Songs like Step Away by Joanna Sternberg
Based on a tempo of (+/- 10%) and a similar genre
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Cassandra Jenkins
Michelangelo
139 bpm • G Maj • 03:29 • -10.23db
32% Popularity • 56% Danceability • 37% Energy • 18% Liveness
68% Instrumentalness • 54% Positiveness
32% Popularity • 56% Danceability • 37% Energy • 18% Liveness
68% Instrumentalness • 54% Positiveness
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Adrianne Lenker
heavy focus
139 bpm • A# Maj • 02:34 • -16.91db
51% Popularity • 50% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
51% Popularity • 50% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Free Cake For Every Creature
Christina's World
139 bpm • C Maj • 01:53 • -14.76db
37% Popularity • 55% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 55% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Joanna Sternberg
Step Away
139 bpm • F# min • 02:49 • -17.79db
21% Popularity • 55% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 55% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Christian Lee Hutson
Keep You Down
139 bpm • A Maj • 04:22 • -9.4db
26% Popularity • 46% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 46% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Twain
Noon
139 bpm • F Maj • 04:24 • -16.88db
27% Popularity • 48% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
27% Popularity • 48% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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Sadurn
snake
138 bpm • C# Maj • 04:33 • -8.75db
38% Popularity • 46% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
38% Popularity • 46% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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The A's
Swing and Turn Jubilee
138 bpm • A Maj • 04:09 • -15.06db
33% Popularity • 46% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
33% Popularity • 46% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Weyes Blood
In the Beginning
140 bpm • C# Maj • 05:27 • -7.27db
25% Popularity • 18% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
25% Popularity • 18% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Jeffrey Lewis
You're Invited
138 bpm • G Maj • 04:48 • -10.27db
18% Popularity • 46% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 10% Positiveness
18% Popularity • 46% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 10% Positiveness
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Christian Lee Hutson
Sitting Up With A Sick Friend
138 bpm • D# Maj • 03:19 • -15.57db
20% Popularity • 36% Danceability • 23% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 36% Danceability • 23% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Ratboys
Down the River
138 bpm • D# Maj • 02:33 • -7.94db
38% Popularity • 67% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
38% Popularity • 67% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Twain
Rare Feeling v. 1
138 bpm • G min • 04:01 • -15.46db
15% Popularity • 49% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 49% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Tanya Davis
Sweep the Dust
138 bpm • A Maj • 04:24 • -12.82db
16% Popularity • 51% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
16% Popularity • 51% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Waxahatchee
Oxbow
140 bpm • C Maj • 02:53 • -12.25db
46% Popularity • 55% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
46% Popularity • 55% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Told Slant
Flashlight On
138 bpm • A# Maj • 03:07 • -13.01db
11% Popularity • 58% Danceability • 44% Energy • 30% Liveness
3% Instrumentalness • 36% Positiveness
11% Popularity • 58% Danceability • 44% Energy • 30% Liveness
3% Instrumentalness • 36% Positiveness
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Free Cake For Every Creature
Goodbye, Unsilently
140 bpm • F# Maj • 02:09 • -12.99db
16% Popularity • 53% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
16% Popularity • 53% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Diane Cluck
Travel Light
140 bpm • D Maj • 02:58 • -21db
31% Popularity • 48% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 48% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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wished bone
high and lonesome
141 bpm • A# Maj • 03:09 • -18.34db
31% Popularity • 67% Danceability • 17% Energy • 8% Liveness
86% Instrumentalness • 35% Positiveness
31% Popularity • 67% Danceability • 17% Energy • 8% Liveness
86% Instrumentalness • 35% Positiveness
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Jessica Pratt
Midnight Wheels
138 bpm • C Maj • 03:19 • -12.02db
