Songs like Street Wars/Exotic Foxholes by The Blood Brothers
Based on a tempo of (+/- 10%) and a similar genre
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The Blood Brothers
Street Wars/Exotic Foxholes
94 bpm • D Maj • 05:31 • -7.06db
12% Popularity • 48% Danceability • 40% Energy • 17% Liveness
9% Instrumentalness • 15% Positiveness
12% Popularity • 48% Danceability • 40% Energy • 17% Liveness
9% Instrumentalness • 15% Positiveness
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OWLS
Holy Fucking Ghost
94 bpm • D Maj • 06:09 • -8.39db
11% Popularity • 55% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
11% Popularity • 55% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Q And Not U
When The Lines Go Down
94 bpm • G Maj • 02:26 • -9.94db
16% Popularity • 47% Danceability • 76% Energy • 46% Liveness
7% Instrumentalness • 60% Positiveness
16% Popularity • 47% Danceability • 76% Energy • 46% Liveness
7% Instrumentalness • 60% Positiveness
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Trophy Scars
Absolute. Absolutes.
94 bpm • E min • 04:07 • -7.46db
7% Popularity • 45% Danceability • 70% Energy • 43% Liveness
8% Instrumentalness • 15% Positiveness
7% Popularity • 45% Danceability • 70% Energy • 43% Liveness
8% Instrumentalness • 15% Positiveness
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Thursday
Friends In The Armed Forces
94 bpm • F# min • 04:10 • -5.11db
23% Popularity • 29% Danceability • 94% Energy • 18% Liveness
10% Instrumentalness • 46% Positiveness
23% Popularity • 29% Danceability • 94% Energy • 18% Liveness
10% Instrumentalness • 46% Positiveness
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Crime In Stereo
Odalisque
93 bpm • C min • 03:44 • -4.64db
3% Popularity • 45% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
3% Popularity • 45% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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The Blood Brothers
Laser Life
95 bpm • G Maj • 02:44 • -2.66db
27% Popularity • 41% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 41% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 40% Positiveness
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Fear Before The March Of Flames
Go Wash Your Mouth…I Don't Know Where ...
95 bpm • G Maj • 06:29 • -6.67db
18% Popularity • 34% Danceability • 79% Energy • 28% Liveness
3% Instrumentalness • 26% Positiveness
18% Popularity • 34% Danceability • 79% Energy • 28% Liveness
3% Instrumentalness • 26% Positiveness
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Q And Not U
Little Sparkee
95 bpm • D Maj • 02:06 • -6.51db
23% Popularity • 33% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 33% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 24% Positiveness
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Rx Bandits
To Our Unborn Daughters
95 bpm • B min • 05:14 • -7.44db
19% Popularity • 45% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
19% Popularity • 45% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 39% Positiveness
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Thursday
For The Workforce, Drowning
95 bpm • D min • 03:16 • -3.38db
45% Popularity • 26% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
45% Popularity • 26% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Pretty Girls Make Graves
Holy Names
95 bpm • B min • 03:57 • -8.6db
11% Popularity • 54% Danceability • 69% Energy • 18% Liveness
80% Instrumentalness • 49% Positiveness
11% Popularity • 54% Danceability • 69% Energy • 18% Liveness
80% Instrumentalness • 49% Positiveness
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Hot Cross
Cardiac Silence
95 bpm • C# Maj • 03:19 • -2.28db
10% Popularity • 27% Danceability • 98% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 27% Danceability • 98% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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An Albatross
The Rvolutionary Politics of Dance
95 bpm • F# min • 01:12 • -7.14db
14% Popularity • 23% Danceability • 75% Energy • 52% Liveness
35% Instrumentalness • 39% Positiveness
14% Popularity • 23% Danceability • 75% Energy • 52% Liveness
35% Instrumentalness • 39% Positiveness
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Bear Vs. Shark
We Were Sad But Now We're Rebuilding
95 bpm • D Maj • 02:16 • -5.15db
20% Popularity • 36% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
20% Popularity • 36% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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...And You Will Know Us by the Trail of Dead
Ounce of Prevention
95 bpm • D Maj • 03:15 • -6.21db
8% Popularity • 28% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 28% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
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Thursday
Fake Nostalgia
95 bpm • C min • 03:21 • -6.07db
15% Popularity • 45% Danceability • 89% Energy • 9% Liveness
80% Instrumentalness • 48% Positiveness
15% Popularity • 45% Danceability • 89% Energy • 9% Liveness
