Songs like Stille Nacht (Silent Night) (arr. J. Mattern and D. Kantor) by Franz Xaver Gruber
Based on a tempo of (+/- 10%) and a similar genre
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Rivertree Singers Festival Chorus
Jubilate Deo: II. Ve adthdor vador
65 bpm • G Maj • 08:30 • -19.96db
11% Popularity • 16% Danceability • 15% Energy • 37% Liveness
26% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 15% Energy • 37% Liveness
26% Instrumentalness • 4% Positiveness
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Ryan Marvel
It Came Upon the Midnight Clear
65 bpm • A# Maj • 03:44 • -23.12db
19% Popularity • 50% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
19% Popularity • 50% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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Patrick Cassidy
The Mass: Benedictus
65 bpm • D# Maj • 03:25 • -20.04db
18% Popularity • 6% Danceability • 19% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
18% Popularity • 6% Danceability • 19% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Henry Walford Davies
God be in my head
65 bpm • A Maj • 01:27 • -45db
18% Popularity • 24% Danceability • 0% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
18% Popularity • 24% Danceability • 0% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Carmelo Emanuela Patti
Ave Maria di Caccini
65 bpm • F# min • 03:33 • -6.92db
11% Popularity • 19% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 19% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Orlande de Lassus
Alleluia laus et gloria, IOL 8
65 bpm • A# Maj • 00:56 • -23.01db
38% Popularity • 26% Danceability • 10% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
38% Popularity • 26% Danceability • 10% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
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Henry Purcell
Hear my Prayer, O Lord, Z. 15
65 bpm • C Maj • 02:36 • -24.53db
30% Popularity • 18% Danceability • 12% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
30% Popularity • 18% Danceability • 12% Energy • 9% Liveness
84% Instrumentalness • 3% Positiveness
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Jeremiah Clarke
Clarke: Suite in D Major IV. Prince of D...
64 bpm • D Maj • 02:09 • -17.37db
15% Popularity • 45% Danceability • 6% Energy • 32% Liveness
92% Instrumentalness • 38% Positiveness
15% Popularity • 45% Danceability • 6% Energy • 32% Liveness
92% Instrumentalness • 38% Positiveness
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Stuart Townend
In Christ Alone
64 bpm • E Maj • 04:05 • -10.17db
17% Popularity • 27% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
17% Popularity • 27% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Daniel Elder
3 Nocturnes: No. 1. Ballade to the Moon
66 bpm • E Maj • 05:07 • -28.32db
32% Popularity • 21% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 4% Positiveness
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Paul Mealor
Wherever You Are
64 bpm • A# Maj • 03:58 • -13.44db
13% Popularity • 15% Danceability • 26% Energy • 20% Liveness
33% Instrumentalness • 12% Positiveness
13% Popularity • 15% Danceability • 26% Energy • 20% Liveness
33% Instrumentalness • 12% Positiveness
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Marc-Antoine Charpentier
Te Deum: Prélude
66 bpm • D Maj • 01:50 • -12db
24% Popularity • 38% Danceability • 38% Energy • 13% Liveness
80% Instrumentalness • 53% Positiveness
24% Popularity • 38% Danceability • 38% Energy • 13% Liveness
80% Instrumentalness • 53% Positiveness
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The Tallis Scholars
Allegri: Miserere - 05. Auditui Meo Dabi...
66 bpm • A Maj • 01:11 • -26db
44% Popularity • 15% Danceability • 8% Energy • 12% Liveness
53% Instrumentalness • 3% Positiveness
44% Popularity • 15% Danceability • 8% Energy • 12% Liveness
53% Instrumentalness • 3% Positiveness
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Jacobus Gallus
Haec est dies
66 bpm • F Maj • 02:05 • -21.15db
18% Popularity • 20% Danceability • 15% Energy • 13% Liveness
5% Instrumentalness • 10% Positiveness
18% Popularity • 20% Danceability • 15% Energy • 13% Liveness
5% Instrumentalness • 10% Positiveness
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Franz Xaver Gruber
Stille Nacht, heilige Nacht, H.145
66 bpm • C# Maj • 03:16 • -15.27db
8% Popularity • 20% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 20% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Maurice Duruflé
Quatre Motets sur des thèmes grégorien...
