Songs like Stickin In My Eye by NOFX
Based on a tempo of (+/- 10%) and a similar genre
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Bad Religion
Do What You Want
154 bpm • G Maj • 01:07 • -3.31db
58% Popularity • 39% Danceability • 99% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
58% Popularity • 39% Danceability • 99% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
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The Distillers
I Am A Revenant
154 bpm • G Maj • 03:29 • -3.95db
39% Popularity • 26% Danceability • 99% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
39% Popularity • 26% Danceability • 99% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
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NOFX
Stickin In My Eye
154 bpm • A Maj • 02:24 • -7.49db
51% Popularity • 30% Danceability • 97% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
51% Popularity • 30% Danceability • 97% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
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The Offspring
Session - 2008 Remaster
155 bpm • C Maj • 02:32 • -3.3db
47% Popularity • 47% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
47% Popularity • 47% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Ten Foot Pole
The Getaway
155 bpm • E Maj • 03:40 • -5.52db
33% Popularity • 30% Danceability • 98% Energy • 36% Liveness
18% Instrumentalness • 55% Positiveness
33% Popularity • 30% Danceability • 98% Energy • 36% Liveness
18% Instrumentalness • 55% Positiveness
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Swingin' Utters
Five Lessons Learned
153 bpm • E min • 01:55 • -4.37db
47% Popularity • 32% Danceability • 98% Energy • 46% Liveness
1% Instrumentalness • 68% Positiveness
47% Popularity • 32% Danceability • 98% Energy • 46% Liveness
1% Instrumentalness • 68% Positiveness
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Guttermouth
Asshole
155 bpm • G Maj • 01:39 • -4.47db
38% Popularity • 42% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
38% Popularity • 42% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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The Distillers
Seneca Falls
155 bpm • A Maj • 03:01 • -3.22db
46% Popularity • 19% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
46% Popularity • 19% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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NOFX
Usa-Holes
155 bpm • E min • 02:13 • -4.36db
42% Popularity • 45% Danceability • 99% Energy • 17% Liveness
1% Instrumentalness • 33% Positiveness
42% Popularity • 45% Danceability • 99% Energy • 17% Liveness
1% Instrumentalness • 33% Positiveness
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Bad Religion
You
155 bpm • C Maj • 02:06 • -3db
59% Popularity • 32% Danceability • 100% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
59% Popularity • 32% Danceability • 100% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
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Face To Face
Complicated
155 bpm • C Maj • 04:02 • -4.13db
36% Popularity • 47% Danceability • 95% Energy • 37% Liveness
11% Instrumentalness • 68% Positiveness
36% Popularity • 47% Danceability • 95% Energy • 37% Liveness
11% Instrumentalness • 68% Positiveness
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Rancid
Maxwell Murder
155 bpm • F Maj • 01:25 • -5.5db
56% Popularity • 49% Danceability • 97% Energy • 17% Liveness
2% Instrumentalness • 66% Positiveness
56% Popularity • 49% Danceability • 97% Energy • 17% Liveness
2% Instrumentalness • 66% Positiveness
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The Exploited
Sex and Violence
155 bpm • D Maj • 05:06 • -16.21db
39% Popularity • 43% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
39% Popularity • 43% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Millencolin
Bullion
152 bpm • D Maj • 02:00 • -8db
50% Popularity • 26% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
50% Popularity • 26% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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NOFX
Leaving Jesusland
156 bpm • C Maj • 02:54 • -4.89db
42% Popularity • 56% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
42% Popularity • 56% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Bad Religion
I Want to Conquer the World
156 bpm • A Maj • 02:17 • -3db
53% Popularity • 33% Danceability • 99% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
53% Popularity • 33% Danceability • 99% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Misfits
Some Kinda Hate - C.I. Recording 1978
151 bpm • C Maj • 02:01 • -9.3db
54% Popularity • 42% Danceability • 94% Energy • 10% Liveness
74% Instrumentalness • 32% Positiveness
54% Popularity • 42% Danceability • 94% Energy • 10% Liveness
74% Instrumentalness • 32% Positiveness
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Street Dogs
Not Without a Purpose
157 bpm • C Maj • 03:15 • -2.69db
37% Popularity • 43% Danceability • 99% Energy • 47% Liveness
0% Instrumentalness • 68% Positiveness
37% Popularity • 43% Danceability • 99% Energy • 47% Liveness
0% Instrumentalness • 68% Positiveness
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Voodoo Glow Skulls
The Band Geek Mafia
157 bpm • C Maj • 03:34 • -2.49db
24% Popularity • 44% Danceability • 98% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
24% Popularity • 44% Danceability • 98% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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Agnostic Front
Riot, Riot Upstart
157 bpm • A Maj • 02:14 • -3.2db
29% Popularity • 34% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
29% Popularity • 34% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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NOFX
Soul Doubt
151 bpm • D Maj • 02:46 • -6.33db
41% Popularity • 46% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
41% Popularity • 46% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Leftöver Crack
One Dead Cop
151 bpm • E Maj • 03:39 • -4.39db
31% Popularity • 26% Danceability • 98% Energy • 36% Liveness
5% Instrumentalness • 14% Positiveness
31% Popularity • 26% Danceability • 98% Energy • 36% Liveness
5% Instrumentalness • 14% Positiveness
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Screeching Weasel
The Science of Myth
158 bpm • F# min • 02:23 • -3.46db
28% Popularity • 32% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
28% Popularity • 32% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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The Lillingtons
I Don't Think She Cares
151 bpm • D Maj • 02:09 • -4.48db
25% Popularity • 40% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 40% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Guttermouth
1, 2, 3...Slam!
