Songs like Straight to My Heart by Hans Pucket
Based on a tempo of (+/- 10%) and a similar genre
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Le Shiv
You Know the Reason Why
116 bpm • A# min • 04:17 • -9.06db
9% Popularity • 67% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 67% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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McKenna Esteb
Big Fat Crush
116 bpm • D Maj • 03:33 • -7.32db
8% Popularity • 62% Danceability • 61% Energy • 19% Liveness
18% Instrumentalness • 30% Positiveness
8% Popularity • 62% Danceability • 61% Energy • 19% Liveness
18% Instrumentalness • 30% Positiveness
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Calico Hippo
Star
116 bpm • F# Maj • 03:58 • -8.73db
22% Popularity • 54% Danceability • 80% Energy • 18% Liveness
59% Instrumentalness • 68% Positiveness
22% Popularity • 54% Danceability • 80% Energy • 18% Liveness
59% Instrumentalness • 68% Positiveness
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Rumspringa
Of Wasted Youth (2022 Mix)
116 bpm • G min • 05:03 • -4.98db
10% Popularity • 56% Danceability • 74% Energy • 13% Liveness
22% Instrumentalness • 62% Positiveness
10% Popularity • 56% Danceability • 74% Energy • 13% Liveness
22% Instrumentalness • 62% Positiveness
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The Future Thrills
Always Be The Same
116 bpm • F Maj • 04:37 • -6.48db
7% Popularity • 69% Danceability • 79% Energy • 7% Liveness
37% Instrumentalness • 89% Positiveness
7% Popularity • 69% Danceability • 79% Energy • 7% Liveness
37% Instrumentalness • 89% Positiveness
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Soaked Oats
Behind Their Years
116 bpm • C Maj • 02:58 • -6.49db
11% Popularity • 68% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 68% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Watty Thompson
Coming Home
116 bpm • C Maj • 09:23 • -7.12db
10% Popularity • 31% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 31% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Forest Ray
Black Pine
116 bpm • G Maj • 03:25 • -5.95db
15% Popularity • 55% Danceability • 71% Energy • 34% Liveness
1% Instrumentalness • 74% Positiveness
15% Popularity • 55% Danceability • 71% Energy • 34% Liveness
1% Instrumentalness • 74% Positiveness
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Hans Pucket
Straight to My Heart
116 bpm • F# Maj • 03:48 • -10.92db
7% Popularity • 64% Danceability • 64% Energy • 30% Liveness
31% Instrumentalness • 25% Positiveness
7% Popularity • 64% Danceability • 64% Energy • 30% Liveness
31% Instrumentalness • 25% Positiveness
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The Juniper Berries
Role Model
115 bpm • A Maj • 02:48 • -5.85db
16% Popularity • 49% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
16% Popularity • 49% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Ringlets
I Used to Paint
115 bpm • G# Maj • 03:01 • -9.31db
12% Popularity • 36% Danceability • 83% Energy • 38% Liveness
3% Instrumentalness • 33% Positiveness
12% Popularity • 36% Danceability • 83% Energy • 38% Liveness
3% Instrumentalness • 33% Positiveness
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Workhorse
Chain
115 bpm • A min • 03:31 • -7.8db
18% Popularity • 45% Danceability • 80% Energy • 12% Liveness
98% Instrumentalness • 66% Positiveness
18% Popularity • 45% Danceability • 80% Energy • 12% Liveness
98% Instrumentalness • 66% Positiveness
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Colbey
400
117 bpm • G Maj • 04:46 • -9.28db
19% Popularity • 46% Danceability • 71% Energy • 11% Liveness
67% Instrumentalness • 10% Positiveness
19% Popularity • 46% Danceability • 71% Energy • 11% Liveness
67% Instrumentalness • 10% Positiveness
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The Mellons
So Much To Say
115 bpm • F# min • 03:27 • -5.22db
8% Popularity • 42% Danceability • 62% Energy • 37% Liveness
9% Instrumentalness • 43% Positiveness
8% Popularity • 42% Danceability • 62% Energy • 37% Liveness
9% Instrumentalness • 43% Positiveness
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Bones and Jones
If I Was a Man
117 bpm • G Maj • 03:19 • -3.88db
17% Popularity • 39% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
17% Popularity • 39% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Acid Tongue
Love Takes You for a Ride
115 bpm • F Maj • 03:21 • -6.56db
7% Popularity • 54% Danceability • 76% Energy • 85% Liveness
0% Instrumentalness • 70% Positiveness
