Songs like Stormy Monday Blues - Single Version by Bobby "Blue" Bland
Based on a tempo of (+/- 10%) and a similar genre
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Kenny Neal
Blues Keep Chasing Me
183 bpm • F Maj • 04:22 • -5.65db
13% Popularity • 53% Danceability • 64% Energy • 17% Liveness
2% Instrumentalness • 63% Positiveness
13% Popularity • 53% Danceability • 64% Energy • 17% Liveness
2% Instrumentalness • 63% Positiveness
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Bobby "Blue" Bland
Stormy Monday Blues - Single Version
183 bpm • C# Maj • 04:07 • -14.79db
35% Popularity • 39% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 39% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Big Walter Horton
Good Moanin' Blues
183 bpm • B min • 04:13 • -13.95db
25% Popularity • 31% Danceability • 39% Energy • 42% Liveness
18% Instrumentalness • 61% Positiveness
25% Popularity • 31% Danceability • 39% Energy • 42% Liveness
18% Instrumentalness • 61% Positiveness
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Nina Simone
Blues for Mama
182 bpm • E Maj • 03:55 • -7db
47% Popularity • 41% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
47% Popularity • 41% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Robert Cray
Don't Touch Me
184 bpm • D# Maj • 03:23 • -9.7db
14% Popularity • 48% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
14% Popularity • 48% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Robert Petway
Catfish Blues
184 bpm • C# Maj • 02:55 • -12.86db
27% Popularity • 60% Danceability • 42% Energy • 10% Liveness
2% Instrumentalness • 85% Positiveness
27% Popularity • 60% Danceability • 42% Energy • 10% Liveness
2% Instrumentalness • 85% Positiveness
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Johnny "Big Moose" Walker
Worry, Worry
185 bpm • F Maj • 04:16 • -13.6db
30% Popularity • 47% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 47% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Bobby "Blue" Bland
Take Off Your Shoes
182 bpm • C Maj • 04:48 • -16.02db
25% Popularity • 61% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 61% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Joe Louis Walker
I Won't Do That
181 bpm • A min • 05:01 • -3db
28% Popularity • 28% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 28% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Otis Rush
Gambler's Blues
181 bpm • D Maj • 05:41 • -11db
33% Popularity • 37% Danceability • 55% Energy • 11% Liveness
8% Instrumentalness • 47% Positiveness
33% Popularity • 37% Danceability • 55% Energy • 11% Liveness
8% Instrumentalness • 47% Positiveness
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Eddie Shaw
Sittin' On Top Of The World
181 bpm • C Maj • 03:42 • -13db
40% Popularity • 49% Danceability • 40% Energy • 13% Liveness
21% Instrumentalness • 62% Positiveness
40% Popularity • 49% Danceability • 40% Energy • 13% Liveness
21% Instrumentalness • 62% Positiveness
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Lonnie Brooks
Mr. Somebody
181 bpm • F min • 05:38 • -12.76db
28% Popularity • 42% Danceability • 32% Energy • 13% Liveness
2% Instrumentalness • 46% Positiveness
28% Popularity • 42% Danceability • 32% Energy • 13% Liveness
2% Instrumentalness • 46% Positiveness
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Jimmie Vaughan
Dengue Woman Blues
180 bpm • F min • 06:23 • -9.6db
44% Popularity • 39% Danceability • 36% Energy • 12% Liveness
3% Instrumentalness • 60% Positiveness
44% Popularity • 39% Danceability • 36% Energy • 12% Liveness
3% Instrumentalness • 60% Positiveness
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Albert Collins
Blackjack
180 bpm • C Maj • 06:34 • -9db
32% Popularity • 38% Danceability • 66% Energy • 8% Liveness
1% Instrumentalness • 59% Positiveness
32% Popularity • 38% Danceability • 66% Energy • 8% Liveness
1% Instrumentalness • 59% Positiveness
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Bobby "Blue" Bland
Lovin' On Borrowed Time
180 bpm • F min • 03:20 • -19.81db
31% Popularity • 28% Danceability • 28% Energy • 13% Liveness
73% Instrumentalness • 59% Positiveness
31% Popularity • 28% Danceability • 28% Energy • 13% Liveness
73% Instrumentalness • 59% Positiveness
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William Clarke
Lonesome Bedroom Blues
180 bpm • G min • 05:45 • -13db
34% Popularity • 38% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
34% Popularity • 38% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Sonny Boy Williamson II
Trust My Baby - Mono Version
180 bpm • C Maj • 02:44 • -10.01db
26% Popularity • 34% Danceability • 28% Energy • 22% Liveness
2% Instrumentalness • 28% Positiveness
26% Popularity • 34% Danceability • 28% Energy • 22% Liveness
2% Instrumentalness • 28% Positiveness
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B.B. King
Driftin' Blues - Live At Western Recorde...
