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Strange Isabella
Songs like
Strange Isabella
by
Gillian Welch
Based on a tempo of (+/- 10%) and a similar genre
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Steve Martin
When You Get To Asheville
112 bpm • C Maj • 03:15 • -11.63db
33% Popularity • 63% Danceability • 43% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
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Dan Reeder
I Don't Really Want to Talk to You
112 bpm • D# Maj • 02:38 • -14.93db
23% Popularity • 57% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 33% Positiveness
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Hem
When I Was Drinking
112 bpm • E Maj • 03:44 • -13.72db
30% Popularity • 31% Danceability • 27% Energy • 10% Liveness
2% Instrumentalness • 26% Positiveness
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Cahalen Morrison & Eli West
Our Lady of the Tall Trees
111 bpm • C Maj • 03:43 • -9.12db
29% Popularity • 55% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Gillian Welch
Jackson
113 bpm • D# Maj • 03:32 • -8db
24% Popularity • 56% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Magnolia Electric Co.
Whip-poor-will
113 bpm • C Maj • 04:12 • -11.73db
30% Popularity • 59% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Amanda Shires
Mineral Wells
111 bpm • G Maj • 04:11 • -20.35db
17% Popularity • 69% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Alison Brown
Carolina in the Pines
113 bpm • D Maj • 04:57 • -10.06db
28% Popularity • 62% Danceability • 60% Energy • 15% Liveness
8% Instrumentalness • 52% Positiveness
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John Hiatt
All The Lilacs In Ohio
111 bpm • G Maj • 03:29 • -10.41db
35% Popularity • 50% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Dave Rawlings Machine
Short Haired Woman Blues
113 bpm • D# Maj • 06:43 • -10.45db
16% Popularity • 43% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Gillian Welch
When A Cowboy Trades His Spurs For Wings
113 bpm • F Maj • 03:03 • -14db
20% Popularity • 48% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Michael Hurley
Hog of the Foresaken
113 bpm • G Maj • 04:35 • -9db
28% Popularity • 54% Danceability • 41% Energy • 26% Liveness
25% Instrumentalness • 43% Positiveness
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Amanda Shires
When You Need a Train It Never Comes
113 bpm • G min • 04:14 • -10db
25% Popularity • 68% Danceability • 38% Energy • 11% Liveness
1% Instrumentalness • 53% Positiveness
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Hem
The Cuckoo
111 bpm • E min • 02:57 • -9.3db
34% Popularity • 59% Danceability • 47% Energy • 14% Liveness
3% Instrumentalness • 91% Positiveness
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Jeffrey Foucault
Don't Look for Me
113 bpm • A# Maj • 03:05 • -15.85db
39% Popularity • 49% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Buddy Miller
Cattle Call
111 bpm • D Maj • 04:11 • -15.05db
10% Popularity • 43% Danceability • 22% Energy • 12% Liveness
65% Instrumentalness • 28% Positiveness
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Iris DeMent
Sweet Is the Melody
113 bpm • A# Maj • 03:41 • -13db
30% Popularity • 66% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Uncle Tupelo
Satan, Your Kingdom Must Come Down
114 bpm • E min • 01:53 • -14db
25% Popularity • 57% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Natalie Merchant
Bury Me Under the Weeping Willow
110 bpm • A Maj • 03:20 • -6.8db
25% Popularity • 56% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Eliza Gilkyson
Calm Before the Storm
114 bpm • G Maj • 03:50 • -9db
24% Popularity • 53% Danceability • 51% Energy • 15% Liveness
1% Instrumentalness • 63% Positiveness
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Rosanne Cash
A Feather's Not A Bird
110 bpm • C min • 03:18 • -6.26db
