Songs like Strauss, R: 4 Letzte Lieder: No. 4, Im Abendrot by Richard Strauss
Based on a tempo of (+/- 10%) and a similar genre
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Johann Sebastian Bach
II. Largo - 2018 Remastered Version
82 bpm • A# Maj • 03:45 • -17.53db
0% Popularity • 20% Danceability • 34% Energy • 24% Liveness
29% Instrumentalness • 36% Positiveness
0% Popularity • 20% Danceability • 34% Energy • 24% Liveness
29% Instrumentalness • 36% Positiveness
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Richard Wagner
Lohengrin, WWV 75 / Act III: "In fernem ...
82 bpm • A Maj • 10:25 • -13.34db
22% Popularity • 23% Danceability • 26% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
22% Popularity • 23% Danceability • 26% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
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Francesco Cilea
Adriana Lecouvreur / Act I: "Ecco: respi...
82 bpm • G# Maj • 03:42 • -18.62db
33% Popularity • 21% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
33% Popularity • 21% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Piano Concerto No. 5 in E-Flat Major, Op...
82 bpm • B Maj • 08:25 • -28.26db
13% Popularity • 23% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
13% Popularity • 23% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
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Christoph Willibald Gluck
Il Parnaso confuso: Di questa cetra in s...
82 bpm • F# Maj • 05:21 • -28db
12% Popularity • 25% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
12% Popularity • 25% Danceability • 2% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Vesperae solennes de confessore, K. 339:...
82 bpm • F Maj • 04:16 • -25.91db
51% Popularity • 11% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Fauré: Requiem, Op. 48: VI. Libera me
82 bpm • D min • 04:32 • -23.81db
20% Popularity • 11% Danceability • 4% Energy • 12% Liveness
54% Instrumentalness • 4% Positiveness
20% Popularity • 11% Danceability • 4% Energy • 12% Liveness
54% Instrumentalness • 4% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: III. ...
82 bpm • C min • 06:06 • -24db
34% Popularity • 10% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
34% Popularity • 10% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Richard Wagner
Das Rheingold: Entry of the Gods into Va...
82 bpm • C# Maj • 06:32 • -17.08db
17% Popularity • 8% Danceability • 9% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
17% Popularity • 8% Danceability • 9% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Richard Strauss
Strauss, R: 4 Letzte Lieder: No. 4, Im A...
82 bpm • A# Maj • 08:27 • -24.29db
20% Popularity • 8% Danceability • 6% Energy • 13% Liveness
55% Instrumentalness • 4% Positiveness
20% Popularity • 8% Danceability • 6% Energy • 13% Liveness
55% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition: Promenade I
82 bpm • F Maj • 01:44 • -14.76db
14% Popularity • 44% Danceability • 5% Energy • 20% Liveness
83% Instrumentalness • 30% Positiveness
14% Popularity • 44% Danceability • 5% Energy • 20% Liveness
83% Instrumentalness • 30% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Belle nu...
82 bpm • D Maj • 04:09 • -27.01db
40% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
40% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
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Alessandro Scarlatti
Il Sedecia, Rè di Gerusalemme: "Caldo S...
82 bpm • A# min • 05:25 • -20.73db
16% Popularity • 18% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
16% Popularity • 18% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Rhapsody on a Theme of Paganini, Op. 43:...
82 bpm • D min • 01:18 • -24.1db
4% Popularity • 28% Danceability • 4% Energy • 11% Liveness
62% Instrumentalness • 12% Positiveness
4% Popularity • 28% Danceability • 4% Energy • 11% Liveness
62% Instrumentalness • 12% Positiveness
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Francis Poulenc
Poulenc: Léocadia, FP 106: Les chemins ...
83 bpm • C# Maj • 03:11 • -15.78db
19% Popularity • 32% Danceability • 14% Energy • 26% Liveness
0% Instrumentalness • 13% Positiveness
19% Popularity • 32% Danceability • 14% Energy • 26% Liveness
0% Instrumentalness • 13% Positiveness
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Richard Strauss
Arabella, Op. 79, TrV 263: Das war sehr ...