158 bpm • G Maj • 01:45 • -6.31db
37% Popularity • 51% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
37% Popularity • 51% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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88 Fingers Louie
Advice Column
158 bpm • E min • 03:08 • -4.05db
29% Popularity • 40% Danceability • 99% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
29% Popularity • 40% Danceability • 99% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
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NOFX
Franco Un-American
150 bpm • G Maj • 02:25 • -3.59db
49% Popularity • 56% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 71% Positiveness
49% Popularity • 56% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 71% Positiveness
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Against Me!
White People for Peace
158 bpm • G# Maj • 03:31 • -2db
42% Popularity • 42% Danceability • 99% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
42% Popularity • 42% Danceability • 99% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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The Offspring
Blackball
149 bpm • E Maj • 03:24 • -6.64db
38% Popularity • 38% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 38% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
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Face To Face
You Lied
159 bpm • A Maj • 03:27 • -4.82db
33% Popularity • 18% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
33% Popularity • 18% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Guttermouth
I'm Destroying The World
158 bpm • D Maj • 01:59 • -3db
41% Popularity • 51% Danceability • 99% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
41% Popularity • 51% Danceability • 99% Energy • 27% Liveness
0% Instrumentalness • 93% Positiveness
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I Against I
Maybe Tomorrow
159 bpm • F Maj • 02:39 • -4.99db
21% Popularity • 34% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
21% Popularity • 34% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Green Day
Jaded
159 bpm • C# Maj • 01:30 • -3.07db
53% Popularity • 25% Danceability • 100% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
53% Popularity • 25% Danceability • 100% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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blink-182
M+M's
159 bpm • A Maj • 02:39 • -7.92db
53% Popularity • 19% Danceability • 87% Energy • 9% Liveness
3% Instrumentalness • 75% Positiveness
53% Popularity • 19% Danceability • 87% Energy • 9% Liveness
3% Instrumentalness • 75% Positiveness
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The Offspring
Nitro (Youth Energy)
159 bpm • F min • 02:26 • -6.35db
55% Popularity • 32% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
55% Popularity • 32% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Mad Caddies
Road Rash
149 bpm • F Maj • 02:01 • -6db
45% Popularity • 57% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
45% Popularity • 57% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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Pulley
Gone
149 bpm • A# Maj • 02:22 • -5db
40% Popularity • 28% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
40% Popularity • 28% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Cigar
Laundry Basket
148 bpm • F# Maj • 01:07 • -3.01db
31% Popularity • 37% Danceability • 98% Energy • 3% Liveness
2% Instrumentalness • 91% Positiveness
31% Popularity • 37% Danceability • 98% Energy • 3% Liveness
2% Instrumentalness • 91% Positiveness
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Propagandhi
Ska Sucks
148 bpm • D Maj • 01:50 • -5.05db
43% Popularity • 42% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
43% Popularity • 42% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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AFI
A Single Second
160 bpm • F min • 02:12 • -4.59db
46% Popularity • 30% Danceability • 98% Energy • 23% Liveness
89% Instrumentalness • 72% Positiveness
46% Popularity • 30% Danceability • 98% Energy • 23% Liveness
89% Instrumentalness • 72% Positiveness
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The Offspring
Bad Habit
148 bpm • D Maj • 03:43 • -7.58db
60% Popularity • 35% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
60% Popularity • 35% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Voodoo Glow Skulls
Here Comes The Sun
148 bpm • F Maj • 02:00 • -5db
34% Popularity • 36% Danceability • 94% Energy • 3% Liveness
1% Instrumentalness • 62% Positiveness
34% Popularity • 36% Danceability • 94% Energy • 3% Liveness
1% Instrumentalness • 62% Positiveness
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SNFU
You Make Me Thick
161 bpm • G Maj • 03:03 • -7.08db
21% Popularity • 17% Danceability • 99% Energy • 11% Liveness
8% Instrumentalness • 15% Positiveness
21% Popularity • 17% Danceability • 99% Energy • 11% Liveness
8% Instrumentalness • 15% Positiveness
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Strike Anywhere
To The World
