Songs like Stay All Night - Live 1981 by Merle Haggard
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Ronnie Milsap
(I'm A) Stand by My Woman Man
119 bpm • D Maj • 02:57 • -9.99db
37% Popularity • 61% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
37% Popularity • 61% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
► Preview
Jim Ed Brown
Pop a Top
118 bpm • A Maj • 02:19 • -12.14db
41% Popularity • 54% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 54% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
► Preview
Tracy Lawrence
Time Marches On
118 bpm • F# min • 03:05 • -9db
69% Popularity • 86% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
69% Popularity • 86% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Loretta Lynn
Sweet Thang
120 bpm • A Maj • 02:38 • -7.6db
35% Popularity • 69% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
35% Popularity • 69% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
► Preview
The Charlie Daniels Band
Texas
118 bpm • E min • 03:00 • -6db
39% Popularity • 63% Danceability • 87% Energy • 5% Liveness
43% Instrumentalness • 85% Positiveness
39% Popularity • 63% Danceability • 87% Energy • 5% Liveness
43% Instrumentalness • 85% Positiveness
► Preview
Jamey Johnson
Place Out On The Ocean
118 bpm • C Maj • 04:02 • -9db
47% Popularity • 71% Danceability • 68% Energy • 14% Liveness
15% Instrumentalness • 67% Positiveness
47% Popularity • 71% Danceability • 68% Energy • 14% Liveness
15% Instrumentalness • 67% Positiveness
► Preview
The Judds
Turn It Loose
120 bpm • B Maj • 03:44 • -9db
42% Popularity • 89% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
42% Popularity • 89% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
► Preview
Gary Stewart
Your Place or Mine
118 bpm • F Maj • 03:01 • -10db
30% Popularity • 61% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 61% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
► Preview
Robert Earl Keen
Corpus Christi Bay
120 bpm • A# Maj • 03:57 • -10.89db
46% Popularity • 67% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 67% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
► Preview
Earl Thomas Conley
What I'd Say
118 bpm • F# Maj • 03:52 • -13db
45% Popularity • 67% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
45% Popularity • 67% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Ricky Skaggs
Highway 40 Blues
118 bpm • E Maj • 03:08 • -12db
48% Popularity • 65% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
48% Popularity • 65% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
► Preview
Don Williams
I Believe In You
118 bpm • G Maj • 04:06 • -21.43db
60% Popularity • 51% Danceability • 21% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
60% Popularity • 51% Danceability • 21% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
► Preview
The Charlie Daniels Band
In America
118 bpm • C Maj • 03:18 • -10db
38% Popularity • 64% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
38% Popularity • 64% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
► Preview
Gary Stewart
Make It A Double
118 bpm • E Maj • 03:06 • -7.87db
31% Popularity • 80% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 80% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
► Preview
Eddy Raven
Operator, Operator
118 bpm • A Maj • 03:05 • -13db
40% Popularity • 84% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
40% Popularity • 84% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
► Preview
Jamey Johnson
Playing The Part
120 bpm • D Maj • 04:29 • -10db
39% Popularity • 59% Danceability • 68% Energy • 67% Liveness
1% Instrumentalness • 44% Positiveness
39% Popularity • 59% Danceability • 68% Energy • 67% Liveness
1% Instrumentalness • 44% Positiveness
► Preview
Randy Travis
King of the Road
120 bpm • D Maj • 03:47 • -11db
45% Popularity • 84% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
45% Popularity • 84% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
► Preview
Merle Haggard
Reasons to Quit
120 bpm • A# Maj • 03:30 • -15.13db
36% Popularity • 79% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
36% Popularity • 79% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
► Preview
Confederate Railroad
She Never Cried - Remastered Version
121 bpm • D Maj • 03:24 • -9.05db
41% Popularity • 76% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
41% Popularity • 76% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
► Preview
Steve Wariner
Lonely Women Make Good Lovers
118 bpm • C# Maj • 03:14 • -12db
45% Popularity • 73% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 73% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
George Strait
Amarillo By Morning
121 bpm • A Maj • 02:53 • -16.03db
72% Popularity • 61% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
72% Popularity • 61% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
► Preview
Whitey Morgan and the 78's
Where Do Ya Want It?
