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Still The Same - Live
Songs like
Still The Same - Live
by
Tex Perkins
Based on a tempo of (+/- 10%) and a similar genre
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Bernard Fanning
Fighting For Air
78 bpm • D# Maj • 03:18 • -6.81db
17% Popularity • 61% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Drop B
Hell Yeah
78 bpm • G Maj • 03:19 • -12.53db
13% Popularity • 50% Danceability • 48% Energy • 11% Liveness
15% Instrumentalness • 45% Positiveness
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Ben Ottewell
Own It
78 bpm • C Maj • 04:23 • -7.62db
10% Popularity • 55% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Pigram Brothers
Freshwater
78 bpm • A Maj • 01:59 • -14db
18% Popularity • 47% Danceability • 25% Energy • 22% Liveness
34% Instrumentalness • 62% Positiveness
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Tex Perkins
Pay The Devil's Due
78 bpm • A# Maj • 05:16 • -7.87db
15% Popularity • 46% Danceability • 60% Energy • 11% Liveness
3% Instrumentalness • 22% Positiveness
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Weddings Parties Anything
Step In, Step Out
77 bpm • D Maj • 03:57 • -11db
22% Popularity • 45% Danceability • 46% Energy • 56% Liveness
0% Instrumentalness • 61% Positiveness
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Bernard Fanning
Hope And Validation
78 bpm • E Maj • 03:09 • -6db
32% Popularity • 54% Danceability • 65% Energy • 44% Liveness
8% Instrumentalness • 38% Positiveness
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Chris Wilson
The Changeling - Live
79 bpm • G Maj • 04:46 • -6.91db
9% Popularity • 31% Danceability • 41% Energy • 66% Liveness
0% Instrumentalness • 10% Positiveness
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Mia Dyson
Roll Me Out
79 bpm • E Maj • 04:31 • -6db
25% Popularity • 57% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Lisa Miller
Hang My Head
77 bpm • D Maj • 05:19 • -10db
8% Popularity • 45% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Don McGlashan
I Will Not Let You Down
77 bpm • A min • 04:06 • -10.84db
24% Popularity • 52% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Weddings Parties Anything
The Year She Spent In England
77 bpm • E Maj • 04:38 • -16db
10% Popularity • 60% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Bernard Fanning
Thrill Is Gone
79 bpm • F Maj • 03:11 • -7db
37% Popularity • 54% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Tim Rogers & The Twin Set
You've Been So Good To Me So Far
79 bpm • E Maj • 04:39 • -6.83db
19% Popularity • 47% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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William Crighton
Water and Dust
79 bpm • B Maj • 06:23 • -6.42db
13% Popularity • 15% Danceability • 75% Energy • 42% Liveness
65% Instrumentalness • 22% Positiveness
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Deborah Conway & Willy Zygier
Book Of Life
80 bpm • A# min • 05:10 • -16.41db
8% Popularity • 58% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Claire Anne Taylor
Pick Your Bones
76 bpm • D Maj • 04:24 • -13db
15% Popularity • 60% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Slobberbone
To Love Somebody
76 bpm • G Maj • 03:35 • -5.83db
16% Popularity • 42% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Bernard Fanning
Watch Over Me
77 bpm • D Maj • 03:33 • -15.92db
41% Popularity • 66% Danceability • 10% Energy • 11% Liveness
2% Instrumentalness • 47% Positiveness
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Tim Rogers & The Twin Set
Last Nite I Left My Heart All Over the P...