26% Popularity • 44% Danceability • 24% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
26% Popularity • 44% Danceability • 24% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
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Katy Kirby
Cool Dry Place
137 bpm • E Maj • 05:00 • -10.23db
42% Popularity • 41% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
42% Popularity • 41% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Girlpool
I Like That You Can See It
137 bpm • D Maj • 02:30 • -12.49db
18% Popularity • 72% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 72% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Christian Lee Hutson
Lose This Number
137 bpm • B Maj • 03:56 • -11.73db
38% Popularity • 51% Danceability • 41% Energy • 13% Liveness
13% Instrumentalness • 63% Positiveness
38% Popularity • 51% Danceability • 41% Energy • 13% Liveness
13% Instrumentalness • 63% Positiveness
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Bedouine
Sonnet 104
137 bpm • G Maj • 03:07 • -11.59db
21% Popularity • 50% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 50% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 35% Positiveness
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Free Cake For Every Creature
Shake It Out
137 bpm • A Maj • 03:51 • -11.53db
31% Popularity • 56% Danceability • 58% Energy • 8% Liveness
16% Instrumentalness • 34% Positiveness
31% Popularity • 56% Danceability • 58% Energy • 8% Liveness
16% Instrumentalness • 34% Positiveness
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Smog
Teenage Spaceship
142 bpm • D Maj • 03:58 • -22.29db
33% Popularity • 47% Danceability • 7% Energy • 9% Liveness
9% Instrumentalness • 21% Positiveness
33% Popularity • 47% Danceability • 7% Energy • 9% Liveness
9% Instrumentalness • 21% Positiveness
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Nana Grizol
Not the Night Wind
141 bpm • E Maj • 03:37 • -10db
18% Popularity • 50% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 50% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Jana Horn
Optimism
142 bpm • A Maj • 01:59 • -13.19db
39% Popularity • 61% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
39% Popularity • 61% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Christian Lee Hutson
Northsiders
137 bpm • A Maj • 03:43 • -14.45db
37% Popularity • 44% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 44% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Bedouine
All My Trials
137 bpm • G Maj • 02:30 • -15.46db
22% Popularity • 47% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 47% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Connie Converse
We Lived Alone - Doubletracked Version
136 bpm • G Maj • 01:14 • -15.9db
15% Popularity • 46% Danceability • 12% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 46% Danceability • 12% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Adrianne Lenker
two reverse
143 bpm • C# Maj • 03:33 • -15.4db
54% Popularity • 45% Danceability • 19% Energy • 14% Liveness
1% Instrumentalness • 41% Positiveness
54% Popularity • 45% Danceability • 19% Energy • 14% Liveness
1% Instrumentalness • 41% Positiveness
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Charlotte Cornfield
In My Corner
135 bpm • C min • 03:44 • -10.07db
35% Popularity • 63% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
35% Popularity • 63% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Twain
Royal Road
143 bpm • D Maj • 04:14 • -10.69db
9% Popularity • 56% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
9% Popularity • 56% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Christian Lee Hutson
Strawberry Lemonade
137 bpm • D Maj • 04:24 • -10db
25% Popularity • 43% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 43% Danceability • 40% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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Ada Lea
woman, here
135 bpm • E Maj • 03:26 • -9.83db
18% Popularity • 62% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 62% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Jeffrey Lewis
Life
135 bpm • C Maj • 03:02 • -18.82db
25% Popularity • 50% Danceability • 23% Energy • 8% Liveness
7% Instrumentalness • 87% Positiveness
25% Popularity • 50% Danceability • 23% Energy • 8% Liveness
7% Instrumentalness • 87% Positiveness
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Adrianne Lenker
from
135 bpm • D# Maj • 03:38 • -13.42db
16% Popularity • 49% Danceability • 27% Energy • 11% Liveness
35% Instrumentalness • 32% Positiveness
16% Popularity • 49% Danceability • 27% Energy • 11% Liveness
35% Instrumentalness • 32% Positiveness
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Bedouine
Hey, Who Really Cares?