7% Popularity • 54% Danceability • 76% Energy • 85% Liveness
0% Instrumentalness • 70% Positiveness
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Sourface
Sonny
117 bpm • G Maj • 06:15 • -8.36db
8% Popularity • 47% Danceability • 69% Energy • 34% Liveness
2% Instrumentalness • 59% Positiveness
8% Popularity • 47% Danceability • 69% Energy • 34% Liveness
2% Instrumentalness • 59% Positiveness
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Jonny and Clyde
Sunny Days
115 bpm • A# Maj • 03:16 • -6.76db
15% Popularity • 71% Danceability • 74% Energy • 12% Liveness
75% Instrumentalness • 84% Positiveness
15% Popularity • 71% Danceability • 74% Energy • 12% Liveness
75% Instrumentalness • 84% Positiveness
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Soaked Oats
The Way It Works
117 bpm • D Maj • 03:10 • -7.28db
14% Popularity • 54% Danceability • 93% Energy • 68% Liveness
1% Instrumentalness • 47% Positiveness
14% Popularity • 54% Danceability • 93% Energy • 68% Liveness
1% Instrumentalness • 47% Positiveness
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Hans Pucket
Drag Me Through Your Heart
117 bpm • D Maj • 05:15 • -12.06db
3% Popularity • 66% Danceability • 38% Energy • 34% Liveness
5% Instrumentalness • 32% Positiveness
3% Popularity • 66% Danceability • 38% Energy • 34% Liveness
5% Instrumentalness • 32% Positiveness
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Cosmic Caravan
Falling Under The Sun
115 bpm • E Maj • 03:44 • -6.34db
14% Popularity • 58% Danceability • 70% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
14% Popularity • 58% Danceability • 70% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
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Minor Moon
Since the Water Rose
115 bpm • F Maj • 04:13 • -9.22db
6% Popularity • 73% Danceability • 47% Energy • 61% Liveness
3% Instrumentalness • 84% Positiveness
6% Popularity • 73% Danceability • 47% Energy • 61% Liveness
3% Instrumentalness • 84% Positiveness
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Lawrence Arabia
Everything's Minimal
115 bpm • C Maj • 03:03 • -9.14db
21% Popularity • 66% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 66% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Scott Lavene
Methylated Blue
117 bpm • D Maj • 03:42 • -6.8db
7% Popularity • 62% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 62% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Worn-Tin
Wonder
115 bpm • F# min • 03:47 • -13.14db
17% Popularity • 77% Danceability • 37% Energy • 9% Liveness
39% Instrumentalness • 70% Positiveness
17% Popularity • 77% Danceability • 37% Energy • 9% Liveness
39% Instrumentalness • 70% Positiveness
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Life Skills
Golden Fleece
115 bpm • E Maj • 03:18 • -7.25db
8% Popularity • 54% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 54% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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The Bloody Norahs
Open Door
117 bpm • D Maj • 04:02 • -6.19db
9% Popularity • 51% Danceability • 82% Energy • 11% Liveness
3% Instrumentalness • 56% Positiveness
9% Popularity • 51% Danceability • 82% Energy • 11% Liveness
3% Instrumentalness • 56% Positiveness
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Girl and Girl
Shame It's Not Now
117 bpm • F# Maj • 03:28 • -3.78db
21% Popularity • 45% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 45% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Jude Shuma
Feeling So Groovy Babe
115 bpm • E Maj • 04:06 • -5.57db
11% Popularity • 45% Danceability • 83% Energy • 42% Liveness
8% Instrumentalness • 29% Positiveness
11% Popularity • 45% Danceability • 83% Energy • 42% Liveness
8% Instrumentalness • 29% Positiveness
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Cadillac Loverboy
On the Road
118 bpm • F# Maj • 01:40 • -8.92db
8% Popularity • 52% Danceability • 73% Energy • 14% Liveness
44% Instrumentalness • 64% Positiveness
8% Popularity • 52% Danceability • 73% Energy • 14% Liveness
44% Instrumentalness • 64% Positiveness
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Bull
Bedroom Floor
118 bpm • A Maj • 03:07 • -9.32db
18% Popularity • 63% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 63% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Anthonie Tonnon
When I'm Wrong
114 bpm • A min • 05:10 • -12.26db
11% Popularity • 60% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 60% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Conchúr White
Vocation Vacation
118 bpm • E min • 02:21 • -6.31db
