Songs like St.Marie by High Highs
Based on a tempo of (+/- 10%) and a similar genre
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Ben Stevenson
Yellow Bird
114 bpm • F# min • 03:42 • -10.63db
34% Popularity • 50% Danceability • 36% Energy • 10% Liveness
33% Instrumentalness • 7% Positiveness
34% Popularity • 50% Danceability • 36% Energy • 10% Liveness
33% Instrumentalness • 7% Positiveness
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George Ogilvie
Second Nature
114 bpm • F min • 05:08 • -7.84db
26% Popularity • 60% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
26% Popularity • 60% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
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Foreign Fields
Don't Give Up
114 bpm • D# Maj • 03:53 • -13.75db
34% Popularity • 76% Danceability • 39% Energy • 10% Liveness
38% Instrumentalness • 74% Positiveness
34% Popularity • 76% Danceability • 39% Energy • 10% Liveness
38% Instrumentalness • 74% Positiveness
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Many Voices Speak
Ending Lines
114 bpm • C Maj • 05:18 • -11.5db
8% Popularity • 69% Danceability • 26% Energy • 10% Liveness
3% Instrumentalness • 14% Positiveness
8% Popularity • 69% Danceability • 26% Energy • 10% Liveness
3% Instrumentalness • 14% Positiveness
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Geographer
Verona - Stripped
114 bpm • F Maj • 04:40 • -14.85db
22% Popularity • 58% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
22% Popularity • 58% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Prinze George
Lights Burn Out
114 bpm • C Maj • 04:35 • -9db
24% Popularity • 37% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 37% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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VVE
Denmark
114 bpm • A min • 04:04 • -11.59db
12% Popularity • 46% Danceability • 54% Energy • 7% Liveness
29% Instrumentalness • 14% Positiveness
12% Popularity • 46% Danceability • 54% Energy • 7% Liveness
29% Instrumentalness • 14% Positiveness
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High Highs
St.Marie
114 bpm • D# Maj • 02:29 • -15.58db
23% Popularity • 33% Danceability • 11% Energy • 10% Liveness
26% Instrumentalness • 20% Positiveness
23% Popularity • 33% Danceability • 11% Energy • 10% Liveness
26% Instrumentalness • 20% Positiveness
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Foreign Fields
In Love Again
114 bpm • E Maj • 03:40 • -9.7db
9% Popularity • 53% Danceability • 60% Energy • 39% Liveness
26% Instrumentalness • 20% Positiveness
9% Popularity • 53% Danceability • 60% Energy • 39% Liveness
26% Instrumentalness • 20% Positiveness
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Hailaker
Rainmaker
114 bpm • C Maj • 03:12 • -18.06db
35% Popularity • 36% Danceability • 14% Energy • 15% Liveness
81% Instrumentalness • 11% Positiveness
35% Popularity • 36% Danceability • 14% Energy • 15% Liveness
81% Instrumentalness • 11% Positiveness
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Jaws of Love.
