
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David Maximiny
You Ain't My Baby
137 bpm • A# min • 02:45 • -13.11db
10% Popularity • 44% Danceability • 42% Energy • 11% Liveness
3% Instrumentalness • 5% Positiveness
10% Popularity • 44% Danceability • 42% Energy • 11% Liveness
3% Instrumentalness • 5% Positiveness
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Wasted Generation
Mooncake
133 bpm • C# Maj • 04:33 • -10.76db
10% Popularity • 48% Danceability • 42% Energy • 11% Liveness
59% Instrumentalness • 46% Positiveness
10% Popularity • 48% Danceability • 42% Energy • 11% Liveness
59% Instrumentalness • 46% Positiveness
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Douglas Brown
Slonimsky Made Me Do It
133 bpm • F min • 06:03 • -9.36db
11% Popularity • 38% Danceability • 52% Energy • 14% Liveness
70% Instrumentalness • 69% Positiveness
11% Popularity • 38% Danceability • 52% Energy • 14% Liveness
70% Instrumentalness • 69% Positiveness
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Yes! Trio
Spring Sings
133 bpm • F Maj • 08:09 • -19.71db
16% Popularity • 62% Danceability • 24% Energy • 9% Liveness
89% Instrumentalness • 36% Positiveness
16% Popularity • 62% Danceability • 24% Energy • 9% Liveness
89% Instrumentalness • 36% Positiveness
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David Murray
Citizens
133 bpm • A# min • 07:50 • -15.59db
1% Popularity • 50% Danceability • 36% Energy • 12% Liveness
3% Instrumentalness • 52% Positiveness
1% Popularity • 50% Danceability • 36% Energy • 12% Liveness
3% Instrumentalness • 52% Positiveness
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Jaazy Jazz
Tranquility
137 bpm • C# Maj • 01:18 • -14.26db
28% Popularity • 51% Danceability • 23% Energy • 17% Liveness
14% Instrumentalness • 63% Positiveness
28% Popularity • 51% Danceability • 23% Energy • 17% Liveness
14% Instrumentalness • 63% Positiveness
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Henning Ullén
Molgan
138 bpm • F# Maj • 03:24 • -14.4db
20% Popularity • 46% Danceability • 32% Energy • 8% Liveness
48% Instrumentalness • 24% Positiveness
20% Popularity • 46% Danceability • 32% Energy • 8% Liveness
48% Instrumentalness • 24% Positiveness
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Theo Erskine
IT
132 bpm • C Maj • 07:56 • -11.32db
7% Popularity • 50% Danceability • 34% Energy • 9% Liveness
37% Instrumentalness • 31% Positiveness
7% Popularity • 50% Danceability • 34% Energy • 9% Liveness
37% Instrumentalness • 31% Positiveness
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Rui Hallvares Andrade Paes
RAMTRE
139 bpm • F# min • 02:32 • -14.51db
10% Popularity • 36% Danceability • 61% Energy • 10% Liveness
31% Instrumentalness • 44% Positiveness
10% Popularity • 36% Danceability • 61% Energy • 10% Liveness
31% Instrumentalness • 44% Positiveness
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Anthony D'Alessandro
Outbreak
139 bpm • G Maj • 05:07 • -9.57db
13% Popularity • 56% Danceability • 50% Energy • 17% Liveness
89% Instrumentalness • 52% Positiveness
13% Popularity • 56% Danceability • 50% Energy • 17% Liveness
89% Instrumentalness • 52% Positiveness
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David Murray
Elegy for Fannie Lou
139 bpm • G Maj • 09:46 • -18.06db
3% Popularity • 56% Danceability • 19% Energy • 11% Liveness
84% Instrumentalness • 30% Positiveness
3% Popularity • 56% Danceability • 19% Energy • 11% Liveness
84% Instrumentalness • 30% Positiveness
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Marcelo Bucater
After the Storm
139 bpm • D Maj • 06:54 • -11.44db
7% Popularity • 42% Danceability • 47% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
7% Popularity • 42% Danceability • 47% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
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Deejay Gi
Gnoumus Playing B
139 bpm • C Maj • 01:45 • -9.59db
21% Popularity • 62% Danceability • 55% Energy • 7% Liveness
33% Instrumentalness • 63% Positiveness
21% Popularity • 62% Danceability • 55% Energy • 7% Liveness
33% Instrumentalness • 63% Positiveness
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Jasper Van't Hof
Marsch for Oelze
