Songs like Stop Before We Start (Duet with Candi Staton) (with Candi Staton) by Bobby Womack
Based on a tempo of (+/- 10%) and a similar genre
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David Ruffin
Common Man
77 bpm • E Maj • 03:12 • -11.96db
36% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Dusty Springfield
The Windmills Of Your Mind
76 bpm • C min • 03:47 • -14.37db
48% Popularity • 31% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
48% Popularity • 31% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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L.T.D.
Love Ballad
78 bpm • F# min • 04:35 • -14.81db
56% Popularity • 60% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
56% Popularity • 60% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Irma Thomas
I Need Your Love So Bad
78 bpm • C Maj • 03:16 • -16db
40% Popularity • 56% Danceability • 15% Energy • 37% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 56% Danceability • 15% Energy • 37% Liveness
0% Instrumentalness • 26% Positiveness
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Bill Withers
Ain't No Sunshine
78 bpm • E min • 02:05 • -11.45db
86% Popularity • 53% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
86% Popularity • 53% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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James Carr
The Dark End of the Street
76 bpm • G Maj • 02:33 • -8db
50% Popularity • 52% Danceability • 40% Energy • 11% Liveness
4% Instrumentalness • 36% Positiveness
50% Popularity • 52% Danceability • 40% Energy • 11% Liveness
4% Instrumentalness • 36% Positiveness
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The Impressions
Man Oh Man
76 bpm • C# Maj • 03:12 • -11.05db
29% Popularity • 61% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 61% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Bobby Womack
Point Of No Return
79 bpm • A Maj • 02:44 • -11.77db
18% Popularity • 62% Danceability • 47% Energy • 51% Liveness
4% Instrumentalness • 90% Positiveness
18% Popularity • 62% Danceability • 47% Energy • 51% Liveness
4% Instrumentalness • 90% Positiveness
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Brook Benton
Rainy Night in Georgia
75 bpm • E min • 03:53 • -19db
49% Popularity • 30% Danceability • 31% Energy • 13% Liveness
8% Instrumentalness • 38% Positiveness
49% Popularity • 30% Danceability • 31% Energy • 13% Liveness
8% Instrumentalness • 38% Positiveness
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Rae & Christian
Get a Life
79 bpm • D Maj • 03:40 • -9.16db
22% Popularity • 73% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 73% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Darondo
Didn't I
75 bpm • F Maj • 03:29 • -11.68db
65% Popularity • 46% Danceability • 38% Energy • 11% Liveness
26% Instrumentalness • 64% Positiveness
65% Popularity • 46% Danceability • 38% Energy • 11% Liveness
26% Instrumentalness • 64% Positiveness
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Dusty Springfield
Take Another Little Piece Of My Heart
80 bpm • D Maj • 02:36 • -7.26db
51% Popularity • 48% Danceability • 75% Energy • 22% Liveness
32% Instrumentalness • 80% Positiveness
51% Popularity • 48% Danceability • 75% Energy • 22% Liveness
32% Instrumentalness • 80% Positiveness
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Latimore
Let's Straighten It Out
80 bpm • D min • 05:31 • -15.08db
38% Popularity • 77% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
38% Popularity • 77% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Sharon Jones & The Dap-Kings
Pass Me By
74 bpm • B min • 03:20 • -11db
58% Popularity • 76% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
58% Popularity • 76% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Bobby Womack
Harry Hippie
74 bpm • E Maj • 03:48 • -16.65db
30% Popularity • 39% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 39% Danceability • 24% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
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Arthur Conley
Sweet Soul Music
80 bpm • F Maj • 02:21 • -9.67db
61% Popularity • 59% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
61% Popularity • 59% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Rufus & Chaka Khan
Sweet Thing
80 bpm • A Maj • 03:20 • -16.87db
49% Popularity • 68% Danceability • 28% Energy • 14% Liveness
42% Instrumentalness • 66% Positiveness
49% Popularity • 68% Danceability • 28% Energy • 14% Liveness
42% Instrumentalness • 66% Positiveness
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The Dells
I Can Sing A Rainbow / Love Is Blue - Si...