Giving Up Is Not The Easiest Way Out
113 bpm • C Maj • 04:06 • -19.29db
19% Popularity • 37% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
19% Popularity • 37% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
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Brooke Bentham
Oliver
113 bpm • D Maj • 05:15 • -11.21db
22% Popularity • 43% Danceability • 23% Energy • 11% Liveness
7% Instrumentalness • 16% Positiveness
22% Popularity • 43% Danceability • 23% Energy • 11% Liveness
7% Instrumentalness • 16% Positiveness
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Hazlett
First World Problems
115 bpm • F# Maj • 04:23 • -11db
20% Popularity • 44% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 19% Positiveness
20% Popularity • 44% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 19% Positiveness
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Mutual Benefit
Come to Pass
113 bpm • A Maj • 02:42 • -12.01db
24% Popularity • 54% Danceability • 48% Energy • 9% Liveness
44% Instrumentalness • 22% Positiveness
24% Popularity • 54% Danceability • 48% Energy • 9% Liveness
44% Instrumentalness • 22% Positiveness
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#1 Dads
4bit
115 bpm • E Maj • 04:11 • -15.04db
25% Popularity • 54% Danceability • 22% Energy • 9% Liveness
3% Instrumentalness • 48% Positiveness
25% Popularity • 54% Danceability • 22% Energy • 9% Liveness
3% Instrumentalness • 48% Positiveness
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Riley Pearce
Misplaced
115 bpm • F Maj • 04:53 • -9.94db
36% Popularity • 55% Danceability • 40% Energy • 10% Liveness
2% Instrumentalness • 7% Positiveness
36% Popularity • 55% Danceability • 40% Energy • 10% Liveness
2% Instrumentalness • 7% Positiveness
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Another Sky
The Water Below
112 bpm • F# Maj • 02:45 • -18.46db
17% Popularity • 25% Danceability • 11% Energy • 11% Liveness
80% Instrumentalness • 8% Positiveness
17% Popularity • 25% Danceability • 11% Energy • 11% Liveness
80% Instrumentalness • 8% Positiveness
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Kyson
You
115 bpm • C min • 03:56 • -14.94db
45% Popularity • 59% Danceability • 27% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
45% Popularity • 59% Danceability • 27% Energy • 8% Liveness
4% Instrumentalness • 4% Positiveness
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Rosie Carney
Your Moon
116 bpm • B min • 03:57 • -10.91db
26% Popularity • 48% Danceability • 21% Energy • 11% Liveness
35% Instrumentalness • 8% Positiveness
26% Popularity • 48% Danceability • 21% Energy • 11% Liveness
35% Instrumentalness • 8% Positiveness
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Maria Kelly
Torn Into Two
112 bpm • C min • 03:32 • -11.06db
16% Popularity • 43% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 43% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Twiceyoung
Change Your Love
116 bpm • A min • 04:07 • -12db
22% Popularity • 27% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
22% Popularity • 27% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Arctic Lake
You Know All of Me
116 bpm • B Maj • 02:55 • -17.14db
33% Popularity • 51% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
33% Popularity • 51% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Lowland Hum
Friction
112 bpm • G# Maj • 03:29 • -16db
31% Popularity • 60% Danceability • 18% Energy • 11% Liveness
29% Instrumentalness • 21% Positiveness
31% Popularity • 60% Danceability • 18% Energy • 11% Liveness
29% Instrumentalness • 21% Positiveness
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Gem Club
Twins
116 bpm • A min • 04:19 • -16.34db
34% Popularity • 26% Danceability • 7% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
34% Popularity • 26% Danceability • 7% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
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Charlie Cunningham
Born
112 bpm • A# Maj • 03:31 • -10.19db
28% Popularity • 42% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 42% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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The Paper Kites
Flashes
112 bpm • G# Maj • 04:04 • -13.99db
26% Popularity • 68% Danceability • 41% Energy • 11% Liveness
50% Instrumentalness • 26% Positiveness
26% Popularity • 68% Danceability • 41% Energy • 11% Liveness
50% Instrumentalness • 26% Positiveness
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Mt. Wolf
Hamburg
112 bpm • F# Maj • 06:22 • -11.3db
25% Popularity • 31% Danceability • 48% Energy • 6% Liveness
28% Instrumentalness • 5% Positiveness
25% Popularity • 31% Danceability • 48% Energy • 6% Liveness
28% Instrumentalness • 5% Positiveness
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RYVOLI
Ulysses
112 bpm • D Maj • 04:30 • -9.37db