80% Instrumentalness • 48% Positiveness
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The Chariot
The Deaf Policemen
96 bpm • F Maj • 02:43 • -2.47db
27% Popularity • 25% Danceability • 98% Energy • 70% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 25% Danceability • 98% Energy • 70% Liveness
0% Instrumentalness • 35% Positiveness
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Pretty Girls Make Graves
The Teeth Collector
93 bpm • D Maj • 04:07 • -5.07db
14% Popularity • 48% Danceability • 98% Energy • 7% Liveness
20% Instrumentalness • 48% Positiveness
14% Popularity • 48% Danceability • 98% Energy • 7% Liveness
20% Instrumentalness • 48% Positiveness
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Hot Cross
Exits And Trails
93 bpm • A# min • 03:51 • -4db
12% Popularity • 26% Danceability • 97% Energy • 14% Liveness
1% Instrumentalness • 18% Positiveness
12% Popularity • 26% Danceability • 97% Energy • 14% Liveness
1% Instrumentalness • 18% Positiveness
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Future Of The Left
Drink Nike
93 bpm • F# min • 02:33 • -4.83db
10% Popularity • 63% Danceability • 84% Energy • 5% Liveness
18% Instrumentalness • 95% Positiveness
10% Popularity • 63% Danceability • 84% Energy • 5% Liveness
18% Instrumentalness • 95% Positiveness
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Brazil
I.O
92 bpm • D Maj • 03:33 • -5.63db
8% Popularity • 43% Danceability • 87% Energy • 4% Liveness
0% Instrumentalness • 40% Positiveness
8% Popularity • 43% Danceability • 87% Energy • 4% Liveness
0% Instrumentalness • 40% Positiveness
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Grade
Becoming Not Being
92 bpm • B min • 02:36 • -4.04db
9% Popularity • 32% Danceability • 93% Energy • 34% Liveness
20% Instrumentalness • 34% Positiveness
9% Popularity • 32% Danceability • 93% Energy • 34% Liveness
20% Instrumentalness • 34% Positiveness
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The Fall of Troy
Ex-Creations
92 bpm • D Maj • 03:08 • -4db
29% Popularity • 26% Danceability • 97% Energy • 12% Liveness
25% Instrumentalness • 27% Positiveness
29% Popularity • 26% Danceability • 97% Energy • 12% Liveness
25% Instrumentalness • 27% Positiveness
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Thursday
Streaks in the Sky
92 bpm • E min • 04:26 • -4.46db
25% Popularity • 38% Danceability • 94% Energy • 13% Liveness
4% Instrumentalness • 46% Positiveness
25% Popularity • 38% Danceability • 94% Energy • 13% Liveness
4% Instrumentalness • 46% Positiveness
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Cursive
Bloody Murderer
92 bpm • D min • 02:52 • -7.5db
26% Popularity • 51% Danceability • 58% Energy • 3% Liveness
0% Instrumentalness • 46% Positiveness
26% Popularity • 51% Danceability • 58% Energy • 3% Liveness
0% Instrumentalness • 46% Positiveness
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The Blood Brothers
The Face In The Embryo
92 bpm • C Maj • 02:21 • -6.02db
11% Popularity • 44% Danceability • 99% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 44% Danceability • 99% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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...And You Will Know Us by the Trail of Dead
The Far Pavilions
92 bpm • F Maj • 04:54 • -3.86db
10% Popularity • 11% Danceability • 93% Energy • 86% Liveness
0% Instrumentalness • 5% Positiveness
10% Popularity • 11% Danceability • 93% Energy • 86% Liveness
0% Instrumentalness • 5% Positiveness
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Planes Mistaken For Stars
Belly Full of Hell
91 bpm • C Maj • 03:43 • -4.84db
10% Popularity • 26% Danceability • 99% Energy • 77% Liveness
16% Instrumentalness • 10% Positiveness
10% Popularity • 26% Danceability • 99% Energy • 77% Liveness
16% Instrumentalness • 10% Positiveness
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Horse The Band
In The Wake Of The Bunt
97 bpm • F# min • 04:17 • -2.4db
16% Popularity • 31% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 31% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Thursday
Subway Funeral
92 bpm • E min • 04:18 • -4.81db
16% Popularity • 24% Danceability • 81% Energy • 16% Liveness
73% Instrumentalness • 49% Positiveness
16% Popularity • 24% Danceability • 81% Energy • 16% Liveness
73% Instrumentalness • 49% Positiveness
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Future Of The Left
That Damned Fly
91 bpm • E min • 02:07 • -3.32db
10% Popularity • 83% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 83% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Cursive
Butcher the Song
97 bpm • G# Maj • 03:31 • -7.66db
26% Popularity • 49% Danceability • 56% Energy • 55% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 49% Danceability • 56% Energy • 55% Liveness
0% Instrumentalness • 38% Positiveness
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mewithoutYou
Wolf Am I! (And Shadow)
91 bpm • D min • 02:36 • -3db
32% Popularity • 41% Danceability • 99% Energy • 50% Liveness
