Songs like Stay in My Corner by The Arcs
Based on a tempo of (+/- 10%) and a similar genre
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BRONCHO
Get in My Car
143 bpm • B Maj • 03:34 • -5.68db
41% Popularity • 74% Danceability • 82% Energy • 14% Liveness
1% Instrumentalness • 84% Positiveness
41% Popularity • 74% Danceability • 82% Energy • 14% Liveness
1% Instrumentalness • 84% Positiveness
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The Shouting Matches
Heaven Knows
143 bpm • G Maj • 03:35 • -8.46db
40% Popularity • 61% Danceability • 75% Energy • 11% Liveness
2% Instrumentalness • 63% Positiveness
40% Popularity • 61% Danceability • 75% Energy • 11% Liveness
2% Instrumentalness • 63% Positiveness
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Slow Club
Tears Of Joy
143 bpm • G# Maj • 04:05 • -9db
31% Popularity • 64% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 64% Danceability • 52% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
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Allah-Las
Could Be You
143 bpm • E Maj • 03:13 • -7.99db
27% Popularity • 51% Danceability • 80% Energy • 12% Liveness
7% Instrumentalness • 93% Positiveness
27% Popularity • 51% Danceability • 80% Energy • 12% Liveness
7% Instrumentalness • 93% Positiveness
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The Arcs
Stay in My Corner
143 bpm • B min • 03:19 • -6db
44% Popularity • 44% Danceability • 69% Energy • 15% Liveness
1% Instrumentalness • 47% Positiveness
44% Popularity • 44% Danceability • 69% Energy • 15% Liveness
1% Instrumentalness • 47% Positiveness
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Heartless Bastards
The Mountain
142 bpm • A Maj • 05:19 • -3.19db
38% Popularity • 31% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
38% Popularity • 31% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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The Black Keys
The Lengths
144 bpm • G# min • 04:54 • -5.89db
42% Popularity • 40% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
42% Popularity • 40% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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The Shouting Matches
I Had a Real Good Lover
143 bpm • E Maj • 06:32 • -14.02db
38% Popularity • 49% Danceability • 38% Energy • 16% Liveness
1% Instrumentalness • 25% Positiveness
38% Popularity • 49% Danceability • 38% Energy • 16% Liveness
1% Instrumentalness • 25% Positiveness
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Broken Bells
October
144 bpm • F# min • 03:38 • -5.09db
52% Popularity • 55% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
52% Popularity • 55% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Whitney
Dave’s Song
142 bpm • C# Maj • 03:01 • -7.75db
41% Popularity • 59% Danceability • 47% Energy • 27% Liveness
17% Instrumentalness • 36% Positiveness
41% Popularity • 59% Danceability • 47% Energy • 27% Liveness
17% Instrumentalness • 36% Positiveness
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The Arcs
Tomato Can
142 bpm • C Maj • 04:20 • -11db
32% Popularity • 45% Danceability • 64% Energy • 16% Liveness
2% Instrumentalness • 56% Positiveness
32% Popularity • 45% Danceability • 64% Energy • 16% Liveness
2% Instrumentalness • 56% Positiveness
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CHAPPO
Come Home
142 bpm • F# Maj • 03:27 • -4db
44% Popularity • 51% Danceability • 89% Energy • 7% Liveness
48% Instrumentalness • 68% Positiveness
44% Popularity • 51% Danceability • 89% Energy • 7% Liveness
48% Instrumentalness • 68% Positiveness
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The Districts
Long Distance
141 bpm • E Maj • 06:35 • -7.59db
43% Popularity • 48% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
43% Popularity • 48% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Real Estate
Beach Comber
145 bpm • C Maj • 04:28 • -7db
49% Popularity • 39% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
49% Popularity • 39% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
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Broken Bells
Leave It Alone
142 bpm • C# Maj • 05:30 • -8.75db
36% Popularity • 50% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 50% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Ron Gallo
Put the Kids to Bed
141 bpm • F# min • 02:54 • -5.75db
38% Popularity • 53% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 53% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Houndmouth
Comin' Round Again