131 bpm • B Maj • 05:24 • -18.94db
11% Popularity • 35% Danceability • 19% Energy • 11% Liveness
83% Instrumentalness • 12% Positiveness
11% Popularity • 35% Danceability • 19% Energy • 11% Liveness
83% Instrumentalness • 12% Positiveness
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Behn Gillece
Four Of A Kind
131 bpm • C# Maj • 05:27 • -9.6db
9% Popularity • 37% Danceability • 66% Energy • 15% Liveness
31% Instrumentalness • 51% Positiveness
9% Popularity • 37% Danceability • 66% Energy • 15% Liveness
31% Instrumentalness • 51% Positiveness
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John Surman
The Adventures Of Manabush, Pt. 1
131 bpm • F min • 01:59 • -16.72db
24% Popularity • 31% Danceability • 46% Energy • 18% Liveness
86% Instrumentalness • 34% Positiveness
24% Popularity • 31% Danceability • 46% Energy • 18% Liveness
86% Instrumentalness • 34% Positiveness
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David Murray
Blues For David
139 bpm • C min • 09:45 • -9.61db
0% Popularity • 43% Danceability • 89% Energy • 35% Liveness
36% Instrumentalness • 51% Positiveness
0% Popularity • 43% Danceability • 89% Energy • 35% Liveness
36% Instrumentalness • 51% Positiveness
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Omer Klein
3/4 Mantra
130 bpm • C Maj • 03:38 • -14.85db
11% Popularity • 60% Danceability • 46% Energy • 15% Liveness
90% Instrumentalness • 77% Positiveness
11% Popularity • 60% Danceability • 46% Energy • 15% Liveness
90% Instrumentalness • 77% Positiveness
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Deejay Gi
Gnoumus Playing A
140 bpm • C Maj • 02:16 • -11db
23% Popularity • 71% Danceability • 41% Energy • 21% Liveness
57% Instrumentalness • 48% Positiveness
23% Popularity • 71% Danceability • 41% Energy • 21% Liveness
57% Instrumentalness • 48% Positiveness
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Kirk Knuffke
Safety Shoes
131 bpm • A Maj • 02:33 • -15db
16% Popularity • 66% Danceability • 33% Energy • 7% Liveness
81% Instrumentalness • 57% Positiveness
16% Popularity • 66% Danceability • 33% Energy • 7% Liveness
81% Instrumentalness • 57% Positiveness
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Ohnarp JANSON
Well, I Did'nt Expect That
130 bpm • A# min • 07:08 • -10.66db
17% Popularity • 47% Danceability • 65% Energy • 6% Liveness
79% Instrumentalness • 65% Positiveness
17% Popularity • 47% Danceability • 65% Energy • 6% Liveness
79% Instrumentalness • 65% Positiveness
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Carlos Henriquez
Winds of Change
130 bpm • C Maj • 05:42 • -10.06db
10% Popularity • 59% Danceability • 64% Energy • 18% Liveness
82% Instrumentalness • 82% Positiveness
10% Popularity • 59% Danceability • 64% Energy • 18% Liveness
82% Instrumentalness • 82% Positiveness
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Prouteoyme
Cerulea Island
130 bpm • C Maj • 00:56 • -13.19db
13% Popularity • 42% Danceability • 25% Energy • 20% Liveness
81% Instrumentalness • 7% Positiveness
13% Popularity • 42% Danceability • 25% Energy • 20% Liveness
81% Instrumentalness • 7% Positiveness
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Giuliano Tull
Lucifero's Cabaret
130 bpm • E Maj • 04:48 • -8.02db
9% Popularity • 68% Danceability • 38% Energy • 10% Liveness
36% Instrumentalness • 40% Positiveness
9% Popularity • 68% Danceability • 38% Energy • 10% Liveness
36% Instrumentalness • 40% Positiveness
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David Murray
Lovers
141 bpm • C min • 03:46 • -12.01db
0% Popularity • 68% Danceability • 19% Energy • 13% Liveness
46% Instrumentalness • 50% Positiveness
0% Popularity • 68% Danceability • 19% Energy • 13% Liveness
46% Instrumentalness • 50% Positiveness
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Anat Cohen
Birdie
129 bpm • A# min • 06:39 • -13.44db
9% Popularity • 48% Danceability • 27% Energy • 10% Liveness
81% Instrumentalness • 24% Positiveness
9% Popularity • 48% Danceability • 27% Energy • 10% Liveness
81% Instrumentalness • 24% Positiveness
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Jessica Williams
The Weapon of Truth
129 bpm • D Maj • 06:26 • -13.76db
9% Popularity • 54% Danceability • 45% Energy • 13% Liveness