0% Instrumentalness • 30% Positiveness
32% Popularity • 41% Danceability • 99% Energy • 50% Liveness
0% Instrumentalness • 30% Positiveness
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Heavy Heavy Low Low
The Toxic Shock Mountain Blues
91 bpm • F Maj • 01:41 • -2.3db
10% Popularity • 25% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 25% Danceability • 95% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
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Head Wound City
Head Wound City, USA
97 bpm • C Maj • 02:04 • -7.09db
10% Popularity • 38% Danceability • 97% Energy • 37% Liveness
8% Instrumentalness • 4% Positiveness
10% Popularity • 38% Danceability • 97% Energy • 37% Liveness
8% Instrumentalness • 4% Positiveness
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Far
The System
91 bpm • G# min • 02:05 • -4db
16% Popularity • 41% Danceability • 91% Energy • 9% Liveness
88% Instrumentalness • 42% Positiveness
16% Popularity • 41% Danceability • 91% Energy • 9% Liveness
88% Instrumentalness • 42% Positiveness
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Future Of The Left
Chin Music
91 bpm • F# Maj • 01:56 • -4.75db
18% Popularity • 37% Danceability • 78% Energy • 15% Liveness
11% Instrumentalness • 52% Positiveness
18% Popularity • 37% Danceability • 78% Energy • 15% Liveness
11% Instrumentalness • 52% Positiveness
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Fear Before The March Of Flames
Given To Dreams
91 bpm • D Maj • 03:35 • -6.1db
18% Popularity • 27% Danceability • 93% Energy • 80% Liveness
5% Instrumentalness • 29% Positiveness
18% Popularity • 27% Danceability • 93% Energy • 80% Liveness
5% Instrumentalness • 29% Positiveness
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Bear Vs. Shark
Bloodgiver
91 bpm • E min • 04:30 • -6.76db
15% Popularity • 35% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 35% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Heavy Heavy Low Low
I Forgot 2 and a Half Days
91 bpm • D Maj • 02:04 • -5.58db
15% Popularity • 40% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 40% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 30% Positiveness
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The Number Twelve Looks Like You
Clarissa Explains Cuntainment
90 bpm • C Maj • 03:00 • -6.06db
15% Popularity • 21% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 21% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
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Moneen
Closing My Eyes Won't Help Me Leave
98 bpm • C# min • 04:31 • -4.32db
9% Popularity • 38% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 38% Danceability • 97% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Future Of The Left
Land Of My Formers
91 bpm • A min • 02:47 • -4.38db
10% Popularity • 35% Danceability • 95% Energy • 5% Liveness
75% Instrumentalness • 52% Positiveness
10% Popularity • 35% Danceability • 95% Energy • 5% Liveness
75% Instrumentalness • 52% Positiveness
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Thursday
Paris In Flames
90 bpm • D min • 04:33 • -5db
35% Popularity • 35% Danceability • 72% Energy • 13% Liveness
4% Instrumentalness • 38% Positiveness
35% Popularity • 35% Danceability • 72% Energy • 13% Liveness
4% Instrumentalness • 38% Positiveness
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Planes Mistaken For Stars
End Me in Richmond
98 bpm • G Maj • 02:45 • -4db
13% Popularity • 21% Danceability • 99% Energy • 50% Liveness
28% Instrumentalness • 10% Positiveness
13% Popularity • 21% Danceability • 99% Energy • 50% Liveness
28% Instrumentalness • 10% Positiveness
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Rx Bandits
On A Lonley Screen
98 bpm • E min • 02:44 • -3.92db
21% Popularity • 54% Danceability • 98% Energy • 66% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 54% Danceability • 98% Energy • 66% Liveness
0% Instrumentalness • 55% Positiveness
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Pretty Girls Make Graves
Ghosts in the Radio
90 bpm • A min • 03:00 • -5.46db
23% Popularity • 51% Danceability • 77% Energy • 11% Liveness
66% Instrumentalness • 28% Positiveness
23% Popularity • 51% Danceability • 77% Energy • 11% Liveness
66% Instrumentalness • 28% Positiveness
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The Bled
Antartica
90 bpm • D# Maj • 05:54 • -5.15db
20% Popularity • 36% Danceability • 88% Energy • 35% Liveness
21% Instrumentalness • 43% Positiveness
20% Popularity • 36% Danceability • 88% Energy • 35% Liveness
21% Instrumentalness • 43% Positiveness
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Future Of The Left
Lapsed Catholics
90 bpm • E min • 04:15 • -6.02db
10% Popularity • 46% Danceability • 39% Energy • 9% Liveness
4% Instrumentalness • 65% Positiveness
10% Popularity • 46% Danceability • 39% Energy • 9% Liveness
4% Instrumentalness • 65% Positiveness
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The Locust
Captain Gaydar It's Time To Wind Your Cl...