141 bpm • F# Maj • 03:39 • -5.44db
29% Popularity • 36% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 36% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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St. Paul & The Broken Bones
I'm Torn Up
140 bpm • B Maj • 03:37 • -7.36db
32% Popularity • 41% Danceability • 47% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
32% Popularity • 41% Danceability • 47% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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White Denim
It Might Get Dark
140 bpm • G Maj • 03:36 • -5.76db
9% Popularity • 45% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 45% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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BØRNS
10,000 Emerald Pools
140 bpm • F# Maj • 02:54 • -5.59db
64% Popularity • 57% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
64% Popularity • 57% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Band of Horses
In A Drawer
140 bpm • F# Maj • 03:58 • -6.82db
42% Popularity • 57% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
42% Popularity • 57% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Yellow Days
Gap in the Clouds
140 bpm • A Maj • 04:40 • -8.39db
53% Popularity • 58% Danceability • 54% Energy • 31% Liveness
1% Instrumentalness • 20% Positiveness
53% Popularity • 58% Danceability • 54% Energy • 31% Liveness
1% Instrumentalness • 20% Positiveness
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The Arcs
Nature's Child
140 bpm • F# min • 03:12 • -13.42db
31% Popularity • 51% Danceability • 33% Energy • 10% Liveness
19% Instrumentalness • 37% Positiveness
31% Popularity • 51% Danceability • 33% Energy • 10% Liveness
19% Instrumentalness • 37% Positiveness
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Bahamas
Way With Words
146 bpm • F# min • 04:20 • -7db
53% Popularity • 78% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
53% Popularity • 78% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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The Raconteurs
Level
146 bpm • C# Maj • 02:21 • -10db
56% Popularity • 52% Danceability • 67% Energy • 12% Liveness
35% Instrumentalness • 27% Positiveness
56% Popularity • 52% Danceability • 67% Energy • 12% Liveness
35% Instrumentalness • 27% Positiveness
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Cat Clyde
Mama Said
139 bpm • C# Maj • 03:33 • -6.9db
50% Popularity • 59% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
50% Popularity • 59% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
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Heartless Bastards
Sway
147 bpm • E Maj • 05:53 • -4.73db
31% Popularity • 36% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 36% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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The Districts
4 & 4
148 bpm • G Maj • 03:37 • -6.78db
24% Popularity • 46% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 46% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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The Arcs
Searching the Blue
139 bpm • F min • 03:01 • -11.59db
39% Popularity • 52% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
39% Popularity • 52% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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The New Basement Tapes
Down On The Bottom
148 bpm • C Maj • 04:28 • -9db
42% Popularity • 44% Danceability • 42% Energy • 11% Liveness
5% Instrumentalness • 57% Positiveness
42% Popularity • 44% Danceability • 42% Energy • 11% Liveness
5% Instrumentalness • 57% Positiveness
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Night Moves
Hiding In The Melody
137 bpm • E Maj • 07:26 • -4.9db
34% Popularity • 22% Danceability • 72% Energy • 2% Liveness
12% Instrumentalness • 34% Positiveness
34% Popularity • 22% Danceability • 72% Energy • 2% Liveness
12% Instrumentalness • 34% Positiveness
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Shannon & The Clams
The Boy
137 bpm • A# min • 03:02 • -5db
43% Popularity • 44% Danceability • 88% Energy • 11% Liveness
67% Instrumentalness • 68% Positiveness
43% Popularity • 44% Danceability • 88% Energy • 11% Liveness
67% Instrumentalness • 68% Positiveness
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Heartless Bastards
Came a Long Way
147 bpm • B Maj • 05:53 • -7.64db
22% Popularity • 37% Danceability • 41% Energy • 14% Liveness
1% Instrumentalness • 14% Positiveness