26% Popularity • 36% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
26% Popularity • 36% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Old Sea Brigade
Cigarette
116 bpm • F Maj • 03:32 • -15.4db
32% Popularity • 56% Danceability • 17% Energy • 9% Liveness
4% Instrumentalness • 34% Positiveness
32% Popularity • 56% Danceability • 17% Energy • 9% Liveness
4% Instrumentalness • 34% Positiveness
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Sonny Elliot
One Day With You
112 bpm • G min • 03:46 • -9.84db
29% Popularity • 63% Danceability • 40% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
29% Popularity • 63% Danceability • 40% Energy • 12% Liveness
1% Instrumentalness • 30% Positiveness
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Bobby, I Miss You
Comes and Goes
112 bpm • D Maj • 03:06 • -25db
39% Popularity • 71% Danceability • 13% Energy • 12% Liveness
2% Instrumentalness • 30% Positiveness
39% Popularity • 71% Danceability • 13% Energy • 12% Liveness
2% Instrumentalness • 30% Positiveness
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French For Rabbits
Goat
116 bpm • C# Maj • 03:48 • -12.13db
34% Popularity • 42% Danceability • 19% Energy • 14% Liveness
27% Instrumentalness • 9% Positiveness
34% Popularity • 42% Danceability • 19% Energy • 14% Liveness
27% Instrumentalness • 9% Positiveness
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Highasakite
Stick With You
117 bpm • A# Maj • 02:46 • -18db
11% Popularity • 51% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 51% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Novo Amor
Amateur Blood
117 bpm • C# Maj • 03:31 • -14db
50% Popularity • 34% Danceability • 20% Energy • 11% Liveness
19% Instrumentalness • 13% Positiveness
50% Popularity • 34% Danceability • 20% Energy • 11% Liveness
19% Instrumentalness • 13% Positiveness
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Arctic Lake
Forget About It All
117 bpm • C# Maj • 03:43 • -10.19db
33% Popularity • 61% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
33% Popularity • 61% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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High Highs
Sun
117 bpm • A min • 04:04 • -9.03db
1% Popularity • 61% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
1% Popularity • 61% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Barcelona
Next Year People
117 bpm • C Maj • 03:19 • -12.11db
34% Popularity • 49% Danceability • 39% Energy • 8% Liveness
80% Instrumentalness • 10% Positiveness
34% Popularity • 49% Danceability • 39% Energy • 8% Liveness
80% Instrumentalness • 10% Positiveness
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Andrew & Veda
Alive
111 bpm • C Maj • 04:15 • -19.5db
30% Popularity • 55% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 55% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Voka Gentle
Branscombe
111 bpm • G Maj • 07:19 • -15.39db
36% Popularity • 56% Danceability • 39% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
36% Popularity • 56% Danceability • 39% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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Fenne Lily
Top to Toe
111 bpm • C# Maj • 03:36 • -14.59db
49% Popularity • 71% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
49% Popularity • 71% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Rosie Carney
Awake Me
117 bpm • E Maj • 04:17 • -12db
38% Popularity • 52% Danceability • 15% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
38% Popularity • 52% Danceability • 15% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
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LOYAL
Light up for You - Acoustic
111 bpm • G# Maj • 03:46 • -9db
18% Popularity • 49% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
18% Popularity • 49% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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The Paper Kites
Mess We Made
111 bpm • F# min • 05:12 • -6.54db
21% Popularity • 48% Danceability • 58% Energy • 11% Liveness
8% Instrumentalness • 30% Positiveness
21% Popularity • 48% Danceability • 58% Energy • 11% Liveness
8% Instrumentalness • 30% Positiveness
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Mary Glenn
Ballroom
118 bpm • A# min • 04:06 • -23.03db
29% Popularity • 56% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 56% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Khushi
Like a City
118 bpm • D Maj • 03:48 • -17.44db
17% Popularity • 42% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
17% Popularity • 42% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Modern Crusoe
Berlin Wall
118 bpm • E Maj • 04:35 • -10.01db
11% Popularity • 41% Danceability • 59% Energy • 11% Liveness
87% Instrumentalness • 26% Positiveness
11% Popularity • 41% Danceability • 59% Energy • 11% Liveness
