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Songs like
Steps
by
Cecil Taylor
Based on a tempo of (+/- 10%) and a similar genre
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Cecil Taylor
Steps
128 bpm • C# min • 10:20 • -12.83db
19% Popularity • 37% Danceability • 66% Energy • 16% Liveness
7% Instrumentalness • 51% Positiveness
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Don Cherry
Street Dancing
128 bpm • F min • 02:22 • -23.15db
8% Popularity • 57% Danceability • 34% Energy • 11% Liveness
85% Instrumentalness • 40% Positiveness
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McCoy Tyner
Mode To John - Remastered
128 bpm • C Maj • 05:40 • -11db
8% Popularity • 51% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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Elvin Jones
Aborigine Dance In Scotland
128 bpm • F# Maj • 04:10 • -14.14db
7% Popularity • 47% Danceability • 65% Energy • 13% Liveness
3% Instrumentalness • 36% Positiveness
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Weather Report
Tears
128 bpm • G Maj • 03:24 • -11.23db
23% Popularity • 42% Danceability • 53% Energy • 12% Liveness
3% Instrumentalness • 14% Positiveness
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Joe Zawinul
Double Image
129 bpm • D# min • 10:32 • -19.27db
10% Popularity • 29% Danceability • 34% Energy • 11% Liveness
18% Instrumentalness • 21% Positiveness
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Hank Mobley
Roll Call - Rudy Van Gelder Edition
127 bpm • F min • 10:33 • -11.01db
21% Popularity • 49% Danceability • 68% Energy • 9% Liveness
6% Instrumentalness • 82% Positiveness
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Don Cherry
Orbit Of La-Ba
129 bpm • E min • 07:24 • -21.44db
13% Popularity • 41% Danceability • 19% Energy • 29% Liveness
89% Instrumentalness • 32% Positiveness
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Horace Silver
Safari - Remastered
127 bpm • G Maj • 02:48 • -9.56db
23% Popularity • 52% Danceability • 71% Energy • 32% Liveness
78% Instrumentalness • 96% Positiveness
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Elvin Jones
Buzz-AT
127 bpm • F min • 06:32 • -16.51db
9% Popularity • 50% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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The Lounge Lizards
Queen of All Ears
127 bpm • C# Maj • 05:25 • -9.45db
14% Popularity • 57% Danceability • 84% Energy • 14% Liveness
88% Instrumentalness • 54% Positiveness
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Roland Kirk Quartet
No Tonic Press
129 bpm • C min • 04:31 • -18db
17% Popularity • 43% Danceability • 45% Energy • 13% Liveness
1% Instrumentalness • 59% Positiveness
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Lee Morgan
Cornbread
129 bpm • C min • 09:03 • -12.61db
31% Popularity • 66% Danceability • 52% Energy • 7% Liveness
8% Instrumentalness • 82% Positiveness
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Art Ensemble Of Chicago
Charlie M
127 bpm • A# min • 09:17 • -15db
14% Popularity • 47% Danceability • 31% Energy • 15% Liveness
17% Instrumentalness • 36% Positiveness
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Lennie Tristano
East Thirty-Second Street
129 bpm • G# Maj • 04:31 • -13.53db
21% Popularity • 55% Danceability • 42% Energy • 21% Liveness
5% Instrumentalness • 59% Positiveness
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Ornette Coleman
Peace
127 bpm • B Maj • 09:04 • -15db
33% Popularity • 61% Danceability • 6% Energy • 11% Liveness
44% Instrumentalness • 19% Positiveness
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Pete La Roca
Tears Come From Heaven - Remastered 2004
127 bpm • F min • 05:01 • -8.98db
11% Popularity • 49% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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The Tony Williams Lifetime
Some Hip Drum Shit
129 bpm • F Maj • 01:36 • -9.15db
24% Popularity • 39% Danceability • 89% Energy • 18% Liveness
90% Instrumentalness • 74% Positiveness
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Jan Garbarek Quartet
Blow Away Zone
127 bpm • G Maj • 08:38 • -13.75db
11% Popularity • 43% Danceability • 70% Energy • 15% Liveness
29% Instrumentalness • 43% Positiveness
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Anthony Braxton
To Composer John Cage
129 bpm • G# Maj • 09:30 • -10.35db
11% Popularity • 42% Danceability • 43% Energy • 31% Liveness
62% Instrumentalness • 75% Positiveness
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George Russell
Jack's Blues
130 bpm • E min • 03:45 • -13.2db
8% Popularity • 52% Danceability • 29% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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Dewey Redman
Nine
126 bpm • G# Maj • 10:53 • -9.1db
3% Popularity • 40% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 47% Positiveness
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Tony Williams
Two Pieces Of One: Green - Remastered 19...