180 bpm • D min • 05:08 • -21.14db
15% Popularity • 46% Danceability • 13% Energy • 68% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 46% Danceability • 13% Energy • 68% Liveness
0% Instrumentalness • 64% Positiveness
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Jimmy Hughes
Steal Away
187 bpm • B Maj • 02:28 • -5.13db
35% Popularity • 38% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 38% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Byther Smith
Givin' Up On Love
179 bpm • D# Maj • 05:47 • -11.57db
36% Popularity • 46% Danceability • 39% Energy • 36% Liveness
4% Instrumentalness • 40% Positiveness
36% Popularity • 46% Danceability • 39% Energy • 36% Liveness
4% Instrumentalness • 40% Positiveness
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Albert Collins
The Dream
179 bpm • E min • 05:32 • -12.11db
33% Popularity • 47% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 53% Positiveness
33% Popularity • 47% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 53% Positiveness
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Sunnyland Slim
Everytime I Get to Drinking
187 bpm • D Maj • 04:15 • -16.14db
24% Popularity • 42% Danceability • 31% Energy • 16% Liveness
1% Instrumentalness • 61% Positiveness
24% Popularity • 42% Danceability • 31% Energy • 16% Liveness
1% Instrumentalness • 61% Positiveness
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Pee Wee Crayton
Blues After Hours - Rerecorded
187 bpm • G# Maj • 05:09 • -14.97db
30% Popularity • 36% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 32% Positiveness
30% Popularity • 36% Danceability • 30% Energy • 10% Liveness
84% Instrumentalness • 32% Positiveness
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Detroit Junior
Somebody To Shack
178 bpm • D min • 05:22 • -21db
27% Popularity • 56% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 56% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Elmore James
The Sky Is Crying
178 bpm • D Maj • 02:46 • -6.26db
40% Popularity • 29% Danceability • 58% Energy • 13% Liveness
52% Instrumentalness • 62% Positiveness
40% Popularity • 29% Danceability • 58% Energy • 13% Liveness
52% Instrumentalness • 62% Positiveness
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B.B. King
Medley: Stormy Monday Blues / Strange Th...
178 bpm • C Maj • 06:44 • -17.23db
11% Popularity • 42% Danceability • 24% Energy • 15% Liveness
7% Instrumentalness • 35% Positiveness
11% Popularity • 42% Danceability • 24% Energy • 15% Liveness
7% Instrumentalness • 35% Positiveness
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Albert Collins
Blue Monday Hangover
178 bpm • C Maj • 05:34 • -15db
37% Popularity • 39% Danceability • 43% Energy • 9% Liveness
3% Instrumentalness • 70% Positiveness
37% Popularity • 39% Danceability • 43% Energy • 9% Liveness
3% Instrumentalness • 70% Positiveness
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Slim Harpo
I've Got My Finger On Your Trigger - Sin...