99 bpm • A Maj • 01:03 • -5.65db
14% Popularity • 35% Danceability • 94% Energy • 7% Liveness
97% Instrumentalness • 41% Positiveness
14% Popularity • 35% Danceability • 94% Energy • 7% Liveness
97% Instrumentalness • 41% Positiveness
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Planes Mistaken For Stars
Leveless
98 bpm • F# min • 02:18 • -4db
14% Popularity • 25% Danceability • 96% Energy • 31% Liveness
55% Instrumentalness • 19% Positiveness
14% Popularity • 25% Danceability • 96% Energy • 31% Liveness
55% Instrumentalness • 19% Positiveness
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Desaparecidos
The Underground Man
89 bpm • G Maj • 02:24 • -4.23db
18% Popularity • 40% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 40% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Bear Vs. Shark
5, 6 Kids
89 bpm • E min • 03:49 • -6.57db
24% Popularity • 25% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 14% Positiveness
24% Popularity • 25% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 14% Positiveness
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The Fall of Troy
Semi-Fiction
89 bpm • E min • 04:26 • -3db
28% Popularity • 27% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 27% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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The Bled
Hotel Coral Essex
89 bpm • D# Maj • 04:09 • -6.77db
20% Popularity • 34% Danceability • 87% Energy • 14% Liveness
13% Instrumentalness • 35% Positiveness
20% Popularity • 34% Danceability • 87% Energy • 14% Liveness
13% Instrumentalness • 35% Positiveness
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United Nations
Model UN
99 bpm • A# min • 01:08 • -3.77db
10% Popularity • 30% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 30% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 9% Positiveness
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An Albatross
Lysergically Yours, My Psychedelic Bride
99 bpm • F# Maj • 01:53 • -6.02db
16% Popularity • 25% Danceability • 84% Energy • 7% Liveness
86% Instrumentalness • 41% Positiveness
16% Popularity • 25% Danceability • 84% Energy • 7% Liveness
86% Instrumentalness • 41% Positiveness
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Q And Not U
Nine Things Everybody Knows
88 bpm • G Maj • 04:21 • -9.41db
21% Popularity • 33% Danceability • 78% Energy • 12% Liveness
69% Instrumentalness • 19% Positiveness
21% Popularity • 33% Danceability • 78% Energy • 12% Liveness
69% Instrumentalness • 19% Positiveness
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Pretty Girls Make Graves
If You Hate Your Friends You're Not Alon...