161 bpm • D Maj • 03:22 • -4.91db
31% Popularity • 30% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 30% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
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Propagandhi
I Am a Rifle
148 bpm • C# Maj • 02:16 • -3.34db
48% Popularity • 46% Danceability • 98% Energy • 65% Liveness
0% Instrumentalness • 62% Positiveness
48% Popularity • 46% Danceability • 98% Energy • 65% Liveness
0% Instrumentalness • 62% Positiveness
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Bad Religion
No Control
148 bpm • B min • 01:46 • -4db
53% Popularity • 46% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
53% Popularity • 46% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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The Offspring
Americana
147 bpm • G Maj • 03:15 • -5db
60% Popularity • 38% Danceability • 82% Energy • 41% Liveness
0% Instrumentalness • 81% Positiveness
60% Popularity • 38% Danceability • 82% Energy • 41% Liveness
0% Instrumentalness • 81% Positiveness
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RKL
We're Back We're Pissed
147 bpm • D Maj • 03:39 • -6.83db
28% Popularity • 30% Danceability • 96% Energy • 34% Liveness
13% Instrumentalness • 63% Positiveness
28% Popularity • 30% Danceability • 96% Energy • 34% Liveness
13% Instrumentalness • 63% Positiveness
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Rancid
Roots Radical
162 bpm • C Maj • 02:47 • -4.75db
54% Popularity • 53% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
54% Popularity • 53% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Face To Face
It's Not Over
162 bpm • C Maj • 02:26 • -5.32db
35% Popularity • 25% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 25% Danceability • 97% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
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Goldfinger
Mable
146 bpm • G Maj • 02:19 • -9db
36% Popularity • 43% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 43% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
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Guttermouth
Hit Machine
162 bpm • F# min • 01:58 • -4.33db
39% Popularity • 30% Danceability • 99% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
39% Popularity • 30% Danceability • 99% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
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The Offspring
Genocide
162 bpm • C Maj • 03:33 • -7.43db
50% Popularity • 34% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
50% Popularity • 34% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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88 Fingers Louie
Holding Back
163 bpm • F# min • 01:40 • -4.24db
40% Popularity • 29% Danceability • 99% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
40% Popularity • 29% Danceability • 99% Energy • 34% Liveness
0% Instrumentalness • 19% Positiveness
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The Distillers
Oh Serena
163 bpm • D# Maj • 02:32 • -2.97db
33% Popularity • 30% Danceability • 97% Energy • 47% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 30% Danceability • 97% Energy • 47% Liveness
0% Instrumentalness • 49% Positiveness
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Screeching Weasel
Follow Your Leaders
145 bpm • C# min • 02:06 • -4db
30% Popularity • 59% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 59% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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Bad Religion
Los Angeles Is Burning
163 bpm • C Maj • 03:23 • -3.3db
50% Popularity • 42% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
50% Popularity • 42% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Guttermouth
I'm Punk
162 bpm • G Maj • 01:05 • -5.49db
37% Popularity • 47% Danceability • 98% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
37% Popularity • 47% Danceability • 98% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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Voodoo Glow Skulls
El Coo Cooi
145 bpm • C Maj • 02:37 • -6db
37% Popularity • 43% Danceability • 97% Energy • 19% Liveness
70% Instrumentalness • 83% Positiveness
37% Popularity • 43% Danceability • 97% Energy • 19% Liveness
70% Instrumentalness • 83% Positiveness
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88 Fingers Louie
I’ve Won
163 bpm • C# min • 01:35 • -4.06db
46% Popularity • 29% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
46% Popularity • 29% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
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AFI
The Boy Who Destroyed The World
164 bpm • E min • 03:05 • -5.77db
55% Popularity • 23% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
55% Popularity • 23% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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NOFX
Idiots Are Taking Over
145 bpm • A Maj • 03:21 • -3.71db
47% Popularity • 35% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
47% Popularity • 35% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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The Bouncing Souls