37% Popularity • 71% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Willie Watson
Long John Dean
114 bpm • E Maj • 02:54 • -12.3db
15% Popularity • 74% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Dave Rawlings Machine
Method Acting / Cortez The Killer
114 bpm • F min • 10:20 • -16.68db
16% Popularity • 58% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Uncle Tupelo
No Depression
114 bpm • C Maj • 02:20 • -16db
35% Popularity • 43% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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The Cox Family
I Am Weary (Let Me Rest)
114 bpm • D Maj • 03:14 • -16.88db
45% Popularity • 61% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Gram Parsons
She - 2002 Remaster
109 bpm • A# Maj • 05:01 • -12.42db
39% Popularity • 44% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Po' Girl
Tell Me A Story
109 bpm • C Maj • 03:13 • -9.02db
31% Popularity • 67% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Tift Merritt
Trouble Over Me
109 bpm • G Maj • 05:08 • -9db
27% Popularity • 70% Danceability • 43% Energy • 10% Liveness
1% Instrumentalness • 53% Positiveness
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Kate Wolf
Telluride
109 bpm • A Maj • 04:25 • -18.54db
17% Popularity • 49% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Loudon Wainwright III
I'm Not Gonna Cry
115 bpm • G# Maj • 02:06 • -7.24db
13% Popularity • 65% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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Molly Tuttle
Crooked Tree
115 bpm • B Maj • 03:52 • -8.35db
44% Popularity • 44% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Gillian Welch
I Had a Real Good Mother and Father
109 bpm • G# Maj • 03:12 • -15.83db
20% Popularity • 64% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Little Feat
Roll Um Easy
115 bpm • E Maj • 02:31 • -16.46db
52% Popularity • 69% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Tift Merritt
Eastern Light
115 bpm • D Maj • 04:34 • -11db
28% Popularity • 59% Danceability • 27% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
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Lula Wiles
Sorrow Be the Bird
115 bpm • B Maj • 03:08 • -9.57db
11% Popularity • 55% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Aoife O'Donovan
Oh, Mama
109 bpm • G Maj • 04:18 • -8.43db
31% Popularity • 46% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Malcolm Holcombe
Black Bitter Moon
109 bpm • C# Maj • 02:59 • -11.44db
28% Popularity • 66% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Peter Rowan Bluegrass Band
So Good
109 bpm • G Maj • 02:46 • -9.14db
14% Popularity • 48% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Willie Watson
Mother Earth
108 bpm • G Maj • 03:36 • -11.23db
11% Popularity • 70% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Eliza Gilkyson
Beauty Way
116 bpm • E Maj • 03:02 • -11db
30% Popularity • 77% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Iris DeMent
Our Town
116 bpm • B Maj • 05:00 • -8db
47% Popularity • 71% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
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Joe Pug
Hymn #101
116 bpm • D Maj • 04:40 • -9.59db
43% Popularity • 58% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Darrell Scott
A Crooked Road
108 bpm • C Maj • 04:11 • -12db
31% Popularity • 46% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 52% Positiveness
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Dave Van Ronk
Tell Old Bill
108 bpm • C# Maj • 04:24 • -13.73db
37% Popularity • 53% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Dan Reeder
You Should Have Wrote a Book
108 bpm • G# Maj • 02:51 • -16.54db
20% Popularity • 44% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Cry Cry Cry
Shades Of Gray
108 bpm • B Maj • 05:05 • -11.57db
24% Popularity • 65% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Jason Isbell
Mutineer
108 bpm • D Maj • 03:01 • -13db