64 bpm • G min • 02:17 • -29.65db
16% Popularity • 23% Danceability • 3% Energy • 19% Liveness
72% Instrumentalness • 6% Positiveness
16% Popularity • 23% Danceability • 3% Energy • 19% Liveness
72% Instrumentalness • 6% Positiveness
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Giovanni Pierluigi da Palestrina
Pueri Hebraeorum
66 bpm • G# Maj • 01:53 • -22.55db
11% Popularity • 29% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 20% Positiveness
11% Popularity • 29% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 20% Positiveness
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Samuel Barber
Agnus Dei, Op.11
64 bpm • A# min • 09:27 • -27.99db
32% Popularity • 7% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
32% Popularity • 7% Danceability • 3% Energy • 7% Liveness
89% Instrumentalness • 3% Positiveness
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Antonio Vivaldi
Gloria: Domine Deus, Rex coelestis
66 bpm • B Maj • 04:05 • -30db
29% Popularity • 28% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
29% Popularity • 28% Danceability • 3% Energy • 11% Liveness
84% Instrumentalness • 16% Positiveness
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Jacobus Gallus
Confirma hoc Deus
66 bpm • A Maj • 01:29 • -24.14db
39% Popularity • 22% Danceability • 11% Energy • 5% Liveness
93% Instrumentalness • 9% Positiveness
39% Popularity • 22% Danceability • 11% Energy • 5% Liveness
93% Instrumentalness • 9% Positiveness
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Robert Lowry
Shall We Gather at the River?
67 bpm • D# Maj • 03:34 • -18db
13% Popularity • 18% Danceability • 7% Energy • 8% Liveness
93% Instrumentalness • 5% Positiveness
13% Popularity • 18% Danceability • 7% Energy • 8% Liveness
93% Instrumentalness • 5% Positiveness
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Joni Mitchell
Both Sides Now
67 bpm • D Maj • 06:33 • -30.36db
21% Popularity • 10% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
21% Popularity • 10% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Michael Lorenc
Ave Maria (Arr. by Simon Lole)
67 bpm • E Maj • 04:53 • -9.93db
8% Popularity • 19% Danceability • 33% Energy • 10% Liveness
38% Instrumentalness • 7% Positiveness
8% Popularity • 19% Danceability • 33% Energy • 10% Liveness
38% Instrumentalness • 7% Positiveness
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Ēriks Ešenvalds
Only in Sleep
67 bpm • F# Maj • 05:17 • -24.34db
32% Popularity • 11% Danceability • 10% Energy • 7% Liveness
57% Instrumentalness • 4% Positiveness
32% Popularity • 11% Danceability • 10% Energy • 7% Liveness
57% Instrumentalness • 4% Positiveness
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Christopher P Sly
Salve from Amazon
67 bpm • C Maj • 04:14 • -9.88db
12% Popularity • 22% Danceability • 21% Energy • 12% Liveness
67% Instrumentalness • 7% Positiveness
12% Popularity • 22% Danceability • 21% Energy • 12% Liveness
67% Instrumentalness • 7% Positiveness
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William Byrd
Ave verum corpus
63 bpm • G min • 04:21 • -25db
36% Popularity • 20% Danceability • 9% Energy • 13% Liveness
39% Instrumentalness • 3% Positiveness
36% Popularity • 20% Danceability • 9% Energy • 13% Liveness
39% Instrumentalness • 3% Positiveness
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Ryan Marvel
Angels We Have Heard on High / O Come Al...