178 bpm • D Maj • 01:54 • -13db
35% Popularity • 47% Danceability • 53% Energy • 6% Liveness
32% Instrumentalness • 91% Positiveness
35% Popularity • 47% Danceability • 53% Energy • 6% Liveness
32% Instrumentalness • 91% Positiveness
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Big Maybelle
Maybelle's Blues
177 bpm • D# Maj • 03:09 • -5.64db
10% Popularity • 29% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
10% Popularity • 29% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
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Fenton Robinson
West Side Baby
178 bpm • D Maj • 05:03 • -12.97db
30% Popularity • 50% Danceability • 37% Energy • 9% Liveness
11% Instrumentalness • 62% Positiveness
30% Popularity • 50% Danceability • 37% Energy • 9% Liveness
11% Instrumentalness • 62% Positiveness
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Rufus Thomas
That Woman Is Poison!
177 bpm • F Maj • 05:12 • -8.49db
14% Popularity • 54% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 54% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
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Son Seals
All Your Love
177 bpm • G Maj • 03:37 • -13.43db
38% Popularity • 45% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 45% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Bobby "Blue" Bland
This Time I'm Gone For Good - Single Ver...
176 bpm • F min • 03:33 • -17.39db
27% Popularity • 34% Danceability • 26% Energy • 12% Liveness
2% Instrumentalness • 62% Positiveness
27% Popularity • 34% Danceability • 26% Energy • 12% Liveness
2% Instrumentalness • 62% Positiveness
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Slim Harpo
Jody Man - Single Version
191 bpm • B Maj • 03:46 • -12.17db
17% Popularity • 40% Danceability • 34% Energy • 10% Liveness
6% Instrumentalness • 81% Positiveness
17% Popularity • 40% Danceability • 34% Energy • 10% Liveness
6% Instrumentalness • 81% Positiveness
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Albert Collins
Too Many Dirty Dishes - Remastered
175 bpm • D Maj • 06:52 • -7db
34% Popularity • 43% Danceability • 59% Energy • 33% Liveness
2% Instrumentalness • 46% Positiveness
34% Popularity • 43% Danceability • 59% Energy • 33% Liveness
2% Instrumentalness • 46% Positiveness
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Jimmy Witherspoon
Sail On Little Girl
175 bpm • G Maj • 02:46 • -17.77db
29% Popularity • 48% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 48% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Big Maybelle
That's A Pretty Good Love
175 bpm • C# Maj • 02:35 • -9db
35% Popularity • 50% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 50% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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Jimmy Rogers
Rock This House
174 bpm • C Maj • 02:50 • -6.2db
32% Popularity • 62% Danceability • 64% Energy • 18% Liveness
1% Instrumentalness • 76% Positiveness
32% Popularity • 62% Danceability • 64% Energy • 18% Liveness
1% Instrumentalness • 76% Positiveness
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Son Seals
Sitting At My Window
174 bpm • G Maj • 04:34 • -13.16db
27% Popularity • 44% Danceability • 33% Energy • 15% Liveness
2% Instrumentalness • 46% Positiveness
27% Popularity • 44% Danceability • 33% Energy • 15% Liveness
2% Instrumentalness • 46% Positiveness
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Big Walter Horton
Under The Sun
174 bpm • G Maj • 03:51 • -16.81db
40% Popularity • 49% Danceability • 23% Energy • 6% Liveness
19% Instrumentalness • 38% Positiveness
40% Popularity • 49% Danceability • 23% Energy • 6% Liveness
19% Instrumentalness • 38% Positiveness
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Jimmy Dawkins
Highway Man Blues
174 bpm • B min • 07:38 • -8.81db
23% Popularity • 38% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 38% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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King Curtis with Jack Dupree
Poor Boy Blues - Live Version
174 bpm • F Maj • 09:30 • -12.37db
7% Popularity • 43% Danceability • 42% Energy • 69% Liveness
28% Instrumentalness • 41% Positiveness
7% Popularity • 43% Danceability • 42% Energy • 69% Liveness
28% Instrumentalness • 41% Positiveness
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Roy Buchanan
After Hours
174 bpm • C Maj • 06:14 • -10.5db
25% Popularity • 39% Danceability • 55% Energy • 6% Liveness
13% Instrumentalness • 59% Positiveness
25% Popularity • 39% Danceability • 55% Energy • 6% Liveness
13% Instrumentalness • 59% Positiveness
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Champion Jack Dupree
One Scotch, One Bourbon, One Beer - Bonu...