30% Popularity • 52% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Dave Rawlings Machine
How's About You
116 bpm • D# Maj • 03:54 • -12.01db
9% Popularity • 60% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Anna & Elizabeth
Lovin' Babe
117 bpm • G min • 02:55 • -9.01db
18% Popularity • 64% Danceability • 40% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Natalie Merchant
Down on Penny's Farm
117 bpm • A Maj • 03:43 • -8.88db
26% Popularity • 56% Danceability • 86% Energy • 7% Liveness
10% Instrumentalness • 96% Positiveness
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Nicole Atkins
Goodnight Rhonda Lee
117 bpm • C Maj • 02:33 • -8db
30% Popularity • 72% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Po' Girl
Movin' On
117 bpm • E Maj • 02:51 • -8db
28% Popularity • 58% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Jason Isbell
How To Forget
117 bpm • D Maj • 04:04 • -12.27db
18% Popularity • 59% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Hurray For The Riff Raff
Delta Momma Blues
117 bpm • C Maj • 03:48 • -7.7db
36% Popularity • 59% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Crooked Still
Wind and Rain
117 bpm • D Maj • 03:46 • -10.5db
23% Popularity • 52% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
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Diana Jones
If I Had a Gun
117 bpm • E min • 03:41 • -10.63db
11% Popularity • 66% Danceability • 32% Energy • 12% Liveness
5% Instrumentalness • 48% Positiveness
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Gillian Welch
One Little Song
107 bpm • A Maj • 03:13 • -14.44db
24% Popularity • 65% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Ralph Stanley
Gold Watch And Chain
107 bpm • D Maj • 02:23 • -9.65db
4% Popularity • 65% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Reeltime Travellers
Halleluiah
107 bpm • A Maj • 05:30 • -13.6db
19% Popularity • 59% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Billy Bragg
Gentle on My Mind
118 bpm • E Maj • 03:39 • -8db
42% Popularity • 58% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Conor Oberst
Four Strong Winds
107 bpm • A# Maj • 04:24 • -11.54db
18% Popularity • 62% Danceability • 42% Energy • 72% Liveness
0% Instrumentalness • 56% Positiveness
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Norman Blake
Church St. Blues
107 bpm • F# Maj • 02:55 • -15.35db
39% Popularity • 51% Danceability • 33% Energy • 10% Liveness
18% Instrumentalness • 82% Positiveness
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Sierra Ferrell
Jeremiah
118 bpm • C Maj • 03:03 • -9.23db
57% Popularity • 66% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Martha Scanlan
Seeds of the Pine
118 bpm • C Maj • 05:16 • -11.76db
15% Popularity • 63% Danceability • 38% Energy • 10% Liveness
3% Instrumentalness • 62% Positiveness
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Tom Waits
Old Shoes
118 bpm • F# Maj • 04:25 • -16.64db
27% Popularity • 68% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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The Wailin' Jennys
The Devil's Paintbrush Road
118 bpm • D Maj • 03:47 • -11.56db
26% Popularity • 76% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 54% Positiveness
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Gillian Welch
Orphan Girl
118 bpm • G# Maj • 03:56 • -11.72db
26% Popularity • 62% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 29% Positiveness
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Chris Smither
Time Stands Still
106 bpm • G Maj • 03:45 • -9db
36% Popularity • 68% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Doc Watson
Matty Groves
118 bpm • F Maj • 06:07 • -15.25db
33% Popularity • 63% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Anna & Elizabeth
Little Black Train
118 bpm • C# Maj • 03:38 • -8.66db
20% Popularity • 79% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Amanda Shires
Swimmer...