135 bpm • A min • 02:51 • -21.28db
30% Popularity • 60% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 22% Positiveness
30% Popularity • 60% Danceability • 16% Energy • 11% Liveness
87% Instrumentalness • 22% Positiveness
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Sam Amidon
Wild Bill Jones
135 bpm • G Maj • 05:27 • -11.76db
21% Popularity • 34% Danceability • 16% Energy • 14% Liveness
4% Instrumentalness • 14% Positiveness
21% Popularity • 34% Danceability • 16% Energy • 14% Liveness
4% Instrumentalness • 14% Positiveness
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Christian Lee Hutson
I'm So Tired
134 bpm • D Maj • 01:46 • -12.85db
11% Popularity • 39% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 39% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Tanya Davis
Tha-La-La
144 bpm • D# Maj • 05:32 • -10.02db
17% Popularity • 56% Danceability • 56% Energy • 12% Liveness
3% Instrumentalness • 48% Positiveness
17% Popularity • 56% Danceability • 56% Energy • 12% Liveness
3% Instrumentalness • 48% Positiveness
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Suzanne Vallie
Love Lives Where Rules Die
144 bpm • B Maj • 06:38 • -11.89db
17% Popularity • 48% Danceability • 39% Energy • 11% Liveness
46% Instrumentalness • 49% Positiveness
17% Popularity • 48% Danceability • 39% Energy • 11% Liveness
46% Instrumentalness • 49% Positiveness
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Katy Kirby
Tap Twice
134 bpm • F Maj • 02:37 • -13.54db
31% Popularity • 66% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 66% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Frances Quinlan
Went to LA
144 bpm • E Maj • 03:56 • -6.99db
18% Popularity • 56% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 56% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Bedouine
Under the Night
134 bpm • G# Maj • 03:18 • -17db
29% Popularity • 57% Danceability • 19% Energy • 9% Liveness
16% Instrumentalness • 35% Positiveness
29% Popularity • 57% Danceability • 19% Energy • 9% Liveness
16% Instrumentalness • 35% Positiveness
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Adrianne Lenker
womb
144 bpm • D# Maj • 02:15 • -10.32db
22% Popularity • 53% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 44% Positiveness
22% Popularity • 53% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 44% Positiveness
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Sibylle Baier
Wim
134 bpm • F Maj • 02:01 • -12db
30% Popularity • 63% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 63% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Tim Heidecker
Oh How We Drift Away
134 bpm • C# Maj • 05:34 • -6db
33% Popularity • 34% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 34% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Katy Kirby
Eyelids
145 bpm • C Maj • 01:40 • -20db
38% Popularity • 53% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 53% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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The Magnetic Fields
Reno Dakota
134 bpm • D Maj • 01:05 • -7.93db
46% Popularity • 63% Danceability • 48% Energy • 11% Liveness
5% Instrumentalness • 93% Positiveness
46% Popularity • 63% Danceability • 48% Energy • 11% Liveness
5% Instrumentalness • 93% Positiveness
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Bedouine
This Machine
134 bpm • A Maj • 03:23 • -11.66db
23% Popularity • 58% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 58% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Johanna Warren
Rose Potion
133 bpm • E Maj • 04:15 • -11.84db
12% Popularity • 42% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
12% Popularity • 42% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Marina Allen
Original Goodness
133 bpm • F Maj • 02:11 • -16.25db
34% Popularity • 41% Danceability • 10% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
34% Popularity • 41% Danceability • 10% Energy • 11% Liveness
2% Instrumentalness • 7% Positiveness
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Dear Nora
flag (into the fray)
132 bpm • D Maj • 02:05 • -19.09db
43% Popularity • 57% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 21% Positiveness
43% Popularity • 57% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 21% Positiveness
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Anjimile
1978
146 bpm • D Maj • 04:28 • -11.13db
15% Popularity • 56% Danceability • 46% Energy • 10% Liveness
2% Instrumentalness • 57% Positiveness
15% Popularity • 56% Danceability • 46% Energy • 10% Liveness
2% Instrumentalness • 57% Positiveness
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Julie Byrne
Emeralds
132 bpm • G min • 03:12 • -21.18db
37% Popularity • 33% Danceability • 7% Energy • 10% Liveness
37% Instrumentalness • 19% Positiveness
37% Popularity • 33% Danceability • 7% Energy • 10% Liveness
37% Instrumentalness • 19% Positiveness
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Blake Mills
Women Know
146 bpm • D Maj • 04:33 • -10.37db
18% Popularity • 33% Danceability • 36% Energy • 30% Liveness
28% Instrumentalness • 14% Positiveness
18% Popularity • 33% Danceability • 36% Energy • 30% Liveness
28% Instrumentalness • 14% Positiveness
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Haley Heynderickx