85% Instrumentalness • 57% Positiveness
9% Popularity • 54% Danceability • 45% Energy • 13% Liveness
85% Instrumentalness • 57% Positiveness
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Jean Vernheres
Haumea city
141 bpm • G# min • 05:31 • -16.05db
19% Popularity • 44% Danceability • 30% Energy • 21% Liveness
64% Instrumentalness • 19% Positiveness
19% Popularity • 44% Danceability • 30% Energy • 21% Liveness
64% Instrumentalness • 19% Positiveness
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Tobin Mueller
Distortion of Memory
129 bpm • C min • 05:53 • -9.18db
30% Popularity • 58% Danceability • 30% Energy • 13% Liveness
7% Instrumentalness • 29% Positiveness
30% Popularity • 58% Danceability • 30% Energy • 13% Liveness
7% Instrumentalness • 29% Positiveness
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Dave Stryker
The More I See You
129 bpm • D# min • 06:40 • -6.16db
7% Popularity • 52% Danceability • 64% Energy • 11% Liveness
86% Instrumentalness • 56% Positiveness
7% Popularity • 52% Danceability • 64% Energy • 11% Liveness
86% Instrumentalness • 56% Positiveness
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David Murray
Orgone Pyramid
141 bpm • A# min • 04:42 • -17.06db
4% Popularity • 14% Danceability • 18% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
4% Popularity • 14% Danceability • 18% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Dayna Stephens
ESP
129 bpm • G min • 05:51 • -9.74db
13% Popularity • 46% Danceability • 46% Energy • 10% Liveness
23% Instrumentalness • 44% Positiveness
13% Popularity • 46% Danceability • 46% Energy • 10% Liveness
23% Instrumentalness • 44% Positiveness
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Coffee Shop Jazz
Jazz Moon Groove
129 bpm • D min • 02:22 • -17.56db
17% Popularity • 46% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 22% Positiveness
17% Popularity • 46% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 22% Positiveness
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Diego Rivera
Song Of The Underground Railroad
129 bpm • B min • 05:16 • -9.69db
9% Popularity • 38% Danceability • 77% Energy • 13% Liveness
51% Instrumentalness • 71% Positiveness
9% Popularity • 38% Danceability • 77% Energy • 13% Liveness
51% Instrumentalness • 71% Positiveness
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Suzan Veneman
Sunbathing
142 bpm • G Maj • 05:33 • -15.01db
8% Popularity • 60% Danceability • 22% Energy • 8% Liveness
68% Instrumentalness • 55% Positiveness
8% Popularity • 60% Danceability • 22% Energy • 8% Liveness
68% Instrumentalness • 55% Positiveness
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Paquito Cruz
Reminiscencias
142 bpm • G Maj • 04:40 • -18.74db
10% Popularity • 34% Danceability • 23% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
10% Popularity • 34% Danceability • 23% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Alexis Valet
Myrtle
142 bpm • F min • 05:27 • -9.84db
27% Popularity • 37% Danceability • 62% Energy • 13% Liveness
53% Instrumentalness • 57% Positiveness
27% Popularity • 37% Danceability • 62% Energy • 13% Liveness
53% Instrumentalness • 57% Positiveness
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Storytelling Sounds
Som Plommen i Egget
142 bpm • D Maj • 01:48 • -28.95db
8% Popularity • 67% Danceability • 44% Energy • 13% Liveness
82% Instrumentalness • 31% Positiveness
8% Popularity • 67% Danceability • 44% Energy • 13% Liveness
82% Instrumentalness • 31% Positiveness
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David Murray
Kareem
129 bpm • G Maj • 08:33 • -13.78db
0% Popularity • 58% Danceability • 50% Energy • 3% Liveness
23% Instrumentalness • 83% Positiveness
0% Popularity • 58% Danceability • 50% Energy • 3% Liveness
23% Instrumentalness • 83% Positiveness
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Kiledjian
Father Sky (Meditation)
142 bpm • A# Maj • 02:39 • -9.92db
8% Popularity • 33% Danceability • 39% Energy • 18% Liveness
74% Instrumentalness • 31% Positiveness
8% Popularity • 33% Danceability • 39% Energy • 18% Liveness
74% Instrumentalness • 31% Positiveness
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Ulysses Owens Jr.