80 bpm • D# Maj • 04:10 • -6.72db
21% Popularity • 46% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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The Be Good Tanyas
For The Turnstiles
80 bpm • F Maj • 04:26 • -8db
41% Popularity • 55% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Shane Howard
The Bridge
80 bpm • G Maj • 05:06 • -10.53db
12% Popularity • 38% Danceability • 33% Energy • 40% Liveness
0% Instrumentalness • 9% Positiveness
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Weddings Parties Anything
Houses
76 bpm • C Maj • 03:35 • -9db
8% Popularity • 47% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Chuck Prophet
Old Friends
80 bpm • D Maj • 03:56 • -9.22db
30% Popularity • 42% Danceability • 77% Energy • 6% Liveness
1% Instrumentalness • 83% Positiveness
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Bernard Fanning
Songbird
81 bpm • F# min • 02:36 • -6.97db
58% Popularity • 58% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Tim Rogers & The Twin Set
Under the Flight Path
80 bpm • E Maj • 03:09 • -7.96db
11% Popularity • 42% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Matt Walker
Words Fall
80 bpm • E Maj • 03:56 • -10.28db
4% Popularity • 63% Danceability • 51% Energy • 20% Liveness
7% Instrumentalness • 12% Positiveness
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Neil Murray
Cooling Winds
76 bpm • D Maj • 04:05 • -6db
15% Popularity • 57% Danceability • 72% Energy • 13% Liveness
2% Instrumentalness • 34% Positiveness
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The Triffids
Wide Open Road
81 bpm • A min • 04:08 • -9db
41% Popularity • 54% Danceability • 70% Energy • 10% Liveness
26% Instrumentalness • 57% Positiveness
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Chuck Prophet
Storm Across the Sea
76 bpm • G# Maj • 04:16 • -6.15db
28% Popularity • 59% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Bernard Fanning
Somewhere Along The Way
81 bpm • E Maj • 03:04 • -8.27db
23% Popularity • 61% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 36% Positiveness
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Weddings Parties Anything
Wide Open Road
81 bpm • G Maj • 04:16 • -5db
23% Popularity • 21% Danceability • 76% Energy • 93% Liveness
0% Instrumentalness • 62% Positiveness
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Fun Lovin' Criminals
Shining Star
75 bpm • E Maj • 04:43 • -9.6db
29% Popularity • 60% Danceability • 49% Energy • 16% Liveness
38% Instrumentalness • 39% Positiveness
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Bap Kennedy
Madame George
75 bpm • F Maj • 06:01 • -10.49db
12% Popularity • 39% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Tex Perkins
Poor Simple Minded Fool
81 bpm • E min • 02:53 • -6.83db
14% Popularity • 48% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Chuck Prophet
You've Got Me Where You Want Me
75 bpm • A# Maj • 03:27 • -7.8db
17% Popularity • 64% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Jimmy Little
Bring Yourself Home to Me
75 bpm • A min • 03:43 • -19.54db
18% Popularity • 35% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Ed Kuepper
Messing With The Kid
75 bpm • D Maj • 05:27 • -9db
9% Popularity • 46% Danceability • 33% Energy • 8% Liveness
1% Instrumentalness • 15% Positiveness
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Benny Walker
Woman
82 bpm • G Maj • 03:12 • -7.77db
23% Popularity • 67% Danceability • 48% Energy • 14% Liveness
1% Instrumentalness • 50% Positiveness
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Dan Parsons
Whatcha Gonna Do About It
82 bpm • D Maj • 03:14 • -8.62db
29% Popularity • 57% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Mia Dyson
Choose
82 bpm • D# Maj • 04:53 • -10.87db
24% Popularity • 61% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Jen Cloher
Fear Is Like a Forest
74 bpm • G Maj • 04:38 • -6.04db
18% Popularity • 52% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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The Delines
The Oil Rigs at Night
74 bpm • G# Maj • 04:23 • -11.58db
14% Popularity • 53% Danceability • 37% Energy • 8% Liveness
12% Instrumentalness • 34% Positiveness
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Don Walker
Young Girls
74 bpm • D min • 05:58 • -9db
18% Popularity • 59% Danceability • 76% Energy • 16% Liveness
5% Instrumentalness • 41% Positiveness
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Kev Carmody
Thou Shalt Not Steal
83 bpm • D Maj • 04:56 • -12.8db
19% Popularity • 60% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Kavisha Mazzella
Big Blue Above
73 bpm • A Maj • 02:17 • -6.99db
16% Popularity • 48% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Shawn Santalucia