174 bpm • C Maj • 04:14 • -7.85db
26% Popularity • 43% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
26% Popularity • 43% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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Clarence Carter
I Can't See Myself
174 bpm • B min • 02:27 • -17.02db
23% Popularity • 40% Danceability • 27% Energy • 44% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 40% Danceability • 27% Energy • 44% Liveness
0% Instrumentalness • 43% Positiveness
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Albert Collins
Lights Are On But Nobody's Home - Remast...
173 bpm • F Maj • 06:58 • -6.66db
41% Popularity • 36% Danceability • 63% Energy • 24% Liveness
6% Instrumentalness • 46% Positiveness
41% Popularity • 36% Danceability • 63% Energy • 24% Liveness
6% Instrumentalness • 46% Positiveness
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Elvin Bishop
She Puts Me In The Mood
174 bpm • C min • 03:34 • -10.3db
34% Popularity • 31% Danceability • 48% Energy • 40% Liveness
0% Instrumentalness • 58% Positiveness
34% Popularity • 31% Danceability • 48% Energy • 40% Liveness
0% Instrumentalness • 58% Positiveness
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Otis Rush
I Can't Quit You Baby - Alternate Versio...
172 bpm • D Maj • 03:40 • -11db
30% Popularity • 39% Danceability • 35% Energy • 24% Liveness
3% Instrumentalness • 56% Positiveness
30% Popularity • 39% Danceability • 35% Energy • 24% Liveness
3% Instrumentalness • 56% Positiveness
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Son Seals
Going Back Home
172 bpm • D min • 07:03 • -9.73db
27% Popularity • 38% Danceability • 50% Energy • 61% Liveness
75% Instrumentalness • 89% Positiveness
27% Popularity • 38% Danceability • 50% Energy • 61% Liveness
75% Instrumentalness • 89% Positiveness
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Bobby "Blue" Bland
Driftin' Blues - Single Version
172 bpm • G Maj • 03:28 • -7.63db
35% Popularity • 44% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 44% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
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Shemekia Copeland
When A Woman's Had Enough
172 bpm • G# Maj • 03:54 • -4.86db
29% Popularity • 69% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
29% Popularity • 69% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 87% Positiveness
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Eddie Burns
Orange Driver
171 bpm • C# Maj • 04:26 • -17.95db
9% Popularity • 69% Danceability • 22% Energy • 29% Liveness
8% Instrumentalness • 54% Positiveness
9% Popularity • 69% Danceability • 22% Energy • 29% Liveness
8% Instrumentalness • 54% Positiveness
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Johnny Copeland
Blues Ain't Nothin'
172 bpm • A# min • 04:02 • -9.45db
36% Popularity • 63% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
36% Popularity • 63% Danceability • 49% Energy • 28% Liveness
0% Instrumentalness • 69% Positiveness
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Solomon Burke
Along About Midnight
170 bpm • A# Maj • 04:05 • -12.01db
31% Popularity • 46% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 46% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Sonny Boy Williamson II
Got To Move - Mono Version
197 bpm • G Maj • 02:28 • -9.2db
28% Popularity • 44% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 44% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Jimmy Witherspoon
I'll Go On Living
170 bpm • D# Maj • 03:44 • -18.35db
12% Popularity • 49% Danceability • 12% Energy • 9% Liveness
1% Instrumentalness • 31% Positiveness
12% Popularity • 49% Danceability • 12% Energy • 9% Liveness
1% Instrumentalness • 31% Positiveness
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Shemekia Copeland
Livin' On Love
169 bpm • C Maj • 04:03 • -5.45db
18% Popularity • 63% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 63% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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The Rolling Stones
It Hurts Me Too
168 bpm • E Maj • 05:14 • -14.99db
39% Popularity • 46% Danceability • 26% Energy • 13% Liveness
63% Instrumentalness • 40% Positiveness
39% Popularity • 46% Danceability • 26% Energy • 13% Liveness
63% Instrumentalness • 40% Positiveness
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Johnnie Taylor
I Got to Love Somebody's Baby
168 bpm • F Maj • 03:00 • -16.09db
12% Popularity • 55% Danceability • 28% Energy • 21% Liveness
11% Instrumentalness • 48% Positiveness
12% Popularity • 55% Danceability • 28% Energy • 21% Liveness
11% Instrumentalness • 48% Positiveness