63 bpm • A# Maj • 03:57 • -21.03db
17% Popularity • 35% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 19% Positiveness
17% Popularity • 35% Danceability • 9% Energy • 9% Liveness
93% Instrumentalness • 19% Positiveness
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Ola Gjeilo
Across The Vast, Eternal Sky
67 bpm • B Maj • 04:38 • -17.33db
27% Popularity • 16% Danceability • 15% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
27% Popularity • 16% Danceability • 15% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Terje Bjørklund
Arctic Lines: VI. Sami Song
67 bpm • F Maj • 03:03 • -21.57db
8% Popularity • 14% Danceability • 4% Energy • 16% Liveness
54% Instrumentalness • 15% Positiveness
8% Popularity • 14% Danceability • 4% Energy • 16% Liveness
54% Instrumentalness • 15% Positiveness
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Edvard Grieg
Våren / The Last Spring
68 bpm • F Maj • 05:24 • -13.99db
10% Popularity • 19% Danceability • 25% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 25% Energy • 8% Liveness
17% Instrumentalness • 4% Positiveness
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Ugis Praulins
Dievaines
68 bpm • A Maj • 06:24 • -16.86db
14% Popularity • 12% Danceability • 17% Energy • 7% Liveness
39% Instrumentalness • 6% Positiveness
14% Popularity • 12% Danceability • 17% Energy • 7% Liveness
39% Instrumentalness • 6% Positiveness
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Bob Chilcott
God So Loved the World
62 bpm • G min • 03:22 • -22.08db
24% Popularity • 24% Danceability • 10% Energy • 15% Liveness
36% Instrumentalness • 7% Positiveness
24% Popularity • 24% Danceability • 10% Energy • 15% Liveness
36% Instrumentalness • 7% Positiveness
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Ryan Marvel
What Child Is This
68 bpm • E min • 02:48 • -28.67db
18% Popularity • 38% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 18% Positiveness
18% Popularity • 38% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 18% Positiveness
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Tomaso Albinoni
Concerto Saint Marc: I. Grave
68 bpm • A# Maj • 02:10 • -18.65db
22% Popularity • 19% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
22% Popularity • 19% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
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Elektra Women's Choir
Nigra Sum
62 bpm • E Maj • 04:48 • -24.9db
8% Popularity • 27% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
8% Popularity • 27% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Radio Luxembourg Symphony Orchestra
Jesus, Joy of Man's Desiring - Studio
62 bpm • G Maj • 03:53 • -19db
32% Popularity • 6% Danceability • 13% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
32% Popularity • 6% Danceability • 13% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
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Barron Ryan
I Wonder as I Wander
62 bpm • D min • 04:46 • -26.55db
22% Popularity • 39% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
22% Popularity • 39% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
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Philip Stopford
Missa Deus nobiscum (Version for Soprano...
69 bpm • G Maj • 04:14 • -19.77db
10% Popularity • 7% Danceability • 9% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
10% Popularity • 7% Danceability • 9% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Ferdinand David
Trombone Concertino in E-flat Major, Op....
69 bpm • D# Maj • 01:09 • -17.95db
16% Popularity • 15% Danceability • 11% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
16% Popularity • 15% Danceability • 11% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Greg Maroney
Shadow Walk
69 bpm • A# Maj • 03:15 • -19.69db
20% Popularity • 45% Danceability • 11% Energy • 13% Liveness
94% Instrumentalness • 8% Positiveness
20% Popularity • 45% Danceability • 11% Energy • 13% Liveness
94% Instrumentalness • 8% Positiveness
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Gerald Finzi
Lo, the full, final sacrifice, Op. 26: A...