When I Was a Child (Remastered)
83 bpm • G Maj • 05:17 • -12.41db
8% Popularity • 59% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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The Dingoes
Pay Day Again
84 bpm • D Maj • 03:23 • -17db
14% Popularity • 46% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Jimmy Little
Into Temptation
84 bpm • D Maj • 04:48 • -13.35db
16% Popularity • 65% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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TnT - Tim Rogers & Tex Perkins
Half Of Nothing
72 bpm • D Maj • 04:45 • -12db
8% Popularity • 43% Danceability • 30% Energy • 36% Liveness
0% Instrumentalness • 25% Positiveness
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Kev Carmody
Cannot Buy My Soul
84 bpm • C Maj • 02:32 • -21.05db
10% Popularity • 36% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Dan Zappulla
Let Me Be the First to Leave
72 bpm • A Maj • 03:31 • -10.72db
17% Popularity • 68% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Henry Wagons
Tower of Song
85 bpm • D# Maj • 03:33 • -16.54db
15% Popularity • 57% Danceability • 16% Energy • 11% Liveness
75% Instrumentalness • 28% Positiveness
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Bernard Fanning
Not Finished Just Yet
71 bpm • C Maj • 03:17 • -5.57db
37% Popularity • 53% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Tim Rogers & The Twin Set
Up-A-Ways
71 bpm • G Maj • 03:16 • -5.21db
7% Popularity • 30% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Josh Teskey
Push The Blues Away
86 bpm • D Maj • 03:29 • -8.12db
38% Popularity • 54% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Kev Carmody
Moonstruck
85 bpm • E Maj • 04:37 • -12db
19% Popularity • 50% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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The Dingoes
Boy on the Run
86 bpm • G Maj • 03:43 • -16.83db
18% Popularity • 49% Danceability • 33% Energy • 10% Liveness
1% Instrumentalness • 51% Positiveness
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The Audreys
Oh Honey
70 bpm • F# min • 04:29 • -8.84db
21% Popularity • 33% Danceability • 63% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Bernard Fanning
Yesterday's Gone
87 bpm • A Maj • 02:32 • -9db
41% Popularity • 59% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Lloyd Spiegel
Tangled Brew
87 bpm • G# min • 03:57 • -9.16db
31% Popularity • 64% Danceability • 52% Energy • 12% Liveness
6% Instrumentalness • 79% Positiveness
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Chris Smither
Drive You Home Again
87 bpm • C# min • 05:28 • -12.06db
13% Popularity • 59% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 33% Positiveness
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Kev Carmody
I've Been Moved
88 bpm • D Maj • 02:49 • -15.38db
10% Popularity • 50% Danceability • 24% Energy • 33% Liveness
0% Instrumentalness • 36% Positiveness
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Tex Perkins
Fateful Day
88 bpm • C Maj • 03:22 • -13.75db
8% Popularity • 43% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Jeff Lang
Twelve Thousand Miles
88 bpm • C# min • 04:36 • -4.9db
13% Popularity • 48% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 51% Positiveness
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Richard Clapton
Highway One #2 (Children of the Sun) - 2...
88 bpm • C Maj • 05:15 • -6.78db
13% Popularity • 49% Danceability • 77% Energy • 7% Liveness
2% Instrumentalness • 80% Positiveness
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Bernard Fanning
Departures (Blue Toowong Skies)
89 bpm • G Maj • 04:20 • -12db
32% Popularity • 40% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Wilson Diesel
I Cant Stand the Rain
89 bpm • C# Maj • 03:45 • -6db
19% Popularity • 63% Danceability • 75% Energy • 44% Liveness
1% Instrumentalness • 84% Positiveness
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Chris Wilson
Wolves - Live
68 bpm • G Maj • 05:59 • -8.08db
8% Popularity • 30% Danceability • 47% Energy • 70% Liveness
0% Instrumentalness • 21% Positiveness
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Tex Perkins
Sitting In A Bar
88 bpm • C Maj • 04:16 • -14.28db
12% Popularity • 44% Danceability • 30% Energy • 29% Liveness
0% Instrumentalness • 32% Positiveness
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Neil Murray
Lights of Hay
89 bpm • B min • 04:48 • -9.12db
23% Popularity • 68% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Dom Martin
Easy Way Out
90 bpm • G Maj • 04:58 • -14.25db
10% Popularity • 29% Danceability • 21% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Busby Marou
Better Be Home Soon
89 bpm • C Maj • 03:49 • -9db
31% Popularity • 56% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 24% Positiveness