81 bpm • D Maj • 03:26 • -8.53db
26% Popularity • 28% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
26% Popularity • 28% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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The Impressions
Fool for You
81 bpm • D# min • 02:52 • -8db
37% Popularity • 46% Danceability • 66% Energy • 50% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 46% Danceability • 66% Energy • 50% Liveness
0% Instrumentalness • 53% Positiveness
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Maze
Happy Feelin's - Remastered/1999
73 bpm • D Maj • 07:10 • -10.55db
27% Popularity • 58% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
27% Popularity • 58% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Little Richard
Hurry Sundown
81 bpm • G# Maj • 02:48 • -10.12db
34% Popularity • 50% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
34% Popularity • 50% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Bobby Womack
Baby! You Oughta Think It Over
81 bpm • D Maj • 02:37 • -8db
40% Popularity • 50% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
40% Popularity • 50% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Rufus & Chaka Khan
Tell Me Something Good
73 bpm • C# Maj • 04:37 • -9.74db
54% Popularity • 66% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
54% Popularity • 66% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 76% Positiveness
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Quincy Jones
Summer In The City
81 bpm • A min • 04:04 • -16.55db
51% Popularity • 57% Danceability • 28% Energy • 10% Liveness
30% Instrumentalness • 34% Positiveness
51% Popularity • 57% Danceability • 28% Energy • 10% Liveness
30% Instrumentalness • 34% Positiveness
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Detroit Emeralds
Baby Let Me Take You (In My Arms)
81 bpm • F# min • 03:50 • -9.15db
42% Popularity • 68% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 68% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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The Impressions
It's All Right - Single Version
82 bpm • C# Maj • 02:47 • -15db
48% Popularity • 56% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
48% Popularity • 56% Danceability • 36% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Minnie Riperton
Lovin' You
72 bpm • A Maj • 03:43 • -14.62db
61% Popularity • 39% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
61% Popularity • 39% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Bobby Womack
If You Think You're Lonely Now
73 bpm • C min • 05:33 • -11.63db
55% Popularity • 65% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
55% Popularity • 65% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Earth, Wind & Fire
That's the Way of the World
82 bpm • C# Maj • 05:45 • -11.15db
56% Popularity • 59% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
56% Popularity • 59% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
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The Delfonics
Ready or Not Here I Come (Can't Hide fro...
83 bpm • D# Maj • 01:59 • -6.22db
50% Popularity • 55% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
50% Popularity • 55% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Rose Royce
Love Don't Live Here Anymore
83 bpm • B min • 03:58 • -19.55db
51% Popularity • 53% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
51% Popularity • 53% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Eddie Kendricks
Darling Come Back Home
83 bpm • A min • 04:13 • -14db
23% Popularity • 54% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 54% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Minnie Riperton
Baby, This Love I Have
84 bpm • F# min • 04:10 • -12.59db
55% Popularity • 59% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
55% Popularity • 59% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Bobby Womack
Woman's Gotta Have It
82 bpm • B min • 03:35 • -18.04db
40% Popularity • 44% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
40% Popularity • 44% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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The Emotions
So I Can Love You
84 bpm • F Maj • 02:49 • -15.42db
44% Popularity • 65% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 93% Positiveness
44% Popularity • 65% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 93% Positiveness
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Sam Cooke
Bring It On Home to Me
71 bpm • C Maj • 02:44 • -7db
67% Popularity • 49% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
67% Popularity • 49% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Ohio Players
Funky Worm
86 bpm • D min • 02:41 • -9.92db
43% Popularity • 63% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
43% Popularity • 63% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
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The Impressions
I'm So Proud
87 bpm • B Maj • 02:51 • -17.32db
54% Popularity • 61% Danceability • 12% Energy • 7% Liveness
47% Instrumentalness • 29% Positiveness
54% Popularity • 61% Danceability • 12% Energy • 7% Liveness
47% Instrumentalness • 29% Positiveness
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Minnie Riperton
Reasons
84 bpm • F# min • 03:26 • -8db
39% Popularity • 51% Danceability • 76% Energy • 64% Liveness
0% Instrumentalness • 81% Positiveness
39% Popularity • 51% Danceability • 76% Energy • 64% Liveness
0% Instrumentalness • 81% Positiveness
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Bobby Womack