82 bpm • G# min • 08:00 • -15.34db
12% Popularity • 22% Danceability • 14% Energy • 5% Liveness
8% Instrumentalness • 3% Positiveness
12% Popularity • 22% Danceability • 14% Energy • 5% Liveness
8% Instrumentalness • 3% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt (The Dead City), Op. 12: ...
83 bpm • A# Maj • 05:28 • -24.23db
34% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
34% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
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Georges Bizet
Bizet: Carmen, Act 1: Séguedille. "Prè...
83 bpm • D Maj • 04:36 • -19.43db
28% Popularity • 31% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 31% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Wolfgang Amadeus Mozart
Mass in C minor, K.427 "Grosse Messe": 1...
83 bpm • C min • 06:44 • -20.58db
14% Popularity • 12% Danceability • 9% Energy • 8% Liveness
7% Instrumentalness • 5% Positiveness
14% Popularity • 12% Danceability • 9% Energy • 8% Liveness
7% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
BWV82: Aria: Ich habe genug
83 bpm • C# min • 07:41 • -22.58db
17% Popularity • 20% Danceability • 6% Energy • 13% Liveness
40% Instrumentalness • 11% Positiveness
17% Popularity • 20% Danceability • 6% Energy • 13% Liveness
40% Instrumentalness • 11% Positiveness
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Antonio Vivaldi
Andromeda Liberata (Serenata Veneziana),...
83 bpm • E min • 09:07 • -23.1db
12% Popularity • 23% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 23% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Richard Strauss
Strauss, R: 8 Lieder, Op. 49: No. 1, Wal...
82 bpm • C# Maj • 03:04 • -25.34db
18% Popularity • 21% Danceability • 4% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
18% Popularity • 21% Danceability • 4% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
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Giacomo Puccini
La Bohème, Act I: O soave fanciulla (Ro...
83 bpm • C Maj • 04:00 • -19db
21% Popularity • 16% Danceability • 13% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
21% Popularity • 16% Danceability • 13% Energy • 9% Liveness
10% Instrumentalness • 4% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater in F Minor, P. 77: I. Staba...
83 bpm • E min • 04:48 • -23.46db
23% Popularity • 18% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 4:...
81 bpm • D Maj • 04:23 • -24.77db
31% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
31% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
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Ludwig van Beethoven
Egmont, Op. 84: Overture
83 bpm • G# Maj • 08:34 • -17.45db
14% Popularity • 27% Danceability • 11% Energy • 11% Liveness
68% Instrumentalness • 9% Positiveness
14% Popularity • 27% Danceability • 11% Energy • 11% Liveness
68% Instrumentalness • 9% Positiveness
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Jules Massenet
Massenet: Élégie
83 bpm • D# min • 03:13 • -24.41db
15% Popularity • 14% Danceability • 3% Energy • 15% Liveness
1% Instrumentalness • 7% Positiveness
15% Popularity • 14% Danceability • 3% Energy • 15% Liveness
1% Instrumentalness • 7% Positiveness
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Richard Strauss
5 Lieder, Op. 39, TrV 189: No. 4. Befrei...
82 bpm • G# Maj • 05:27 • -18db
6% Popularity • 17% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
6% Popularity • 17% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
La Rondine / Act 2: "Bevo al tuo fresco ...
83 bpm • D# Maj • 02:59 • -16.53db
12% Popularity • 21% Danceability • 26% Energy • 8% Liveness
65% Instrumentalness • 19% Positiveness
12% Popularity • 21% Danceability • 26% Energy • 8% Liveness
65% Instrumentalness • 19% Positiveness
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Henry Purcell
Dido and Aeneas / Act 3: "Thy Hand Belin...
83 bpm • F# min • 04:06 • -28.04db
40% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
40% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Symphony No. 4 in A Major, Op. 90 "Itali...
81 bpm • A Maj • 05:14 • -22.65db
0% Popularity • 20% Danceability • 5% Energy • 9% Liveness
13% Instrumentalness • 19% Positiveness
0% Popularity • 20% Danceability • 5% Energy • 9% Liveness
13% Instrumentalness • 19% Positiveness
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Gabriel Fauré
Fauré: Requiem, Op. 48: II. Offertoire
83 bpm • D Maj • 08:46 • -29.05db
21% Popularity • 8% Danceability • 3% Energy • 10% Liveness
67% Instrumentalness • 3% Positiveness
21% Popularity • 8% Danceability • 3% Energy • 10% Liveness
67% Instrumentalness • 3% Positiveness
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Hugo von Hofmannsthal
Elektra: Xiii. Orest! Orest ist tod!