69 bpm • E Maj • 01:06 • -26.13db
28% Popularity • 14% Danceability • 6% Energy • 8% Liveness
99% Instrumentalness • 3% Positiveness
28% Popularity • 14% Danceability • 6% Energy • 8% Liveness
99% Instrumentalness • 3% Positiveness
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Jacobus Gallus
Pueri concinite
69 bpm • G Maj • 01:53 • -22db
26% Popularity • 17% Danceability • 9% Energy • 5% Liveness
97% Instrumentalness • 16% Positiveness
26% Popularity • 17% Danceability • 9% Energy • 5% Liveness
97% Instrumentalness • 16% Positiveness
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Max Reger
Nachtlied, Op. 138, No. 3
69 bpm • B min • 03:01 • -25.5db
17% Popularity • 22% Danceability • 4% Energy • 14% Liveness
7% Instrumentalness • 5% Positiveness
17% Popularity • 22% Danceability • 4% Energy • 14% Liveness
7% Instrumentalness • 5% Positiveness
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Ward Swingle
It was a lover and his lass
69 bpm • E Maj • 02:48 • -31.29db
11% Popularity • 30% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 30% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Randall Thompson
The Last Words of David
69 bpm • G Maj • 03:48 • -28.26db
12% Popularity • 6% Danceability • 2% Energy • 11% Liveness
72% Instrumentalness • 4% Positiveness
12% Popularity • 6% Danceability • 2% Energy • 11% Liveness
72% Instrumentalness • 4% Positiveness
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CinCin Lee
臺灣烏心石
69 bpm • A# Maj • 04:42 • -16.77db
9% Popularity • 14% Danceability • 12% Energy • 43% Liveness
90% Instrumentalness • 7% Positiveness
9% Popularity • 14% Danceability • 12% Energy • 43% Liveness
90% Instrumentalness • 7% Positiveness
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Howard Goodall
Loving Kindness
69 bpm • F Maj • 04:24 • -10.78db
5% Popularity • 25% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
5% Popularity • 25% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Gabriel Jackson
O Sacrum Convivium
69 bpm • D# Maj • 06:22 • -36.59db
28% Popularity • 6% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
28% Popularity • 6% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Giacomo Puccini
Tosca, SC 69 / Act 3: "E lucevan le stel...
70 bpm • B min • 03:21 • -12.48db
40% Popularity • 10% Danceability • 16% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
40% Popularity • 10% Danceability • 16% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Jeremiah Clarke
Trumpet Voluntary
70 bpm • D Maj • 02:42 • -13.13db
12% Popularity • 6% Danceability • 20% Energy • 14% Liveness
93% Instrumentalness • 17% Positiveness
12% Popularity • 6% Danceability • 20% Energy • 14% Liveness
93% Instrumentalness • 17% Positiveness
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John Keys
Silent Night! Holy Night! (Stille Nacht)...
70 bpm • A# Maj • 02:41 • -25.58db
10% Popularity • 8% Danceability • 0% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
10% Popularity • 8% Danceability • 0% Energy • 10% Liveness
92% Instrumentalness • 26% Positiveness
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Daniel Elder
3 Nocturnes: No. 3. Lullaby
70 bpm • E Maj • 04:20 • -26.92db
28% Popularity • 22% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
28% Popularity • 22% Danceability • 7% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
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Nadia Boulanger
Boulanger / Orch. Ducros: Lux aeterna
70 bpm • F Maj • 01:51 • -19db
14% Popularity • 13% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
14% Popularity • 13% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Michael Praetorius
Spagnoletta
70 bpm • A# Maj • 01:00 • -19db
23% Popularity • 43% Danceability • 13% Energy • 14% Liveness
2% Instrumentalness • 28% Positiveness
23% Popularity • 43% Danceability • 13% Energy • 14% Liveness
2% Instrumentalness • 28% Positiveness
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Johann Abraham Peter Schulz
Her kjem me, dine arme smaa (Arr. Idunn ...
70 bpm • A Maj • 03:47 • -23db
9% Popularity • 18% Danceability • 8% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 8% Energy • 10% Liveness
62% Instrumentalness • 4% Positiveness
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Léo Delibes
Flower Duet
70 bpm • B Maj • 01:15 • -17db
46% Popularity • 27% Danceability • 14% Energy • 19% Liveness
68% Instrumentalness • 4% Positiveness
46% Popularity • 27% Danceability • 14% Energy • 19% Liveness
68% Instrumentalness • 4% Positiveness
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Orlande de Lassus
Adoramus te, Christe, LV 1083
70 bpm • F Maj • 01:43 • -29db
36% Popularity • 9% Danceability • 3% Energy • 6% Liveness
84% Instrumentalness • 6% Positiveness
36% Popularity • 9% Danceability • 3% Energy • 6% Liveness
84% Instrumentalness • 6% Positiveness
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Trio Amadeus
Ária da Quarta Corda
60 bpm • A# Maj • 03:17 • -20.33db
16% Popularity • 42% Danceability • 5% Energy • 14% Liveness
84% Instrumentalness • 16% Positiveness
16% Popularity • 42% Danceability • 5% Energy • 14% Liveness
84% Instrumentalness • 16% Positiveness
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Bob Chilcott
A Little Jazz Mass (version for mixed ch...