117 bpm • D Maj • 02:45 • -6.61db
54% Popularity • 74% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
54% Popularity • 74% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
► Preview
Sammy Kershaw
Third Rate Romance
117 bpm • A# Maj • 03:23 • -7.93db
53% Popularity • 81% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
53% Popularity • 81% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
► Preview
Merle Haggard
Branded Man - Remastered
121 bpm • D Maj • 03:06 • -8.13db
42% Popularity • 73% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 73% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Clint Black
Killin' Time
121 bpm • G Maj • 02:47 • -10.32db
63% Popularity • 71% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
63% Popularity • 71% Danceability • 49% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
► Preview
George Jones
The King Is Gone (So Are You)
117 bpm • G Maj • 03:20 • -15.08db
43% Popularity • 71% Danceability • 31% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
43% Popularity • 71% Danceability • 31% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
Jamey Johnson
Lonely At The Top
117 bpm • A Maj • 03:13 • -8.33db
46% Popularity • 65% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 69% Positiveness
46% Popularity • 65% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 69% Positiveness
► Preview
Rosanne Cash
Seven Year Ache
122 bpm • A min • 03:15 • -8.68db
41% Popularity • 75% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
41% Popularity • 75% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
► Preview
Gary Stewart
She's Got a Drinking Problem
116 bpm • A Maj • 02:41 • -10db
31% Popularity • 72% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 72% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
► Preview
Charley Pride
Is Anybody Goin' to San Antone
116 bpm • D Maj • 02:13 • -12db
56% Popularity • 72% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
56% Popularity • 72% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
► Preview
Corb Lund
Rye Whiskey / Time to Switch to Whiskey
116 bpm • G Maj • 04:38 • -8.26db
44% Popularity • 49% Danceability • 78% Energy • 97% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 49% Danceability • 78% Energy • 97% Liveness
0% Instrumentalness • 64% Positiveness
► Preview
Webb Pierce
There Stands the Glass
116 bpm • D# Maj • 02:26 • -10.59db
36% Popularity • 55% Danceability • 18% Energy • 37% Liveness
0% Instrumentalness • 70% Positiveness
36% Popularity • 55% Danceability • 18% Energy • 37% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Ray Price
Crazy Arms - Single Version
116 bpm • F Maj • 02:31 • -10.46db
35% Popularity • 39% Danceability • 48% Energy • 33% Liveness
2% Instrumentalness • 81% Positiveness
35% Popularity • 39% Danceability • 48% Energy • 33% Liveness
2% Instrumentalness • 81% Positiveness
► Preview
Tanya Tucker
San Antonio Stroll
116 bpm • A Maj • 02:50 • -16.82db
49% Popularity • 66% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
49% Popularity • 66% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
► Preview
Gary Stewart
Ten Years of This
116 bpm • A# Maj • 02:33 • -12.96db
30% Popularity • 66% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
30% Popularity • 66% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
► Preview
Keith Whitley
Homecoming '63
122 bpm • F Maj • 03:00 • -14.76db
43% Popularity • 72% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
43% Popularity • 72% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
► Preview
George Strait
If You're Thinking You Want A Stranger (...