100 bpm • E min • 02:40 • -3.99db
27% Popularity • 52% Danceability • 95% Energy • 33% Liveness
54% Instrumentalness • 57% Positiveness
27% Popularity • 52% Danceability • 95% Energy • 33% Liveness
54% Instrumentalness • 57% Positiveness
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Jaguar Love
Polaroids and Red Wine
100 bpm • C Maj • 03:38 • -4.35db
9% Popularity • 52% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 52% Danceability • 86% Energy • 19% Liveness
0% Instrumentalness • 50% Positiveness
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The Locust
AOTKPTA
100 bpm • D Maj • 03:01 • -6db
20% Popularity • 28% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
20% Popularity • 28% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Fear Before The March Of Flames
Drowning The Old Hag
100 bpm • G# Maj • 02:54 • -3.14db
24% Popularity • 40% Danceability • 95% Energy • 36% Liveness
25% Instrumentalness • 9% Positiveness
24% Popularity • 40% Danceability • 95% Energy • 36% Liveness
25% Instrumentalness • 9% Positiveness
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Tera Melos
Frozen Zoo
88 bpm • E Maj • 03:08 • -7db
13% Popularity • 54% Danceability • 76% Energy • 9% Liveness
88% Instrumentalness • 61% Positiveness
13% Popularity • 54% Danceability • 76% Energy • 9% Liveness
88% Instrumentalness • 61% Positiveness
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The Jonbenét
Dramarama
88 bpm • C# Maj • 02:48 • -3.27db
11% Popularity • 27% Danceability • 99% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 27% Danceability • 99% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Some Girls
Warm Milk
88 bpm • C min • 01:05 • -2.71db
9% Popularity • 32% Danceability • 99% Energy • 49% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 32% Danceability • 99% Energy • 49% Liveness
0% Instrumentalness • 4% Positiveness
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The Fall of Troy
Quarter Past
101 bpm • A min • 04:51 • -4db
29% Popularity • 33% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 33% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 36% Positiveness
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Sparta
Hiss The Villain
102 bpm • E min • 03:27 • -4.46db
26% Popularity • 41% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 41% Positiveness
26% Popularity • 41% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 41% Positiveness
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Fear Before The March Of Flames
Fashion Tips Baby
101 bpm • C Maj • 01:48 • -4.38db
22% Popularity • 32% Danceability • 97% Energy • 52% Liveness
1% Instrumentalness • 28% Positiveness
22% Popularity • 32% Danceability • 97% Energy • 52% Liveness
1% Instrumentalness • 28% Positiveness
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The Blood Brothers
Crimes - Alt Version
87 bpm • D# Maj • 03:55 • -7.71db
11% Popularity • 46% Danceability • 59% Energy • 11% Liveness
2% Instrumentalness • 24% Positiveness
11% Popularity • 46% Danceability • 59% Energy • 11% Liveness
2% Instrumentalness • 24% Positiveness
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At the Drive-In
Cosmonaut
102 bpm • E min • 03:23 • -2.33db
19% Popularity • 35% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
19% Popularity • 35% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Rx Bandits
One Million Miles An Hour, Fast Asleep
102 bpm • B min • 02:54 • -4.68db
24% Popularity • 47% Danceability • 97% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 47% Danceability • 97% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
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The Locust
Wet Dream War Machine
86 bpm • A min • 01:24 • -7.83db
17% Popularity • 32% Danceability • 89% Energy • 69% Liveness
73% Instrumentalness • 6% Positiveness
17% Popularity • 32% Danceability • 89% Energy • 69% Liveness
73% Instrumentalness • 6% Positiveness
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Reggie And The Full Effect
What The Hell Is Contempt
103 bpm • B Maj • 03:13 • -1.95db
22% Popularity • 54% Danceability • 93% Energy • 26% Liveness
1% Instrumentalness • 33% Positiveness
22% Popularity • 54% Danceability • 93% Energy • 26% Liveness
1% Instrumentalness • 33% Positiveness
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Reuben
Fall of the Bastille
103 bpm • G# Maj • 04:09 • -6.56db
17% Popularity • 60% Danceability • 87% Energy • 10% Liveness
22% Instrumentalness • 42% Positiveness
17% Popularity • 60% Danceability • 87% Energy • 10% Liveness
22% Instrumentalness • 42% Positiveness
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Bear Vs. Shark
Buses/No Buses
103 bpm • B min • 03:11 • -5db
26% Popularity • 36% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
26% Popularity • 36% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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At the Drive-In
Mannequin Republic
103 bpm • A Maj • 03:03 • -2.06db
16% Popularity • 32% Danceability • 100% Energy • 31% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 32% Danceability • 100% Energy • 31% Liveness
0% Instrumentalness • 16% Positiveness
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Q And Not U
Y Plus White Girl
85 bpm • A Maj • 02:39 • -8.1db
23% Popularity • 30% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
23% Popularity • 30% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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The Locust