22% Popularity • 37% Danceability • 41% Energy • 14% Liveness
1% Instrumentalness • 14% Positiveness
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The Districts
Peaches
137 bpm • B min • 03:51 • -5.31db
6% Popularity • 23% Danceability • 92% Energy • 13% Liveness
1% Instrumentalness • 29% Positiveness
6% Popularity • 23% Danceability • 92% Energy • 13% Liveness
1% Instrumentalness • 29% Positiveness
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The Arcs
Rosie (Ooh La La)
148 bpm • F# Maj • 03:46 • -10.37db
27% Popularity • 49% Danceability • 54% Energy • 29% Liveness
3% Instrumentalness • 40% Positiveness
27% Popularity • 49% Danceability • 54% Energy • 29% Liveness
3% Instrumentalness • 40% Positiveness
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Broken Bells
The Mall & Misery
137 bpm • D# min • 04:06 • -6.47db
47% Popularity • 58% Danceability • 65% Energy • 13% Liveness
1% Instrumentalness • 28% Positiveness
47% Popularity • 58% Danceability • 65% Energy • 13% Liveness
1% Instrumentalness • 28% Positiveness
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Fly Golden Eagle
Violet Crown
149 bpm • F# min • 04:52 • -5.71db
18% Popularity • 60% Danceability • 86% Energy • 13% Liveness
2% Instrumentalness • 66% Positiveness
18% Popularity • 60% Danceability • 86% Energy • 13% Liveness
2% Instrumentalness • 66% Positiveness
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Celeste Krishna
Come on and Move Me
150 bpm • B min • 03:36 • -8db
33% Popularity • 58% Danceability • 59% Energy • 26% Liveness
4% Instrumentalness • 29% Positiveness
33% Popularity • 58% Danceability • 59% Energy • 26% Liveness
4% Instrumentalness • 29% Positiveness
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Heartless Bastards
Skin and Bone
148 bpm • D Maj • 03:59 • -5.54db
31% Popularity • 61% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
31% Popularity • 61% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
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The Districts
Young Blood
149 bpm • E Maj • 08:40 • -5.53db
18% Popularity • 27% Danceability • 79% Energy • 4% Liveness
11% Instrumentalness • 45% Positiveness
18% Popularity • 27% Danceability • 79% Energy • 4% Liveness
11% Instrumentalness • 45% Positiveness
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Kevin Morby
Parade
150 bpm • A Maj • 05:25 • -10.85db
45% Popularity • 50% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 48% Positiveness
45% Popularity • 50% Danceability • 52% Energy • 11% Liveness
2% Instrumentalness • 48% Positiveness
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Whitney
You’ve Got a Woman
150 bpm • A# min • 03:13 • -5.18db
30% Popularity • 49% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
30% Popularity • 49% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
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Shakey Graves
Mansion Door
150 bpm • F Maj • 04:30 • -5.68db
47% Popularity • 48% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
47% Popularity • 48% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Woods
Moving to the Left
150 bpm • C Maj • 05:22 • -6.37db
29% Popularity • 57% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 57% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Heartless Bastards
Got to Have Rock and Roll
150 bpm • D Maj • 03:55 • -4.91db
30% Popularity • 54% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
30% Popularity • 54% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Dan Auerbach
Goin' Home
136 bpm • A Maj • 04:53 • -12db
41% Popularity • 42% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
41% Popularity • 42% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Cage The Elephant
Mess Around
150 bpm • B min • 02:53 • -5.23db
60% Popularity • 42% Danceability • 93% Energy • 63% Liveness
0% Instrumentalness • 61% Positiveness
60% Popularity • 42% Danceability • 93% Energy • 63% Liveness
0% Instrumentalness • 61% Positiveness
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Grizzly Bear
Yet Again
136 bpm • E min • 05:18 • -5db
47% Popularity • 47% Danceability • 88% Energy • 13% Liveness
1% Instrumentalness • 46% Positiveness
47% Popularity • 47% Danceability • 88% Energy • 13% Liveness
1% Instrumentalness • 46% Positiveness
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Real Estate
Talking Backwards
151 bpm • F Maj • 03:07 • -6.04db
50% Popularity • 41% Danceability • 88% Energy • 17% Liveness
82% Instrumentalness • 56% Positiveness