Worth It
132 bpm • E Maj • 07:53 • -10db
43% Popularity • 46% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
43% Popularity • 46% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Waxahatchee
You Left Me With an Ocean
132 bpm • C Maj • 02:16 • -16.37db
19% Popularity • 38% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 38% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Dear Nora
Mountain Rock
132 bpm • A min • 00:57 • -18.7db
33% Popularity • 54% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
33% Popularity • 54% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Friendship
Clairvoyant
132 bpm • C Maj • 03:36 • -12.73db
28% Popularity • 72% Danceability • 38% Energy • 10% Liveness
1% Instrumentalness • 31% Positiveness
28% Popularity • 72% Danceability • 38% Energy • 10% Liveness
1% Instrumentalness • 31% Positiveness
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Babehoven
Often
132 bpm • D Maj • 04:01 • -13.28db
32% Popularity • 55% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 19% Positiveness
32% Popularity • 55% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 19% Positiveness
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Adrianne Lenker
Lighthouse
132 bpm • A Maj • 03:29 • -8.02db
46% Popularity • 76% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
46% Popularity • 76% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Katie Bejsiuk
Mother's Records
132 bpm • A Maj • 02:29 • -9.11db
21% Popularity • 60% Danceability • 36% Energy • 13% Liveness
9% Instrumentalness • 40% Positiveness
21% Popularity • 60% Danceability • 36% Energy • 13% Liveness
9% Instrumentalness • 40% Positiveness
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Squirrel Flower
Streetlight Blues
132 bpm • E Maj • 03:35 • -7.58db
20% Popularity • 37% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 37% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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@
Where'd You Put Me
147 bpm • B min • 01:12 • -10.83db
40% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 46% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Jess Williamson
Sorceress
132 bpm • A Maj • 04:37 • -10.91db
7% Popularity • 44% Danceability • 41% Energy • 42% Liveness
1% Instrumentalness • 19% Positiveness
7% Popularity • 44% Danceability • 41% Energy • 42% Liveness
1% Instrumentalness • 19% Positiveness
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Twain
Hank & Georgia
147 bpm • C Maj • 04:23 • -9.34db
18% Popularity • 37% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 37% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Weyes Blood
Cardamom
147 bpm • G# Maj • 04:34 • -10.59db
23% Popularity • 42% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 42% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Charlotte Cornfield
Skateboarding by the Lake
147 bpm • B Maj • 01:33 • -12.74db
32% Popularity • 54% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 3% Positiveness
32% Popularity • 54% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 3% Positiveness
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Christian Lee Hutson
Age Difference
131 bpm • D Maj • 05:07 • -16db
20% Popularity • 34% Danceability • 17% Energy • 11% Liveness
21% Instrumentalness • 27% Positiveness
20% Popularity • 34% Danceability • 17% Energy • 11% Liveness
21% Instrumentalness • 27% Positiveness
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Jeffrey Lewis
The East River
131 bpm • C Maj • 03:10 • -15db
27% Popularity • 52% Danceability • 25% Energy • 21% Liveness
23% Instrumentalness • 57% Positiveness
27% Popularity • 52% Danceability • 25% Energy • 21% Liveness
23% Instrumentalness • 57% Positiveness
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Langkamer
Polly You Should See Me Now
148 bpm • D# Maj • 02:25 • -17.59db
37% Popularity • 59% Danceability • 24% Energy • 11% Liveness
59% Instrumentalness • 25% Positiveness
37% Popularity • 59% Danceability • 24% Energy • 11% Liveness
59% Instrumentalness • 25% Positiveness
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Allegra Krieger
Wake Me if I'm Asleep
147 bpm • D Maj • 04:02 • -9.02db
18% Popularity • 37% Danceability • 33% Energy • 12% Liveness
2% Instrumentalness • 14% Positiveness
18% Popularity • 37% Danceability • 33% Energy • 12% Liveness
2% Instrumentalness • 14% Positiveness
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Weyes Blood
Names of Stars
131 bpm • G# min • 04:12 • -11.07db
27% Popularity • 47% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 47% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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The Wild Reeds
New Ways To Die
130 bpm • C Maj • 02:18 • -10.15db
23% Popularity • 41% Danceability • 32% Energy • 10% Liveness
64% Instrumentalness • 24% Positiveness
23% Popularity • 41% Danceability • 32% Energy • 10% Liveness
64% Instrumentalness • 24% Positiveness
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Christian Lee Hutson
Twin Soul
131 bpm • D Maj • 03:52 • -8.31db
24% Popularity • 58% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
24% Popularity • 58% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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Odie Leigh
Habits Held