115 bpm • G# Maj • 02:57 • -15.31db
49% Popularity • 71% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
49% Popularity • 71% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
► Preview
Merle Haggard
Swinging Doors
123 bpm • F Maj • 02:48 • -13.81db
46% Popularity • 81% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
46% Popularity • 81% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
► Preview
Tom T. Hall
Faster Horses (The Cowboy And The Poet)
115 bpm • G Maj • 02:52 • -13db
50% Popularity • 65% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
50% Popularity • 65% Danceability • 49% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
► Preview
Shelly West
Jose Cuervo
115 bpm • G Maj • 02:40 • -9db
49% Popularity • 70% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
49% Popularity • 70% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
► Preview
George Jones
She Thinks I Still Care
115 bpm • B Maj • 02:34 • -8.51db
53% Popularity • 59% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
53% Popularity • 59% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
► Preview
Earl Thomas Conley
Fire and Smoke
115 bpm • G Maj • 03:13 • -10db
43% Popularity • 72% Danceability • 52% Energy • 41% Liveness
0% Instrumentalness • 76% Positiveness
43% Popularity • 72% Danceability • 52% Energy • 41% Liveness
0% Instrumentalness • 76% Positiveness
► Preview
The Highwaymen
It Is What It Is
123 bpm • A Maj • 03:39 • -6.94db
40% Popularity • 58% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
40% Popularity • 58% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
► Preview
The Judds
Have Mercy
123 bpm • D Maj • 03:21 • -7.95db
51% Popularity • 86% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
51% Popularity • 86% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
► Preview
George Strait
Ace In The Hole
115 bpm • F min • 02:39 • -11.58db
39% Popularity • 84% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
39% Popularity • 84% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
► Preview
Dan Seals
God Must Be A Cowboy
115 bpm • G# Maj • 03:05 • -11db
48% Popularity • 65% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
48% Popularity • 65% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
MEL STREET
Smokey Mountain Memories
114 bpm • F Maj • 03:02 • -8db
32% Popularity • 57% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
32% Popularity • 57% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 49% Positiveness
► Preview
Johnny Rodriguez
Corpus Christi Bay
124 bpm • D Maj • 04:00 • -11db
32% Popularity • 71% Danceability • 43% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
32% Popularity • 71% Danceability • 43% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
► Preview
Tom T. Hall
Ballad Of Forty Dollars
114 bpm • D Maj • 03:01 • -16db
48% Popularity • 56% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
48% Popularity • 56% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
► Preview
Clint Black
Nothing's News
124 bpm • C Maj • 03:02 • -12db
45% Popularity • 68% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 68% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
George Strait
You Look So Good In Love
115 bpm • A Maj • 03:13 • -17.12db
54% Popularity • 65% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
54% Popularity • 65% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Dan Seals
Meet Me In Montana
124 bpm • A# Maj • 03:56 • -12.29db
52% Popularity • 66% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
52% Popularity • 66% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Ronnie Milsap
I Wouldn't Have Missed It For The World
114 bpm • G Maj • 03:37 • -10.84db
58% Popularity • 66% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
58% Popularity • 66% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
► Preview
George Jones
Still Doin' Time
124 bpm • D# Maj • 02:48 • -15.12db
44% Popularity • 62% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
44% Popularity • 62% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Tom T. Hall
A Week In A Country Jail
114 bpm • A Maj • 03:03 • -13db
44% Popularity • 65% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
44% Popularity • 65% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
► Preview
Waylon Jennings
Are You Sure Hank Done It This Way
114 bpm • E Maj • 02:54 • -9.22db
59% Popularity • 81% Danceability • 65% Energy • 16% Liveness
39% Instrumentalness • 77% Positiveness
59% Popularity • 81% Danceability • 65% Energy • 16% Liveness
39% Instrumentalness • 77% Positiveness
► Preview
Alabama
The Closer You Get
114 bpm • G Maj • 04:31 • -14.94db
50% Popularity • 76% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
50% Popularity • 76% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
► Preview
John Conlee
Old School
113 bpm • D# Maj • 03:56 • -11db
48% Popularity • 73% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
48% Popularity • 73% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Larry Gatlin & The Gatlin Brothers
All the Gold In California
113 bpm • D Maj • 02:37 • -12.06db
48% Popularity • 47% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
48% Popularity • 47% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
► Preview
Gene Watson
Love In The Hot Afternoon
113 bpm • E Maj • 03:19 • -8.27db
46% Popularity • 58% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
46% Popularity • 58% Danceability • 48% Energy • 19% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