87% Instrumentalness • 26% Positiveness
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Talos
Odyssey
118 bpm • E min • 04:47 • -9.56db
35% Popularity • 52% Danceability • 45% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
35% Popularity • 52% Danceability • 45% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
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Tom Rosenthal
Got Gold
110 bpm • B Maj • 02:59 • -16db
22% Popularity • 47% Danceability • 15% Energy • 12% Liveness
12% Instrumentalness • 7% Positiveness
22% Popularity • 47% Danceability • 15% Energy • 12% Liveness
12% Instrumentalness • 7% Positiveness
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George Ogilvie
October
118 bpm • F Maj • 05:07 • -7db
44% Popularity • 68% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
44% Popularity • 68% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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RY X
Hounds
110 bpm • G# min • 03:59 • -18.66db
46% Popularity • 50% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
46% Popularity • 50% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Rosie Carney
Thousand
118 bpm • C# Maj • 03:26 • -14db
53% Popularity • 68% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
53% Popularity • 68% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Leathan Milne
Now I Say Goodnight
118 bpm • F Maj • 04:02 • -15.07db
22% Popularity • 44% Danceability • 30% Energy • 10% Liveness
91% Instrumentalness • 21% Positiveness
22% Popularity • 44% Danceability • 30% Energy • 10% Liveness
91% Instrumentalness • 21% Positiveness
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The Careful Ones
Favorite Dream
118 bpm • B min • 04:06 • -20db
27% Popularity • 63% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 63% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Roo Panes
A Message To Myself - Mahogany Sessions
118 bpm • C Maj • 05:16 • -9.82db
14% Popularity • 28% Danceability • 32% Energy • 10% Liveness
26% Instrumentalness • 6% Positiveness
14% Popularity • 28% Danceability • 32% Energy • 10% Liveness
26% Instrumentalness • 6% Positiveness
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The Paper Kites
Deep Burn Blue
110 bpm • A min • 04:39 • -5.97db
30% Popularity • 56% Danceability • 81% Energy • 13% Liveness
62% Instrumentalness • 16% Positiveness
30% Popularity • 56% Danceability • 81% Energy • 13% Liveness
62% Instrumentalness • 16% Positiveness
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A Blaze of Feather
Portland
110 bpm • G Maj • 03:44 • -9.17db
20% Popularity • 52% Danceability • 49% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
20% Popularity • 52% Danceability • 49% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
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Juliana Daugherty
Sweetheart
118 bpm • G# Maj • 03:39 • -15.33db
20% Popularity • 63% Danceability • 23% Energy • 11% Liveness
40% Instrumentalness • 26% Positiveness
20% Popularity • 63% Danceability • 23% Energy • 11% Liveness
40% Instrumentalness • 26% Positiveness
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Wilsen
Heavy Steps
110 bpm • A Maj • 03:17 • -12.81db
13% Popularity • 36% Danceability • 38% Energy • 15% Liveness
19% Instrumentalness • 16% Positiveness
13% Popularity • 36% Danceability • 38% Energy • 15% Liveness
19% Instrumentalness • 16% Positiveness
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Alaskan Tapes
Maybe
110 bpm • D Maj • 04:58 • -21.43db
15% Popularity • 34% Danceability • 6% Energy • 13% Liveness
3% Instrumentalness • 7% Positiveness
15% Popularity • 34% Danceability • 6% Energy • 13% Liveness
3% Instrumentalness • 7% Positiveness
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Novo Amor
Callow
110 bpm • C# Maj • 03:16 • -11.91db
50% Popularity • 38% Danceability • 39% Energy • 11% Liveness
72% Instrumentalness • 9% Positiveness
50% Popularity • 38% Danceability • 39% Energy • 11% Liveness
72% Instrumentalness • 9% Positiveness
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Old Sea Brigade
Sinkhole
110 bpm • G# min • 03:18 • -17db
36% Popularity • 57% Danceability • 33% Energy • 11% Liveness
8% Instrumentalness • 10% Positiveness
36% Popularity • 57% Danceability • 33% Energy • 11% Liveness
8% Instrumentalness • 10% Positiveness
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Steve Benjamins
Purification Ritual
110 bpm • D Maj • 03:00 • -6db
24% Popularity • 41% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 41% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Rosemary & Garlic
I'll Come to You
119 bpm • F min • 03:35 • -12.74db
27% Popularity • 57% Danceability • 33% Energy • 18% Liveness
13% Instrumentalness • 15% Positiveness
27% Popularity • 57% Danceability • 33% Energy • 18% Liveness
13% Instrumentalness • 15% Positiveness