130 bpm • E min • 10:40 • -12.02db
11% Popularity • 48% Danceability • 64% Energy • 30% Liveness
27% Instrumentalness • 34% Positiveness
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Cecil Taylor
O.P.
130 bpm • F Maj • 07:35 • -18.29db
2% Popularity • 54% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Ornette Coleman Trio
Dawn (Live)
130 bpm • G Maj • 08:07 • -13.93db
11% Popularity • 42% Danceability • 10% Energy • 76% Liveness
0% Instrumentalness • 18% Positiveness
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Elvin Jones
Raunchy Rita
130 bpm • F min • 11:32 • -13db
23% Popularity • 57% Danceability • 43% Energy • 10% Liveness
57% Instrumentalness • 70% Positiveness
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Dave Holland Quartet
See-Saw
126 bpm • G Maj • 06:44 • -13.52db
9% Popularity • 41% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
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Dewey Redman
Life As
130 bpm • D Maj • 08:28 • -17.19db
1% Popularity • 52% Danceability • 22% Energy • 11% Liveness
91% Instrumentalness • 11% Positiveness
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Pete La Roca
Candu - Remastered 2004
130 bpm • D min • 06:45 • -9.99db
13% Popularity • 54% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Grachan Moncur III
The Coaster - 2008 Remaster
130 bpm • G Maj • 11:39 • -10.11db
26% Popularity • 53% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Rahsaan Roland Kirk
I Loves You Porgy
125 bpm • F Maj • 01:49 • -17.12db
20% Popularity • 61% Danceability • 8% Energy • 36% Liveness
83% Instrumentalness • 53% Positiveness
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Tina Brooks
Good Old Soul
125 bpm • A# min • 08:07 • -6.94db
21% Popularity • 54% Danceability • 52% Energy • 12% Liveness
34% Instrumentalness • 56% Positiveness
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Carla Bley
Escalator Over The Hill
125 bpm • G# min • 04:52 • -9.7db
8% Popularity • 30% Danceability • 56% Energy • 17% Liveness
2% Instrumentalness • 19% Positiveness
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Lennie Tristano
Line Up
131 bpm • F min • 03:34 • -14.29db
22% Popularity • 49% Danceability • 38% Energy • 13% Liveness
1% Instrumentalness • 64% Positiveness
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Mary Lou Williams
Syl-O-Gism
125 bpm • C# Maj • 03:29 • -15.71db
11% Popularity • 48% Danceability • 43% Energy • 12% Liveness
11% Instrumentalness • 59% Positiveness
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Grachan Moncur III
Thandiwa - Remastered
131 bpm • D Maj • 08:21 • -12.73db
8% Popularity • 56% Danceability • 25% Energy • 8% Liveness
1% Instrumentalness • 26% Positiveness
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The Peter Brötzmann Octet
Responsible / For Jan Van De Ven
125 bpm • C# Maj • 08:19 • -15.39db
12% Popularity • 34% Danceability • 55% Energy • 33% Liveness
70% Instrumentalness • 16% Positiveness
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Chicago Underground Quartet
A Re-Occuring Dream
124 bpm • G Maj • 03:11 • -11.19db
12% Popularity • 52% Danceability • 33% Energy • 12% Liveness
95% Instrumentalness • 25% Positiveness
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The Cannonball Adderley Quintet
Grand Central
132 bpm • F# Maj • 04:33 • -13.11db
26% Popularity • 49% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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Steve Lacy
Let's Cool One
133 bpm • G# Maj • 06:42 • -18db
12% Popularity • 48% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Dizzy Gillespie
Theme From The Cool World
124 bpm • A# min • 05:17 • -13.93db
11% Popularity • 49% Danceability • 36% Energy • 10% Liveness
66% Instrumentalness • 79% Positiveness
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Roland Kirk Quartet
I Talk With The Spirits
124 bpm • E min • 03:57 • -25.71db
12% Popularity • 34% Danceability • 2% Energy • 8% Liveness
18% Instrumentalness • 4% Positiveness
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Dave Holland Quartet
Conference Of The Birds
123 bpm • A# Maj • 04:37 • -22.25db
41% Popularity • 39% Danceability • 17% Energy • 20% Liveness
36% Instrumentalness • 29% Positiveness
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Mary Lou Williams
Fandangle (Ragtime) - Live In New York C...