148 bpm • C Maj • 02:03 • -11.21db
31% Popularity • 55% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 55% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Joan Shelley
Teal
130 bpm • C# Maj • 04:10 • -10.48db
21% Popularity • 56% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
21% Popularity • 56% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Sadurn
golden arm
130 bpm • D Maj • 04:04 • -15db
31% Popularity • 61% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
31% Popularity • 61% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
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Babehoven
Bad Week
130 bpm • F Maj • 03:53 • -10.5db
19% Popularity • 44% Danceability • 38% Energy • 15% Liveness
17% Instrumentalness • 17% Positiveness
19% Popularity • 44% Danceability • 38% Energy • 15% Liveness
17% Instrumentalness • 17% Positiveness
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The Weather Station
Yarrow and Mint
148 bpm • A min • 02:56 • -20.11db
28% Popularity • 35% Danceability • 21% Energy • 12% Liveness
78% Instrumentalness • 47% Positiveness
28% Popularity • 35% Danceability • 21% Energy • 12% Liveness
78% Instrumentalness • 47% Positiveness
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Christian Lee Hutson
Atheist
130 bpm • D# Maj • 03:00 • -10db
33% Popularity • 55% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 55% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Tanya Davis
Don't Bury Me
130 bpm • G Maj • 03:10 • -11.07db
17% Popularity • 61% Danceability • 38% Energy • 12% Liveness
76% Instrumentalness • 35% Positiveness
17% Popularity • 61% Danceability • 38% Energy • 12% Liveness
76% Instrumentalness • 35% Positiveness
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Ted Lucas
I'll Find a Way (To Carry It All)
130 bpm • F Maj • 03:25 • -14.1db
30% Popularity • 43% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
30% Popularity • 43% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
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Twain
Black Chair
149 bpm • F Maj • 04:14 • -14.46db
16% Popularity • 50% Danceability • 15% Energy • 11% Liveness
2% Instrumentalness • 43% Positiveness
16% Popularity • 50% Danceability • 15% Energy • 11% Liveness
2% Instrumentalness • 43% Positiveness
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Babehoven
Marion
130 bpm • F Maj • 03:37 • -7.86db
28% Popularity • 58% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 58% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 37% Positiveness
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Rosali
Mouth
129 bpm • C Maj • 03:48 • -9.15db
24% Popularity • 50% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
24% Popularity • 50% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Christian Lee Hutson
Unforgivable
149 bpm • D Maj • 03:34 • -9.68db
26% Popularity • 45% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
26% Popularity • 45% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Waxahatchee
Noccalula
150 bpm • B Maj • 02:41 • -5.79db
36% Popularity • 41% Danceability • 53% Energy • 21% Liveness
38% Instrumentalness • 46% Positiveness
36% Popularity • 41% Danceability • 53% Energy • 21% Liveness
38% Instrumentalness • 46% Positiveness
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Tanya Davis
Fauna
149 bpm • C Maj • 06:29 • -11.72db
14% Popularity • 44% Danceability • 18% Energy • 13% Liveness
2% Instrumentalness • 26% Positiveness
14% Popularity • 44% Danceability • 18% Energy • 13% Liveness
2% Instrumentalness • 26% Positiveness
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Dear Nora
Make It Real
150 bpm • G Maj • 01:31 • -22.76db
23% Popularity • 46% Danceability • 5% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 46% Danceability • 5% Energy • 20% Liveness
0% Instrumentalness • 39% Positiveness
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Silver Jews
We Could Be Looking For The Same Thing
129 bpm • D Maj • 03:35 • -11.53db
40% Popularity • 64% Danceability • 53% Energy • 13% Liveness
1% Instrumentalness • 55% Positiveness
40% Popularity • 64% Danceability • 53% Energy • 13% Liveness
1% Instrumentalness • 55% Positiveness
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Sun June
Monster Moon
129 bpm • C Maj • 02:51 • -11.59db
32% Popularity • 72% Danceability • 39% Energy • 12% Liveness
4% Instrumentalness • 80% Positiveness
32% Popularity • 72% Danceability • 39% Energy • 12% Liveness
4% Instrumentalness • 80% Positiveness
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Christian Lee Hutson
Talk
129 bpm • E Maj • 02:57 • -8.22db
27% Popularity • 77% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 81% Positiveness
27% Popularity • 77% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 81% Positiveness
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The Weather Station
Everything I Saw
129 bpm • G Maj • 02:42 • -16.03db
29% Popularity • 54% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
29% Popularity • 54% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
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Tanya Davis
One Room
130 bpm • B Maj • 04:11 • -14.28db
15% Popularity • 43% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 43% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