81 bpm • D# Maj • 03:29 • -18.94db
1% Popularity • 25% Danceability • 27% Energy • 43% Liveness
5% Instrumentalness • 8% Positiveness
1% Popularity • 25% Danceability • 27% Energy • 43% Liveness
5% Instrumentalness • 8% Positiveness
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Richard Strauss
Die schweigsame Frau, Op. 80, TrV 265: A...
82 bpm • G# Maj • 07:40 • -19.84db
7% Popularity • 31% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 31% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 28% Positiveness
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Reynaldo Hahn
Hahn: Chansons grises: No. 5, L'heure ex...
83 bpm • B Maj • 02:15 • -38db
26% Popularity • 24% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
26% Popularity • 24% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Vincenzo Bellini
Adelson e Salvini / Act I: "Dopo l'oscur...
83 bpm • F min • 06:33 • -28db
16% Popularity • 13% Danceability • 3% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
16% Popularity • 13% Danceability • 3% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
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Richard Wagner
Tannhauser: O du mein holder Abendstern
84 bpm • G Maj • 04:45 • -20db
24% Popularity • 18% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
24% Popularity • 18% Danceability • 18% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
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Gabriel Fauré
Fauré: Requiem, Op. 48: II. Offertoire
83 bpm • D Maj • 10:00 • -28db
19% Popularity • 17% Danceability • 3% Energy • 9% Liveness
77% Instrumentalness • 4% Positiveness
19% Popularity • 17% Danceability • 3% Energy • 9% Liveness
77% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act III: "Und ...
84 bpm • G# Maj • 05:57 • -23.47db
29% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Richard Strauss
Strauss, R: 8 Gedichte aus Letzte Blätt...
81 bpm • C Maj • 01:55 • -16.04db
20% Popularity • 36% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
20% Popularity • 36% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Hugo von Hofmannsthal
Elektra: Ii. Allein! Weh, ganz allein
83 bpm • A# min • 09:28 • -19.27db
2% Popularity • 25% Danceability • 21% Energy • 43% Liveness
6% Instrumentalness • 4% Positiveness
2% Popularity • 25% Danceability • 21% Energy • 43% Liveness
6% Instrumentalness • 4% Positiveness
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George Frideric Handel
Serse, HWV 40 / Act 1: "Frondi tenere e ...
84 bpm • F Maj • 04:01 • -24.37db
17% Popularity • 22% Danceability • 3% Energy • 15% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 22% Danceability • 3% Energy • 15% Liveness
1% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Rhapsody on a Theme of Paganini, Op. 43:...
80 bpm • G min • 00:49 • -14.55db
4% Popularity • 29% Danceability • 32% Energy • 11% Liveness
91% Instrumentalness • 62% Positiveness
4% Popularity • 29% Danceability • 32% Energy • 11% Liveness
91% Instrumentalness • 62% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: I. Stabat mater...
84 bpm • D# min • 04:46 • -18.67db
23% Popularity • 10% Danceability • 9% Energy • 11% Liveness
29% Instrumentalness • 4% Positiveness
23% Popularity • 10% Danceability • 9% Energy • 11% Liveness
29% Instrumentalness • 4% Positiveness
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Antonio Caldara
Il trionfo dell'innocenza: "Vanne pentit...
80 bpm • A Maj • 08:45 • -24db
19% Popularity • 22% Danceability • 5% Energy • 13% Liveness
3% Instrumentalness • 7% Positiveness
19% Popularity • 22% Danceability • 5% Energy • 13% Liveness
3% Instrumentalness • 7% Positiveness
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Richard Strauss
Die schweigsame Frau, Op. 80, TrV 265: N...
81 bpm • G Maj • 03:09 • -14.15db
9% Popularity • 46% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 46% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Ernest Chausson
Sept mélodies, Op. 2: VI. Hébé
80 bpm • A min • 02:28 • -24db
20% Popularity • 26% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
20% Popularity • 26% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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George Frideric Handel
Rinaldo, HWV 7b: Act II Scene 4: Aria: L...