50% Popularity • 41% Danceability • 88% Energy • 17% Liveness
82% Instrumentalness • 56% Positiveness
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Houndmouth
Black Gold
151 bpm • D# Maj • 03:40 • -7db
25% Popularity • 40% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
25% Popularity • 40% Danceability • 54% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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Heartless Bastards
Into the Open
151 bpm • C Maj • 04:24 • -5.3db
28% Popularity • 31% Danceability • 66% Energy • 12% Liveness
14% Instrumentalness • 26% Positiveness
28% Popularity • 31% Danceability • 66% Energy • 12% Liveness
14% Instrumentalness • 26% Positiveness
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Bummers
The South
135 bpm • A Maj • 03:06 • -8db
34% Popularity • 42% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 42% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Erika Wennerstrom
Extraordinary Love
135 bpm • E Maj • 06:48 • -4.64db
26% Popularity • 33% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 33% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 18% Positiveness
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Natural Child
Sure Is Nice
135 bpm • B Maj • 05:21 • -10db
34% Popularity • 63% Danceability • 67% Energy • 10% Liveness
19% Instrumentalness • 89% Positiveness
34% Popularity • 63% Danceability • 67% Energy • 10% Liveness
19% Instrumentalness • 89% Positiveness
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The Black Keys
Weight of Love
151 bpm • D Maj • 06:50 • -8.62db
59% Popularity • 28% Danceability • 55% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
59% Popularity • 28% Danceability • 55% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
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Houndmouth
Sedona
135 bpm • D# Maj • 03:59 • -8.24db
60% Popularity • 39% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
60% Popularity • 39% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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The Shins
Mildenhall
135 bpm • C Maj • 03:19 • -7.74db
35% Popularity • 70% Danceability • 57% Energy • 36% Liveness
2% Instrumentalness • 82% Positiveness
35% Popularity • 70% Danceability • 57% Energy • 36% Liveness
2% Instrumentalness • 82% Positiveness
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White Denim
Ha Ha Ha Ha (Yeah)
135 bpm • A Maj • 03:53 • -5.86db
35% Popularity • 72% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 72% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Ray LaMontagne
Part One - Hey, No Pressure
152 bpm • G# min • 06:34 • -7.71db
34% Popularity • 44% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
34% Popularity • 44% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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JD McPherson
ON THE LIPS
152 bpm • C Maj • 03:40 • -5db
29% Popularity • 57% Danceability • 94% Energy • 36% Liveness
1% Instrumentalness • 62% Positiveness
29% Popularity • 57% Danceability • 94% Energy • 36% Liveness
1% Instrumentalness • 62% Positiveness
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The Arcs
Young
152 bpm • A Maj • 03:19 • -12.48db
22% Popularity • 55% Danceability • 40% Energy • 12% Liveness
63% Instrumentalness • 32% Positiveness
22% Popularity • 55% Danceability • 40% Energy • 12% Liveness
63% Instrumentalness • 32% Positiveness
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Foxygen
On Blue Mountain
135 bpm • F Maj • 05:50 • -7db
36% Popularity • 32% Danceability • 86% Energy • 10% Liveness
3% Instrumentalness • 39% Positiveness
36% Popularity • 32% Danceability • 86% Energy • 10% Liveness
3% Instrumentalness • 39% Positiveness
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Real Estate
It's Real
152 bpm • D Maj • 02:48 • -5.44db
52% Popularity • 42% Danceability • 86% Energy • 12% Liveness
10% Instrumentalness • 72% Positiveness
52% Popularity • 42% Danceability • 86% Energy • 12% Liveness
10% Instrumentalness • 72% Positiveness
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Palace
Bitter
153 bpm • E Maj • 03:54 • -7.76db
35% Popularity • 37% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 37% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Shakey Graves
Counting Sheep
134 bpm • A min • 04:55 • -7.74db
42% Popularity • 54% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
42% Popularity • 54% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Dan Auerbach
Shine on Me
153 bpm • D Maj • 03:17 • -4.66db
