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Stop Your Fussin'
Songs like
Stop Your Fussin'
by
Toni Childs
Based on a tempo of (+/- 10%) and a similar genre
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Suzi Quatro
Singing With Angels
118 bpm • C Maj • 03:54 • -9.49db
37% Popularity • 55% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
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Wendy Matthews
Let's Kiss (Like Angels Do)
118 bpm • A# Maj • 03:29 • -10.65db
30% Popularity • 68% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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Jennifer Warnes
When The Feeling Comes Around
118 bpm • D Maj • 03:17 • -11.75db
13% Popularity • 62% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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James Reyne
Motor's Too Fast
118 bpm • A min • 04:13 • -11.48db
43% Popularity • 64% Danceability • 50% Energy • 44% Liveness
1% Instrumentalness • 82% Positiveness
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Tina Arena
Now I Can Dance
118 bpm • A# Maj • 05:53 • -8.4db
32% Popularity • 67% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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The Pointer Sisters
Fire
118 bpm • C# Maj • 03:30 • -9db
56% Popularity • 65% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Toni Childs
Stop Your Fussin'
118 bpm • F Maj • 04:40 • -13.73db
44% Popularity • 82% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Lobo
Like Love’s Brand New
118 bpm • F Maj • 05:14 • -8.12db
23% Popularity • 66% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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The Sutherland Brothers
Arms of Mary
118 bpm • C Maj • 02:37 • -12.7db
50% Popularity • 67% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Kenny Rogers
Midsummer Nights
118 bpm • D Maj • 03:50 • -13.66db
21% Popularity • 70% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 93% Positiveness
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Tina Arena
Now I Can Dance - Single Edit
118 bpm • A# Maj • 04:06 • -7.61db
29% Popularity • 67% Danceability • 75% Energy • 29% Liveness
0% Instrumentalness • 69% Positiveness
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David Hasselhoff
Dance Dance D'Amour
117 bpm • G# Maj • 03:21 • -8.14db
30% Popularity • 76% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Wet Wet Wet
Sweet Little Mystery
117 bpm • C Maj • 03:44 • -14.11db
54% Popularity • 71% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Billy Ocean
Get Outta My Dreams, Get Into My Car
117 bpm • E Maj • 04:44 • -6.46db
59% Popularity • 67% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
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Kim Carnes
Crazy In The Night (Barking At Airplanes...
117 bpm • F Maj • 03:33 • -6.79db
44% Popularity • 64% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Dr. Hook
Baby Makes Her Blue Jeans Talk
119 bpm • G Maj • 03:50 • -6.69db
32% Popularity • 60% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
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Bruce Springsteen
My Hometown
117 bpm • A Maj • 04:39 • -11.58db
61% Popularity • 65% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Jenny Morris
Land of the Long White Cloud/Aotearoa
119 bpm • C Maj • 03:51 • -14.89db
18% Popularity • 66% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 10% Positiveness
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Charlie Dore
Pilot Of The Airwaves (Re-Recorded / Rem...
119 bpm • C Maj • 03:46 • -12.63db
33% Popularity • 62% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Alison Moyet
Is This Love?
117 bpm • A Maj • 04:00 • -7db
52% Popularity • 74% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Don Henley
The End Of The Innocence
117 bpm • G# Maj • 05:15 • -13db
62% Popularity • 62% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Dr. Hook
Storms Never Last
119 bpm • C# Maj • 03:23 • -10.59db
47% Popularity • 62% Danceability • 53% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Exile
You Thrill Me
117 bpm • B Maj • 03:52 • -9.94db
21% Popularity • 71% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 81% Positiveness
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The Black Sorrows
Chained To The Wheel
120 bpm • D Maj • 03:57 • -12db
52% Popularity • 58% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Toni Childs
Where's The Ocean
116 bpm • G Maj • 04:42 • -20.76db
17% Popularity • 34% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Margaret Urlich
Only My Heart Calling
116 bpm • G# Maj • 05:39 • -11.81db
25% Popularity • 64% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Peter Maffay
Room with a View - MTV Unplugged
116 bpm • E min • 04:17 • -11.05db
39% Popularity • 58% Danceability • 65% Energy • 98% Liveness
0% Instrumentalness • 22% Positiveness
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Peter Blakeley
Crying In The Chapel
120 bpm • G# Maj • 03:42 • -14db
38% Popularity • 76% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Elton John
Please
120 bpm • E Maj • 03:52 • -9db
36% Popularity • 64% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 79% Positiveness
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David Hasselhoff
Rhinestone Cowboy
116 bpm • A Maj • 03:29 • -12.93db
19% Popularity • 60% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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James Reyne
Hammerhead
120 bpm • F min • 04:46 • -11.55db
40% Popularity • 67% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Renee Geyer
Heading in the Right Direction
120 bpm • G Maj • 04:01 • -8.03db
35% Popularity • 51% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Uriah Heep
Free Me
116 bpm • B min • 03:30 • -12.5db
45% Popularity • 76% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Peter Blakeley
You Never Heard It From Me
116 bpm • D# Maj • 03:38 • -14.93db
9% Popularity • 70% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Lobo
Intro / Me and You and a Dog Named Boo
120 bpm • F# Maj • 03:54 • -13db
31% Popularity • 43% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Brian Cadd
Ginger Man
116 bpm • E Maj • 04:06 • -12.34db
34% Popularity • 40% Danceability • 27% Energy • 12% Liveness
1% Instrumentalness • 10% Positiveness
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ICEHOUSE
Crazy
116 bpm • F Maj • 03:23 • -3.51db
53% Popularity • 52% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
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Split Enz
I Hope I Never
121 bpm • D Maj • 04:34 • -8.05db
33% Popularity • 50% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Paul Young
I'm Only Foolin' Myself
115 bpm • A# Maj • 04:35 • -9.07db
25% Popularity • 76% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
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Renee Geyer
Say I Love You
115 bpm • D Maj • 03:33 • -6.52db
41% Popularity • 67% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Huey Lewis & The News
Stuck With You
121 bpm • E min • 04:29 • -11.4db
65% Popularity • 70% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 63% Positiveness
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Brian Cadd
Let Go
121 bpm • F Maj • 04:20 • -10.11db
30% Popularity • 56% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 50% Positiveness
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Lobo
Me And You And A Dog Named Boo - Re-Reco...