133 bpm • F# Maj • 01:15 • -15.33db
8% Popularity • 40% Danceability • 49% Energy • 19% Liveness
91% Instrumentalness • 93% Positiveness
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Kenny Dorham
Straight Ahead - Remasted 1998/ Rudy Van...
123 bpm • G# Maj • 08:58 • -9.15db
16% Popularity • 58% Danceability • 57% Energy • 7% Liveness
1% Instrumentalness • 72% Positiveness
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Henry Threadgill
Spotted Dick Is Pudding
123 bpm • A Maj • 08:53 • -12.5db
8% Popularity • 48% Danceability • 51% Energy • 10% Liveness
85% Instrumentalness • 59% Positiveness
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Anthony Braxton
30-EGN (Opus 37)
133 bpm • F# Maj • 08:17 • -16.04db
7% Popularity • 65% Danceability • 11% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness
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Ahmad Jamal Trio
Music, Music, Music - Live At The Pershi...
123 bpm • B min • 02:57 • -14.05db
29% Popularity • 69% Danceability • 66% Energy • 92% Liveness
16% Instrumentalness • 74% Positiveness
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Cecil Taylor
Port of Call - Take 3
123 bpm • D# Maj • 04:25 • -13.73db
0% Popularity • 44% Danceability • 48% Energy • 25% Liveness
1% Instrumentalness • 52% Positiveness
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Gary Burton Quintet
Mevlevia
123 bpm • C Maj • 06:00 • -18.57db
15% Popularity • 43% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Lee Morgan
The Joker - Remastered 2000/Rudy Van Gel...
134 bpm • D# Maj • 05:04 • -8.81db
25% Popularity • 60% Danceability • 50% Energy • 8% Liveness
1% Instrumentalness • 74% Positiveness
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Don Ellis
Open Beauty
123 bpm • G Maj • 08:27 • -18.14db
10% Popularity • 46% Danceability • 11% Energy • 21% Liveness
77% Instrumentalness • 8% Positiveness
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Steve Lacy
Something To Live For
134 bpm • G# Maj • 05:48 • -19.61db
10% Popularity • 45% Danceability • 26% Energy • 13% Liveness
1% Instrumentalness • 47% Positiveness
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Wes Montgomery
Mr. Walker
134 bpm • F min • 04:30 • -18.91db
22% Popularity • 78% Danceability • 32% Energy • 12% Liveness
86% Instrumentalness • 82% Positiveness
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Booker Ervin
Gichi - 2005 Remastered
122 bpm • A Maj • 07:27 • -9db
15% Popularity • 53% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Cecil Taylor
Enter, Evening
134 bpm • F# min • 10:11 • -17.31db
10% Popularity • 36% Danceability • 21% Energy • 36% Liveness
12% Instrumentalness • 22% Positiveness
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Weather Report
Morning Lake
134 bpm • C Maj • 04:24 • -16.73db
18% Popularity • 41% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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World Saxophone Quartet
Cairo Blues
122 bpm • D# Maj • 01:11 • -20.68db
30% Popularity • 49% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 17% Positiveness
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Kenny Dorham
Lotus Blossom
122 bpm • D min • 04:38 • -16.2db
35% Popularity • 49% Danceability • 42% Energy • 17% Liveness
22% Instrumentalness • 68% Positiveness
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Rudresh Mahanthappa
The General
134 bpm • D Maj • 08:25 • -11.36db
8% Popularity • 49% Danceability • 51% Energy • 5% Liveness
84% Instrumentalness • 53% Positiveness
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Don Ellis
Indian Lady
134 bpm • D Maj • 08:07 • -7.86db
15% Popularity • 41% Danceability • 84% Energy • 10% Liveness
3% Instrumentalness • 44% Positiveness
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Paul Bley
Harlem
134 bpm • G min • 03:22 • -15.44db
19% Popularity • 60% Danceability • 9% Energy • 7% Liveness
