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Stolen River
Songs like
Stolen River
by
Delaney Davidson
Based on a tempo of (+/- 10%) and a similar genre
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Mama Kin
The Road
112 bpm • C Maj • 04:04 • -10db
32% Popularity • 39% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Delaney Davidson
Out of My Head
112 bpm • E min • 02:29 • -9.83db
24% Popularity • 76% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Don McGlashan
When the Trumpets Sound
112 bpm • A Maj • 04:53 • -11.15db
11% Popularity • 81% Danceability • 40% Energy • 8% Liveness
8% Instrumentalness • 62% Positiveness
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William The Conqueror
The Deep End
112 bpm • G Maj • 04:03 • -6.66db
14% Popularity • 78% Danceability • 73% Energy • 10% Liveness
7% Instrumentalness • 97% Positiveness
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Allison Moorer
Bad Weather
112 bpm • D Maj • 04:26 • -9.16db
11% Popularity • 52% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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GospelbeacH
Dark Angel
111 bpm • E min • 03:01 • -5.45db
14% Popularity • 51% Danceability • 86% Energy • 33% Liveness
69% Instrumentalness • 75% Positiveness
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Cecil Ted
The Window In Your Heart
113 bpm • F Maj • 03:35 • -10.26db
32% Popularity • 66% Danceability • 58% Energy • 9% Liveness
84% Instrumentalness • 59% Positiveness
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Delaney Davidson
Stolen River
112 bpm • F# Maj • 03:59 • -8.43db
17% Popularity • 65% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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J Shogren Shanghai'd
Me and Genghis Khan
111 bpm • G Maj • 04:31 • -10.92db
21% Popularity • 52% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Buddy & Julie Miller
Everything Is Your Fault
111 bpm • F# Maj • 03:14 • -7.87db
1% Popularity • 67% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Emma Swift
Queen Jane Approximately
113 bpm • D Maj • 04:36 • -7.77db
25% Popularity • 57% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Mary Gauthier
Wheel Inside The Wheel
113 bpm • F# min • 06:33 • -8.26db
16% Popularity • 65% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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T Bone Burnett
The Long Time Now
113 bpm • B min • 02:57 • -12.96db
29% Popularity • 64% Danceability • 40% Energy • 12% Liveness
1% Instrumentalness • 90% Positiveness
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Delaney Davidson
Special Rider Blues
112 bpm • C# min • 03:14 • -7.55db
2% Popularity • 48% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Maye Lalo
The TDK
114 bpm • F Maj • 04:35 • -11.78db
25% Popularity • 62% Danceability • 56% Energy • 13% Liveness
1% Instrumentalness • 60% Positiveness
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Robbie Robertson
Once Were Brothers
110 bpm • F# Maj • 04:24 • -9db
28% Popularity • 71% Danceability • 44% Energy • 14% Liveness
7% Instrumentalness • 40% Positiveness
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The Lost Brothers
After the Fire
110 bpm • A# Maj • 03:34 • -15.26db
18% Popularity • 63% Danceability • 43% Energy • 11% Liveness
38% Instrumentalness • 52% Positiveness
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ThornBird
Big Girl Pants
114 bpm • A min • 04:26 • -8db
19% Popularity • 75% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Mel Parsons
Bones
114 bpm • G min • 03:26 • -10.3db
29% Popularity • 75% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Delaney Davidson
Stalker
112 bpm • D Maj • 03:15 • -21.08db
11% Popularity • 65% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Stef Kamil Carlens
Alone & Attracted
110 bpm • G Maj • 06:31 • -10.06db
10% Popularity • 72% Danceability • 49% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
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Lucinda Williams
Walk On
114 bpm • C# min • 04:11 • -7.23db
13% Popularity • 69% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Buddy & Julie Miller
Spittin’ On Fire
114 bpm • C min • 03:05 • -7.93db
6% Popularity • 60% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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The Jayhawks
Living in a Bubble
114 bpm • E min • 03:05 • -7.74db
20% Popularity • 66% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Israel Nash
SpiritFalls - Audiotree Live Version
110 bpm • A min • 03:57 • -8.79db
9% Popularity • 59% Danceability • 66% Energy • 31% Liveness
36% Instrumentalness • 71% Positiveness