Psst! Is That A Halfie In Your Pants
86 bpm • A Maj • 01:06 • -5.57db
14% Popularity • 31% Danceability • 98% Energy • 25% Liveness
40% Instrumentalness • 36% Positiveness
14% Popularity • 31% Danceability • 98% Energy • 25% Liveness
40% Instrumentalness • 36% Positiveness
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Circle Takes the Square
In the Nervous Light of Sunday
104 bpm • C Maj • 06:17 • -10.85db
21% Popularity • 37% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 37% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 36% Positiveness
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The Number Twelve Looks Like You
If These Bullets Could Talk
104 bpm • A min • 04:05 • -4.78db
21% Popularity • 34% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
21% Popularity • 34% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
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Daughters
Cheers Pricks
86 bpm • B min • 06:00 • -6.85db
17% Popularity • 16% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 7% Positiveness
17% Popularity • 16% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 7% Positiveness
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Desaparecidos
Greater Omaha
104 bpm • A Maj • 04:14 • -8db
30% Popularity • 30% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
30% Popularity • 30% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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The Blood Brothers
Devastator
104 bpm • C min • 02:44 • -5.57db
15% Popularity • 27% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
15% Popularity • 27% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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United Nations
O You Bright and Risen Angels
105 bpm • D# Maj • 02:17 • -6db
10% Popularity • 34% Danceability • 98% Energy • 34% Liveness
86% Instrumentalness • 27% Positiveness
10% Popularity • 34% Danceability • 98% Energy • 34% Liveness
86% Instrumentalness • 27% Positiveness
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Cursive
Art Is Hard
105 bpm • G min • 02:46 • -6db
40% Popularity • 32% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
40% Popularity • 32% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Native
Ponyboy
105 bpm • E min • 04:47 • -5.55db
9% Popularity • 38% Danceability • 90% Energy • 7% Liveness
46% Instrumentalness • 37% Positiveness
9% Popularity • 38% Danceability • 90% Energy • 7% Liveness
46% Instrumentalness • 37% Positiveness
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Horse The Band
New York City
84 bpm • G Maj • 04:47 • -4.04db
19% Popularity • 20% Danceability • 97% Energy • 10% Liveness
15% Instrumentalness • 25% Positiveness
19% Popularity • 20% Danceability • 97% Energy • 10% Liveness
15% Instrumentalness • 25% Positiveness
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Sparta
Mye
84 bpm • D Maj • 03:38 • -5.03db
28% Popularity • 50% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 50% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Bear Vs. Shark
Seven Stop Hold Restart
105 bpm • E min • 02:43 • -4.64db
19% Popularity • 54% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 54% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 47% Positiveness
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Desaparecidos
Survival Of The Fittest / It's A Jungle ...
84 bpm • E Maj • 02:56 • -6.98db
27% Popularity • 28% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 28% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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mewithoutYou
My Exit, Unfair
83 bpm • E min • 03:52 • -6.38db
27% Popularity • 40% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
27% Popularity • 40% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Knapsack
Change Is All The Rage
106 bpm • B min • 03:27 • -8db
19% Popularity • 60% Danceability • 64% Energy • 9% Liveness
3% Instrumentalness • 51% Positiveness
19% Popularity • 60% Danceability • 64% Energy • 9% Liveness
3% Instrumentalness • 51% Positiveness
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Fear Before The March Of Flames
Dog Sized Bird
83 bpm • F# Maj • 02:13 • -6.16db
18% Popularity • 14% Danceability • 66% Energy • 31% Liveness
62% Instrumentalness • 18% Positiveness
18% Popularity • 14% Danceability • 66% Energy • 31% Liveness
62% Instrumentalness • 18% Positiveness
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The Kinison
Sorry, I'm A Pushover
107 bpm • E min • 02:14 • -4.67db
8% Popularity • 33% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 33% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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Bear Vs. Shark
Out Loud Hey Hey
84 bpm • A Maj • 01:38 • -4.41db
15% Popularity • 49% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
15% Popularity • 49% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Desaparecidos
What's New For Fall
83 bpm • B Maj • 03:41 • -5.97db
18% Popularity • 33% Danceability • 94% Energy • 60% Liveness
0% Instrumentalness • 23% Positiveness
18% Popularity • 33% Danceability • 94% Energy • 60% Liveness
0% Instrumentalness • 23% Positiveness
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Heavy Heavy Low Low
Tell Shannon Her Crafts Are Ready
83 bpm • D Maj • 02:19 • -1.72db
27% Popularity • 36% Danceability • 92% Energy • 38% Liveness
74% Instrumentalness • 32% Positiveness
27% Popularity • 36% Danceability • 92% Energy • 38% Liveness
74% Instrumentalness • 32% Positiveness