88% Instrumentalness • 9% Positiveness
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Matthew Shipp
Piano Equation
122 bpm • G# Maj • 05:14 • -16db
8% Popularity • 52% Danceability • 25% Energy • 10% Liveness
91% Instrumentalness • 8% Positiveness
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McCoy Tyner
Sama Layuca
134 bpm • C min • 08:36 • -9.66db
19% Popularity • 34% Danceability • 87% Energy • 13% Liveness
34% Instrumentalness • 64% Positiveness
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Lee Konitz
Intuition
122 bpm • G# Maj • 02:29 • -15db
37% Popularity • 53% Danceability • 22% Energy • 12% Liveness
92% Instrumentalness • 40% Positiveness
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Miles Davis Quartet
Smooch
135 bpm • D min • 03:06 • -16.61db
35% Popularity • 49% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 33% Positiveness
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Albert Ayler
Ghosts: Second Variation
135 bpm • A Maj • 10:03 • -8.36db
11% Popularity • 35% Danceability • 63% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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Eric Dolphy
Something Sweet, Something Tender - Rema...
135 bpm • F# Maj • 06:03 • -8.79db
24% Popularity • 39% Danceability • 25% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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Bud Powell Trio
I Want to Be Happy
135 bpm • A# Maj • 03:41 • -17db
22% Popularity • 45% Danceability • 41% Energy • 10% Liveness
47% Instrumentalness • 67% Positiveness
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Rahsaan Roland Kirk
A Laugh for Rory
121 bpm • A min • 02:54 • -15.5db
3% Popularity • 63% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Cecil Taylor
For The Rabbit
135 bpm • A Maj • 03:42 • -17.45db
2% Popularity • 39% Danceability • 39% Energy • 98% Liveness
56% Instrumentalness • 56% Positiveness
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Steve Lacy
Alone Together
136 bpm • D min • 06:45 • -11.64db
9% Popularity • 49% Danceability • 33% Energy • 8% Liveness
5% Instrumentalness • 45% Positiveness
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The Gil Evans Orchestra
King Porter Stomp - Remastered 2006
121 bpm • C# Maj • 03:17 • -10db
9% Popularity • 52% Danceability • 48% Energy • 55% Liveness
0% Instrumentalness • 79% Positiveness
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Art Ensemble Of Chicago
Thème de Céline
121 bpm • G min • 03:03 • -5db
10% Popularity • 41% Danceability • 84% Energy • 11% Liveness
79% Instrumentalness • 53% Positiveness
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McCoy Tyner
Four By Five
136 bpm • B min • 06:37 • -9.28db
25% Popularity • 39% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Pete La Roca
Turkish Women at the Bath
136 bpm • C min • 05:47 • -13.61db
14% Popularity • 43% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Cecil Taylor
Port Of Call - Remastered
121 bpm • F min • 04:20 • -17.38db
23% Popularity • 40% Danceability • 40% Energy • 14% Liveness
81% Instrumentalness • 56% Positiveness
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Wadada Leo Smith
Uprising
136 bpm • E min • 04:41 • -11db
12% Popularity • 44% Danceability • 66% Energy • 9% Liveness
14% Instrumentalness • 62% Positiveness
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Albert Ayler
Message From Albert / New Grass
120 bpm • D# Maj • 03:55 • -9.65db
9% Popularity • 40% Danceability • 55% Energy • 22% Liveness
2% Instrumentalness • 73% Positiveness
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Ornette Coleman Trio
Faces And Places (Live)
136 bpm • C Maj • 11:37 • -8.84db
9% Popularity • 51% Danceability • 64% Energy • 28% Liveness
66% Instrumentalness • 56% Positiveness
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The Dave Brubeck Quartet
Zen Is When
120 bpm • G# Maj • 02:52 • -19.85db