121 bpm • F# Maj • 02:58 • -13db
33% Popularity • 72% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Hot Chocolate
What Kinda Boy You Lookin' for (Girl)
115 bpm • F# Maj • 03:48 • -7.88db
21% Popularity • 78% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Wendy Matthews
If Only I Could
121 bpm • F Maj • 03:52 • -7.81db
14% Popularity • 70% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Tony Christie
I Did What I Did For Maria
121 bpm • G Maj • 03:30 • -7db
40% Popularity • 65% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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Toni Childs
Don't Walk Away
115 bpm • B Maj • 04:01 • -11.66db
35% Popularity • 65% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Night
Hot Summer Nights
121 bpm • G# Maj • 03:23 • -7.23db
31% Popularity • 72% Danceability • 65% Energy • 84% Liveness
3% Instrumentalness • 65% Positiveness
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Lobo
Me and You and a Dog Named Boo
121 bpm • F# Maj • 02:57 • -10.29db
54% Popularity • 63% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Alvin Stardust
I Feel Like Buddy Holly
115 bpm • G Maj • 04:00 • -5db
20% Popularity • 69% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Wendy Matthews
If Only I Could - 2007 Remastered
121 bpm • F Maj • 04:39 • -7db
19% Popularity • 66% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Jenny Morris
Little Little
115 bpm • G Maj • 03:55 • -13.67db
25% Popularity • 62% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Toni Childs
Amethyst Garden
115 bpm • D Maj • 04:16 • -12.85db
19% Popularity • 64% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Mark Williams
Show No Mercy - Remastered
122 bpm • C min • 04:25 • -9db
34% Popularity • 69% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Frankie Miller
Darlin' - 2011 Remaster
122 bpm • A Maj • 03:04 • -14db
54% Popularity • 75% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Bruce Willis
Under The Boardwalk
114 bpm • D min • 03:03 • -14.32db
45% Popularity • 73% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Robin Auld
All of Woman - Remix
122 bpm • D Maj • 04:37 • -12.64db
18% Popularity • 79% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Daniel Boone
Beautiful Sunday
122 bpm • A Maj • 03:02 • -13db
53% Popularity • 68% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
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Eurythmics
Love Is a Stranger - Remastered Version
122 bpm • F Maj • 03:44 • -8.22db
52% Popularity • 78% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Kim Wilde
Four Letter Word
122 bpm • C# min • 04:01 • -6.61db
39% Popularity • 66% Danceability • 67% Energy • 9% Liveness
2% Instrumentalness • 85% Positiveness
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Martha Davis
Don't Tell Me The Time
122 bpm • A Maj • 03:31 • -5.41db
24% Popularity • 64% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
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Boz Scaggs
Fly Like A Bird
122 bpm • G Maj • 03:35 • -8.35db
41% Popularity • 61% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Tina Arena
Wasn't It Good
122 bpm • D Maj • 05:12 • -12.62db
33% Popularity • 57% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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The Black Sorrows
Better Times
114 bpm • A# Maj • 04:54 • -8db
21% Popularity • 51% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Lacy J. Dalton
Black Coffee
114 bpm • G Maj • 03:34 • -9.15db
33% Popularity • 84% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Eurythmics
Thorn in My Side - Remastered
122 bpm • G Maj • 04:13 • -2.53db
57% Popularity • 66% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Toni Childs
Walk And Talk Like Angels
122 bpm • D Maj • 05:47 • -15.66db
27% Popularity • 72% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Lou Gramm
Midnight Blue
114 bpm • C Maj • 03:54 • -7.16db
54% Popularity • 64% Danceability • 84% Energy • 7% Liveness
3% Instrumentalness • 66% Positiveness
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ICEHOUSE
Street Cafe - Single Mix
123 bpm • A# Maj • 04:12 • -4db
38% Popularity • 54% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Billy Field
You Weren't in Love With Me
123 bpm • F Maj • 03:23 • -10.25db
38% Popularity • 56% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Lacy J. Dalton
Black Coffee
114 bpm • A Maj • 03:36 • -14db
30% Popularity • 86% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Eurogliders
Heaven (Must Be There)
122 bpm • D Maj • 03:42 • -15.24db
44% Popularity • 61% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Graham Bonnet
It's All Over Now, Baby Blue
123 bpm • F Maj • 04:11 • -9.58db
40% Popularity • 71% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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1927