I Wanna Make Love To You
87 bpm • C# min • 04:26 • -21.01db
11% Popularity • 69% Danceability • 25% Energy • 7% Liveness
1% Instrumentalness • 77% Positiveness
11% Popularity • 69% Danceability • 25% Energy • 7% Liveness
1% Instrumentalness • 77% Positiveness
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Edwin Starr
Easin' In
87 bpm • F# Maj • 03:14 • -11.15db
47% Popularity • 84% Danceability • 40% Energy • 11% Liveness
26% Instrumentalness • 87% Positiveness
47% Popularity • 84% Danceability • 40% Energy • 11% Liveness
26% Instrumentalness • 87% Positiveness
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Charles Bradley
The World (Is Going Up in Flames)
87 bpm • F min • 03:22 • -8db
61% Popularity • 72% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
61% Popularity • 72% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Labi Siffre
I Got The... - 2006 Remaster
87 bpm • C min • 06:35 • -10.85db
58% Popularity • 48% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
58% Popularity • 48% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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The Five Stairsteps
O-o-h Child
87 bpm • C# Maj • 03:17 • -10.43db
58% Popularity • 51% Danceability • 56% Energy • 65% Liveness
0% Instrumentalness • 55% Positiveness
58% Popularity • 51% Danceability • 56% Energy • 65% Liveness
0% Instrumentalness • 55% Positiveness
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Sugar Pie DeSanto
Soulful Dress
88 bpm • G min • 02:49 • -9.78db
48% Popularity • 77% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
48% Popularity • 77% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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Bobby Womack
Everyone's Gone To The Moon
83 bpm • D# Maj • 02:37 • -10.17db
19% Popularity • 44% Danceability • 35% Energy • 38% Liveness
0% Instrumentalness • 43% Positiveness
19% Popularity • 44% Danceability • 35% Energy • 38% Liveness
0% Instrumentalness • 43% Positiveness
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Sofie & So-Four
I Wanna Know What Love Is
88 bpm • D Maj • 03:51 • -9.13db
6% Popularity • 66% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
6% Popularity • 66% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Charles Bradley
Strictly Reserved for You
87 bpm • F Maj • 03:42 • -6db
46% Popularity • 63% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
46% Popularity • 63% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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The Supremes
My World Is Empty Without You
89 bpm • F# min • 02:34 • -9.38db
50% Popularity • 47% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
50% Popularity • 47% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Odetta
Hit Or Miss
89 bpm • D Maj • 03:54 • -13.34db
51% Popularity • 80% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
51% Popularity • 80% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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Rotary Connection
I Am The Black Gold Of The Sun - Remaste...
89 bpm • C# min • 05:44 • -16.48db
43% Popularity • 50% Danceability • 58% Energy • 7% Liveness
10% Instrumentalness • 69% Positiveness
43% Popularity • 50% Danceability • 58% Energy • 7% Liveness
10% Instrumentalness • 69% Positiveness
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Bobby Womack
Fact Of Life/He'll Be There When The Sun...
83 bpm • B min • 06:21 • -13.33db
29% Popularity • 61% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 61% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Lee Dorsey
Get out of My Life Woman
90 bpm • F# Maj • 02:26 • -11db
44% Popularity • 84% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
44% Popularity • 84% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Shuggie Otis
Inspiration Information
90 bpm • G Maj • 04:12 • -7db
52% Popularity • 80% Danceability • 65% Energy • 14% Liveness
1% Instrumentalness • 84% Positiveness
52% Popularity • 80% Danceability • 65% Energy • 14% Liveness
1% Instrumentalness • 84% Positiveness
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Sharon Jones & The Dap-Kings
Be Easy
90 bpm • G Maj • 03:03 • -9db
53% Popularity • 77% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
53% Popularity • 77% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Betty Wright
Old Songs
90 bpm • G# Maj • 05:34 • -7.6db
42% Popularity • 78% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
42% Popularity • 78% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Charles Bradley
Where Do We Go From Here
90 bpm • C Maj • 03:11 • -8.94db
48% Popularity • 39% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
48% Popularity • 39% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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Bobby Womack
I'm In Love
89 bpm • D Maj • 02:42 • -9.71db
29% Popularity • 66% Danceability • 46% Energy • 11% Liveness
3% Instrumentalness • 61% Positiveness
29% Popularity • 66% Danceability • 46% Energy • 11% Liveness
3% Instrumentalness • 61% Positiveness
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Sam Cooke
Nothing Can Change This Love
65 bpm • A Maj • 02:38 • -11.84db
64% Popularity • 37% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
64% Popularity • 37% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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The Meters
Hand Clapping Song
91 bpm • A Maj • 02:56 • -13db
43% Popularity • 80% Danceability • 52% Energy • 10% Liveness
85% Instrumentalness • 63% Positiveness