43% Popularity • 43% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
43% Popularity • 43% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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Cass McCombs
Opposite House
153 bpm • F Maj • 04:14 • -10.54db
35% Popularity • 48% Danceability • 57% Energy • 10% Liveness
26% Instrumentalness • 61% Positiveness
35% Popularity • 48% Danceability • 57% Energy • 10% Liveness
26% Instrumentalness • 61% Positiveness
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Wilco
If I Ever Was a Child
134 bpm • G# Maj • 02:55 • -11.82db
54% Popularity • 68% Danceability • 55% Energy • 11% Liveness
61% Instrumentalness • 78% Positiveness
54% Popularity • 68% Danceability • 55% Energy • 11% Liveness
61% Instrumentalness • 78% Positiveness
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Whitney
Golden Days
153 bpm • F Maj • 04:02 • -5.25db
47% Popularity • 39% Danceability • 70% Energy • 55% Liveness
43% Instrumentalness • 65% Positiveness
47% Popularity • 39% Danceability • 70% Energy • 55% Liveness
43% Instrumentalness • 65% Positiveness
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The Arcs
Cold Companion
153 bpm • G Maj • 03:55 • -9.57db
34% Popularity • 58% Danceability • 52% Energy • 40% Liveness
1% Instrumentalness • 54% Positiveness
34% Popularity • 58% Danceability • 52% Energy • 40% Liveness
1% Instrumentalness • 54% Positiveness
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Quiet Life
Live Wire
133 bpm • E Maj • 04:26 • -5.88db
27% Popularity • 38% Danceability • 56% Energy • 13% Liveness
46% Instrumentalness • 34% Positiveness
27% Popularity • 38% Danceability • 56% Energy • 13% Liveness
46% Instrumentalness • 34% Positiveness
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Electric Guest
Back For Me
133 bpm • E min • 03:21 • -4.73db
15% Popularity • 72% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 72% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Real Estate
Darling
133 bpm • C Maj • 04:20 • -5.41db
51% Popularity • 60% Danceability • 89% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
51% Popularity • 60% Danceability • 89% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
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The Shouting Matches
Gallup, NM
154 bpm • F# min • 05:33 • -9.67db
35% Popularity • 36% Danceability • 62% Energy • 24% Liveness
26% Instrumentalness • 78% Positiveness
35% Popularity • 36% Danceability • 62% Energy • 24% Liveness
26% Instrumentalness • 78% Positiveness
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Ron Gallo
Temporary Slave - B-Side
132 bpm • C# min • 03:28 • -7.39db
29% Popularity • 56% Danceability • 40% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
29% Popularity • 56% Danceability • 40% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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The Arcs
Keep On Dreamin'
133 bpm • B Maj • 04:26 • -6.26db
37% Popularity • 59% Danceability • 74% Energy • 27% Liveness
3% Instrumentalness • 65% Positiveness
37% Popularity • 59% Danceability • 74% Energy • 27% Liveness
3% Instrumentalness • 65% Positiveness
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Houndmouth
Honey Slider
132 bpm • G# Maj • 03:36 • -8db
30% Popularity • 31% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 31% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Andy Shauf
You're Out Wasting
131 bpm • G Maj • 03:46 • -13db
33% Popularity • 56% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 56% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Real Estate
Primitive
133 bpm • A Maj • 04:16 • -9db
39% Popularity • 51% Danceability • 72% Energy • 7% Liveness
62% Instrumentalness • 56% Positiveness
39% Popularity • 51% Danceability • 72% Energy • 7% Liveness
62% Instrumentalness • 56% Positiveness
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Dan Auerbach
Trouble Weighs A Ton
131 bpm • A Maj • 02:17 • -15.1db
37% Popularity • 52% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
37% Popularity • 52% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Broken Bells
Perfect World
156 bpm • C# min • 06:24 • -7.33db
42% Popularity • 55% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
42% Popularity • 55% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Fruit Bats
The Bottom of It
156 bpm • C Maj • 03:01 • -10.73db
64% Popularity • 63% Danceability • 62% Energy • 12% Liveness
2% Instrumentalness • 30% Positiveness
64% Popularity • 63% Danceability • 62% Energy • 12% Liveness