Soulful
128 bpm • F# min • 08:13 • -10.78db
13% Popularity • 41% Danceability • 56% Energy • 70% Liveness
39% Instrumentalness • 34% Positiveness
13% Popularity • 41% Danceability • 56% Energy • 70% Liveness
39% Instrumentalness • 34% Positiveness
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Se4sons
Pu Jazz
128 bpm • F# Maj • 04:11 • -10.13db
10% Popularity • 50% Danceability • 50% Energy • 34% Liveness
84% Instrumentalness • 51% Positiveness
10% Popularity • 50% Danceability • 50% Energy • 34% Liveness
84% Instrumentalness • 51% Positiveness
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Jas Kayser
Ku Variation
128 bpm • F min • 06:35 • -13.44db
10% Popularity • 45% Danceability • 60% Energy • 9% Liveness
71% Instrumentalness • 69% Positiveness
10% Popularity • 45% Danceability • 60% Energy • 9% Liveness
71% Instrumentalness • 69% Positiveness
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Banksia Trio
Abacus
143 bpm • G# Maj • 02:53 • -20.03db
9% Popularity • 54% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 53% Positiveness
9% Popularity • 54% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 53% Positiveness
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Ben Allison
Swan Song
128 bpm • C# min • 06:10 • -15.75db
7% Popularity • 54% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
7% Popularity • 54% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 38% Positiveness
► Preview
Ansgar Striepens
Maybe Later Tonight
143 bpm • C Maj • 08:18 • -14.5db
27% Popularity • 45% Danceability • 31% Energy • 36% Liveness
72% Instrumentalness • 38% Positiveness
27% Popularity • 45% Danceability • 31% Energy • 36% Liveness
72% Instrumentalness • 38% Positiveness
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Sergio Olivares
Subducción
127 bpm • F min • 08:14 • -12.15db
9% Popularity • 41% Danceability • 49% Energy • 12% Liveness
84% Instrumentalness • 75% Positiveness
9% Popularity • 41% Danceability • 49% Energy • 12% Liveness
84% Instrumentalness • 75% Positiveness
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Erlend Skomsvoll Trio
Post Decision Blues
143 bpm • F min • 06:46 • -19.7db
9% Popularity • 54% Danceability • 12% Energy • 12% Liveness
82% Instrumentalness • 16% Positiveness
9% Popularity • 54% Danceability • 12% Energy • 12% Liveness
82% Instrumentalness • 16% Positiveness
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Whit Dickey
Blue Threads
143 bpm • C min • 03:30 • -11db
16% Popularity • 37% Danceability • 54% Energy • 10% Liveness
37% Instrumentalness • 58% Positiveness
16% Popularity • 37% Danceability • 54% Energy • 10% Liveness
37% Instrumentalness • 58% Positiveness
► Preview
John Blum
Monk's Door
143 bpm • D# min • 05:03 • -9.59db
1% Popularity • 57% Danceability • 49% Energy • 12% Liveness
71% Instrumentalness • 58% Positiveness
1% Popularity • 57% Danceability • 49% Energy • 12% Liveness
71% Instrumentalness • 58% Positiveness
► Preview
Greg Spero
hills
127 bpm • D Maj • 04:00 • -11.62db
26% Popularity • 37% Danceability • 45% Energy • 11% Liveness
81% Instrumentalness • 40% Positiveness
26% Popularity • 37% Danceability • 45% Energy • 11% Liveness
81% Instrumentalness • 40% Positiveness
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Francesca Tandoi
Lethargy
127 bpm • F# Maj • 05:00 • -13.65db
9% Popularity • 44% Danceability • 51% Energy • 22% Liveness
92% Instrumentalness • 40% Positiveness
9% Popularity • 44% Danceability • 51% Energy • 22% Liveness
92% Instrumentalness • 40% Positiveness
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Theo Erskine
The Return of Johnny Bravo
127 bpm • F min • 06:27 • -11.39db
9% Popularity • 50% Danceability • 53% Energy • 19% Liveness
89% Instrumentalness • 67% Positiveness
9% Popularity • 50% Danceability • 53% Energy • 19% Liveness
89% Instrumentalness • 67% Positiveness
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Patrick Bartley Trio
Featherdream
127 bpm • D Maj • 07:32 • -14.71db
9% Popularity • 52% Danceability • 11% Energy • 9% Liveness
6% Instrumentalness • 21% Positiveness
9% Popularity • 52% Danceability • 11% Energy • 9% Liveness
6% Instrumentalness • 21% Positiveness
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Nicole Glover
The Fox
144 bpm • F# Maj • 04:47 • -7.45db