43% Popularity • 80% Danceability • 52% Energy • 10% Liveness
85% Instrumentalness • 63% Positiveness
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Saun & Starr
Big Wheel
91 bpm • C# min • 03:18 • -6db
50% Popularity • 73% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
50% Popularity • 73% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Betty Wright
Clean up Woman
90 bpm • F Maj • 02:49 • -9.05db
56% Popularity • 86% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
56% Popularity • 86% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Harold Melvin & The Blue Notes
You Know How to Make Me Feel so Good
91 bpm • B min • 05:16 • -11.82db
44% Popularity • 53% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 53% Danceability • 44% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
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Bobby Womack
You're Welcome, Stop On By
91 bpm • B min • 03:28 • -8.71db
30% Popularity • 58% Danceability • 69% Energy • 39% Liveness
0% Instrumentalness • 83% Positiveness
30% Popularity • 58% Danceability • 69% Energy • 39% Liveness
0% Instrumentalness • 83% Positiveness
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The Impressions
For Your Precious Love
91 bpm • C# Maj • 02:45 • -8.12db
44% Popularity • 37% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
44% Popularity • 37% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Minnie Riperton
Inside My Love - Remastered 1993
91 bpm • A# min • 03:58 • -12.68db
51% Popularity • 53% Danceability • 28% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
51% Popularity • 53% Danceability • 28% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
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Ohio Players
Sweet Sticky Thing
91 bpm • C# min • 06:12 • -12db
41% Popularity • 53% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 67% Positiveness
41% Popularity • 53% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 67% Positiveness
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The Brothers Johnson
Strawberry Letter 23
91 bpm • G min • 04:59 • -11.7db
62% Popularity • 73% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 75% Positiveness
62% Popularity • 73% Danceability • 62% Energy • 11% Liveness
1% Instrumentalness • 75% Positiveness
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Labi Siffre
I Got The...
91 bpm • C Maj • 06:24 • -7.59db
48% Popularity • 52% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
48% Popularity • 52% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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War
Slippin' Into Darkness
91 bpm • E min • 03:47 • -8.75db
50% Popularity • 68% Danceability • 62% Energy • 8% Liveness
1% Instrumentalness • 66% Positiveness
50% Popularity • 68% Danceability • 62% Energy • 8% Liveness
1% Instrumentalness • 66% Positiveness
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Patrice Rushen
Remind Me - Remastered
91 bpm • E min • 05:19 • -9db
58% Popularity • 81% Danceability • 48% Energy • 8% Liveness
4% Instrumentalness • 84% Positiveness
58% Popularity • 81% Danceability • 48% Energy • 8% Liveness
4% Instrumentalness • 84% Positiveness
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Deniece Williams
Free
91 bpm • F# Maj • 05:56 • -10.73db
51% Popularity • 51% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
51% Popularity • 51% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
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Charles Bradley
Heart of Gold
91 bpm • E min • 03:03 • -7.62db
62% Popularity • 75% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
62% Popularity • 75% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Baby Huey
Hard Times
91 bpm • A min • 03:23 • -5.82db
52% Popularity • 66% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
52% Popularity • 66% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Minnie Riperton
Inside My Love - Remastered
91 bpm • A# min • 04:48 • -11.36db
48% Popularity • 42% Danceability • 36% Energy • 9% Liveness
1% Instrumentalness • 38% Positiveness
48% Popularity • 42% Danceability • 36% Energy • 9% Liveness
1% Instrumentalness • 38% Positiveness
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War
The World Is A Ghetto
92 bpm • F# min • 04:04 • -12.51db
39% Popularity • 68% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 68% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Lulu
I'm Back for More
92 bpm • F# min • 05:06 • -10.5db
1% Popularity • 62% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
1% Popularity • 62% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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Gladys Knight & The Pips
Midnight Train to Georgia
92 bpm • A# min • 04:39 • -12.06db
70% Popularity • 60% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
70% Popularity • 60% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Leon Haywood
I Want'a Do Something Freaky To You
92 bpm • F# min • 05:03 • -15.26db
43% Popularity • 57% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
43% Popularity • 57% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 91% Positiveness
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Charles Wright & The Watts 103rd Street Rhythm Band
Express Yourself
92 bpm • G# Maj • 03:53 • -8.84db
60% Popularity • 79% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
60% Popularity • 79% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
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Irma Thomas
Anyone Who Knows What Love Is (Will Unde...