16% Popularity • 74% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 74% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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EchoWave
I'll Be Your Friend
118 bpm • C Maj • 04:11 • -5.67db
11% Popularity • 66% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 66% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 73% Positiveness
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Wick
Elliott
114 bpm • G Maj • 03:27 • -6.33db
23% Popularity • 60% Danceability • 52% Energy • 26% Liveness
51% Instrumentalness • 47% Positiveness
23% Popularity • 60% Danceability • 52% Energy • 26% Liveness
51% Instrumentalness • 47% Positiveness
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Harpers
Asleep at the Wheel
118 bpm • A Maj • 02:02 • -9.54db
13% Popularity • 39% Danceability • 62% Energy • 12% Liveness
24% Instrumentalness • 59% Positiveness
13% Popularity • 39% Danceability • 62% Energy • 12% Liveness
24% Instrumentalness • 59% Positiveness
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Twen
Long Time
118 bpm • D Maj • 03:34 • -6.19db
10% Popularity • 32% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 32% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Soft Plastics
Easy to Forget
118 bpm • A Maj • 02:58 • -10.42db
20% Popularity • 80% Danceability • 36% Energy • 11% Liveness
45% Instrumentalness • 57% Positiveness
20% Popularity • 80% Danceability • 36% Energy • 11% Liveness
45% Instrumentalness • 57% Positiveness
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Nick Moorcroft
Just Remember
119 bpm • C# Maj • 03:46 • -13.81db
10% Popularity • 82% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
10% Popularity • 82% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Adam Hattaway and the Haunters
I Need Your Needs
113 bpm • C Maj • 03:48 • -8.79db
12% Popularity • 60% Danceability • 63% Energy • 10% Liveness
4% Instrumentalness • 94% Positiveness
12% Popularity • 60% Danceability • 63% Energy • 10% Liveness
4% Instrumentalness • 94% Positiveness
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Druid Fluids
La Rêverie
113 bpm • E Maj • 05:00 • -7.85db
8% Popularity • 34% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 34% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
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The Bash Dogs
Disco Cowboy
113 bpm • G min • 04:53 • -8.32db
10% Popularity • 50% Danceability • 75% Energy • 17% Liveness
1% Instrumentalness • 61% Positiveness
10% Popularity • 50% Danceability • 75% Energy • 17% Liveness
1% Instrumentalness • 61% Positiveness
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Dominic Breen
James Street Tonight
119 bpm • D# Maj • 03:26 • -6.19db
18% Popularity • 52% Danceability • 80% Energy • 14% Liveness
81% Instrumentalness • 69% Positiveness
18% Popularity • 52% Danceability • 80% Energy • 14% Liveness
81% Instrumentalness • 69% Positiveness
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Hutch
Radiator Centre
119 bpm • G# Maj • 03:02 • -7.73db
18% Popularity • 34% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 34% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Girl and Girl
Garden Song
113 bpm • E Maj • 03:12 • -6.61db
14% Popularity • 39% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 39% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Holy Fool
Ache
119 bpm • F# min • 03:34 • -7.79db
14% Popularity • 58% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
14% Popularity • 58% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
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Nancy Whitaker
Don't You Know We're See Through
119 bpm • B Maj • 03:48 • -10.98db
13% Popularity • 61% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 61% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Anthonie Tonnon
Entertainment
119 bpm • A min • 05:04 • -10.83db
15% Popularity • 56% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
15% Popularity • 56% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Bodalla
Bushells
113 bpm • D Maj • 05:10 • -3.82db
9% Popularity • 54% Danceability • 93% Energy • 9% Liveness
42% Instrumentalness • 40% Positiveness
9% Popularity • 54% Danceability • 93% Energy • 9% Liveness
42% Instrumentalness • 40% Positiveness
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Diamond Hands
Won't Go Down
119 bpm • E min • 01:27 • -7.8db
10% Popularity • 53% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 53% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Girl and Girl