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Delaney Davidson
Long Way Home
113 bpm • D Maj • 04:06 • -7.74db
2% Popularity • 55% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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The 502s
Mother's Kind Of Love
114 bpm • F# Maj • 02:53 • -9.88db
35% Popularity • 82% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Barry Saunders
Rescue Me
110 bpm • D# Maj • 04:07 • -7.82db
17% Popularity • 55% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Tex Perkins
I Must Be In A Good Place Now
110 bpm • E Maj • 04:32 • -10.92db
7% Popularity • 63% Danceability • 27% Energy • 49% Liveness
0% Instrumentalness • 18% Positiveness
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Chris Hillman
Bidin’ My Time
114 bpm • G Maj • 02:59 • -5.69db
15% Popularity • 61% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Colbert Barnard
You Can Collect Stones
115 bpm • E Maj • 03:11 • -10.07db
27% Popularity • 47% Danceability • 41% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Delaney Davidson
Windy City
111 bpm • C Maj • 03:23 • -5db
5% Popularity • 49% Danceability • 96% Energy • 34% Liveness
4% Instrumentalness • 66% Positiveness
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The Jayhawks
Come Cryin' to Me
115 bpm • A Maj • 03:41 • -4.62db
19% Popularity • 61% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
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Anna Ash
Stalemate
109 bpm • D Maj • 02:43 • -10.85db
28% Popularity • 62% Danceability • 74% Energy • 11% Liveness
16% Instrumentalness • 24% Positiveness
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William The Conqueror
Path of the Crow
115 bpm • F Maj • 03:11 • -11.93db
9% Popularity • 53% Danceability • 54% Energy • 8% Liveness
1% Instrumentalness • 56% Positiveness
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Barry Saunders
Bay of Blue
115 bpm • A Maj • 03:18 • -8.55db
16% Popularity • 56% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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The Watson Twins
Call To You
115 bpm • C Maj • 03:13 • -9.19db
19% Popularity • 64% Danceability • 42% Energy • 20% Liveness
7% Instrumentalness • 64% Positiveness
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Mel Parsons
Don't Wait
115 bpm • C Maj • 03:43 • -9.86db
34% Popularity • 55% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Chuck Prophet
Best Shirt On
115 bpm • C# Maj • 03:07 • -3.9db
15% Popularity • 66% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
► Preview
Zach Pietrini
Losing My Life
115 bpm • D Maj • 03:00 • -6.94db
19% Popularity • 60% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Jesse Malin
Dead On
115 bpm • C# Maj • 03:34 • -5.57db
9% Popularity • 56% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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The Topp Twins
Hightime
115 bpm • C Maj • 02:43 • -4.57db
13% Popularity • 56% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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The Kill Devil Hills
I Don't Believe It Any More
109 bpm • C Maj • 07:19 • -11db
8% Popularity • 40% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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The High Road
Until You
115 bpm • A# min • 03:52 • -8db
17% Popularity • 63% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Chuck Prophet
That's How Much I Need Your Love
109 bpm • A# min • 04:06 • -5.25db
24% Popularity • 71% Danceability • 86% Energy • 14% Liveness
1% Instrumentalness • 85% Positiveness
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Slow Leaves
Looking out My Window
109 bpm • G Maj • 04:11 • -9.45db
9% Popularity • 61% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Jesse Malin
Meet Me at the End of the World Again
115 bpm • D# Maj • 04:04 • -5.61db
16% Popularity • 64% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Drive-By Truckers
21st Century USA
115 bpm • A# Maj • 04:14 • -9db
8% Popularity • 64% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Bertha Faraday
A Midnight Train
116 bpm • D min • 04:18 • -8.65db
24% Popularity • 53% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Holy Living Creatures
Salsa Verde
108 bpm • D# min • 04:03 • -9.1db
10% Popularity • 57% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Dan Browning
Ballad Of Uncle Cray
108 bpm • D Maj • 02:52 • -8.7db
15% Popularity • 48% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
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Suitcase Rags Trio
The Curse of Stagger Lee
108 bpm • E Maj • 04:44 • -10.08db
9% Popularity • 68% Danceability • 37% Energy • 9% Liveness