92 bpm • D Maj • 02:56 • -12.79db
62% Popularity • 60% Danceability • 28% Energy • 8% Liveness
1% Instrumentalness • 21% Positiveness
62% Popularity • 60% Danceability • 28% Energy • 8% Liveness
1% Instrumentalness • 21% Positiveness
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Sharon Jones & The Dap-Kings
Come and Be a Winner
93 bpm • D min • 02:56 • -8.15db
62% Popularity • 71% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
62% Popularity • 71% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Bobby Womack
Take Me
93 bpm • D Maj • 02:30 • -9.21db
28% Popularity • 52% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 52% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Jean Knight
Mr. Big Stuff
93 bpm • G# Maj • 02:44 • -12.59db
67% Popularity • 89% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
67% Popularity • 89% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
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Leon Haywood
I Want'a Do Something Freaky To You
92 bpm • F# min • 05:52 • -7.16db
37% Popularity • 59% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 59% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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David Ruffin
Put A Little Love In Your Heart
94 bpm • C# Maj • 02:48 • -10.9db
39% Popularity • 56% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
39% Popularity • 56% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
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Roberta Flack
Feel Like Makin' Love
94 bpm • G# Maj • 02:55 • -21.86db
62% Popularity • 68% Danceability • 26% Energy • 10% Liveness
44% Instrumentalness • 69% Positiveness
62% Popularity • 68% Danceability • 26% Energy • 10% Liveness
44% Instrumentalness • 69% Positiveness
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Irma Thomas
Ruler Of My Heart
94 bpm • A Maj • 02:39 • -14.18db
50% Popularity • 61% Danceability • 28% Energy • 15% Liveness
28% Instrumentalness • 47% Positiveness
50% Popularity • 61% Danceability • 28% Energy • 15% Liveness
28% Instrumentalness • 47% Positiveness
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Bobby Womack
I Don't Wanna Be Hurt By Ya Love Again
94 bpm • D Maj • 03:26 • -7.79db
17% Popularity • 55% Danceability • 72% Energy • 44% Liveness
2% Instrumentalness • 86% Positiveness
17% Popularity • 55% Danceability • 72% Energy • 44% Liveness
2% Instrumentalness • 86% Positiveness
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The Roots
Summertime
94 bpm • G Maj • 06:01 • -11.31db
8% Popularity • 75% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
8% Popularity • 75% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Sam Cooke
I'll Come Running Back To You - Single V...
94 bpm • G# Maj • 02:13 • -18.64db
56% Popularity • 46% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
56% Popularity • 46% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Rick James
Mary Jane
94 bpm • B min • 04:57 • -7.01db
62% Popularity • 54% Danceability • 82% Energy • 43% Liveness
0% Instrumentalness • 88% Positiveness
62% Popularity • 54% Danceability • 82% Energy • 43% Liveness
0% Instrumentalness • 88% Positiveness
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Marlena Shaw
California Soul
95 bpm • G# min • 02:57 • -8.41db
65% Popularity • 51% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
65% Popularity • 51% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 54% Positiveness
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Irma Thomas
Straight From The Heart
95 bpm • D# Maj • 02:28 • -13db
46% Popularity • 65% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
46% Popularity • 65% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Charles Bradley
Things We Do for Love
95 bpm • F# min • 03:28 • -8db
43% Popularity • 74% Danceability • 53% Energy • 8% Liveness
3% Instrumentalness • 78% Positiveness
43% Popularity • 74% Danceability • 53% Energy • 8% Liveness
3% Instrumentalness • 78% Positiveness
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Harold Melvin & The Blue Notes
If You Don't Know Me by Now
95 bpm • B Maj • 03:25 • -9.55db
61% Popularity • 34% Danceability • 46% Energy • 58% Liveness
0% Instrumentalness • 46% Positiveness
61% Popularity • 34% Danceability • 46% Energy • 58% Liveness
0% Instrumentalness • 46% Positiveness
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Tower Of Power
So Very Hard to Go
95 bpm • A# Maj • 03:37 • -6.45db
50% Popularity • 64% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
50% Popularity • 64% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Sharon Jones & The Dap-Kings
Nobody's Baby
95 bpm • F Maj • 02:27 • -9db
62% Popularity • 70% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
62% Popularity • 70% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 74% Positiveness