Ocean Song
113 bpm • E Maj • 04:33 • -6.24db
14% Popularity • 72% Danceability • 58% Energy • 18% Liveness
3% Instrumentalness • 90% Positiveness
14% Popularity • 72% Danceability • 58% Energy • 18% Liveness
3% Instrumentalness • 90% Positiveness
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Mother Culture
Something's In The Water It Seems
113 bpm • E Maj • 03:37 • -5db
9% Popularity • 40% Danceability • 88% Energy • 66% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 40% Danceability • 88% Energy • 66% Liveness
0% Instrumentalness • 70% Positiveness
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The Macks
The Undo Man
119 bpm • B Maj • 03:35 • -6.76db
13% Popularity • 43% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 43% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Blue Ether
It Is Written
113 bpm • A Maj • 03:00 • -9.51db
8% Popularity • 27% Danceability • 56% Energy • 20% Liveness
61% Instrumentalness • 18% Positiveness
8% Popularity • 27% Danceability • 56% Energy • 20% Liveness
61% Instrumentalness • 18% Positiveness
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Apollo Ghosts
Spilling Yr Guts
112 bpm • G# Maj • 02:52 • -5.26db
12% Popularity • 52% Danceability • 68% Energy • 9% Liveness
69% Instrumentalness • 67% Positiveness
12% Popularity • 52% Danceability • 68% Energy • 9% Liveness
69% Instrumentalness • 67% Positiveness
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The Empty Threats
Magnolia
120 bpm • B min • 03:25 • -7.89db
17% Popularity • 47% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 47% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Wild Dinosaur
Run Rabbit Run
120 bpm • G Maj • 03:06 • -7.05db
8% Popularity • 66% Danceability • 78% Energy • 14% Liveness
6% Instrumentalness • 73% Positiveness
8% Popularity • 66% Danceability • 78% Energy • 14% Liveness
6% Instrumentalness • 73% Positiveness
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Juno Is
It's No Groover
120 bpm • G Maj • 02:38 • -10.13db
30% Popularity • 62% Danceability • 62% Energy • 34% Liveness
85% Instrumentalness • 65% Positiveness
30% Popularity • 62% Danceability • 62% Energy • 34% Liveness
85% Instrumentalness • 65% Positiveness
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Dopesun
Ending
120 bpm • F Maj • 03:30 • -5.37db
22% Popularity • 55% Danceability • 86% Energy • 19% Liveness
55% Instrumentalness • 45% Positiveness
22% Popularity • 55% Danceability • 86% Energy • 19% Liveness
55% Instrumentalness • 45% Positiveness
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Wiri Donna
No Follow Through
120 bpm • D Maj • 03:10 • -6.26db
10% Popularity • 56% Danceability • 59% Energy • 36% Liveness
9% Instrumentalness • 24% Positiveness
10% Popularity • 56% Danceability • 59% Energy • 36% Liveness
9% Instrumentalness • 24% Positiveness
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Flowertruck
Pretending
120 bpm • D Maj • 03:33 • -8.26db
15% Popularity • 75% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
15% Popularity • 75% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Nutrients
Always In Bloom
120 bpm • B min • 01:55 • -13.95db
11% Popularity • 71% Danceability • 42% Energy • 45% Liveness
15% Instrumentalness • 86% Positiveness
11% Popularity • 71% Danceability • 42% Energy • 45% Liveness
15% Instrumentalness • 86% Positiveness
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Sunfruits
Above the Clouds
120 bpm • E Maj • 03:53 • -7.52db
18% Popularity • 72% Danceability • 79% Energy • 25% Liveness
6% Instrumentalness • 89% Positiveness
18% Popularity • 72% Danceability • 79% Energy • 25% Liveness
6% Instrumentalness • 89% Positiveness
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Juno Is
The Highway Song
120 bpm • C Maj • 03:38 • -7.35db
17% Popularity • 63% Danceability • 65% Energy • 9% Liveness
12% Instrumentalness • 88% Positiveness
17% Popularity • 63% Danceability • 65% Energy • 9% Liveness
12% Instrumentalness • 88% Positiveness
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FreeFreeDomDom
Sensational Love
120 bpm • C Maj • 03:40 • -6.74db
11% Popularity • 68% Danceability • 54% Energy • 30% Liveness
25% Instrumentalness • 84% Positiveness
11% Popularity • 68% Danceability • 54% Energy • 30% Liveness
25% Instrumentalness • 84% Positiveness
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Mister Pets
My Buddy Eli
120 bpm • F# min • 03:27 • -5.4db
9% Popularity • 69% Danceability • 84% Energy • 11% Liveness
1% Instrumentalness • 89% Positiveness