7% Instrumentalness • 46% Positiveness
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Lucinda Williams
Bad News Blues
108 bpm • B Maj • 04:36 • -7db
16% Popularity • 68% Danceability • 66% Energy • 11% Liveness
1% Instrumentalness • 77% Positiveness
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Rodney Crowell
Loving You Is The Only Way To Fly
116 bpm • F# Maj • 03:27 • -11.07db
16% Popularity • 82% Danceability • 35% Energy • 11% Liveness
4% Instrumentalness • 48% Positiveness
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Delaney Davidson
The Beast in Me
108 bpm • C Maj • 02:54 • -11.66db
1% Popularity • 49% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Bertha Faraday
Superhero
116 bpm • G Maj • 05:26 • -10.8db
24% Popularity • 62% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Dallet Band
City at Night
108 bpm • G Maj • 07:04 • -6.61db
8% Popularity • 59% Danceability • 67% Energy • 54% Liveness
0% Instrumentalness • 47% Positiveness
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Frazey Ford
U and Me
116 bpm • B min • 04:39 • -11.69db
27% Popularity • 71% Danceability • 29% Energy • 12% Liveness
16% Instrumentalness • 26% Positiveness
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Mary Gauthier
Got Your Six
108 bpm • E Maj • 02:38 • -8.22db
29% Popularity • 73% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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The Eastern
Turn It Round
116 bpm • B min • 02:34 • -6.08db
15% Popularity • 49% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Delaney Davidson
Strange I Know
116 bpm • E min • 02:02 • -16.65db
11% Popularity • 66% Danceability • 19% Energy • 12% Liveness
4% Instrumentalness • 27% Positiveness
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Dawn Brothers
Toss and Turning
108 bpm • G Maj • 04:01 • -7.31db
7% Popularity • 62% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
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Barry Saunders
All Those Things
108 bpm • C# min • 03:45 • -8.38db
34% Popularity • 61% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Jesse Malin
Room 13
117 bpm • E Maj • 03:56 • -5.55db
20% Popularity • 49% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Eilen Jewell
Crooked River
117 bpm • C Maj • 03:53 • -7.36db
26% Popularity • 50% Danceability • 61% Energy • 11% Liveness
4% Instrumentalness • 52% Positiveness
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Rodney Crowell
Something Has To Change
108 bpm • E Maj • 04:01 • -7.07db
30% Popularity • 80% Danceability • 62% Energy • 12% Liveness
17% Instrumentalness • 86% Positiveness
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Delaney Davidson
Sleeping Woman
116 bpm • G Maj • 03:46 • -23.61db
16% Popularity • 74% Danceability • 7% Energy • 35% Liveness
1% Instrumentalness • 18% Positiveness
► Preview
Buddy & Julie Miller
I’m Gonna Make You Love Me
117 bpm • C Maj • 04:47 • -7.14db
4% Popularity • 66% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Alistair Chant
Mary Lou
117 bpm • G min • 02:59 • -7.53db
9% Popularity • 64% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Tex Perkins
In Another Lifetime
107 bpm • F Maj • 02:35 • -8.59db
21% Popularity • 60% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
► Preview
Alejandro Escovedo
Texas Is My Mother
107 bpm • B min • 03:01 • -10.45db
15% Popularity • 76% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Gasoline Lollipops
Flesh and Bone
117 bpm • C Maj • 03:24 • -6.89db
9% Popularity • 53% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
► Preview
Dorothy Lindsay
Strange On Sunday
117 bpm • F Maj • 02:43 • -9.78db
27% Popularity • 51% Danceability • 77% Energy • 9% Liveness
40% Instrumentalness • 41% Positiveness
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Rich Lerner & The Groove
She Kept My Room Warm
118 bpm • C Maj • 02:46 • -11.29db
22% Popularity • 61% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
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Mel Parsons
Far Away
118 bpm • C min • 03:37 • -6.78db
33% Popularity • 62% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Lucinda Williams
Protection
118 bpm • A Maj • 04:47 • -6.09db
30% Popularity • 73% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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T Bone Burnett
Over You
106 bpm • G Maj • 02:20 • -10.89db
21% Popularity • 54% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Mia Dyson
Any 3 Chords
118 bpm • A Maj • 05:38 • -4.69db
8% Popularity • 37% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Mirrour
Who Is Your Lady?