36% Popularity • 76% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 31% Positiveness
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Freddie Redd
The Thespian - Digital Remaster/2007
120 bpm • F min • 06:58 • -8db
9% Popularity • 46% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Cecil Taylor
Rick Kick Shaw
136 bpm • D Maj • 06:05 • -17db
8% Popularity • 40% Danceability • 41% Energy • 10% Liveness
30% Instrumentalness • 47% Positiveness
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Dave Holland Quartet
Four Winds
120 bpm • E min • 06:34 • -13.82db
17% Popularity • 39% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Art Ensemble Of Chicago
Nice Guys
120 bpm • D Maj • 01:41 • -13db
30% Popularity • 57% Danceability • 23% Energy • 14% Liveness
70% Instrumentalness • 50% Positiveness
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Albert Ayler
Summertime
137 bpm • A# Maj • 08:47 • -16db
37% Popularity • 45% Danceability • 19% Energy • 30% Liveness
57% Instrumentalness • 29% Positiveness
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Roland Kirk Quartet
Serenade To A Cuckoo
137 bpm • F min • 04:35 • -20db
22% Popularity • 58% Danceability • 15% Energy • 17% Liveness
49% Instrumentalness • 50% Positiveness
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Gary Burton Quartet
General Mojo's Well Laid Plan
119 bpm • G Maj • 04:58 • -16.12db
9% Popularity • 49% Danceability • 20% Energy • 8% Liveness
70% Instrumentalness • 39% Positiveness
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Booker Little
Milestones
120 bpm • A# min • 05:34 • -11.13db
22% Popularity • 46% Danceability • 64% Energy • 40% Liveness
81% Instrumentalness • 87% Positiveness
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Jan Garbarek Quartet
Afric Pepperbird
137 bpm • C Maj • 07:58 • -15.86db
12% Popularity • 47% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Dewey Redman
Spoonin'
119 bpm • A Maj • 07:27 • -9.36db
1% Popularity • 50% Danceability • 72% Energy • 40% Liveness
0% Instrumentalness • 62% Positiveness
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George Russell
Concerto for Billy the Kid
138 bpm • F min • 04:44 • -12db
15% Popularity • 38% Danceability • 51% Energy • 8% Liveness
2% Instrumentalness • 76% Positiveness
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McCoy Tyner
Passion Dance
119 bpm • C# Maj • 08:47 • -8.65db
31% Popularity • 47% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Tina Brooks
True Blue
119 bpm • F min • 04:57 • -7db
37% Popularity • 63% Danceability • 51% Energy • 11% Liveness
87% Instrumentalness • 77% Positiveness
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Art Ensemble Of Chicago
Dreaming Of The Master
119 bpm • G# Maj • 11:40 • -16.16db
8% Popularity • 43% Danceability • 31% Energy • 6% Liveness
46% Instrumentalness • 53% Positiveness
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Cecil Taylor
Air - Take 21
119 bpm • D Maj • 11:24 • -11.91db
0% Popularity • 46% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Gary Burton Quartet
Portsmouth Figurations
119 bpm • E min • 03:05 • -11db
12% Popularity • 40% Danceability • 66% Energy • 33% Liveness
66% Instrumentalness • 25% Positiveness
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Mary Lou Williams
K.C. 12th Street (Kansas City Swing) - L...
119 bpm • F# Maj • 11:54 • -15.52db
0% Popularity • 36% Danceability • 57% Energy • 81% Liveness
89% Instrumentalness • 58% Positiveness
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Weather Report
Seventh Arrow
138 bpm • A Maj • 05:21 • -8.8db
17% Popularity • 38% Danceability • 83% Energy • 18% Liveness
66% Instrumentalness • 30% Positiveness
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Tina Brooks
Miss Hazel
138 bpm • G# Maj • 05:32 • -7db
15% Popularity • 49% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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