Songs like Street You Live On - Live by Remi Wolf
Based on a tempo of (+/- 10%) and a similar genre
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Etta Marcus
Provider
148 bpm • D Maj • 03:05 • -9.35db
24% Popularity • 57% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 57% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Remi Wolf
Liz - Live at Electric Lady
148 bpm • G Maj • 03:35 • -4.81db
36% Popularity • 59% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 59% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Dora Jar
Look Back
147 bpm • E Maj • 02:58 • -13.6db
23% Popularity • 43% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
23% Popularity • 43% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
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Haley Blais
Coolest fucking bitch in town
147 bpm • A# Maj • 04:56 • -10.45db
47% Popularity • 53% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
47% Popularity • 53% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
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Ryan Beatty
Andromeda
149 bpm • D Maj • 03:15 • -10.03db
48% Popularity • 35% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
48% Popularity • 35% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Del Water Gap
Sorry I Am
149 bpm • D Maj • 04:01 • -8db
47% Popularity • 54% Danceability • 75% Energy • 7% Liveness
48% Instrumentalness • 66% Positiveness
47% Popularity • 54% Danceability • 75% Energy • 7% Liveness
48% Instrumentalness • 66% Positiveness
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Tasha
Perfect Wife
147 bpm • F Maj • 03:38 • -7.32db
26% Popularity • 57% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 57% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Remi Wolf
Street You Live On - Live
148 bpm • E Maj • 03:37 • -7.24db
35% Popularity • 53% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
35% Popularity • 53% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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FLEECE
Why Can't We Be Alone
150 bpm • E Maj • 04:20 • -8.56db
17% Popularity • 50% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 50% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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The Japanese House
Baby goes again
150 bpm • C Maj • 03:31 • -10.34db
45% Popularity • 50% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
45% Popularity • 50% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Madison Cunningham
Hospital (One Man Down)
146 bpm • F min • 03:27 • -5.94db
37% Popularity • 60% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
37% Popularity • 60% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Del Water Gap
Chastain
150 bpm • F# Maj • 03:28 • -10.38db
42% Popularity • 59% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
42% Popularity • 59% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Luna Li
Flower (In Full Bloom)
150 bpm • G# Maj • 03:51 • -7.52db
35% Popularity • 46% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
35% Popularity • 46% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Remi Wolf
Pink + White - Live at Electric Lady
148 bpm • A Maj • 03:53 • -6.17db
53% Popularity • 50% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
53% Popularity • 50% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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quinnie
buggin
150 bpm • C Maj • 02:52 • -19.04db
26% Popularity • 62% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 62% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Devon Again
Broke Mine Too
146 bpm • G# Maj • 03:48 • -5.66db
30% Popularity • 56% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 56% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Kate Bollinger
Look at it in the Light
146 bpm • C Maj • 02:46 • -7.74db
31% Popularity • 68% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 68% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Taylor Swift
Florida!!!
150 bpm • C Maj • 03:35 • -7.1db
84% Popularity • 52% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
84% Popularity • 52% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
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The Japanese House
Spot Dog
151 bpm • C Maj • 04:28 • -13.14db
45% Popularity • 36% Danceability • 29% Energy • 7% Liveness
21% Instrumentalness • 15% Positiveness
45% Popularity • 36% Danceability • 29% Energy • 7% Liveness
21% Instrumentalness • 15% Positiveness
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Remi Wolf
Cake
150 bpm • F min • 02:47 • -6db
45% Popularity • 52% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
45% Popularity • 52% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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spill tab
Velcro
145 bpm • E Maj • 03:12 • -6.98db
39% Popularity • 59% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
39% Popularity • 59% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Devon Again
Maybe That's Why
145 bpm • G# Maj • 03:58 • -7.96db
28% Popularity • 33% Danceability • 42% Energy • 86% Liveness
0% Instrumentalness • 21% Positiveness
28% Popularity • 33% Danceability • 42% Energy • 86% Liveness
0% Instrumentalness • 21% Positiveness
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Ivers
Push
145 bpm • B Maj • 03:24 • -8db
28% Popularity • 64% Danceability • 54% Energy • 25% Liveness
5% Instrumentalness • 40% Positiveness
28% Popularity • 64% Danceability • 54% Energy • 25% Liveness
5% Instrumentalness • 40% Positiveness
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Dora Jar
Bump
145 bpm • C# min • 03:22 • -10.14db
33% Popularity • 64% Danceability • 57% Energy • 12% Liveness
26% Instrumentalness • 25% Positiveness
33% Popularity • 64% Danceability • 57% Energy • 12% Liveness
26% Instrumentalness • 25% Positiveness
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Katy Kirby
Eyelids
145 bpm • C Maj • 01:40 • -20db
38% Popularity • 53% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
38% Popularity • 53% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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Remi Wolf