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Laura Lee
Dirty Man
168 bpm • D Maj • 02:51 • -15db
31% Popularity • 50% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 50% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Bobby Rush
Hey Hey Bobby Rush
200 bpm • F Maj • 04:13 • -4.31db
16% Popularity • 57% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 57% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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Lucky Peterson
Tin Pan Alley
168 bpm • E min • 08:02 • -14db
20% Popularity • 45% Danceability • 27% Energy • 18% Liveness
11% Instrumentalness • 47% Positiveness
20% Popularity • 45% Danceability • 27% Energy • 18% Liveness
11% Instrumentalness • 47% Positiveness
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Johnny Adams
I Can't Be All Bad
201 bpm • A# Maj • 03:03 • -12.31db
14% Popularity • 42% Danceability • 44% Energy • 41% Liveness
0% Instrumentalness • 81% Positiveness
14% Popularity • 42% Danceability • 44% Energy • 41% Liveness
0% Instrumentalness • 81% Positiveness
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Big Joe Williams
Baby Please Don't Go
167 bpm • G Maj • 02:44 • -15db
38% Popularity • 50% Danceability • 30% Energy • 13% Liveness
3% Instrumentalness • 56% Positiveness
38% Popularity • 50% Danceability • 30% Energy • 13% Liveness
3% Instrumentalness • 56% Positiveness
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Jimmy Rogers
Chicago Bound - Single Version
167 bpm • A Maj • 02:43 • -13.6db
30% Popularity • 55% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 55% Danceability • 54% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
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Son Seals
Telephone Angel aka You're On My Mind
201 bpm • F Maj • 05:25 • -7.01db
19% Popularity • 43% Danceability • 58% Energy • 14% Liveness
24% Instrumentalness • 81% Positiveness
19% Popularity • 43% Danceability • 58% Energy • 14% Liveness
24% Instrumentalness • 81% Positiveness
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Z.Z. Hill
Everybody Knows About My Good Thing
202 bpm • F Maj • 04:58 • -11.89db
20% Popularity • 53% Danceability • 50% Energy • 8% Liveness
4% Instrumentalness • 51% Positiveness
20% Popularity • 53% Danceability • 50% Energy • 8% Liveness
4% Instrumentalness • 51% Positiveness
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Earl Hooker
Earl's Boogie Woogie
203 bpm • B min • 02:38 • -11.4db
19% Popularity • 35% Danceability • 71% Energy • 10% Liveness
89% Instrumentalness • 91% Positiveness
19% Popularity • 35% Danceability • 71% Energy • 10% Liveness
89% Instrumentalness • 91% Positiveness
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Johnny Adams
This Time I'm Gone For Good
202 bpm • F min • 04:40 • -11.79db
37% Popularity • 42% Danceability • 39% Energy • 14% Liveness
1% Instrumentalness • 36% Positiveness
37% Popularity • 42% Danceability • 39% Energy • 14% Liveness
1% Instrumentalness • 36% Positiveness
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Bobby "Blue" Bland
Little Boy Blue
204 bpm • D# Maj • 02:36 • -9.84db
12% Popularity • 31% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 31% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
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Billy Boy Arnold
Around This Old Juke Tonight
165 bpm • G Maj • 02:48 • -8.27db
10% Popularity • 58% Danceability • 50% Energy • 22% Liveness
21% Instrumentalness • 76% Positiveness
10% Popularity • 58% Danceability • 50% Energy • 22% Liveness
21% Instrumentalness • 76% Positiveness
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Byther Smith
35 Long Years
164 bpm • D min • 05:59 • -12.65db
15% Popularity • 42% Danceability • 35% Energy • 5% Liveness
2% Instrumentalness • 54% Positiveness
15% Popularity • 42% Danceability • 35% Energy • 5% Liveness
2% Instrumentalness • 54% Positiveness
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Luther Johnson
Honey Bee
164 bpm • C Maj • 06:14 • -12.15db
24% Popularity • 52% Danceability • 29% Energy • 8% Liveness
3% Instrumentalness • 53% Positiveness
24% Popularity • 52% Danceability • 29% Energy • 8% Liveness
3% Instrumentalness • 53% Positiveness
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Jimmy Rogers
Act Like You Love Me - Single Version
163 bpm • F min • 03:02 • -8.94db
26% Popularity • 45% Danceability • 73% Energy • 11% Liveness
5% Instrumentalness • 93% Positiveness
26% Popularity • 45% Danceability • 73% Energy • 11% Liveness
5% Instrumentalness • 93% Positiveness
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Nina Simone
Do I Move You?