Gone
164 bpm • C# Maj • 04:07 • -5.24db
36% Popularity • 29% Danceability • 88% Energy • 64% Liveness
0% Instrumentalness • 43% Positiveness
36% Popularity • 29% Danceability • 88% Energy • 64% Liveness
0% Instrumentalness • 43% Positiveness
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Bad Religion
Generator
145 bpm • A min • 03:22 • -3.36db
48% Popularity • 30% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
48% Popularity • 30% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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Voodoo Glow Skulls
Fat Randy
145 bpm • F Maj • 03:03 • -5.34db
28% Popularity • 39% Danceability • 96% Energy • 56% Liveness
1% Instrumentalness • 96% Positiveness
28% Popularity • 39% Danceability • 96% Energy • 56% Liveness
1% Instrumentalness • 96% Positiveness
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Guttermouth
She's Got The Look
164 bpm • E Maj • 02:41 • -4db
45% Popularity • 55% Danceability • 97% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
45% Popularity • 55% Danceability • 97% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
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Ten Foot Pole
Never Look Back
165 bpm • G# min • 02:20 • -5.8db
34% Popularity • 28% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
34% Popularity • 28% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 87% Positiveness
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Bigwig
A War Inside
165 bpm • B min • 02:10 • -5db
35% Popularity • 42% Danceability • 100% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 42% Danceability • 100% Energy • 30% Liveness
0% Instrumentalness • 38% Positiveness
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Face To Face
Resignation
165 bpm • G Maj • 03:48 • -4.47db
32% Popularity • 37% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 37% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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The Lillingtons
Black Hole In My Mind
165 bpm • A# Maj • 03:16 • -5.58db
39% Popularity • 32% Danceability • 93% Energy • 44% Liveness
3% Instrumentalness • 72% Positiveness
39% Popularity • 32% Danceability • 93% Energy • 44% Liveness
3% Instrumentalness • 72% Positiveness
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Voodoo Glow Skulls
Closet Monster
144 bpm • D Maj • 02:35 • -5db
27% Popularity • 38% Danceability • 99% Energy • 12% Liveness
1% Instrumentalness • 45% Positiveness
27% Popularity • 38% Danceability • 99% Energy • 12% Liveness
1% Instrumentalness • 45% Positiveness
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The Distillers
Sick Of It All
165 bpm • D Maj • 03:10 • -3.29db
38% Popularity • 18% Danceability • 100% Energy • 60% Liveness
0% Instrumentalness • 35% Positiveness
38% Popularity • 18% Danceability • 100% Energy • 60% Liveness
0% Instrumentalness • 35% Positiveness
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Dwarves
Everybodies Girl
143 bpm • E Maj • 02:42 • -5db
37% Popularity • 38% Danceability • 96% Energy • 60% Liveness
0% Instrumentalness • 58% Positiveness
37% Popularity • 38% Danceability • 96% Energy • 60% Liveness
0% Instrumentalness • 58% Positiveness
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Alkaline Trio
Private Eye
166 bpm • G Maj • 03:30 • -4.83db
51% Popularity • 41% Danceability • 95% Energy • 30% Liveness
1% Instrumentalness • 75% Positiveness
51% Popularity • 41% Danceability • 95% Energy • 30% Liveness
1% Instrumentalness • 75% Positiveness
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Face To Face
A-OK
144 bpm • C Maj • 02:57 • -5db
39% Popularity • 38% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
39% Popularity • 38% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
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The Offspring
Cool To Hate
166 bpm • A# min • 02:47 • -3.34db
48% Popularity • 34% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
48% Popularity • 34% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
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Voodoo Glow Skulls
Drunk Tank
143 bpm • B min • 01:57 • -5db
24% Popularity • 40% Danceability • 98% Energy • 31% Liveness
47% Instrumentalness • 79% Positiveness
24% Popularity • 40% Danceability • 98% Energy • 31% Liveness
47% Instrumentalness • 79% Positiveness
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Pulley
Hooray For Me
143 bpm • A# Maj • 02:19 • -4.13db
32% Popularity • 44% Danceability • 98% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 44% Danceability • 98% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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88 Fingers Louie
I Hate Myself
142 bpm • C Maj • 02:08 • -4db
40% Popularity • 33% Danceability • 99% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
40% Popularity • 33% Danceability • 99% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Minor Threat
Minor Threat
166 bpm • D Maj • 01:29 • -7.48db
57% Popularity • 27% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 95% Positiveness