118 bpm • G Maj • 01:51 • -5.13db
10% Popularity • 66% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Vicente Luengo
From you
118 bpm • G Maj • 03:40 • -11.75db
38% Popularity • 39% Danceability • 37% Energy • 12% Liveness
68% Instrumentalness • 30% Positiveness
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The Belfast Cowboys
Grand Canyon
118 bpm • E Maj • 04:03 • -10db
11% Popularity • 66% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Tex Perkins
Brand New Man
119 bpm • G Maj • 04:07 • -11.07db
13% Popularity • 58% Danceability • 35% Energy • 12% Liveness
2% Instrumentalness • 24% Positiveness
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Delaney Davidson
Demon Claws
106 bpm • E min • 04:04 • -9.6db
23% Popularity • 50% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Mavis Staples
All In It Together
106 bpm • A Maj • 03:35 • -6.89db
11% Popularity • 71% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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Alejandro Escovedo
Waiting for Me
119 bpm • A Maj • 03:17 • -7.45db
18% Popularity • 76% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Martin Stephenson
Frattern Star
119 bpm • D Maj • 04:15 • -13.14db
12% Popularity • 56% Danceability • 45% Energy • 11% Liveness
21% Instrumentalness • 71% Positiveness
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Ben Glover
Catbird Seat
119 bpm • G Maj • 04:46 • -8.21db
17% Popularity • 64% Danceability • 58% Energy • 10% Liveness
17% Instrumentalness • 59% Positiveness
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Tex Perkins
My Philosophy
105 bpm • E min • 02:37 • -11db
32% Popularity • 56% Danceability • 28% Energy • 12% Liveness
11% Instrumentalness • 50% Positiveness
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Grace Cummings
Other Side
105 bpm • G# Maj • 02:19 • -10.3db
16% Popularity • 34% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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The Eastern
Misty & Jimmy
105 bpm • F min • 03:58 • -3.85db
11% Popularity • 55% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 68% Positiveness
► Preview
Buddy & Julie Miller
Breakdown On 20th Ave. South
105 bpm • F Maj • 03:54 • -7.59db
2% Popularity • 59% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
Aitor Castells
Man on the Wire
105 bpm • G# Maj • 04:00 • -14.42db
9% Popularity • 60% Danceability • 29% Energy • 16% Liveness
49% Instrumentalness • 33% Positiveness
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Lone
Come a New Day
105 bpm • E Maj • 03:52 • -9.05db
18% Popularity • 68% Danceability • 63% Energy • 11% Liveness
34% Instrumentalness • 44% Positiveness
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Bap Kennedy
Nothing Can Stand in the Way of Love
105 bpm • C Maj • 02:51 • -7db
11% Popularity • 76% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
► Preview
Alejandro Escovedo
Footsteps in the Shadows
105 bpm • C Maj • 04:49 • -5.42db
10% Popularity • 70% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Tyler Ramsey
Evening Country
105 bpm • F Maj • 03:42 • -6.5db
20% Popularity • 66% Danceability • 68% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
► Preview
Tex, Don & Charlie
I Couldn't Lie
119 bpm • D min • 03:02 • -14.92db
8% Popularity • 45% Danceability • 20% Energy • 16% Liveness
1% Instrumentalness • 17% Positiveness
► Preview
Frazey Ford
Azad
105 bpm • G Maj • 03:03 • -9db
36% Popularity • 73% Danceability • 66% Energy • 6% Liveness
6% Instrumentalness • 35% Positiveness
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Barry Saunders
Wind in the Pine
120 bpm • A Maj • 03:41 • -9.4db
16% Popularity • 51% Danceability • 68% Energy • 21% Liveness
0% Instrumentalness • 55% Positiveness
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William Crighton
2000 Clicks
120 bpm • B Maj • 04:06 • -8.09db
20% Popularity • 42% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Stolen River