2% Instrumentalness • 30% Positiveness
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Dawes
When The Tequila Runs Out
156 bpm • C Maj • 04:44 • -6db
20% Popularity • 68% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
20% Popularity • 68% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 85% Positiveness
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The Arcs
Outta My Mind
131 bpm • B Maj • 03:34 • -6.45db
38% Popularity • 52% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 76% Positiveness
38% Popularity • 52% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 76% Positiveness
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Real Estate
Saturday
131 bpm • C Maj • 04:43 • -6.06db
38% Popularity • 52% Danceability • 72% Energy • 12% Liveness
57% Instrumentalness • 21% Positiveness
38% Popularity • 52% Danceability • 72% Energy • 12% Liveness
57% Instrumentalness • 21% Positiveness
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Benjamin Booker
Spoon Out My Eyeballs
157 bpm • C# Maj • 03:03 • -9.39db
11% Popularity • 37% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 37% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 48% Positiveness
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Cotton Jones
Up A Tree (Went This Heart I Have)
130 bpm • F min • 03:48 • -7db
34% Popularity • 59% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 59% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Dan Auerbach
I Want Some More
157 bpm • C# min • 03:46 • -8.05db
43% Popularity • 40% Danceability • 81% Energy • 21% Liveness
69% Instrumentalness • 68% Positiveness
43% Popularity • 40% Danceability • 81% Energy • 21% Liveness
69% Instrumentalness • 68% Positiveness
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Houndmouth
For No One
130 bpm • D# Maj • 03:49 • -11.18db
37% Popularity • 53% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
37% Popularity • 53% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Leon Bridges
Shine
130 bpm • C Maj • 03:37 • -10.24db
45% Popularity • 49% Danceability • 49% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
45% Popularity • 49% Danceability • 49% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
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The Lawsuits
Sweet Marcelle
130 bpm • C Maj • 03:04 • -7db
11% Popularity • 56% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 56% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 15% Positiveness
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The Nude Party
Feels Alright
129 bpm • F# Maj • 03:57 • -6db
40% Popularity • 53% Danceability • 90% Energy • 9% Liveness
2% Instrumentalness • 87% Positiveness
40% Popularity • 53% Danceability • 90% Energy • 9% Liveness
2% Instrumentalness • 87% Positiveness
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The Bright Light Social Hour
Lupita
129 bpm • G Maj • 03:26 • -6.71db
29% Popularity • 57% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 57% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
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Kevin Morby
Dorothy
129 bpm • F# Maj • 05:08 • -5.26db
29% Popularity • 45% Danceability • 88% Energy • 10% Liveness
30% Instrumentalness • 23% Positiveness
29% Popularity • 45% Danceability • 88% Energy • 10% Liveness
30% Instrumentalness • 23% Positiveness
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The Black Keys
You're the One
129 bpm • G Maj • 03:28 • -10.22db
44% Popularity • 59% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
44% Popularity • 59% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Twin Peaks
Walk To The One You Love
128 bpm • D Maj • 03:33 • -4.46db
20% Popularity • 52% Danceability • 90% Energy • 27% Liveness
5% Instrumentalness • 72% Positiveness
20% Popularity • 52% Danceability • 90% Energy • 27% Liveness
5% Instrumentalness • 72% Positiveness
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Springtime Carnivore
Name on a Matchbook
128 bpm • B min • 04:16 • -4.18db
34% Popularity • 49% Danceability • 89% Energy • 34% Liveness
79% Instrumentalness • 63% Positiveness
34% Popularity • 49% Danceability • 89% Energy • 34% Liveness
79% Instrumentalness • 63% Positiveness
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Kyle Craft
Eye of a Hurricane
159 bpm • C Maj • 04:30 • -3.75db
28% Popularity • 40% Danceability • 85% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 40% Danceability • 85% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