57% Popularity • 27% Danceability • 91% Energy • 21% Liveness
0% Instrumentalness • 95% Positiveness
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Screeching Weasel
I Wanna Be Naked
142 bpm • A Maj • 01:44 • -5.52db
25% Popularity • 31% Danceability • 86% Energy • 10% Liveness
2% Instrumentalness • 88% Positiveness
25% Popularity • 31% Danceability • 86% Energy • 10% Liveness
2% Instrumentalness • 88% Positiveness
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NOFX
She's Gone
168 bpm • C Maj • 02:56 • -6.24db
34% Popularity • 30% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
34% Popularity • 30% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 80% Positiveness
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Subhumans
Mickey Mouse Is Dead
168 bpm • C# min • 02:44 • -11db
45% Popularity • 34% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 34% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Pulley
A Bad Reputation
167 bpm • G Maj • 02:53 • -4.75db
26% Popularity • 47% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 47% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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The Queers
Ursula Finally Has Tits
141 bpm • A Maj • 02:26 • -3db
28% Popularity • 40% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 40% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Lars Frederiksen and the Bastards
To Have And To Have Not
168 bpm • G Maj • 02:46 • -2db
46% Popularity • 28% Danceability • 96% Energy • 50% Liveness
0% Instrumentalness • 52% Positiveness
46% Popularity • 28% Danceability • 96% Energy • 50% Liveness
0% Instrumentalness • 52% Positiveness
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Leftöver Crack
Burn Them Prisons
141 bpm • G Maj • 03:15 • -3.67db
29% Popularity • 41% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 41% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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The Distillers
Drain the Blood
169 bpm • C Maj • 03:09 • -4.17db
53% Popularity • 39% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
53% Popularity • 39% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
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Belvedere
Hairline
169 bpm • A# min • 02:49 • -3.25db
25% Popularity • 42% Danceability • 98% Energy • 31% Liveness
6% Instrumentalness • 61% Positiveness
25% Popularity • 42% Danceability • 98% Energy • 31% Liveness
6% Instrumentalness • 61% Positiveness
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Teenage Bottlerocket
They Call Me Steve
169 bpm • D Maj • 02:20 • -3.14db
41% Popularity • 42% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
41% Popularity • 42% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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The Offspring
The Meaning Of Life
169 bpm • C Maj • 02:56 • -2.78db
55% Popularity • 26% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
55% Popularity • 26% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Lars Frederiksen and the Bastards
Wine And Roses
141 bpm • A Maj • 03:21 • -2.38db
27% Popularity • 47% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 47% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 39% Positiveness
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Guttermouth
Do The Hustle
169 bpm • E Maj • 02:23 • -4.28db
32% Popularity • 37% Danceability • 99% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 37% Danceability • 99% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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NOFX
Bottles To The Ground
170 bpm • C Maj • 02:20 • -6.84db
42% Popularity • 40% Danceability • 88% Energy • 35% Liveness
1% Instrumentalness • 57% Positiveness
42% Popularity • 40% Danceability • 88% Energy • 35% Liveness
1% Instrumentalness • 57% Positiveness
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The Queers
Fuck the World
140 bpm • C Maj • 02:31 • -4.38db
33% Popularity • 38% Danceability • 94% Energy • 33% Liveness
5% Instrumentalness • 47% Positiveness
33% Popularity • 38% Danceability • 94% Energy • 33% Liveness
5% Instrumentalness • 47% Positiveness
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Face To Face
Bent but Not Broken
139 bpm • F# min • 02:30 • -5.26db
38% Popularity • 51% Danceability • 97% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
38% Popularity • 51% Danceability • 97% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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The Offspring
No Brakes
170 bpm • G Maj • 02:04 • -4.21db
56% Popularity • 34% Danceability • 99% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
56% Popularity • 34% Danceability • 99% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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PEARS
Green Star
170 bpm • C# min • 02:31 • -4.47db
28% Popularity • 41% Danceability • 99% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 41% Danceability • 99% Energy • 34% Liveness
0% Instrumentalness • 52% Positiveness