9% Popularity • 69% Danceability • 84% Energy • 11% Liveness
1% Instrumentalness • 89% Positiveness
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Laundromat
Slow Clap - Blue EP Version
120 bpm • C Maj • 03:13 • -7.13db
20% Popularity • 87% Danceability • 51% Energy • 12% Liveness
88% Instrumentalness • 88% Positiveness
20% Popularity • 87% Danceability • 51% Energy • 12% Liveness
88% Instrumentalness • 88% Positiveness
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Pasiflorez
Morrison Hotel
112 bpm • B min • 03:25 • -9.5db
15% Popularity • 53% Danceability • 60% Energy • 8% Liveness
9% Instrumentalness • 57% Positiveness
15% Popularity • 53% Danceability • 60% Energy • 8% Liveness
9% Instrumentalness • 57% Positiveness
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The Lazy Eyes
The Seaside
120 bpm • C Maj • 06:40 • -7.65db
15% Popularity • 58% Danceability • 64% Energy • 30% Liveness
1% Instrumentalness • 27% Positiveness
15% Popularity • 58% Danceability • 64% Energy • 30% Liveness
1% Instrumentalness • 27% Positiveness
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Van Houten
Moon
112 bpm • A Maj • 03:27 • -8.38db
12% Popularity • 66% Danceability • 60% Energy • 17% Liveness
63% Instrumentalness • 75% Positiveness
12% Popularity • 66% Danceability • 60% Energy • 17% Liveness
63% Instrumentalness • 75% Positiveness
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Farquad
Cheap Beer
120 bpm • E min • 01:05 • -11.15db
18% Popularity • 55% Danceability • 67% Energy • 33% Liveness
97% Instrumentalness • 78% Positiveness
18% Popularity • 55% Danceability • 67% Energy • 33% Liveness
97% Instrumentalness • 78% Positiveness
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Tangerine Stoned
Deadhead
120 bpm • C# min • 03:00 • -4.69db
14% Popularity • 55% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 55% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 75% Positiveness
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The Plastic Youth
Time For Us
120 bpm • B Maj • 04:33 • -9.12db
10% Popularity • 42% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 42% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Pynch
2009
120 bpm • A# Maj • 04:22 • -6db
14% Popularity • 64% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 64% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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The Key Kids
Swimming
120 bpm • F Maj • 03:11 • -6.44db
9% Popularity • 67% Danceability • 74% Energy • 14% Liveness
88% Instrumentalness • 68% Positiveness
9% Popularity • 67% Danceability • 74% Energy • 14% Liveness
88% Instrumentalness • 68% Positiveness
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Asher White
Humingbird
112 bpm • C# min • 03:16 • -9.93db
11% Popularity • 53% Danceability • 67% Energy • 34% Liveness
16% Instrumentalness • 47% Positiveness
11% Popularity • 53% Danceability • 67% Energy • 34% Liveness
16% Instrumentalness • 47% Positiveness
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Andy Dingwall
You're Just Too Much
112 bpm • G Maj • 02:56 • -5.55db
7% Popularity • 63% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
7% Popularity • 63% Danceability • 79% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
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Hans Pucket
Comfort
112 bpm • C Maj • 03:21 • -8.66db
7% Popularity • 57% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
7% Popularity • 57% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
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Improvement Movement
Scavenger
120 bpm • F# Maj • 04:42 • -11.67db
10% Popularity • 46% Danceability • 44% Energy • 13% Liveness
4% Instrumentalness • 70% Positiveness
10% Popularity • 46% Danceability • 44% Energy • 13% Liveness
4% Instrumentalness • 70% Positiveness
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Midnight Rodeo
Now You're Gone
112 bpm • C# Maj • 03:02 • -7.88db
9% Popularity • 24% Danceability • 87% Energy • 24% Liveness
87% Instrumentalness • 30% Positiveness
9% Popularity • 24% Danceability • 87% Energy • 24% Liveness
87% Instrumentalness • 30% Positiveness
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Cosmic the Cowboy
Be Cruel
121 bpm • F# min • 03:26 • -6.5db
8% Popularity • 52% Danceability • 62% Energy • 18% Liveness
27% Instrumentalness • 19% Positiveness
8% Popularity • 52% Danceability • 62% Energy • 18% Liveness
27% Instrumentalness • 19% Positiveness
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Antoine Diligent
Cosmic Culture
121 bpm • E min • 02:07 • -4.67db