84 bpm • E Maj • 06:03 • -26db
36% Popularity • 25% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
36% Popularity • 25% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
III. Allegro vivace
80 bpm • A# Maj • 04:33 • -16.57db
0% Popularity • 29% Danceability • 6% Energy • 10% Liveness
43% Instrumentalness • 29% Positiveness
0% Popularity • 29% Danceability • 6% Energy • 10% Liveness
43% Instrumentalness • 29% Positiveness
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Renata Tebaldi
Si, Mi Chiamano Mimì - la Boheme Atto I
80 bpm • D Maj • 04:56 • -14.01db
28% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Henry Purcell
Purcell: Dido and Aeneas, Z. 626, Act II...
80 bpm • F# min • 03:54 • -22.6db
29% Popularity • 17% Danceability • 2% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 17% Danceability • 2% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Strauss
Strauss, R: 4 Letzte Lieder: No. 1, Frü...
83 bpm • G# Maj • 03:44 • -17.35db
21% Popularity • 12% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 12% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Götterdämmerung / Prologue: Siegfrieds...
80 bpm • A# Maj • 04:47 • -16.39db
11% Popularity • 16% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
11% Popularity • 16% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Joseph Canteloube
Canteloube: Chants d'Auvergne, Vol. 1: N...
80 bpm • C min • 05:37 • -16.35db
16% Popularity • 15% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
16% Popularity • 15% Danceability • 15% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Franz Liszt
Piano Concerto No. 2 in A Major, S. 125:...
84 bpm • F# Maj • 04:43 • -28db
1% Popularity • 14% Danceability • 5% Energy • 28% Liveness
83% Instrumentalness • 4% Positiveness
1% Popularity • 14% Danceability • 5% Energy • 28% Liveness
83% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Symphony No. 4 in A Major, Op. 90 "Itali...
80 bpm • A Maj • 07:11 • -16.96db
0% Popularity • 32% Danceability • 20% Energy • 12% Liveness
81% Instrumentalness • 35% Positiveness
0% Popularity • 32% Danceability • 20% Energy • 12% Liveness
81% Instrumentalness • 35% Positiveness
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Hector Berlioz
Symphonie fantastique, H. 48: II. Un bal...
84 bpm • A Maj • 05:59 • -23db
22% Popularity • 11% Danceability • 8% Energy • 24% Liveness
89% Instrumentalness • 9% Positiveness
22% Popularity • 11% Danceability • 8% Energy • 24% Liveness
89% Instrumentalness • 9% Positiveness
► Preview
Richard Strauss
Strauss, R: 8 Lieder, Op. 49: No. 1, Wal...
81 bpm • C# Maj • 03:19 • -30db
10% Popularity • 13% Danceability • 3% Energy • 67% Liveness
25% Instrumentalness • 4% Positiveness
10% Popularity • 13% Danceability • 3% Energy • 67% Liveness
25% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Symphony No. 41 in C Major, K. 551 "Jupi...
80 bpm • F Maj • 08:02 • -24.56db
2% Popularity • 20% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
2% Popularity • 20% Danceability • 5% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Rhapsody on a Theme of Paganini, Op. 43:...
80 bpm • C# Maj • 02:50 • -15.21db
8% Popularity • 18% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
8% Popularity • 18% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
► Preview
Gustav Mahler
Symphony No. 2 in C Minor, "Resurrection...
80 bpm • C# Maj • 05:15 • -37.59db
16% Popularity • 10% Danceability • 1% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 10% Danceability • 1% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
Trois chansons de Bilitis, L. 90: No. 1,...
85 bpm • F# Maj • 02:45 • -29db
24% Popularity • 29% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 29% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Hugo von Hofmannsthal
Elektra: Xvi. Wie stark du bist!
85 bpm • D# Maj • 05:04 • -20.2db
1% Popularity • 19% Danceability • 22% Energy • 75% Liveness
4% Instrumentalness • 9% Positiveness
1% Popularity • 19% Danceability • 22% Energy • 75% Liveness
4% Instrumentalness • 9% Positiveness
► Preview
Richard Strauss
Ariadne auf Naxos, Op. 60 / Opera: Ein S...