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Hussy Hicks
That Old Heartache
90 bpm • A min • 04:16 • -12db
21% Popularity • 49% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Matt Walker
(I Wanna Be) Close To You
90 bpm • C Maj • 04:39 • -7.61db
8% Popularity • 59% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Tex Perkins
Girl With Bluebird
90 bpm • F Maj • 03:10 • -13.29db
8% Popularity • 44% Danceability • 17% Energy • 32% Liveness
6% Instrumentalness • 27% Positiveness
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The Whitlams
Tangled Up In Blue
91 bpm • G Maj • 05:39 • -7db
31% Popularity • 57% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Ed Kuepper
Hey Joe
91 bpm • F Maj • 03:18 • -9.53db
19% Popularity • 73% Danceability • 47% Energy • 7% Liveness
2% Instrumentalness • 50% Positiveness
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The Unfaithful Ways
Trouble I'm In
92 bpm • A min • 03:31 • -8.6db
23% Popularity • 50% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
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The Eastern
The Stepping Razor
66 bpm • C Maj • 03:46 • -6.42db
17% Popularity • 53% Danceability • 61% Energy • 66% Liveness
0% Instrumentalness • 80% Positiveness
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The Black Sorrows
Lover I Surrender
92 bpm • F# Maj • 03:55 • -9db
10% Popularity • 77% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Tex Perkins
The Devil Ain't Buying
91 bpm • C Maj • 03:56 • -7db
9% Popularity • 58% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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Jimmy Little
(Are You) The One I've Been Waiting For
66 bpm • F Maj • 04:08 • -14.65db
9% Popularity • 33% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Richard Clapton
Wintertime in Amsterdam - 2009 Remaster
92 bpm • C Maj • 06:07 • -5.85db
8% Popularity • 44% Danceability • 60% Energy • 19% Liveness
40% Instrumentalness • 35% Positiveness
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The Gadflys
Butterfly
92 bpm • A Maj • 04:16 • -9.11db
12% Popularity • 54% Danceability • 44% Energy • 30% Liveness
1% Instrumentalness • 59% Positiveness
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Neil Murray
He Was Born
92 bpm • F Maj • 04:12 • -13.08db
10% Popularity • 71% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Frank Yamma
She Cried
92 bpm • G Maj • 05:53 • -13.72db
16% Popularity • 58% Danceability • 17% Energy • 10% Liveness
13% Instrumentalness • 8% Positiveness
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Tex Perkins
Louise
92 bpm • D min • 04:48 • -12.44db
7% Popularity • 63% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Little Georgia
Yellow Cup
92 bpm • G Maj • 04:04 • -8db
18% Popularity • 51% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Karma County
Secret Country
92 bpm • G Maj • 04:19 • -7.72db
10% Popularity • 65% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Don Walker
Hully Gully
92 bpm • E Maj • 03:46 • -8.02db
11% Popularity • 49% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Chuck Prophet
Pin a Rose on Me
93 bpm • F min • 04:53 • -8.24db
18% Popularity • 71% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Pigram Brothers
Eulogy For A Black Man
93 bpm • D Maj • 04:43 • -8.28db
10% Popularity • 56% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Ben Ottewell
A Man Apart
93 bpm • G Maj • 03:50 • -5db
12% Popularity • 59% Danceability • 79% Energy • 14% Liveness
1% Instrumentalness • 62% Positiveness
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Chris Wilson
Face in the Mirror - Live
93 bpm • G Maj • 06:02 • -9.21db
9% Popularity • 48% Danceability • 42% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
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Beasts Of Bourbon
Thanks
94 bpm • E Maj • 03:14 • -6.87db
12% Popularity • 33% Danceability • 58% Energy • 10% Liveness
2% Instrumentalness • 53% Positiveness
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Shane Howard
Solid Rock- Sacred Ground
94 bpm • A min • 08:17 • -11db
11% Popularity • 43% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Jordie Lane
Dreamin' the Life
94 bpm • G Maj • 03:34 • -7.1db
17% Popularity • 51% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
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Chuck Prophet
Smallest Man in the World
94 bpm • E Maj • 04:03 • -8.88db
13% Popularity • 59% Danceability • 64% Energy • 14% Liveness
30% Instrumentalness • 56% Positiveness
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Shaun Kirk
Howlin' At The Moon
94 bpm • G min • 04:05 • -6db
11% Popularity • 50% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Still The Same - Live