George Jones
C.C. Waterback
125 bpm • D Maj • 03:35 • -14.6db
38% Popularity • 76% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
38% Popularity • 76% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
► Preview
Loretta Lynn
Blue Kentucky Girl
113 bpm • B Maj • 02:43 • -9db
46% Popularity • 68% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
46% Popularity • 68% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
C.W. McCall
Wolf Creek Pass
125 bpm • C Maj • 04:00 • -16.64db
43% Popularity • 60% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
43% Popularity • 60% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
► Preview
Tom T. Hall
Fox On The Run - Single Version
125 bpm • G Maj • 02:05 • -11.46db
45% Popularity • 60% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
45% Popularity • 60% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
► Preview
Tracy Lawrence
Sticks and Stones
126 bpm • G Maj • 03:38 • -7.28db
53% Popularity • 60% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
53% Popularity • 60% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
The Judds
Why Not Me
126 bpm • A# Maj • 03:29 • -9.28db
64% Popularity • 73% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
64% Popularity • 73% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
► Preview
The Charlie Daniels Band
Stroker's Theme
126 bpm • G# Maj • 02:49 • -10.02db
48% Popularity • 68% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
48% Popularity • 68% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
Keith Whitley
Brotherly Love
113 bpm • E Maj • 03:19 • -11db
44% Popularity • 68% Danceability • 44% Energy • 32% Liveness
1% Instrumentalness • 45% Positiveness
44% Popularity • 68% Danceability • 44% Energy • 32% Liveness
1% Instrumentalness • 45% Positiveness
► Preview
Earl Thomas Conley
Holding Her and Loving You
126 bpm • G Maj • 03:10 • -14db
52% Popularity • 64% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
52% Popularity • 64% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Gene Watson
Paper Rosie
126 bpm • C Maj • 03:56 • -13db
40% Popularity • 68% Danceability • 32% Energy • 10% Liveness
8% Instrumentalness • 37% Positiveness
40% Popularity • 68% Danceability • 32% Energy • 10% Liveness
8% Instrumentalness • 37% Positiveness
► Preview
Merle Haggard & The Strangers
The Bottle Let Me Down
126 bpm • A Maj • 02:48 • -13.09db
48% Popularity • 70% Danceability • 31% Energy • 14% Liveness
1% Instrumentalness • 63% Positiveness
48% Popularity • 70% Danceability • 31% Energy • 14% Liveness
1% Instrumentalness • 63% Positiveness
► Preview
Travis Tritt
Here's a Quarter (Call Someone Who Cares...
112 bpm • G Maj • 02:32 • -7db
63% Popularity • 65% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
63% Popularity • 65% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
► Preview
Merle Haggard
I'm a Lonesome Fugitive
126 bpm • F# Maj • 03:06 • -12.18db
35% Popularity • 82% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
35% Popularity • 82% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
► Preview
John Conlee
Busted
126 bpm • D Maj • 02:31 • -10.47db
45% Popularity • 87% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
45% Popularity • 87% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
► Preview
Dan Seals
Everything That Glitters (Is Not Gold)
112 bpm • E Maj • 04:52 • -16.73db
52% Popularity • 65% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
52% Popularity • 65% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
► Preview
George Strait
Does Fort Worth Ever Cross Your Mind
112 bpm • C Maj • 03:15 • -17.7db
49% Popularity • 74% Danceability • 32% Energy • 34% Liveness
18% Instrumentalness • 44% Positiveness
49% Popularity • 74% Danceability • 32% Energy • 34% Liveness
18% Instrumentalness • 44% Positiveness
► Preview
Gary Stewart
Out of Hand
112 bpm • G Maj • 03:01 • -10.48db
39% Popularity • 70% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
39% Popularity • 70% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
► Preview
Travis Tritt
Country Club
126 bpm • E Maj • 03:10 • -8db
56% Popularity • 80% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
56% Popularity • 80% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
► Preview
Doug Stone
A Jukebox with a Country Song
112 bpm • D Maj • 03:27 • -6.25db
41% Popularity • 68% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
41% Popularity • 68% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
► Preview
The Highwaymen
The Road Goes On Forever
112 bpm • D Maj • 04:41 • -10db
54% Popularity • 71% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
54% Popularity • 71% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
► Preview
Mel McDaniel
Right In The Palm Of Your Hand
127 bpm • F Maj • 03:12 • -9.05db
41% Popularity • 76% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
41% Popularity • 76% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
► Preview
The Oak Ridge Boys
Elvira
127 bpm • G# Maj • 03:45 • -17.49db
59% Popularity • 82% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
59% Popularity • 82% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
► Preview
The Bellamy Brothers
Redneck Girl
127 bpm • A Maj • 03:27 • -15.17db
45% Popularity • 76% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
45% Popularity • 76% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
► Preview
Hank Williams, Jr.