That's When I Think Of You
123 bpm • G Maj • 04:13 • -3.23db
49% Popularity • 56% Danceability • 78% Energy • 21% Liveness
6% Instrumentalness • 40% Positiveness
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Alvin Stardust
I Feel Like Buddy Holly
113 bpm • G Maj • 04:21 • -18db
33% Popularity • 67% Danceability • 29% Energy • 5% Liveness
2% Instrumentalness • 54% Positiveness
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Glenn Frey
This Way To Happiness
123 bpm • E Maj • 03:28 • -5.17db
21% Popularity • 70% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Daryl Braithwaite
Don't Hold Back Your Love
113 bpm • G Maj • 05:09 • -12.97db
20% Popularity • 64% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Bryan Adams
Can't Stop This Thing We Started
113 bpm • A Maj • 04:29 • -7db
56% Popularity • 54% Danceability • 88% Energy • 57% Liveness
0% Instrumentalness • 54% Positiveness
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Models
Barbados
113 bpm • C Maj • 04:15 • -12.6db
48% Popularity • 69% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Dynamic Hepnotics
Soul Kind of Feeliing
123 bpm • B Maj • 03:54 • -11.06db
30% Popularity • 77% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
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Pussycat
Mississippi
123 bpm • A# Maj • 04:33 • -9.33db
55% Popularity • 60% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
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Robert Palmer
I'll Be Your Baby Tonight
113 bpm • G# Maj • 03:25 • -10.35db
50% Popularity • 53% Danceability • 77% Energy • 5% Liveness
22% Instrumentalness • 97% Positiveness
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Barclay James Harvest
Just A Day Away (Forever Tomorrow)
113 bpm • G Maj • 04:13 • -13db
29% Popularity • 63% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Kenny Rogers
We've Got Tonight
124 bpm • G# Maj • 03:54 • -11.25db
66% Popularity • 54% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Time Bandits
Endless Road - Video Version
124 bpm • G# Maj • 04:21 • -12.82db
35% Popularity • 69% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Annie Crummer
Seven Waters
124 bpm • E Maj • 04:39 • -8.81db
18% Popularity • 67% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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David Cassidy
The Last Kiss
113 bpm • C Maj • 04:35 • -7db
26% Popularity • 65% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Billy Field
True Love
112 bpm • D# Maj • 03:20 • -7.83db
19% Popularity • 62% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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The Black Sorrows
Never Let Me Go
124 bpm • C Maj • 04:04 • -13.86db
39% Popularity • 66% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Hot Chocolate
It Started with a Kiss - 2011 Remaster
112 bpm • G Maj • 04:02 • -7db
49% Popularity • 78% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
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John Rowles
Cheryl Moana Marie
112 bpm • G Maj • 03:12 • -8.49db
27% Popularity • 61% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Richard Marx
Nothing Left Behind Us
112 bpm • E Maj • 05:22 • -6.17db
29% Popularity • 67% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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David Cassidy
The Last Kiss
113 bpm • C Maj • 04:35 • -15.22db
14% Popularity • 66% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Barry Blue
(Dancin’) On A Saturday Night
124 bpm • A Maj • 03:12 • -9db
39% Popularity • 71% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Wendy Matthews
Token Angels
112 bpm • G# Maj • 04:50 • -14.22db
30% Popularity • 69% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 43% Positiveness
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Pussycat
Teenage Queenie
124 bpm • G Maj • 03:32 • -10.4db
47% Popularity • 73% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 96% Positiveness
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Cinema
My Kind of Girl
125 bpm • F# Maj • 04:27 • -4.18db
21% Popularity • 64% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Ross Wilson
Bed of Nails
125 bpm • A Maj • 04:08 • -11db
26% Popularity • 65% Danceability • 62% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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Elton John
Club At The End Of The Street
125 bpm • D Maj • 04:52 • -9.65db
42% Popularity • 65% Danceability • 76% Energy • 33% Liveness
1% Instrumentalness • 78% Positiveness
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Little River Band
If I Get Lucky
125 bpm • C Maj • 04:14 • -9.86db
25% Popularity • 73% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Stop Your Fussin'