Songs like Strangers In The Night by Bert Kaempfert
Based on a tempo of (+/- 10%) and a similar genre
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Paul Weston
Orchids In The Moonlight
90 bpm • F min • 02:33 • -10.94db
32% Popularity • 30% Danceability • 29% Energy • 11% Liveness
85% Instrumentalness • 19% Positiveness
32% Popularity • 30% Danceability • 29% Energy • 11% Liveness
85% Instrumentalness • 19% Positiveness
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Russ Conway
Party Pops (Part 2)
90 bpm • A# Maj • 02:16 • -11.27db
26% Popularity • 55% Danceability • 53% Energy • 22% Liveness
92% Instrumentalness • 88% Positiveness
26% Popularity • 55% Danceability • 53% Energy • 22% Liveness
92% Instrumentalness • 88% Positiveness
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Eddie Calvert
Stranger in Paradise - 2005 Remaster
90 bpm • G# Maj • 02:39 • -11.4db
21% Popularity • 18% Danceability • 22% Energy • 25% Liveness
95% Instrumentalness • 29% Positiveness
21% Popularity • 18% Danceability • 22% Energy • 25% Liveness
95% Instrumentalness • 29% Positiveness
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The Strings Of Paris
Sleep Shores
90 bpm • C Maj • 03:27 • -16db
45% Popularity • 32% Danceability • 30% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
45% Popularity • 32% Danceability • 30% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
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Tony Evans
The Sweetheart Tree - Waltz
90 bpm • F Maj • 02:53 • -12db
28% Popularity • 73% Danceability • 33% Energy • 11% Liveness
82% Instrumentalness • 43% Positiveness
28% Popularity • 73% Danceability • 33% Energy • 11% Liveness
82% Instrumentalness • 43% Positiveness
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Ronald Valentino
A Través de los Años
90 bpm • D# Maj • 02:53 • -10db
51% Popularity • 37% Danceability • 35% Energy • 8% Liveness
72% Instrumentalness • 43% Positiveness
51% Popularity • 37% Danceability • 35% Energy • 8% Liveness
72% Instrumentalness • 43% Positiveness
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Paul Weston
Some Enchanted Evening
90 bpm • A Maj • 03:07 • -12.69db
20% Popularity • 18% Danceability • 26% Energy • 15% Liveness
87% Instrumentalness • 16% Positiveness
20% Popularity • 18% Danceability • 26% Energy • 15% Liveness
87% Instrumentalness • 16% Positiveness
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Glen Lucas
Only You
90 bpm • B Maj • 03:35 • -11db
40% Popularity • 58% Danceability • 38% Energy • 36% Liveness
89% Instrumentalness • 57% Positiveness
40% Popularity • 58% Danceability • 38% Energy • 36% Liveness
89% Instrumentalness • 57% Positiveness
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Bert Kaempfert
Strangers In The Night
90 bpm • G# Maj • 03:20 • -12.85db
47% Popularity • 46% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 41% Positiveness
47% Popularity • 46% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 41% Positiveness
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The Biddu Orchestra
Couldn't We Be Friends
91 bpm • C Maj • 05:02 • -11.49db
26% Popularity • 60% Danceability • 45% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness
26% Popularity • 60% Danceability • 45% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness
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Kai Warner
The Last Waltz
89 bpm • D Maj • 02:35 • -12.98db
33% Popularity • 45% Danceability • 34% Energy • 20% Liveness
1% Instrumentalness • 37% Positiveness
33% Popularity • 45% Danceability • 34% Energy • 20% Liveness
1% Instrumentalness • 37% Positiveness
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The Percy Faith Strings
Fascination
91 bpm • C# Maj • 02:44 • -15.83db
21% Popularity • 15% Danceability • 20% Energy • 20% Liveness
85% Instrumentalness • 10% Positiveness
21% Popularity • 15% Danceability • 20% Energy • 20% Liveness
85% Instrumentalness • 10% Positiveness
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MelodÃas Mágicas
La Vida en Rosa
91 bpm • D Maj • 02:15 • -15.16db
56% Popularity • 55% Danceability • 38% Energy • 27% Liveness
90% Instrumentalness • 63% Positiveness
56% Popularity • 55% Danceability • 38% Energy • 27% Liveness
90% Instrumentalness • 63% Positiveness
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Francis Lai
Skating In Central Park
89 bpm • B Maj • 03:02 • -16.9db
28% Popularity • 24% Danceability • 25% Energy • 35% Liveness
93% Instrumentalness • 23% Positiveness
28% Popularity • 24% Danceability • 25% Energy • 35% Liveness
93% Instrumentalness • 23% Positiveness
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Bert Kaempfert
Black Beauty
90 bpm • F Maj • 02:34 • -15.14db
17% Popularity • 76% Danceability • 43% Energy • 8% Liveness
85% Instrumentalness • 80% Positiveness
17% Popularity • 76% Danceability • 43% Energy • 8% Liveness
85% Instrumentalness • 80% Positiveness
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Joaquin Borges
Charmaine
91 bpm • A min • 03:06 • -12db
42% Popularity • 13% Danceability • 31% Energy • 36% Liveness
77% Instrumentalness • 8% Positiveness
42% Popularity • 13% Danceability • 31% Energy • 36% Liveness
77% Instrumentalness • 8% Positiveness
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Kai Warner
Summerwind
91 bpm • F Maj • 02:11 • -15.41db
30% Popularity • 55% Danceability • 19% Energy • 11% Liveness
81% Instrumentalness • 38% Positiveness
30% Popularity • 55% Danceability • 19% Energy • 11% Liveness
81% Instrumentalness • 38% Positiveness
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The Percy Faith Strings
Hello Dolly
91 bpm • G Maj • 02:19 • -11.39db
24% Popularity • 53% Danceability • 44% Energy • 19% Liveness
17% Instrumentalness • 66% Positiveness
24% Popularity • 53% Danceability • 44% Energy • 19% Liveness
17% Instrumentalness • 66% Positiveness
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Johnny Days Orchestra
Una Probada de Miel
88 bpm • C min • 02:44 • -10.18db
39% Popularity • 64% Danceability • 43% Energy • 25% Liveness
87% Instrumentalness • 59% Positiveness
39% Popularity • 64% Danceability • 43% Energy • 25% Liveness
87% Instrumentalness • 59% Positiveness
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Percy Faith & His Orchestra
Fascination
92 bpm • C# Maj • 02:42 • -14db
44% Popularity • 11% Danceability • 23% Energy • 32% Liveness
90% Instrumentalness • 12% Positiveness
44% Popularity • 11% Danceability • 23% Energy • 32% Liveness
90% Instrumentalness • 12% Positiveness
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Bert Kaempfert
Happy Trumpeter
90 bpm • C Maj • 02:37 • -13.72db
27% Popularity • 76% Danceability • 60% Energy • 6% Liveness
91% Instrumentalness • 97% Positiveness
27% Popularity • 76% Danceability • 60% Energy • 6% Liveness
91% Instrumentalness • 97% Positiveness
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Matt Monro
Fly Me to the Moon (In Other Words)
88 bpm • C Maj • 03:12 • -12.49db
38% Popularity • 21% Danceability • 27% Energy • 14% Liveness
2% Instrumentalness • 23% Positiveness
38% Popularity • 21% Danceability • 27% Energy • 14% Liveness
2% Instrumentalness • 23% Positiveness
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Giacomo Puccini
Oh Mio Bambino Caro
88 bpm • G# Maj • 02:41 • -10db
29% Popularity • 19% Danceability • 31% Energy • 12% Liveness
87% Instrumentalness • 18% Positiveness
29% Popularity • 19% Danceability • 31% Energy • 12% Liveness
87% Instrumentalness • 18% Positiveness
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Orquesta Concierto de Viena
Las Verdes y Bellas Campiñas
88 bpm • A# Maj • 02:30 • -13db
40% Popularity • 31% Danceability • 25% Energy • 10% Liveness
84% Instrumentalness • 47% Positiveness
40% Popularity • 31% Danceability • 25% Energy • 10% Liveness
84% Instrumentalness • 47% Positiveness
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Ronald Valentino
Nocturno en Mi Bemol
88 bpm • D# Maj • 04:47 • -7db
41% Popularity • 51% Danceability • 53% Energy • 10% Liveness
86% Instrumentalness • 45% Positiveness
41% Popularity • 51% Danceability • 53% Energy • 10% Liveness
86% Instrumentalness • 45% Positiveness
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Alfred Hause
Blue Gipsy Eyes
92 bpm • D min • 03:04 • -13db
34% Popularity • 28% Danceability • 32% Energy • 12% Liveness
78% Instrumentalness • 23% Positiveness
34% Popularity • 28% Danceability • 32% Energy • 12% Liveness
78% Instrumentalness • 23% Positiveness
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Bert Kaempfert
This Guy's In Love With You
90 bpm • G# Maj • 03:53 • -12.75db
22% Popularity • 41% Danceability • 15% Energy • 9% Liveness
97% Instrumentalness • 14% Positiveness
22% Popularity • 41% Danceability • 15% Energy • 9% Liveness
97% Instrumentalness • 14% Positiveness
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Enrique Chia
Bella Cubana
92 bpm • C min • 02:42 • -12.61db
32% Popularity • 23% Danceability • 20% Energy • 14% Liveness
74% Instrumentalness • 22% Positiveness
32% Popularity • 23% Danceability • 20% Energy • 14% Liveness
74% Instrumentalness • 22% Positiveness
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Francis Pourcel Orchestra
Estás Sola Esta Noche?
88 bpm • G Maj • 02:42 • -13.01db
29% Popularity • 40% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 26% Positiveness
29% Popularity • 40% Danceability • 22% Energy • 11% Liveness
88% Instrumentalness • 26% Positiveness
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101 String Royal Orchestra
The Last Time I Saw Paris
88 bpm • A Maj • 01:42 • -11db
21% Popularity • 45% Danceability • 27% Energy • 15% Liveness
34% Instrumentalness • 7% Positiveness
21% Popularity • 45% Danceability • 27% Energy • 15% Liveness
34% Instrumentalness • 7% Positiveness
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Ronald Valentino
Dejé Mi Corazón en San Francisco
88 bpm • D min • 03:47 • -10.48db
38% Popularity • 68% Danceability • 28% Energy • 15% Liveness
4% Instrumentalness • 29% Positiveness
38% Popularity • 68% Danceability • 28% Energy • 15% Liveness
4% Instrumentalness • 29% Positiveness
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Norman Candler
Beautiful Dreamer - Remastered
92 bpm • C Maj • 02:40 • -8db
28% Popularity • 23% Danceability • 47% Energy • 32% Liveness
56% Instrumentalness • 40% Positiveness
28% Popularity • 23% Danceability • 47% Energy • 32% Liveness
56% Instrumentalness • 40% Positiveness
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Horst Jankowski
Charming Vienna
88 bpm • G Maj • 02:31 • -12db
34% Popularity • 47% Danceability • 42% Energy • 34% Liveness
33% Instrumentalness • 46% Positiveness
34% Popularity • 47% Danceability • 42% Energy • 34% Liveness
33% Instrumentalness • 46% Positiveness
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Francis Dupont
Strangers in the night
93 bpm • F Maj • 02:38 • -12.82db
34% Popularity • 31% Danceability • 29% Energy • 24% Liveness
80% Instrumentalness • 21% Positiveness
34% Popularity • 31% Danceability • 29% Energy • 24% Liveness
80% Instrumentalness • 21% Positiveness
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Michel Legrand
Boum
87 bpm • D# Maj • 02:15 • -14.58db
20% Popularity • 54% Danceability • 30% Energy • 9% Liveness
67% Instrumentalness • 76% Positiveness
20% Popularity • 54% Danceability • 30% Energy • 9% Liveness
67% Instrumentalness • 76% Positiveness
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Living Strings
Come to Capri
87 bpm • D min • 05:47 • -16db
30% Popularity • 16% Danceability • 23% Energy • 87% Liveness
91% Instrumentalness • 28% Positiveness
30% Popularity • 16% Danceability • 23% Energy • 87% Liveness
91% Instrumentalness • 28% Positiveness
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Alfred Hause
Danube Waves Waltz - Waves Of The Danube...
93 bpm • A min • 03:14 • -12.41db
33% Popularity • 35% Danceability • 33% Energy • 9% Liveness
86% Instrumentalness • 39% Positiveness
33% Popularity • 35% Danceability • 33% Energy • 9% Liveness
86% Instrumentalness • 39% Positiveness
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Ronnie Aldrich
The Very Thought Of You
93 bpm • G min • 02:40 • -13.44db
24% Popularity • 40% Danceability • 31% Energy • 11% Liveness
89% Instrumentalness • 36% Positiveness
24% Popularity • 40% Danceability • 31% Energy • 11% Liveness
89% Instrumentalness • 36% Positiveness
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Tony Hatch
Memories of Summer
93 bpm • D Maj • 03:10 • -12.62db
38% Popularity • 44% Danceability • 31% Energy • 18% Liveness
86% Instrumentalness • 36% Positiveness
38% Popularity • 44% Danceability • 31% Energy • 18% Liveness
86% Instrumentalness • 36% Positiveness
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Jean Claude Borelly
Memory
87 bpm • G# Maj • 03:40 • -6.57db
27% Popularity • 23% Danceability • 27% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
27% Popularity • 23% Danceability • 27% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
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Percy Faith
The Glass Mountain
93 bpm • C Maj • 02:46 • -12db
24% Popularity • 15% Danceability • 25% Energy • 14% Liveness
88% Instrumentalness • 10% Positiveness
24% Popularity • 15% Danceability • 25% Energy • 14% Liveness
88% Instrumentalness • 10% Positiveness
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Pasapoga Light Orchestra
Love Story
93 bpm • A# min • 02:52 • -12.24db
45% Popularity • 52% Danceability • 26% Energy • 11% Liveness
21% Instrumentalness • 23% Positiveness
45% Popularity • 52% Danceability • 26% Energy • 11% Liveness
21% Instrumentalness • 23% Positiveness
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Alfred Hause
Bilitis
87 bpm • G Maj • 02:34 • -8db
41% Popularity • 41% Danceability • 45% Energy • 12% Liveness
87% Instrumentalness • 28% Positiveness
41% Popularity • 41% Danceability • 45% Energy • 12% Liveness
87% Instrumentalness • 28% Positiveness
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Johnny Pearson Y Su Orquesta
Matandome suavemente (Con su cancion)
93 bpm • F min • 03:53 • -16.22db
35% Popularity • 30% Danceability • 22% Energy • 21% Liveness
89% Instrumentalness • 17% Positiveness
35% Popularity • 30% Danceability • 22% Energy • 21% Liveness
89% Instrumentalness • 17% Positiveness
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Paul Francis Webster
Love Is A Many Splendored Thing
87 bpm • D# Maj • 01:57 • -11.46db
22% Popularity • 26% Danceability • 29% Energy • 22% Liveness
2% Instrumentalness • 24% Positiveness
22% Popularity • 26% Danceability • 29% Energy • 22% Liveness
2% Instrumentalness • 24% Positiveness
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Billy Vaughn
Sail Along Silv'ry Moon
93 bpm • F Maj • 02:09 • -8.83db
46% Popularity • 28% Danceability • 49% Energy • 22% Liveness
18% Instrumentalness • 56% Positiveness
46% Popularity • 28% Danceability • 49% Energy • 22% Liveness
18% Instrumentalness • 56% Positiveness
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David Rose
Love Is a Many Splendoured Thing
87 bpm • A# min • 03:05 • -12.73db
28% Popularity • 34% Danceability • 44% Energy • 15% Liveness
94% Instrumentalness • 15% Positiveness
28% Popularity • 34% Danceability • 44% Energy • 15% Liveness
94% Instrumentalness • 15% Positiveness
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Claudius Alzner
Ich tanze mit dir in den Himmel hinein -...
94 bpm • G Maj • 04:23 • -12db
21% Popularity • 46% Danceability • 48% Energy • 9% Liveness
83% Instrumentalness • 47% Positiveness
21% Popularity • 46% Danceability • 48% Energy • 9% Liveness
83% Instrumentalness • 47% Positiveness
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The Gino Marinello Orchestra
You Are My Way of Life
94 bpm • E min • 02:44 • -13.53db
21% Popularity • 41% Danceability • 22% Energy • 40% Liveness
56% Instrumentalness • 18% Positiveness
21% Popularity • 41% Danceability • 22% Energy • 40% Liveness
56% Instrumentalness • 18% Positiveness
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Matt Monro
Stranger In Paradise - Remastered 2021
86 bpm • D# Maj • 02:30 • -17db
43% Popularity • 31% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
43% Popularity • 31% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Louis Armstrong
Moon River
86 bpm • C Maj • 02:59 • -14.09db
58% Popularity • 45% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
58% Popularity • 45% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
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Bert Kaempfert
The Mexican Shuffle
94 bpm • G Maj • 02:48 • -12.83db
28% Popularity • 75% Danceability • 53% Energy • 11% Liveness
93% Instrumentalness • 84% Positiveness
28% Popularity • 75% Danceability • 53% Energy • 11% Liveness
93% Instrumentalness • 84% Positiveness
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Percy Faith
How Insensitive
86 bpm • C Maj • 02:38 • -12db
37% Popularity • 16% Danceability • 35% Energy • 12% Liveness
78% Instrumentalness • 16% Positiveness
37% Popularity • 16% Danceability • 35% Energy • 12% Liveness
78% Instrumentalness • 16% Positiveness
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Frank Chacksfield
Limelight
86 bpm • F Maj • 02:49 • -11.57db
39% Popularity • 24% Danceability • 27% Energy • 14% Liveness
84% Instrumentalness • 16% Positiveness
39% Popularity • 24% Danceability • 27% Energy • 14% Liveness
84% Instrumentalness • 16% Positiveness
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Paul Weston
My Romance
94 bpm • A Maj • 02:35 • -11.91db
31% Popularity • 19% Danceability • 28% Energy • 13% Liveness
82% Instrumentalness • 12% Positiveness
31% Popularity • 19% Danceability • 28% Energy • 13% Liveness
82% Instrumentalness • 12% Positiveness
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Don Costa
Lisboa Antigua - Remastered
86 bpm • C# Maj • 02:52 • -9db
33% Popularity • 46% Danceability • 50% Energy • 31% Liveness
39% Instrumentalness • 96% Positiveness
33% Popularity • 46% Danceability • 50% Energy • 31% Liveness
39% Instrumentalness • 96% Positiveness
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Hugo Winterhalter
Elvira Madigan - Theme - Original Musico...
95 bpm • F Maj • 02:53 • -13.43db
19% Popularity • 32% Danceability • 26% Energy • 11% Liveness
92% Instrumentalness • 19% Positiveness
19% Popularity • 32% Danceability • 26% Energy • 11% Liveness
92% Instrumentalness • 19% Positiveness
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Russ Conway
The Westminster Waltz
94 bpm • D Maj • 02:34 • -11.3db
25% Popularity • 45% Danceability • 56% Energy • 6% Liveness
83% Instrumentalness • 65% Positiveness
25% Popularity • 45% Danceability • 56% Energy • 6% Liveness
83% Instrumentalness • 65% Positiveness
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Maurice Jarre
Somewhere, My Love (Laura's Theme)
95 bpm • G Maj • 02:45 • -10.63db
23% Popularity • 34% Danceability • 45% Energy • 9% Liveness
3% Instrumentalness • 46% Positiveness
23% Popularity • 34% Danceability • 45% Energy • 9% Liveness
3% Instrumentalness • 46% Positiveness
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Bert Kaempfert
Sobre Las Olas (Ãœber den Wellen/Over Th...
95 bpm • C Maj • 02:55 • -8.67db
15% Popularity • 66% Danceability • 62% Energy • 15% Liveness
37% Instrumentalness • 65% Positiveness
15% Popularity • 66% Danceability • 62% Energy • 15% Liveness
37% Instrumentalness • 65% Positiveness
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The Sandpipers
La Mer (Beyond The Sea)
85 bpm • F Maj • 02:42 • -15.15db
29% Popularity • 36% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 36% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Alfred Hause
Mattinata
95 bpm • C Maj • 03:48 • -12db
35% Popularity • 18% Danceability • 36% Energy • 7% Liveness
70% Instrumentalness • 9% Positiveness
35% Popularity • 18% Danceability • 36% Energy • 7% Liveness
70% Instrumentalness • 9% Positiveness
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Pepe Jaramillo
Capullito de AlelÃ
95 bpm • D Maj • 01:51 • -8.6db
41% Popularity • 64% Danceability • 63% Energy • 6% Liveness
93% Instrumentalness • 96% Positiveness
41% Popularity • 64% Danceability • 63% Energy • 6% Liveness
93% Instrumentalness • 96% Positiveness
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Matt Monro
I Will Wait For You - Remastered 2021
95 bpm • F min • 02:53 • -16db
46% Popularity • 35% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
46% Popularity • 35% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Pasapoga Light Orchestra
El Amor Es Algo Maravilloso
95 bpm • D Maj • 02:16 • -11.32db
41% Popularity • 27% Danceability • 38% Energy • 13% Liveness
86% Instrumentalness • 24% Positiveness
41% Popularity • 27% Danceability • 38% Energy • 13% Liveness
86% Instrumentalness • 24% Positiveness
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Bert Kaempfert
Goodnight Sweet Dreams
95 bpm • G# Maj • 02:23 • -11.76db
28% Popularity • 54% Danceability • 27% Energy • 10% Liveness
48% Instrumentalness • 39% Positiveness
28% Popularity • 54% Danceability • 27% Energy • 10% Liveness
48% Instrumentalness • 39% Positiveness
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Ronald Valentino
El Amor Es una Cosa Esplendorosa
85 bpm • C Maj • 02:51 • -8.46db
49% Popularity • 54% Danceability • 40% Energy • 15% Liveness
64% Instrumentalness • 20% Positiveness
49% Popularity • 54% Danceability • 40% Energy • 15% Liveness
64% Instrumentalness • 20% Positiveness
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Hugo Strasser und die Heinrich Haas jr. Combo
I LEFT MY HEART IN SAN FRANCISCO
85 bpm • C# Maj • 03:16 • -10db
29% Popularity • 50% Danceability • 33% Energy • 10% Liveness
12% Instrumentalness • 20% Positiveness
29% Popularity • 50% Danceability • 33% Energy • 10% Liveness
12% Instrumentalness • 20% Positiveness
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Percy Faith & His Orchestra & Chorus
Love Theme from "Romeo and Juliet"
85 bpm • A min • 03:10 • -17.83db
27% Popularity • 17% Danceability • 14% Energy • 12% Liveness
94% Instrumentalness • 10% Positiveness
27% Popularity • 17% Danceability • 14% Energy • 12% Liveness
94% Instrumentalness • 10% Positiveness
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Eddie Calvert
Sucu Sucu
95 bpm • A# Maj • 02:11 • -7.43db
34% Popularity • 64% Danceability • 61% Energy • 46% Liveness
0% Instrumentalness • 89% Positiveness
34% Popularity • 64% Danceability • 61% Energy • 46% Liveness
0% Instrumentalness • 89% Positiveness
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The Percy Faith Strings
Autumn Leaves
95 bpm • G min • 03:19 • -16.03db
25% Popularity • 20% Danceability • 27% Energy • 29% Liveness
88% Instrumentalness • 7% Positiveness
25% Popularity • 20% Danceability • 27% Energy • 29% Liveness
88% Instrumentalness • 7% Positiveness
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Ricci Ferra
La Playa
95 bpm • D min • 03:08 • -18.72db
31% Popularity • 54% Danceability • 17% Energy • 10% Liveness
87% Instrumentalness • 46% Positiveness
31% Popularity • 54% Danceability • 17% Energy • 10% Liveness
87% Instrumentalness • 46% Positiveness
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Ronald Valentino
Serenata a la Luz de la Luna
85 bpm • E min • 03:37 • -11db
47% Popularity • 65% Danceability • 25% Energy • 33% Liveness
58% Instrumentalness • 34% Positiveness
47% Popularity • 65% Danceability • 25% Energy • 33% Liveness
58% Instrumentalness • 34% Positiveness
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50 Guitars of Tommy Garrett
Guantanamera
95 bpm • D Maj • 03:24 • -13.5db
16% Popularity • 67% Danceability • 32% Energy • 10% Liveness
78% Instrumentalness • 79% Positiveness
16% Popularity • 67% Danceability • 32% Energy • 10% Liveness
78% Instrumentalness • 79% Positiveness
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Francis Pourcel Orchestra
Dejé Mi Corazón en San Francisco
96 bpm • F min • 02:53 • -15db
30% Popularity • 41% Danceability • 38% Energy • 13% Liveness
91% Instrumentalness • 33% Positiveness
30% Popularity • 41% Danceability • 38% Energy • 13% Liveness
91% Instrumentalness • 33% Positiveness
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Ray Conniff
Brazil
95 bpm • A min • 03:03 • -11db
49% Popularity • 62% Danceability • 50% Energy • 8% Liveness
85% Instrumentalness • 86% Positiveness
49% Popularity • 62% Danceability • 50% Energy • 8% Liveness
85% Instrumentalness • 86% Positiveness
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The Gino Marinello Orchestra
Put Your Head On My Shoulder
96 bpm • D# Maj • 02:13 • -13.64db
38% Popularity • 57% Danceability • 33% Energy • 22% Liveness
87% Instrumentalness • 63% Positiveness
38% Popularity • 57% Danceability • 33% Energy • 22% Liveness
87% Instrumentalness • 63% Positiveness
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Franck Pourcel
La Vida en Rosa
84 bpm • D# min • 02:19 • -7.09db
39% Popularity • 25% Danceability • 67% Energy • 40% Liveness
36% Instrumentalness • 22% Positiveness
39% Popularity • 25% Danceability • 67% Energy • 40% Liveness
36% Instrumentalness • 22% Positiveness
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Cristiano Malgioglio
Lovers
96 bpm • C Maj • 03:27 • -9.76db
47% Popularity • 52% Danceability • 46% Energy • 33% Liveness
73% Instrumentalness • 42% Positiveness
47% Popularity • 52% Danceability • 46% Energy • 33% Liveness
73% Instrumentalness • 42% Positiveness
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Horst Jankowski
So What's New?
96 bpm • F Maj • 01:55 • -7db
34% Popularity • 71% Danceability • 57% Energy • 11% Liveness
86% Instrumentalness • 75% Positiveness
34% Popularity • 71% Danceability • 57% Energy • 11% Liveness
86% Instrumentalness • 75% Positiveness
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Percy Faith
Where Is Your Heart ?
84 bpm • G Maj • 03:15 • -9.83db
24% Popularity • 22% Danceability • 36% Energy • 28% Liveness
1% Instrumentalness • 16% Positiveness
24% Popularity • 22% Danceability • 36% Energy • 28% Liveness
1% Instrumentalness • 16% Positiveness
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Chris Montez
The Shadow Of Your Smile
96 bpm • C Maj • 02:24 • -13.61db
39% Popularity • 58% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
39% Popularity • 58% Danceability • 25% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Sergio Ortiz
Alguna Vez en el Tiempo / Rapsodia Sobre...
96 bpm • C Maj • 02:57 • -15.86db
52% Popularity • 33% Danceability • 16% Energy • 8% Liveness
91% Instrumentalness • 20% Positiveness
52% Popularity • 33% Danceability • 16% Energy • 8% Liveness
91% Instrumentalness • 20% Positiveness
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Gheorghe Zamfir
Elvira Madigan
84 bpm • F Maj • 05:14 • -15.93db
36% Popularity • 23% Danceability • 22% Energy • 11% Liveness
67% Instrumentalness • 7% Positiveness
36% Popularity • 23% Danceability • 22% Energy • 11% Liveness
67% Instrumentalness • 7% Positiveness
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The Percy Faith Strings
Beyond the Sea
96 bpm • A Maj • 04:43 • -16.99db
22% Popularity • 16% Danceability • 18% Energy • 16% Liveness
77% Instrumentalness • 10% Positiveness
22% Popularity • 16% Danceability • 18% Energy • 16% Liveness
77% Instrumentalness • 10% Positiveness
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Kai Warner
So In Love
96 bpm • G# Maj • 02:34 • -12db
28% Popularity • 55% Danceability • 58% Energy • 13% Liveness
85% Instrumentalness • 80% Positiveness
28% Popularity • 55% Danceability • 58% Energy • 13% Liveness
85% Instrumentalness • 80% Positiveness
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Norman Candler
Tea for Two - Remastered
96 bpm • C Maj • 02:32 • -7db
30% Popularity • 39% Danceability • 45% Energy • 13% Liveness
86% Instrumentalness • 32% Positiveness
30% Popularity • 39% Danceability • 45% Energy • 13% Liveness
86% Instrumentalness • 32% Positiveness
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Living Strings
Faraway Places
96 bpm • A# Maj • 09:02 • -19db
23% Popularity • 14% Danceability • 23% Energy • 39% Liveness
80% Instrumentalness • 8% Positiveness
23% Popularity • 14% Danceability • 23% Energy • 39% Liveness
80% Instrumentalness • 8% Positiveness
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Bart Howard
Fly Me to the Moon
84 bpm • A# Maj • 02:38 • -8db
21% Popularity • 25% Danceability • 44% Energy • 32% Liveness
80% Instrumentalness • 42% Positiveness
21% Popularity • 25% Danceability • 44% Energy • 32% Liveness
80% Instrumentalness • 42% Positiveness
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Gustavo Pimentel
Frenesi
84 bpm • F Maj • 03:20 • -18.76db
37% Popularity • 65% Danceability • 47% Energy • 9% Liveness
11% Instrumentalness • 79% Positiveness
37% Popularity • 65% Danceability • 47% Energy • 9% Liveness
11% Instrumentalness • 79% Positiveness
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The Percy Faith Strings
Theme from Gone with the Wind
97 bpm • G Maj • 03:41 • -14.72db
27% Popularity • 20% Danceability • 26% Energy • 15% Liveness
86% Instrumentalness • 7% Positiveness
27% Popularity • 20% Danceability • 26% Energy • 15% Liveness
86% Instrumentalness • 7% Positiveness
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Los Indios Tabajaras
Maria Elena
84 bpm • B Maj • 03:07 • -19.13db
49% Popularity • 66% Danceability • 10% Energy • 11% Liveness
84% Instrumentalness • 59% Positiveness
49% Popularity • 66% Danceability • 10% Energy • 11% Liveness
84% Instrumentalness • 59% Positiveness
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Norman Candler
Deep in the Night
84 bpm • A Maj • 03:24 • -6db
29% Popularity • 30% Danceability • 51% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
29% Popularity • 30% Danceability • 51% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
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Billy Vaughn y su Orquesta
Theme From "A Summer Place"
97 bpm • C Maj • 02:44 • -8db
30% Popularity • 52% Danceability • 46% Energy • 6% Liveness
3% Instrumentalness • 56% Positiveness
30% Popularity • 52% Danceability • 46% Energy • 6% Liveness
3% Instrumentalness • 56% Positiveness
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Mila Khodorkovsky
Orfeo Negro
97 bpm • G min • 03:32 • -8.61db
36% Popularity • 47% Danceability • 40% Energy • 9% Liveness
70% Instrumentalness • 29% Positiveness
36% Popularity • 47% Danceability • 40% Energy • 9% Liveness
70% Instrumentalness • 29% Positiveness
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Bert Kaempfert
Java
97 bpm • D Maj • 01:51 • -11.02db
32% Popularity • 75% Danceability • 70% Energy • 8% Liveness
91% Instrumentalness • 97% Positiveness
32% Popularity • 75% Danceability • 70% Energy • 8% Liveness
91% Instrumentalness • 97% Positiveness
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The Percy Faith Strings
Bouquet
84 bpm • F Maj • 03:17 • -15db
34% Popularity • 17% Danceability • 30% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
34% Popularity • 17% Danceability • 30% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
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Orquesta Romántica de La Habana
El Silencio
97 bpm • A# Maj • 03:04 • -14db
33% Popularity • 39% Danceability • 21% Energy • 16% Liveness
96% Instrumentalness • 14% Positiveness
33% Popularity • 39% Danceability • 21% Energy • 16% Liveness
96% Instrumentalness • 14% Positiveness