70 bpm • D min • 02:57 • -15.95db
19% Popularity • 23% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 23% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: I. Prélude
70 bpm • C# Maj • 01:52 • -14.77db
32% Popularity • 49% Danceability • 32% Energy • 20% Liveness
55% Instrumentalness • 30% Positiveness
32% Popularity • 49% Danceability • 32% Energy • 20% Liveness
55% Instrumentalness • 30% Positiveness
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Nikolaus Selnecker
Nun lasst uns Gott, dem Herren
71 bpm • A Maj • 01:48 • -19.9db
13% Popularity • 14% Danceability • 11% Energy • 12% Liveness
93% Instrumentalness • 19% Positiveness
13% Popularity • 14% Danceability • 11% Energy • 12% Liveness
93% Instrumentalness • 19% Positiveness
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AKIRA HONDA
Digital Detox
60 bpm • D min • 05:25 • -20.04db
21% Popularity • 6% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 3% Positiveness
21% Popularity • 6% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 3% Positiveness
► Preview
Astor Piazzolla
Piazzolla / Arr. Zimmerman: Oblivion
71 bpm • C min • 03:40 • -17db
27% Popularity • 18% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 15% Positiveness
27% Popularity • 18% Danceability • 12% Energy • 9% Liveness
95% Instrumentalness • 15% Positiveness
► Preview
Samuel Barber
Barber: Agnus Dei
71 bpm • A# min • 07:40 • -21.37db
26% Popularity • 9% Danceability • 13% Energy • 13% Liveness
94% Instrumentalness • 3% Positiveness
26% Popularity • 9% Danceability • 13% Energy • 13% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Léo Delibes
Lakmé / Act 1: "Sous le dôme épais" (...
71 bpm • B Maj • 04:57 • -16.97db
41% Popularity • 9% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
41% Popularity • 9% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Marc-Antoine Charpentier
Te Deum
71 bpm • D Maj • 02:58 • -9.87db
23% Popularity • 16% Danceability • 32% Energy • 27% Liveness
90% Instrumentalness • 20% Positiveness
23% Popularity • 16% Danceability • 32% Energy • 27% Liveness
90% Instrumentalness • 20% Positiveness
► Preview
Alessandro Marcello
Oboe Concerto in D Minor S.Z799: 2. Adag...
71 bpm • C min • 03:42 • -13db
19% Popularity • 11% Danceability • 12% Energy • 7% Liveness
90% Instrumentalness • 5% Positiveness
19% Popularity • 11% Danceability • 12% Energy • 7% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Antonio Lotti
Vere languores nostros, IAL 32
71 bpm • G# Maj • 02:33 • -30db
31% Popularity • 22% Danceability • 1% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
31% Popularity • 22% Danceability • 1% Energy • 8% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