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Tiny Deaths
Take Our Time
110 bpm • E Maj • 03:06 • -12.35db
17% Popularity • 45% Danceability • 40% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
17% Popularity • 45% Danceability • 40% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
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Tom Adams
Falling with You
109 bpm • G Maj • 04:36 • -12.75db
13% Popularity • 54% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 54% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Charlie Cunningham
Maybe We Won't
119 bpm • F min • 03:10 • -15.81db
27% Popularity • 56% Danceability • 33% Energy • 11% Liveness
12% Instrumentalness • 32% Positiveness
27% Popularity • 56% Danceability • 33% Energy • 11% Liveness
12% Instrumentalness • 32% Positiveness
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Arctic Lake
Night Cries - Mahogany Sessions
119 bpm • C# min • 02:51 • -14db
12% Popularity • 54% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 54% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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High Highs
Bridge (Feeling Royal) - 999 Remix
109 bpm • E min • 03:45 • -11.02db
3% Popularity • 76% Danceability • 47% Energy • 30% Liveness
18% Instrumentalness • 56% Positiveness
3% Popularity • 76% Danceability • 47% Energy • 30% Liveness
18% Instrumentalness • 56% Positiveness
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The Western Den
I Still Remain
119 bpm • C# Maj • 04:29 • -11.38db
34% Popularity • 53% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
34% Popularity • 53% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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St. South
Twenty Four
119 bpm • D Maj • 03:18 • -15.16db
16% Popularity • 36% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 36% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Lorne
Oil and Water
109 bpm • D# min • 03:42 • -10db
18% Popularity • 73% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
18% Popularity • 73% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
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George Ogilvie
Surveillance
120 bpm • D# min • 04:12 • -9db
43% Popularity • 52% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
43% Popularity • 52% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Twiceyoung
Night Drive - Deconstructed
120 bpm • F# min • 04:12 • -13db
30% Popularity • 27% Danceability • 34% Energy • 29% Liveness
33% Instrumentalness • 19% Positiveness
30% Popularity • 27% Danceability • 34% Energy • 29% Liveness
33% Instrumentalness • 19% Positiveness
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Voka Gentle
All Exterior Dark
120 bpm • B min • 07:12 • -13db
29% Popularity • 23% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
29% Popularity • 23% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Oliver Tank
Swerve
120 bpm • G# Maj • 03:37 • -14.66db
25% Popularity • 51% Danceability • 28% Energy • 10% Liveness
80% Instrumentalness • 7% Positiveness
25% Popularity • 51% Danceability • 28% Energy • 10% Liveness
80% Instrumentalness • 7% Positiveness
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Cape Francis
Bloodlines
120 bpm • A# Maj • 03:20 • -7.89db
24% Popularity • 67% Danceability • 67% Energy • 31% Liveness
60% Instrumentalness • 41% Positiveness
24% Popularity • 67% Danceability • 67% Energy • 31% Liveness
60% Instrumentalness • 41% Positiveness
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Riley Pearce
Glass Vase
120 bpm • C# min • 03:52 • -11.86db
30% Popularity • 67% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
30% Popularity • 67% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
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Takénobu
Nobody Said
120 bpm • G min • 04:06 • -11.45db
28% Popularity • 73% Danceability • 38% Energy • 11% Liveness
72% Instrumentalness • 76% Positiveness
28% Popularity • 73% Danceability • 38% Energy • 11% Liveness
72% Instrumentalness • 76% Positiveness
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Old Sea Brigade
Seen a Ghost
120 bpm • G Maj • 03:54 • -13.79db
34% Popularity • 75% Danceability • 39% Energy • 12% Liveness
14% Instrumentalness • 30% Positiveness
34% Popularity • 75% Danceability • 39% Energy • 12% Liveness
14% Instrumentalness • 30% Positiveness
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Ben Howard
Another Friday Night
120 bpm • C min • 04:36 • -16db
36% Popularity • 59% Danceability • 32% Energy • 9% Liveness
85% Instrumentalness • 12% Positiveness
36% Popularity • 59% Danceability • 32% Energy • 9% Liveness
85% Instrumentalness • 12% Positiveness
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Ralegh Long
Super Blue Moon
120 bpm • C# Maj • 03:56 • -12.66db