84 bpm • F min • 07:01 • -21.65db
7% Popularity • 19% Danceability • 11% Energy • 50% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 19% Danceability • 11% Energy • 50% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Mass in C Minor, K. 427 "Grosse Messe" (...
85 bpm • D# Maj • 07:23 • -24.06db
29% Popularity • 9% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 3% Positiveness
29% Popularity • 9% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 3% Positiveness
► Preview
Johann Sebastian Bach
St. Matthew Passion, BWV 244 / Pt. 2: No...
79 bpm • A# min • 06:16 • -17db
24% Popularity • 20% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 20% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Christoph Willibald Gluck
La Clemenza di Tito: Se mai senti spirar...
85 bpm • B min • 05:18 • -20.42db
10% Popularity • 14% Danceability • 5% Energy • 25% Liveness
55% Instrumentalness • 4% Positiveness
10% Popularity • 14% Danceability • 5% Energy • 25% Liveness
55% Instrumentalness • 4% Positiveness
► Preview
Hector Berlioz
Les nuits d'été, Op. 7: 2. Le spectre ...
79 bpm • B Maj • 07:08 • -22.92db
8% Popularity • 14% Danceability • 7% Energy • 13% Liveness
6% Instrumentalness • 4% Positiveness
8% Popularity • 14% Danceability • 7% Energy • 13% Liveness
6% Instrumentalness • 4% Positiveness
► Preview
Giovanni Battista Pergolesi
Stabat Mater, P. 77: 1. Stabat Mater dol...
85 bpm • F min • 03:53 • -24db
16% Popularity • 14% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
16% Popularity • 14% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
► Preview
George Frideric Handel
Serse, HWV 40 / Act 1: "Ombra mai fu" (A...
79 bpm • F Maj • 02:54 • -22.37db
25% Popularity • 18% Danceability • 8% Energy • 13% Liveness
87% Instrumentalness • 8% Positiveness
25% Popularity • 18% Danceability • 8% Energy • 13% Liveness
87% Instrumentalness • 8% Positiveness
► Preview
Richard Strauss
Elektra: Iv. Ich kann nicht sitzen…
79 bpm • A# min • 04:15 • -20.33db
1% Popularity • 22% Danceability • 17% Energy • 31% Liveness
0% Instrumentalness • 12% Positiveness
1% Popularity • 22% Danceability • 17% Energy • 31% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Gaetano Donizetti
Donizetti: L'elisir d'amore, Act 2: "Una...
79 bpm • A# min • 04:17 • -22.29db
21% Popularity • 16% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 16% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Elisabeth Schwarzkopf
Frutti di mare
79 bpm • A# Maj • 02:13 • -14.23db
2% Popularity • 43% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
2% Popularity • 43% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Hector Berlioz
Berlioz: Les Nuits d'été, Op. 7, H 81b...
85 bpm • D Maj • 05:46 • -24.86db
14% Popularity • 18% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater: 2. Cujus animam
79 bpm • G Maj • 02:11 • -21db
25% Popularity • 39% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 39% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Joseph Haydn
IV. Presto
79 bpm • D Maj • 04:25 • -17.47db
0% Popularity • 64% Danceability • 32% Energy • 14% Liveness
88% Instrumentalness • 38% Positiveness
0% Popularity • 64% Danceability • 32% Energy • 14% Liveness
88% Instrumentalness • 38% Positiveness
► Preview
George Frideric Handel
Rinaldo, HWV 7a / Act II: "Lascia ch'io ...
79 bpm • E Maj • 04:58 • -24db
10% Popularity • 25% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 25% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Strauss
Salome, Op. 54 / Scene 4: "Ah! Ich habe ...
85 bpm • C# Maj • 04:36 • -15.27db
17% Popularity • 12% Danceability • 9% Energy • 24% Liveness
41% Instrumentalness • 3% Positiveness
17% Popularity • 12% Danceability • 9% Energy • 24% Liveness
41% Instrumentalness • 3% Positiveness
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Edvard Grieg
Peer Gynt, Op. 23 - Incidental Music: No...
85 bpm • A min • 04:59 • -29.28db
11% Popularity • 18% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Gustav Mahler
Lieder eines fahrenden Gesellen: I. Wenn...