CCB Orquestra
259 Só triunfará o de sincero coraçã...
72 bpm • G Maj • 03:47 • -19.49db
15% Popularity • 16% Danceability • 5% Energy • 9% Liveness
16% Instrumentalness • 13% Positiveness
15% Popularity • 16% Danceability • 5% Energy • 9% Liveness
16% Instrumentalness • 13% Positiveness
► Preview
Millennial Choirs & Orchestras
That Easter Morn
72 bpm • F Maj • 04:28 • -19.05db
10% Popularity • 17% Danceability • 15% Energy • 10% Liveness
22% Instrumentalness • 5% Positiveness
10% Popularity • 17% Danceability • 15% Energy • 10% Liveness
22% Instrumentalness • 5% Positiveness
► Preview
Bob Chilcott
Sanctus - SATB
72 bpm • G# Maj • 01:33 • -29.68db
16% Popularity • 24% Danceability • 3% Energy • 9% Liveness
77% Instrumentalness • 7% Positiveness
16% Popularity • 24% Danceability • 3% Energy • 9% Liveness
77% Instrumentalness • 7% Positiveness
► Preview
Nikolay Kedrov
Our Father
72 bpm • C Maj • 02:34 • -46db
20% Popularity • 18% Danceability • 0% Energy • 6% Liveness
81% Instrumentalness • 5% Positiveness
20% Popularity • 18% Danceability • 0% Energy • 6% Liveness
81% Instrumentalness • 5% Positiveness
► Preview
Rogier Van Otterloo
Introspection
72 bpm • D Maj • 03:54 • -20.23db
14% Popularity • 15% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Canadian Brass
Hallelujah
72 bpm • D# Maj • 03:35 • -17.99db
20% Popularity • 29% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
20% Popularity • 29% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 9% Positiveness
► Preview
Gotthilf Fischer und seine Chöre
Ave Maria Glöcklein (Wenn ich ein Glöc...
72 bpm • E Maj • 03:19 • -11.01db
10% Popularity • 22% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 22% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Elektra Women's Choir
Away From The Roll Of The Sea
72 bpm • E Maj • 04:13 • -22.07db
17% Popularity • 20% Danceability • 10% Energy • 8% Liveness
12% Instrumentalness • 6% Positiveness
17% Popularity • 20% Danceability • 10% Energy • 8% Liveness
12% Instrumentalness • 6% Positiveness
► Preview
Philip Stopford
Do Not Be Afraid
72 bpm • D Maj • 05:11 • -31db
24% Popularity • 14% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
24% Popularity • 14% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
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Nigel Hess
A Christmas Overture
73 bpm • G Maj • 07:32 • -13db
14% Popularity • 21% Danceability • 18% Energy • 13% Liveness
89% Instrumentalness • 9% Positiveness
14% Popularity • 21% Danceability • 18% Energy • 13% Liveness
89% Instrumentalness • 9% Positiveness
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Henry Balfour Gardiner
Evening Hymn
73 bpm • D Maj • 05:31 • -22db
21% Popularity • 6% Danceability • 11% Energy • 25% Liveness
97% Instrumentalness • 3% Positiveness
21% Popularity • 6% Danceability • 11% Energy • 25% Liveness
97% Instrumentalness • 3% Positiveness
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Adolphe Adam
Giselle / Act 2: Grand pas de deux: Adag...
73 bpm • D# Maj • 06:29 • -30db
39% Popularity • 26% Danceability • 3% Energy • 7% Liveness
73% Instrumentalness • 10% Positiveness
39% Popularity • 26% Danceability • 3% Energy • 7% Liveness
73% Instrumentalness • 10% Positiveness
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Hugh Sung
How Lovely Shines the Morning Star
74 bpm • G Maj • 05:31 • -17.72db
10% Popularity • 11% Danceability • 16% Energy • 13% Liveness
91% Instrumentalness • 5% Positiveness
10% Popularity • 11% Danceability • 16% Energy • 13% Liveness
91% Instrumentalness • 5% Positiveness
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Francis Poulenc
7 Chansons, FP 81: No. 1. La blanche nei...
73 bpm • E min • 01:22 • -31.06db
15% Popularity • 24% Danceability • 5% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
15% Popularity • 24% Danceability • 5% Energy • 10% Liveness
71% Instrumentalness • 4% Positiveness
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Michael John Trotta
Requiem: V. Pie Jesu
74 bpm • A# min • 03:25 • -32.96db
25% Popularity • 12% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
25% Popularity • 12% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
O Little Town of Bethlehem
74 bpm • F Maj • 03:13 • -25.45db
8% Popularity • 20% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 20% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Engelbert Humperdinck
Abends, wenn ich schlafen geh
75 bpm • E min • 01:31 • -22db
15% Popularity • 24% Danceability • 16% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness
15% Popularity • 24% Danceability • 16% Energy • 9% Liveness
48% Instrumentalness • 4% Positiveness
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Giacomo Puccini
La bohème, SC 67 / Act 1: "Che gelida m...