10% Popularity • 44% Danceability • 81% Energy • 66% Liveness
8% Instrumentalness • 70% Positiveness
10% Popularity • 44% Danceability • 81% Energy • 66% Liveness
8% Instrumentalness • 70% Positiveness
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Craig Benedict Valentine Badynee
The New Richter Waltz
121 bpm • A min • 02:26 • -7.92db
8% Popularity • 78% Danceability • 62% Energy • 18% Liveness
4% Instrumentalness • 91% Positiveness
8% Popularity • 78% Danceability • 62% Energy • 18% Liveness
4% Instrumentalness • 91% Positiveness
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Aingell
Like Two Strays
121 bpm • A Maj • 03:28 • -7.55db
11% Popularity • 55% Danceability • 83% Energy • 26% Liveness
1% Instrumentalness • 50% Positiveness
11% Popularity • 55% Danceability • 83% Energy • 26% Liveness
1% Instrumentalness • 50% Positiveness
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Junk Drawer
Railroad King
121 bpm • C# Maj • 03:56 • -8db
8% Popularity • 68% Danceability • 70% Energy • 9% Liveness
31% Instrumentalness • 65% Positiveness
8% Popularity • 68% Danceability • 70% Energy • 9% Liveness
31% Instrumentalness • 65% Positiveness
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Bones and Jones
I've Got a Voice
121 bpm • G Maj • 04:08 • -5.51db
13% Popularity • 42% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 42% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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flypaper
separate nothing
111 bpm • C# min • 03:04 • -9.31db
10% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Hutch
The Bow
122 bpm • A Maj • 02:40 • -7.49db
13% Popularity • 40% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 40% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 26% Positiveness
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The Key Kids
Hidden Dreams
121 bpm • G Maj • 03:34 • -7.13db
10% Popularity • 65% Danceability • 69% Energy • 11% Liveness
17% Instrumentalness • 66% Positiveness
10% Popularity • 65% Danceability • 69% Energy • 11% Liveness
17% Instrumentalness • 66% Positiveness
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Wonderhorse
Quartzsite
122 bpm • G Maj • 03:25 • -4.08db
10% Popularity • 55% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 55% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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The Ocean Party
White Cockatoo
122 bpm • C Maj • 03:24 • -10.21db
8% Popularity • 57% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 57% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
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Roxy O
Moon Song
110 bpm • F min • 03:08 • -10.18db
8% Popularity • 57% Danceability • 58% Energy • 11% Liveness
10% Instrumentalness • 60% Positiveness
8% Popularity • 57% Danceability • 58% Energy • 11% Liveness
10% Instrumentalness • 60% Positiveness
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Don't Lose Your Dinosaur
She's Too Cool
110 bpm • F Maj • 04:14 • -9.89db
10% Popularity • 69% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 69% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Sunfruits
Believe It All
110 bpm • G min • 04:07 • -7db
23% Popularity • 59% Danceability • 53% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 59% Danceability • 53% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
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Scott Lavene
U + Me = Everything
110 bpm • D Maj • 04:04 • -7.23db
8% Popularity • 82% Danceability • 59% Energy • 46% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 82% Danceability • 59% Energy • 46% Liveness
0% Instrumentalness • 86% Positiveness
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Zrick
There's Nothing to Be Done
110 bpm • D Maj • 03:31 • -8.5db
12% Popularity • 72% Danceability • 74% Energy • 12% Liveness
2% Instrumentalness • 82% Positiveness
12% Popularity • 72% Danceability • 74% Energy • 12% Liveness
2% Instrumentalness • 82% Positiveness
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The Gloomies
I Want To Get Out
110 bpm • B min • 02:41 • -9.39db
13% Popularity • 70% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 70% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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SpencerGonzalez
WHERE DO WE GO FROM HERE
110 bpm • F# min • 04:06 • -12db
12% Popularity • 53% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
12% Popularity • 53% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 41% Positiveness