106 bpm • B Maj • 03:09 • -11.36db
26% Popularity • 71% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Calexico
History of Lovers
106 bpm • D Maj • 03:09 • -8.28db
41% Popularity • 65% Danceability • 57% Energy • 8% Liveness
1% Instrumentalness • 90% Positiveness
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Martha Scanlan
Went To See The Gypsy
119 bpm • C Maj • 03:32 • -13db
9% Popularity • 71% Danceability • 18% Energy • 11% Liveness
5% Instrumentalness • 44% Positiveness
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Chris Smither
Crocodile Man
106 bpm • D min • 03:33 • -10db
28% Popularity • 65% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Caitlin Cary
Two Different Things
105 bpm • A# Maj • 04:16 • -8.18db
15% Popularity • 67% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Watchhouse
Golden Embers
119 bpm • D Maj • 04:45 • -16db
50% Popularity • 65% Danceability • 17% Energy • 11% Liveness
1% Instrumentalness • 32% Positiveness
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Ted Hawkins
Long As I Can See The Light
105 bpm • G# Maj • 03:13 • -11.68db
30% Popularity • 43% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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The Felice Brothers
Little Ann
119 bpm • C Maj • 03:23 • -12db
31% Popularity • 53% Danceability • 24% Energy • 11% Liveness
11% Instrumentalness • 12% Positiveness
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Ola Belle Reed
I've Endured
105 bpm • G Maj • 02:52 • -11.24db
34% Popularity • 51% Danceability • 42% Energy • 14% Liveness
4% Instrumentalness • 65% Positiveness
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Chris Smither
Hundred Dollar Valentine
105 bpm • G Maj • 03:05 • -4.99db
31% Popularity • 72% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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Hurray For The Riff Raff
Go Out On the Road
105 bpm • D# Maj • 04:18 • -8.99db
23% Popularity • 63% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Zoe Muth
The Last Bus
105 bpm • A# Maj • 05:59 • -9.77db
9% Popularity • 70% Danceability • 36% Energy • 12% Liveness
2% Instrumentalness • 23% Positiveness
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Zoe Muth and the Lost High Rollers
If I Can't Trust You With A Little Quart...
119 bpm • C Maj • 05:07 • -4.44db
21% Popularity • 67% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Crooked Still
Look On And Cry
105 bpm • C Maj • 03:40 • -9.99db
14% Popularity • 59% Danceability • 41% Energy • 9% Liveness
9% Instrumentalness • 51% Positiveness
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Jackson C. Frank
Spanish Moss
120 bpm • E Maj • 04:30 • -14db
26% Popularity • 65% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Loudon Wainwright III
You Can't Fail Me Now
119 bpm • D Maj • 03:45 • -7.99db
29% Popularity • 55% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Gillian Welch
The Way It WIll Be
120 bpm • G min • 04:47 • -15.76db
26% Popularity • 51% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Joe Henry
Grave Angels
104 bpm • C Maj • 05:31 • -9.33db
23% Popularity • 63% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Dave Rawlings Machine
Ruby
120 bpm • A Maj • 04:54 • -10db
24% Popularity • 47% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Iris DeMent
One Red Rose
120 bpm • C Maj • 03:07 • -9.46db
26% Popularity • 44% Danceability • 17% Energy • 9% Liveness
2% Instrumentalness • 17% Positiveness
► Preview
Anna & Elizabeth
Goin' Across the Mountain
104 bpm • C Maj • 02:18 • -9.85db
21% Popularity • 68% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Dave Van Ronk
Hang Me, Oh Hang Me
120 bpm • D Maj • 03:10 • -21db
48% Popularity • 50% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Richard Thompson
1952 Vincent Black Lightning
121 bpm • A# Maj • 04:43 • -19.55db
51% Popularity • 49% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Steve Martin
Love Has Come For You
104 bpm • C Maj • 03:08 • -10db
35% Popularity • 71% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Bella White
Just Like Leaving
121 bpm • C Maj • 03:26 • -11.57db
53% Popularity • 59% Danceability • 27% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Chris Smither
The Devil's Real
121 bpm • B Maj • 04:59 • -9.14db
20% Popularity • 61% Danceability • 49% Energy • 72% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Levon Helm
Calvary
121 bpm • C# min • 04:52 • -6.98db
18% Popularity • 74% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
► Preview
Parker Millsap
Wilderness Within You
104 bpm • C Maj • 04:00 • -9.77db
23% Popularity • 44% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
► Preview
The Felice Brothers
Whiskey in My Whiskey
121 bpm • D Maj • 03:48 • -11.05db
36% Popularity • 68% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
► Preview
Chet Atkins
Do I Ever Cross Your Mind
121 bpm • D Maj • 02:38 • -14.47db
45% Popularity • 68% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 82% Positiveness
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Strange Isabella