All My Rowdy Friends (Have Settled Down)
127 bpm • C Maj • 04:00 • -10.32db
57% Popularity • 71% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
57% Popularity • 71% Danceability • 54% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
► Preview
Merle Haggard & The Strangers
I'm A Lonesome Fugitive - Remastered
127 bpm • F# Maj • 02:56 • -10.52db
39% Popularity • 82% Danceability • 34% Energy • 7% Liveness
1% Instrumentalness • 77% Positiveness
39% Popularity • 82% Danceability • 34% Energy • 7% Liveness
1% Instrumentalness • 77% Positiveness
► Preview
David Lee Murphy
Party Crowd
127 bpm • G Maj • 03:18 • -11.66db
57% Popularity • 76% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
57% Popularity • 76% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
► Preview
Johnny Cash
There Ain't No Good Chain Gang
111 bpm • F min • 03:16 • -13.42db
54% Popularity • 57% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
54% Popularity • 57% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
► Preview
Ray Price
Heartaches By the Number
127 bpm • A# Maj • 02:57 • -8db
41% Popularity • 51% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
41% Popularity • 51% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
► Preview
Merle Haggard
Cherokee Maiden
111 bpm • A# Maj • 03:02 • -9db
21% Popularity • 79% Danceability • 62% Energy • 7% Liveness
3% Instrumentalness • 92% Positiveness
21% Popularity • 79% Danceability • 62% Energy • 7% Liveness
3% Instrumentalness • 92% Positiveness
► Preview
Ricky Skaggs
Crying My Heart Out Over You (excerpt)
128 bpm • G Maj • 02:58 • -9.54db
42% Popularity • 60% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 60% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Travis Tritt
Lord Have Mercy on the Working Man
128 bpm • A Maj • 04:54 • -9db
41% Popularity • 66% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
41% Popularity • 66% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
► Preview
Jamey Johnson
Set 'Em Up Joe
128 bpm • D Maj • 02:47 • -10.57db
50% Popularity • 61% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 35% Positiveness
50% Popularity • 61% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
Tom T. Hall
I Washed My Face In The Morning Dew - Si...
111 bpm • G Maj • 02:44 • -12db
39% Popularity • 68% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
39% Popularity • 68% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
► Preview
Don Williams
It Must Be Love
111 bpm • F Maj • 02:31 • -12db
58% Popularity • 92% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
58% Popularity • 92% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
► Preview
Eddie Rabbitt
Drinkin' My Baby (Off My Mind) - 2009 Re...
128 bpm • E min • 02:25 • -7db
45% Popularity • 61% Danceability • 71% Energy • 31% Liveness
0% Instrumentalness • 87% Positiveness
45% Popularity • 61% Danceability • 71% Energy • 31% Liveness
0% Instrumentalness • 87% Positiveness
► Preview
Alabama
Old Flame
111 bpm • F Maj • 03:11 • -8.29db
45% Popularity • 70% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
45% Popularity • 70% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
► Preview
Earl Thomas Conley
Smokey Mountain Memories
111 bpm • G Maj • 03:27 • -9.81db
29% Popularity • 70% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 70% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
► Preview
Aaron Tippin
My Blue Angel
110 bpm • F Maj • 03:23 • -11.95db
45% Popularity • 65% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
45% Popularity • 65% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness