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Stratus
Songs like
Stratus
by
Billy Cobham
Based on a tempo of (+/- 10%) and a similar genre
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Lenny White
Mating Drive
163 bpm • A# min • 07:43 • -17db
10% Popularity • 27% Danceability • 78% Energy • 9% Liveness
10% Instrumentalness • 26% Positiveness
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Billy Cobham
Solarization: Solarization / Second Phas...
163 bpm • A# min • 11:09 • -15.05db
18% Popularity • 32% Danceability • 49% Energy • 9% Liveness
88% Instrumentalness • 18% Positiveness
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Idris Muhammad
Power of Soul
163 bpm • B min • 07:04 • -7.33db
25% Popularity • 48% Danceability • 76% Energy • 9% Liveness
61% Instrumentalness • 62% Positiveness
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Ron Carter
Blues Farm
164 bpm • D Maj • 08:05 • -12.39db
11% Popularity • 45% Danceability • 62% Energy • 6% Liveness
92% Instrumentalness • 72% Positiveness
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Scott Henderson
Stratus
164 bpm • G# Maj • 05:12 • -9.79db
16% Popularity • 44% Danceability • 75% Energy • 6% Liveness
77% Instrumentalness • 68% Positiveness
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Brand X
Malaga Virgen
161 bpm • E min • 08:28 • -20.95db
15% Popularity • 30% Danceability • 43% Energy • 28% Liveness
18% Instrumentalness • 22% Positiveness
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Jan Hammer
Bambu Forest
161 bpm • C Maj • 05:24 • -10.9db
8% Popularity • 28% Danceability • 69% Energy • 14% Liveness
5% Instrumentalness • 45% Positiveness
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Billy Cobham
Stratus
163 bpm • F# min • 09:49 • -9db
37% Popularity • 38% Danceability • 80% Energy • 28% Liveness
78% Instrumentalness • 61% Positiveness
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Al Di Meola
Chasin' the Voodoo
166 bpm • C min • 05:04 • -13.05db
21% Popularity • 37% Danceability • 74% Energy • 11% Liveness
48% Instrumentalness • 76% Positiveness
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The John Scofield Band
Watch Out For Po-Po
160 bpm • B min • 06:05 • -13.46db
14% Popularity • 77% Danceability • 45% Energy • 10% Liveness
44% Instrumentalness • 74% Positiveness
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Boogaloo Joe Jones
Boogaloo Joe
160 bpm • G Maj • 06:37 • -13.66db
20% Popularity • 59% Danceability • 61% Energy • 25% Liveness
62% Instrumentalness • 77% Positiveness
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Alain Caron
Cross Checking
160 bpm • G Maj • 04:08 • -10db
12% Popularity • 44% Danceability • 80% Energy • 40% Liveness
94% Instrumentalness • 85% Positiveness
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Soft Machine
Pigling Bland - Remastered 2006
167 bpm • G min • 04:21 • -12.61db
13% Popularity • 37% Danceability • 50% Energy • 40% Liveness
8% Instrumentalness • 44% Positiveness
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Billy Cobham
Stratus -, Pt. II - Stereo
163 bpm • A Maj • 03:02 • -14.67db
13% Popularity • 39% Danceability • 66% Energy • 8% Liveness
82% Instrumentalness • 96% Positiveness
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Lenny White
The Great Pyramid
158 bpm • A Maj • 02:28 • -11db
14% Popularity • 56% Danceability • 75% Energy • 4% Liveness
86% Instrumentalness • 70% Positiveness
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Buddy Miles
Paul B. Allen, Omaha, Nebraska
158 bpm • F Maj • 05:31 • -13.07db
19% Popularity • 40% Danceability • 60% Energy • 13% Liveness
90% Instrumentalness • 66% Positiveness
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Volker Kriegel
Mild Maniac
169 bpm • D Maj • 05:08 • -14.72db
11% Popularity • 42% Danceability • 41% Energy • 11% Liveness
86% Instrumentalness • 40% Positiveness
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Brand X
And So To F...
158 bpm • C Maj • 06:28 • -14.07db
24% Popularity • 21% Danceability • 83% Energy • 15% Liveness
82% Instrumentalness • 23% Positiveness
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Graham Central Station
Hair
157 bpm • A Maj • 04:55 • -10db
42% Popularity • 72% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Billy Cobham
Le Lis
165 bpm • A# min • 03:20 • -13db
35% Popularity • 46% Danceability • 65% Energy • 10% Liveness
84% Instrumentalness • 96% Positiveness
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Alphonse Mouzon
Happiness Is Loving You
169 bpm • G# Maj • 04:09 • -7db
25% Popularity • 42% Danceability • 90% Energy • 18% Liveness
90% Instrumentalness • 82% Positiveness
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Mario Rosini
Jamin
169 bpm • C# Maj • 07:06 • -14.53db
2% Popularity • 25% Danceability • 43% Energy • 30% Liveness
89% Instrumentalness • 30% Positiveness
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Cristiano Parato
The Sniper
170 bpm • E min • 04:32 • -6.01db
31% Popularity • 58% Danceability • 97% Energy • 16% Liveness
82% Instrumentalness • 79% Positiveness
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Idris Muhammad
Loran's Dance
156 bpm • A# min • 10:39 • -9.27db
33% Popularity • 53% Danceability • 57% Energy • 11% Liveness
47% Instrumentalness • 51% Positiveness
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The Meters
Just Kissed My Baby
171 bpm • C Maj • 04:43 • -14db
48% Popularity • 72% Danceability • 62% Energy • 6% Liveness
5% Instrumentalness • 96% Positiveness
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Billy Cobham
Stratus -, Pt. I - Stereo
167 bpm • F# min • 03:30 • -14.12db
13% Popularity • 42% Danceability • 69% Energy • 12% Liveness
79% Instrumentalness • 94% Positiveness
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Stanley Jordan
Eleanor Rigby
156 bpm • E min • 07:02 • -14.56db
29% Popularity • 38% Danceability • 40% Energy • 16% Liveness
82% Instrumentalness • 27% Positiveness
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Bill Bruford's Earthworks
Up North
171 bpm • F min • 05:28 • -17.49db
13% Popularity • 63% Danceability • 31% Energy • 9% Liveness
63% Instrumentalness • 42% Positiveness
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John Abercrombie
Back-Woods Song
172 bpm • A min • 07:51 • -17.65db
23% Popularity • 42% Danceability • 44% Energy • 7% Liveness
27% Instrumentalness • 73% Positiveness
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Novecento
Let Me Breathe
172 bpm • G# min • 04:26 • -11.13db
21% Popularity • 67% Danceability • 54% Energy • 10% Liveness
8% Instrumentalness • 69% Positiveness
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Medeski Scofield Martin & Wood
North London
172 bpm • E Maj • 06:35 • -12db
13% Popularity • 42% Danceability • 50% Energy • 8% Liveness
53% Instrumentalness • 69% Positiveness
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Billy Cobham
Stratus - Max Loderbauer & Ricardo Villa...
172 bpm • E min • 05:20 • -8.32db
9% Popularity • 69% Danceability • 67% Energy • 10% Liveness
92% Instrumentalness • 60% Positiveness
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Allan Holdsworth
Three Sheets to the Wind - Remastered
155 bpm • C# min • 04:14 • -11.36db
8% Popularity • 38% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
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Tribal Tech
The Big Wave
154 bpm • C# Maj • 06:31 • -10db
20% Popularity • 44% Danceability • 76% Energy • 12% Liveness
86% Instrumentalness • 41% Positiveness
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John Abercrombie
Red And Orange
172 bpm • E min • 05:21 • -16.17db
16% Popularity • 25% Danceability • 61% Energy • 13% Liveness
1% Instrumentalness • 38% Positiveness
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The Eleventh House
Level One
173 bpm • F Maj • 03:02 • -6.17db
16% Popularity • 19% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 17% Positiveness
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Wayne Krantz
Lynxpaw
153 bpm • A# Maj • 01:40 • -9.83db
31% Popularity • 53% Danceability • 61% Energy • 22% Liveness
47% Instrumentalness • 79% Positiveness
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Billy Cobham
Stratus
172 bpm • E min • 06:30 • -7.78db
28% Popularity • 56% Danceability • 80% Energy • 30% Liveness
46% Instrumentalness • 45% Positiveness
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Tony Williams
Mr. Spock
153 bpm • F# min • 06:13 • -14db
15% Popularity • 30% Danceability • 81% Energy • 16% Liveness
79% Instrumentalness • 49% Positiveness
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Al Di Meola
Midnight Tango
175 bpm • F Maj • 07:28 • -12.76db
28% Popularity • 36% Danceability • 61% Energy • 6% Liveness
22% Instrumentalness • 41% Positiveness
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Santana
Aqua Marine
175 bpm • E min • 05:35 • -18.24db
35% Popularity • 34% Danceability • 49% Energy • 7% Liveness
15% Instrumentalness • 40% Positiveness
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The John Scofield Band
Polo Towers
176 bpm • C# Maj • 05:29 • -10.58db
16% Popularity • 63% Danceability • 52% Energy • 12% Liveness
74% Instrumentalness • 40% Positiveness
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The Headhunters
PP Head
176 bpm • C Maj • 03:46 • -8.09db
11% Popularity • 48% Danceability • 63% Energy • 4% Liveness
68% Instrumentalness • 75% Positiveness
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Gary Willis
Armageddon Blues
151 bpm • A# min • 06:11 • -12db
27% Popularity • 42% Danceability • 60% Energy • 8% Liveness
87% Instrumentalness • 68% Positiveness
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Steve Gadd Band
Rat Race
176 bpm • C# Maj • 06:35 • -10db
20% Popularity • 68% Danceability • 69% Energy • 11% Liveness
50% Instrumentalness • 86% Positiveness
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Al Di Meola
Alien Chase On Arabian Desert
152 bpm • D min • 08:57 • -9.57db
4% Popularity • 33% Danceability • 73% Energy • 6% Liveness
59% Instrumentalness • 32% Positiveness
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Uzeb
Spider
151 bpm • E Maj • 04:55 • -14.85db
11% Popularity • 74% Danceability • 55% Energy • 36% Liveness
90% Instrumentalness • 75% Positiveness
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Return To Forever
Majestic Dance - Instrumental
151 bpm • A Maj • 05:00 • -9.01db
27% Popularity • 33% Danceability • 70% Energy • 19% Liveness
31% Instrumentalness • 76% Positiveness
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Brand X
Nuclear Burn
151 bpm • C Maj • 06:23 • -16db
36% Popularity • 31% Danceability • 63% Energy • 11% Liveness
33% Instrumentalness • 45% Positiveness
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Critters Buggin
Kickstand Hog
176 bpm • D Maj • 06:51 • -10.38db
8% Popularity • 48% Danceability • 78% Energy • 18% Liveness
76% Instrumentalness • 55% Positiveness
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Wayne Krantz
Alliance
150 bpm • E Maj • 03:38 • -20.92db
37% Popularity • 48% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 68% Positiveness
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The John Scofield Band
Ideofunk
177 bpm • A Maj • 04:43 • -9db
28% Popularity • 51% Danceability • 67% Energy • 9% Liveness
85% Instrumentalness • 60% Positiveness
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Chick Corea Elektric Band
Got A Match?
151 bpm • C Maj • 05:39 • -18.03db
38% Popularity • 36% Danceability • 42% Energy • 37% Liveness
79% Instrumentalness • 70% Positiveness
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Kraan
Vollags Ahoi
150 bpm • B min • 06:06 • -9.3db
14% Popularity • 30% Danceability • 89% Energy • 14% Liveness
65% Instrumentalness • 46% Positiveness
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Al Di Meola
Flight Over Rio
150 bpm • C# min • 07:16 • -12db
29% Popularity • 33% Danceability • 70% Energy • 7% Liveness
19% Instrumentalness • 42% Positiveness
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Hugh Masekela
Part Of A Whole
149 bpm • A# min • 09:37 • -8.08db
14% Popularity • 56% Danceability • 73% Energy • 9% Liveness
90% Instrumentalness • 60% Positiveness
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Alphonse Mouzon
Golden Rainbows
150 bpm • G min • 06:56 • -7.27db
12% Popularity • 42% Danceability • 77% Energy • 24% Liveness
77% Instrumentalness • 52% Positiveness
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David Axelrod
Holy Thursday
179 bpm • D min • 05:31 • -14db
36% Popularity • 36% Danceability • 36% Energy • 9% Liveness
56% Instrumentalness • 44% Positiveness
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Chick Corea
500 Miles High
148 bpm • F Maj • 09:10 • -15db
25% Popularity • 35% Danceability • 61% Energy • 13% Liveness
5% Instrumentalness • 30% Positiveness
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Corduroy
The Girl Who Was Death
148 bpm • A Maj • 04:43 • -7.18db
10% Popularity • 40% Danceability • 87% Energy • 6% Liveness
85% Instrumentalness • 80% Positiveness
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Santana
Song of the Wind
180 bpm • C Maj • 06:08 • -12.51db
43% Popularity • 29% Danceability • 63% Energy • 16% Liveness
25% Instrumentalness • 80% Positiveness
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Bill Connors
On The Edge
147 bpm • A Maj • 05:19 • -8db
9% Popularity • 40% Danceability • 86% Energy • 34% Liveness
85% Instrumentalness • 42% Positiveness
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Alphonse Mouzon
Nitroglycerin
147 bpm • D# Maj • 03:04 • -3.98db
9% Popularity • 23% Danceability • 95% Energy • 31% Liveness
89% Instrumentalness • 36% Positiveness
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Herbie Hancock
Watermelon Man
147 bpm • C# Maj • 06:28 • -11.19db
55% Popularity • 72% Danceability • 41% Energy • 8% Liveness
11% Instrumentalness • 72% Positiveness
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Billy Cobham
Bandits
147 bpm • D Maj • 02:32 • -13db
19% Popularity • 59% Danceability • 92% Energy • 12% Liveness
89% Instrumentalness • 69% Positiveness
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Novecento
Leaving Now
146 bpm • A min • 06:23 • -14.33db
6% Popularity • 55% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Joshua Redman Elastic Band
Riverwide
183 bpm • F min • 06:20 • -9.71db
16% Popularity • 43% Danceability • 52% Energy • 29% Liveness
54% Instrumentalness • 38% Positiveness
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Return To Forever
Nite Sprite
145 bpm • C Maj • 04:32 • -13db
12% Popularity • 38% Danceability • 66% Energy • 10% Liveness
88% Instrumentalness • 70% Positiveness
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Klaus Doldinger's Passport
Big Bang
145 bpm • D# Maj • 03:54 • -15db
17% Popularity • 46% Danceability • 52% Energy • 17% Liveness
52% Instrumentalness • 54% Positiveness
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Herbie Hancock
Sly
146 bpm • B min • 10:15 • -7.17db
40% Popularity • 39% Danceability • 91% Energy • 6% Liveness
78% Instrumentalness • 60% Positiveness
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Yusef Lateef
Nubian Lady - 1972
145 bpm • B min • 06:38 • -15db
27% Popularity • 44% Danceability • 47% Energy • 7% Liveness
86% Instrumentalness • 78% Positiveness
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Eddie Harris
Listen Here
144 bpm • G# Maj • 07:43 • -15.94db
30% Popularity • 69% Danceability • 36% Energy • 23% Liveness
7% Instrumentalness • 90% Positiveness
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Chick Corea
Night Sprite
144 bpm • C Maj • 04:36 • -12db
21% Popularity • 38% Danceability • 72% Energy • 9% Liveness
74% Instrumentalness • 77% Positiveness
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Return To Forever
The Romantic Warrior - Instrumental
144 bpm • G Maj • 10:51 • -12db
32% Popularity • 38% Danceability • 61% Energy • 11% Liveness
78% Instrumentalness • 44% Positiveness
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Allan Holdsworth
Floppy Hat
144 bpm • B Maj • 02:46 • -22.7db
26% Popularity • 46% Danceability • 4% Energy • 11% Liveness
78% Instrumentalness • 15% Positiveness
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Boogaloo Joe Jones
Brown Bag
143 bpm • C min • 05:06 • -13.83db
31% Popularity • 55% Danceability • 73% Energy • 10% Liveness
82% Instrumentalness • 93% Positiveness
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Billy Cobham
Crosswind
185 bpm • G Maj • 03:42 • -15.79db
31% Popularity • 39% Danceability • 42% Energy • 7% Liveness
78% Instrumentalness • 90% Positiveness
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Bruford
Five G
143 bpm • A Maj • 04:46 • -14.08db
13% Popularity • 37% Danceability • 51% Energy • 7% Liveness
24% Instrumentalness • 68% Positiveness
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Mick Karn
Palms for Lester
143 bpm • G# Maj • 06:44 • -14.53db
8% Popularity • 42% Danceability • 49% Energy • 24% Liveness
72% Instrumentalness • 34% Positiveness
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Ian Carr
Caliban
143 bpm • F Maj • 04:35 • -12.82db
17% Popularity • 42% Danceability • 53% Energy • 18% Liveness
76% Instrumentalness • 69% Positiveness
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Stanley Clarke
School Days
143 bpm • B min • 07:50 • -12db
34% Popularity • 48% Danceability • 54% Energy • 15% Liveness
78% Instrumentalness • 79% Positiveness
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Boogaloo Joe Jones
Brown Bag
143 bpm • F min • 05:05 • -6.95db
16% Popularity • 56% Danceability • 89% Energy • 9% Liveness
87% Instrumentalness • 95% Positiveness
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Chick Corea
Fickle Funk
142 bpm • A# min • 05:08 • -8.88db
18% Popularity • 59% Danceability • 77% Energy • 8% Liveness
90% Instrumentalness • 74% Positiveness
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Return To Forever
Hymn Of The 7th Galaxy
142 bpm • C Maj • 03:31 • -10.11db
26% Popularity • 32% Danceability • 81% Energy • 77% Liveness
82% Instrumentalness • 50% Positiveness
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Tony Williams
Fred
142 bpm • F# min • 06:44 • -15.86db
24% Popularity • 30% Danceability • 70% Energy • 9% Liveness
37% Instrumentalness • 59% Positiveness
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John Abercrombie
Lungs
141 bpm • C# Maj • 12:08 • -19.45db
19% Popularity • 40% Danceability • 28% Energy • 12% Liveness
16% Instrumentalness • 38% Positiveness
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The Headhunters
Here And Now
141 bpm • A# min • 07:06 • -9.57db
10% Popularity • 39% Danceability • 56% Energy • 8% Liveness
91% Instrumentalness • 51% Positiveness
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Nils Landgren Funk Unit
Sisters of Arequipa
142 bpm • D Maj • 05:57 • -13.89db
30% Popularity • 63% Danceability • 57% Energy • 6% Liveness
91% Instrumentalness • 42% Positiveness
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Jan Hammer
Twenty One
141 bpm • C# Maj • 05:05 • -12.9db
8% Popularity • 32% Danceability • 93% Energy • 11% Liveness
70% Instrumentalness • 65% Positiveness
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Al Di Meola
God Bird Change
141 bpm • A min • 03:53 • -8.84db
8% Popularity • 62% Danceability • 76% Energy • 67% Liveness
20% Instrumentalness • 91% Positiveness
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Vital Information
Listen Up!
141 bpm • A# Maj • 04:54 • -9.37db
15% Popularity • 69% Danceability • 59% Energy • 10% Liveness
87% Instrumentalness • 84% Positiveness
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Vital Techtones
Catch Me If U Can
141 bpm • C# min • 04:24 • -5db
24% Popularity • 49% Danceability • 86% Energy • 15% Liveness
88% Instrumentalness • 66% Positiveness
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Yusef Lateef
Russell and Eliot
140 bpm • A min • 04:53 • -13.83db
24% Popularity • 56% Danceability • 41% Energy • 6% Liveness
78% Instrumentalness • 62% Positiveness
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Garaj Mahal
The Shadow
140 bpm • G Maj • 09:15 • -6.97db
12% Popularity • 42% Danceability • 96% Energy • 7% Liveness
87% Instrumentalness • 64% Positiveness
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Brand X
The Poke
140 bpm • E Maj • 05:10 • -13.06db
14% Popularity • 48% Danceability • 67% Energy • 12% Liveness
66% Instrumentalness • 60% Positiveness
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The Brecker Brothers
Scrunch
190 bpm • F min • 04:29 • -13.38db
29% Popularity • 66% Danceability • 55% Energy • 23% Liveness
93% Instrumentalness • 80% Positiveness
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Bill Bruford
Travels With Myself - And Someone Else
139 bpm • B min • 06:14 • -19.58db
14% Popularity • 33% Danceability • 25% Energy • 7% Liveness
85% Instrumentalness • 9% Positiveness
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Robben Ford
In The Beginning
193 bpm • D Maj • 05:14 • -9.39db
13% Popularity • 35% Danceability • 89% Energy • 6% Liveness
88% Instrumentalness • 70% Positiveness
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Jan Hammer
Magical Dog
139 bpm • G Maj • 06:42 • -9.62db
12% Popularity • 33% Danceability • 90% Energy • 7% Liveness
41% Instrumentalness • 40% Positiveness
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Charlie Hunter Trio
Bullethead
204 bpm • D min • 05:33 • -9.46db
14% Popularity • 56% Danceability • 56% Energy • 10% Liveness
80% Instrumentalness • 77% Positiveness
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Stratus