22% Popularity • 59% Danceability • 41% Energy • 11% Liveness
66% Instrumentalness • 16% Positiveness
22% Popularity • 59% Danceability • 41% Energy • 11% Liveness
66% Instrumentalness • 16% Positiveness
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Matthew And The Atlas
Cali
120 bpm • F# min • 03:56 • -13db
30% Popularity • 37% Danceability • 14% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
30% Popularity • 37% Danceability • 14% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
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St. South
Another Way
108 bpm • C Maj • 04:16 • -10db
24% Popularity • 62% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
24% Popularity • 62% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Novo Amor
Silvery
120 bpm • C# Maj • 03:52 • -11db
48% Popularity • 54% Danceability • 36% Energy • 33% Liveness
8% Instrumentalness • 10% Positiveness
48% Popularity • 54% Danceability • 36% Energy • 33% Liveness
8% Instrumentalness • 10% Positiveness
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Luke Rathborne
I Can Be One
108 bpm • C Maj • 03:57 • -12.05db
18% Popularity • 36% Danceability • 16% Energy • 17% Liveness
5% Instrumentalness • 13% Positiveness
18% Popularity • 36% Danceability • 16% Energy • 17% Liveness
5% Instrumentalness • 13% Positiveness
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Lists
Veil - Demo
108 bpm • C# Maj • 03:12 • -12.28db
25% Popularity • 57% Danceability • 35% Energy • 10% Liveness
23% Instrumentalness • 20% Positiveness
25% Popularity • 57% Danceability • 35% Energy • 10% Liveness
23% Instrumentalness • 20% Positiveness
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Ian Randall Thornton
It Feels Like The Other Day
108 bpm • G# Maj • 04:16 • -16.15db
8% Popularity • 55% Danceability • 29% Energy • 10% Liveness
41% Instrumentalness • 44% Positiveness
8% Popularity • 55% Danceability • 29% Energy • 10% Liveness
41% Instrumentalness • 44% Positiveness
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Talos
This Is Us Colliding
121 bpm • A Maj • 03:54 • -8.23db
33% Popularity • 40% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 40% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Little May
Seven Hours
121 bpm • D# Maj • 03:41 • -8db
38% Popularity • 32% Danceability • 65% Energy • 7% Liveness
14% Instrumentalness • 34% Positiveness
38% Popularity • 32% Danceability • 65% Energy • 7% Liveness
14% Instrumentalness • 34% Positiveness
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Old Sea Brigade
Let Me Know - Acoustic
121 bpm • G# Maj • 04:29 • -14.8db
28% Popularity • 55% Danceability • 26% Energy • 12% Liveness
26% Instrumentalness • 11% Positiveness
28% Popularity • 55% Danceability • 26% Energy • 12% Liveness
26% Instrumentalness • 11% Positiveness
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Wilsen
Garden
121 bpm • G Maj • 03:31 • -7.59db
28% Popularity • 58% Danceability • 62% Energy • 18% Liveness
1% Instrumentalness • 41% Positiveness
28% Popularity • 58% Danceability • 62% Energy • 18% Liveness
1% Instrumentalness • 41% Positiveness
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Merival
A Better Deal
121 bpm • B min • 02:50 • -11.77db
24% Popularity • 58% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 58% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Frances Cone
Wide Awake
121 bpm • G Maj • 03:37 • -8.57db
30% Popularity • 39% Danceability • 28% Energy • 9% Liveness
5% Instrumentalness • 8% Positiveness
30% Popularity • 39% Danceability • 28% Energy • 9% Liveness
5% Instrumentalness • 8% Positiveness
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Rosie Carney
Your Love is Holy
121 bpm • A# Maj • 04:25 • -14.12db
23% Popularity • 36% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
23% Popularity • 36% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
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Hazlett
Cool It Child
107 bpm • C# min • 04:51 • -14db
23% Popularity • 56% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
23% Popularity • 56% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Lists
Millie & Ivor - Alternate
122 bpm • G# Maj • 04:02 • -15.46db
13% Popularity • 56% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 56% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Wilsen
Dusk
121 bpm • D min • 03:52 • -12.35db
15% Popularity • 47% Danceability • 36% Energy • 9% Liveness
18% Instrumentalness • 21% Positiveness
15% Popularity • 47% Danceability • 36% Energy • 9% Liveness
18% Instrumentalness • 21% Positiveness
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Talos
In Time
122 bpm • C# Maj • 04:38 • -13.71db
37% Popularity • 50% Danceability • 34% Energy • 14% Liveness
2% Instrumentalness • 18% Positiveness
37% Popularity • 50% Danceability • 34% Energy • 14% Liveness
2% Instrumentalness • 18% Positiveness