75 bpm • G# Maj • 05:06 • -12.26db
32% Popularity • 15% Danceability • 26% Energy • 11% Liveness
21% Instrumentalness • 6% Positiveness
32% Popularity • 15% Danceability • 26% Energy • 11% Liveness
21% Instrumentalness • 6% Positiveness
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Adolf Lohmann
Ich will dich lieben, meine Stärke
75 bpm • C Maj • 02:53 • -29db
12% Popularity • 24% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 24% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Johann Crüger
Auf, auf, mein Herz, mit Freuden
75 bpm • F Maj • 02:33 • -20db
11% Popularity • 16% Danceability • 10% Energy • 11% Liveness
67% Instrumentalness • 17% Positiveness
11% Popularity • 16% Danceability • 10% Energy • 11% Liveness
67% Instrumentalness • 17% Positiveness
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Olga Zinovieva
Song to the Moon
75 bpm • G Maj • 02:35 • -12.51db
11% Popularity • 30% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 30% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 6% Positiveness
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Jacobus Gallus
Ecce quomodo moritur iustus
76 bpm • G Maj • 02:36 • -24db
14% Popularity • 19% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
14% Popularity • 19% Danceability • 7% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
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Gracie Fields
Oh My Beloved Father
75 bpm • G Maj • 02:25 • -18.77db
17% Popularity • 23% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
17% Popularity • 23% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
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The Hampton String Quartet
Earth Angel
76 bpm • D Maj • 04:20 • -17.84db
10% Popularity • 10% Danceability • 19% Energy • 32% Liveness
39% Instrumentalness • 13% Positiveness
10% Popularity • 10% Danceability • 19% Energy • 32% Liveness
39% Instrumentalness • 13% Positiveness
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Gustav Holst
In the Bleak Mid-Winter
76 bpm • F Maj • 04:13 • -34.29db
12% Popularity • 21% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
12% Popularity • 21% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Sy Miller
If I Can Help Somebody / Let There Be Pe...
76 bpm • E Maj • 03:50 • -7.89db
4% Popularity • 18% Danceability • 33% Energy • 7% Liveness
1% Instrumentalness • 14% Positiveness
4% Popularity • 18% Danceability • 33% Energy • 7% Liveness
1% Instrumentalness • 14% Positiveness
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Franz Lehár
For I Am A True Loving Wife - Piano & Fl...
76 bpm • C Maj • 01:43 • -18.32db
11% Popularity • 29% Danceability • 20% Energy • 18% Liveness
97% Instrumentalness • 29% Positiveness
11% Popularity • 29% Danceability • 20% Energy • 18% Liveness
97% Instrumentalness • 29% Positiveness
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Méav
Solveig's Song
76 bpm • A Maj • 03:57 • -12db
23% Popularity • 25% Danceability • 23% Energy • 7% Liveness
55% Instrumentalness • 14% Positiveness
23% Popularity • 25% Danceability • 23% Energy • 7% Liveness
55% Instrumentalness • 14% Positiveness
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Jonas Kaufmann
Conquest Of Paradise
76 bpm • G Maj • 03:34 • -10.87db
29% Popularity • 29% Danceability • 22% Energy • 8% Liveness
89% Instrumentalness • 20% Positiveness
29% Popularity • 29% Danceability • 22% Energy • 8% Liveness
89% Instrumentalness • 20% Positiveness
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César Franck
Panis Angelicus
76 bpm • G Maj • 03:25 • -24.43db
11% Popularity • 15% Danceability • 6% Energy • 11% Liveness
53% Instrumentalness • 4% Positiveness
11% Popularity • 15% Danceability • 6% Energy • 11% Liveness
53% Instrumentalness • 4% Positiveness