163 bpm • E min • 02:44 • -4.82db
47% Popularity • 39% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
47% Popularity • 39% Danceability • 51% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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Big Walter Horton
Little Boy Blue
206 bpm • C min • 03:14 • -15.96db
46% Popularity • 38% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
46% Popularity • 38% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Big Joe Turner
Switching in the Kitchen
162 bpm • F# Maj • 03:40 • -12.11db
20% Popularity • 52% Danceability • 34% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
20% Popularity • 52% Danceability • 34% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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Fenton Robinson
Gotta Wake Up - Remastered
162 bpm • C# min • 04:25 • -4.39db
29% Popularity • 63% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 63% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Slim Harpo
I Just Can't Leave You - Single Version
207 bpm • B Maj • 03:16 • -15.02db
37% Popularity • 47% Danceability • 26% Energy • 9% Liveness
8% Instrumentalness • 59% Positiveness
37% Popularity • 47% Danceability • 26% Energy • 9% Liveness
8% Instrumentalness • 59% Positiveness
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Bobby "Blue" Bland
Help Me Through The Day
162 bpm • C min • 03:51 • -17.32db
24% Popularity • 44% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
24% Popularity • 44% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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William Clarke
Drinking By Myself
160 bpm • C Maj • 05:47 • -14.71db
25% Popularity • 49% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 49% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Pee Wee Crayton
Every Night
159 bpm • G# Maj • 02:50 • -14db
24% Popularity • 45% Danceability • 61% Energy • 9% Liveness
8% Instrumentalness • 79% Positiveness
24% Popularity • 45% Danceability • 61% Energy • 9% Liveness
8% Instrumentalness • 79% Positiveness
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Hubert Sumlin
Broke and Hungry
159 bpm • F Maj • 05:51 • -11.15db
30% Popularity • 60% Danceability • 38% Energy • 16% Liveness
5% Instrumentalness • 48% Positiveness
30% Popularity • 60% Danceability • 38% Energy • 16% Liveness
5% Instrumentalness • 48% Positiveness
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Lurrie Bell
Blues in My Soul
158 bpm • A min • 06:03 • -7.3db
32% Popularity • 62% Danceability • 55% Energy • 36% Liveness
18% Instrumentalness • 47% Positiveness
32% Popularity • 62% Danceability • 55% Energy • 36% Liveness
18% Instrumentalness • 47% Positiveness
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Little Walter
My Babe
158 bpm • F Maj • 02:42 • -10.57db
60% Popularity • 68% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
60% Popularity • 68% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 87% Positiveness
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Bobby "Blue" Bland
Goin' Down Slow
160 bpm • C Maj • 05:35 • -14.81db
16% Popularity • 59% Danceability • 54% Energy • 18% Liveness
55% Instrumentalness • 88% Positiveness
16% Popularity • 59% Danceability • 54% Energy • 18% Liveness
55% Instrumentalness • 88% Positiveness