30% Popularity • 38% Danceability • 74% Energy • 11% Liveness
2% Instrumentalness • 60% Positiveness
30% Popularity • 38% Danceability • 74% Energy • 11% Liveness
2% Instrumentalness • 60% Positiveness
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Jazzy Boy
Jazzy Boy
144 bpm • C Maj • 02:20 • -12.65db
16% Popularity • 60% Danceability • 66% Energy • 30% Liveness
85% Instrumentalness • 92% Positiveness
16% Popularity • 60% Danceability • 66% Energy • 30% Liveness
85% Instrumentalness • 92% Positiveness
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Tomasz DÄ…browski
Concerns
144 bpm • D Maj • 03:46 • -10.94db
13% Popularity • 49% Danceability • 44% Energy • 12% Liveness
71% Instrumentalness • 37% Positiveness
13% Popularity • 49% Danceability • 44% Energy • 12% Liveness
71% Instrumentalness • 37% Positiveness
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Francesca Tandoi
Agua De Beber
127 bpm • D min • 03:23 • -13.83db
17% Popularity • 51% Danceability • 52% Energy • 5% Liveness
83% Instrumentalness • 72% Positiveness
17% Popularity • 51% Danceability • 52% Energy • 5% Liveness
83% Instrumentalness • 72% Positiveness
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Adriano Clemente
Ascent
126 bpm • B min • 04:50 • -6.89db
0% Popularity • 31% Danceability • 71% Energy • 13% Liveness
68% Instrumentalness • 29% Positiveness
0% Popularity • 31% Danceability • 71% Energy • 13% Liveness
68% Instrumentalness • 29% Positiveness
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Lluc Casares
Ugh? Nuek?
126 bpm • C# min • 05:32 • -8.52db
14% Popularity • 54% Danceability • 48% Energy • 10% Liveness
74% Instrumentalness • 33% Positiveness
14% Popularity • 54% Danceability • 48% Energy • 10% Liveness
74% Instrumentalness • 33% Positiveness
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David Murray
Interboogieology
145 bpm • E min • 09:15 • -10.57db
1% Popularity • 38% Danceability • 68% Energy • 26% Liveness
5% Instrumentalness • 45% Positiveness
1% Popularity • 38% Danceability • 68% Energy • 26% Liveness
5% Instrumentalness • 45% Positiveness
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We Hate The Sharkman
Petrichor
145 bpm • C min • 04:13 • -12.16db
8% Popularity • 31% Danceability • 30% Energy • 13% Liveness
93% Instrumentalness • 19% Positiveness
8% Popularity • 31% Danceability • 30% Energy • 13% Liveness
93% Instrumentalness • 19% Positiveness
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Jim Snidero
Willow Weep for Me
125 bpm • G Maj • 06:33 • -12.28db
9% Popularity • 58% Danceability • 22% Energy • 10% Liveness
12% Instrumentalness • 25% Positiveness
9% Popularity • 58% Danceability • 22% Energy • 10% Liveness
12% Instrumentalness • 25% Positiveness
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Enrico Rava
Trial No. 5
125 bpm • G min • 06:09 • -11.9db
11% Popularity • 41% Danceability • 58% Energy • 17% Liveness
86% Instrumentalness • 52% Positiveness
11% Popularity • 41% Danceability • 58% Energy • 17% Liveness
86% Instrumentalness • 52% Positiveness
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Christopher Cantillo Miljonprojektet
Fem
146 bpm • A# Maj • 06:06 • -11.97db
2% Popularity • 46% Danceability • 48% Energy • 20% Liveness
11% Instrumentalness • 56% Positiveness
2% Popularity • 46% Danceability • 48% Energy • 20% Liveness
11% Instrumentalness • 56% Positiveness
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Lukmil Perez
Componedores
125 bpm • A Maj • 04:13 • -13.4db
8% Popularity • 73% Danceability • 42% Energy • 8% Liveness
92% Instrumentalness • 32% Positiveness
8% Popularity • 73% Danceability • 42% Energy • 8% Liveness
92% Instrumentalness • 32% Positiveness
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Christian Houmann
Spring Dance
125 bpm • G Maj • 05:20 • -11.99db
12% Popularity • 50% Danceability • 54% Energy • 10% Liveness
58% Instrumentalness • 68% Positiveness
12% Popularity • 50% Danceability • 54% Energy • 10% Liveness
58% Instrumentalness • 68% Positiveness
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Dave Gisler Trio
The Vision
146 bpm • D min • 06:47 • -8.94db
0% Popularity • 32% Danceability • 72% Energy • 6% Liveness
82% Instrumentalness • 25% Positiveness
0% Popularity • 32% Danceability • 72% Energy • 6% Liveness
82% Instrumentalness • 25% Positiveness