79 bpm • G min • 03:55 • -25.46db
3% Popularity • 14% Danceability • 6% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
3% Popularity • 14% Danceability • 6% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
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Elisabeth Schwarzkopf
Heut' noch werd'ich Ehefrau
85 bpm • E Maj • 03:21 • -11.08db
1% Popularity • 32% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 11% Positiveness
1% Popularity • 32% Danceability • 21% Energy • 36% Liveness
0% Instrumentalness • 11% Positiveness
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Reynaldo Hahn
L'Heure exquise
79 bpm • C# Maj • 02:28 • -33.12db
26% Popularity • 24% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
26% Popularity • 24% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Ernest Chausson
Hébée Op. 2 N°6
86 bpm • A min • 02:53 • -25db
17% Popularity • 25% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
17% Popularity • 25% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Richard Strauss
Die schweigsame Frau, Op. 80, TrV 265: H...
79 bpm • A# min • 02:47 • -18.63db
6% Popularity • 57% Danceability • 20% Energy • 53% Liveness
0% Instrumentalness • 50% Positiveness
6% Popularity • 57% Danceability • 20% Energy • 53% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Ludwig van Beethoven
Mass in D Major, Op. 123 "Missa Solemnis...
79 bpm • D Maj • 08:49 • -19.15db
22% Popularity • 12% Danceability • 12% Energy • 12% Liveness
57% Instrumentalness • 4% Positiveness
22% Popularity • 12% Danceability • 12% Energy • 12% Liveness
57% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Incidental Mu...
78 bpm • C Maj • 04:58 • -17.76db
12% Popularity • 44% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
12% Popularity • 44% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 18% Positiveness
► Preview
Giacomo Puccini
Turandot: Act I: Signore, ascolta!
78 bpm • F# Maj • 02:19 • -29db
37% Popularity • 27% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
37% Popularity • 27% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Gioachino Rossini
Il barbiere di Siviglia / Act 1: "Una vo...
78 bpm • B Maj • 05:35 • -21.94db
15% Popularity • 37% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 37% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Sergei Rachmaninoff
No. 14, Vocalise
86 bpm • C min • 07:06 • -21db
3% Popularity • 20% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
3% Popularity • 20% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Richard Strauss
Elektra: Xv. Nun muss es hier von uns ge...
85 bpm • A# min • 02:14 • -21.01db
1% Popularity • 24% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 16% Positiveness
1% Popularity • 24% Danceability • 20% Energy • 24% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 2...
86 bpm • C# Maj • 05:57 • -18db
21% Popularity • 29% Danceability • 14% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
21% Popularity • 29% Danceability • 14% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
A Midsummer Night's Dream, Incidental Mu...
86 bpm • A Maj • 04:44 • -20.98db
16% Popularity • 40% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
16% Popularity • 40% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Johannes Brahms
Ein deutsches Requiem, Op. 45: IV. Wie l...
86 bpm • D# Maj • 05:29 • -21.92db
11% Popularity • 12% Danceability • 10% Energy • 13% Liveness
80% Instrumentalness • 7% Positiveness
11% Popularity • 12% Danceability • 10% Energy • 13% Liveness
80% Instrumentalness • 7% Positiveness
► Preview
Charles Gounod
Roméo et Juliette, Act I: Ah! Je veux v...
78 bpm • G Maj • 03:35 • -15.09db
29% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Sergei Rachmaninoff
Rhapsody on a Theme of Paganini, Op. 43:...
78 bpm • E Maj • 00:47 • -11.69db
4% Popularity • 48% Danceability • 53% Energy • 64% Liveness
92% Instrumentalness • 36% Positiveness
4% Popularity • 48% Danceability • 53% Energy • 64% Liveness
92% Instrumentalness • 36% Positiveness
► Preview
Gabriel Fauré
Fauré: Requiem, Op. 48: I. Introït et ...
78 bpm • D min • 08:02 • -21db
21% Popularity • 12% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
21% Popularity • 12% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Richard Strauss
Strauss, Richard: 4 Lieder, Op. 27: No. ...
79 bpm • G Maj • 03:56 • -25.02db
24% Popularity • 28% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
24% Popularity • 28% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Henry Purcell
Dido and Aeneas, Z. 626: Act III: When I...
86 bpm • G min • 03:54 • -21db
30% Popularity • 18% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