Monte Carlo
145 bpm • G# Maj • 02:23 • -4.89db
50% Popularity • 80% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
50% Popularity • 80% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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MICHELLE
FOOL 4 U
145 bpm • E Maj • 02:17 • -7.39db
28% Popularity • 76% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 76% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Ella Luna
Vintage Lingerie
152 bpm • C Maj • 03:10 • -10.73db
18% Popularity • 48% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
18% Popularity • 48% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Rachel Chinouriri
Better Off Without
144 bpm • E min • 02:58 • -5.56db
30% Popularity • 52% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 52% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Phoebe Go
Be the Player, Not the Poet
144 bpm • D Maj • 04:54 • -13.17db
27% Popularity • 42% Danceability • 33% Energy • 13% Liveness
2% Instrumentalness • 25% Positiveness
27% Popularity • 42% Danceability • 33% Energy • 13% Liveness
2% Instrumentalness • 25% Positiveness
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Leith
Big Trees
144 bpm • G# Maj • 03:15 • -5.75db
24% Popularity • 58% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 8% Positiveness
24% Popularity • 58% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 8% Positiveness
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Suki Waterhouse
Wild Side
144 bpm • E Maj • 03:55 • -9db
48% Popularity • 61% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
48% Popularity • 61% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Hana Vu
Maker
143 bpm • E min • 03:32 • -14db
29% Popularity • 50% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 50% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Taylor Swift
The Smallest Man Who Ever Lived
142 bpm • A# Maj • 04:05 • -9db
80% Popularity • 48% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
80% Popularity • 48% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
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Annika Bennett
Madwoman
154 bpm • C Maj • 03:17 • -8.7db
34% Popularity • 58% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 58% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Remi Wolf
Front Tooth
154 bpm • G Maj • 02:45 • -4.85db
39% Popularity • 56% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 56% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Madison Cunningham
Collider Particles
154 bpm • F min • 03:10 • -9.62db
28% Popularity • 80% Danceability • 46% Energy • 7% Liveness
1% Instrumentalness • 87% Positiveness
28% Popularity • 80% Danceability • 46% Energy • 7% Liveness
1% Instrumentalness • 87% Positiveness
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The Japanese House
You always get what you want
142 bpm • A# Maj • 02:48 • -9.14db
45% Popularity • 63% Danceability • 47% Energy • 10% Liveness
10% Instrumentalness • 62% Positiveness
45% Popularity • 63% Danceability • 47% Energy • 10% Liveness
10% Instrumentalness • 62% Positiveness
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Sophie May
Bad Man
142 bpm • F min • 02:38 • -5.81db
43% Popularity • 69% Danceability • 54% Energy • 11% Liveness
21% Instrumentalness • 44% Positiveness
43% Popularity • 69% Danceability • 54% Energy • 11% Liveness
21% Instrumentalness • 44% Positiveness
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Eliza McLamb
Salt Circle
142 bpm • A# Maj • 04:20 • -11db
37% Popularity • 62% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 62% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Eloise
Giant Feelings
155 bpm • F# Maj • 02:19 • -5.54db
40% Popularity • 66% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
40% Popularity • 66% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
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Dora Jar
Voice In The Darkness
155 bpm • C Maj • 02:23 • -6.07db
23% Popularity • 34% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 34% Danceability • 55% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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Madison Cunningham
Hospital
142 bpm • E Maj • 03:33 • -9db
43% Popularity • 55% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
43% Popularity • 55% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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MICHELLE
SPACED OUT, PHASED OUT
155 bpm • B Maj • 02:26 • -5.39db
24% Popularity • 69% Danceability • 67% Energy • 70% Liveness
0% Instrumentalness • 71% Positiveness
24% Popularity • 69% Danceability • 67% Energy • 70% Liveness
0% Instrumentalness • 71% Positiveness
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izzy watts
The Chase
155 bpm • A Maj • 04:14 • -16.89db
13% Popularity • 53% Danceability • 49% Energy • 50% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 53% Danceability • 49% Energy • 50% Liveness
0% Instrumentalness • 52% Positiveness
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Lizzy McAlpine
all my ghosts
155 bpm • D# Maj • 03:17 • -12db
58% Popularity • 64% Danceability • 29% Energy • 45% Liveness
0% Instrumentalness • 49% Positiveness
58% Popularity • 64% Danceability • 29% Energy • 45% Liveness
0% Instrumentalness • 49% Positiveness
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ella jane
Dog Years
156 bpm • A# Maj • 02:21 • -12.29db
28% Popularity • 63% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
28% Popularity • 63% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
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Mallory Merk
Thorns
156 bpm • D Maj • 03:13 • -5db
25% Popularity • 33% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 33% Danceability • 60% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
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Ethan Gruska
Teenage Drug
156 bpm • G Maj • 03:40 • -10db
36% Popularity • 65% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
36% Popularity • 65% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Remi Wolf
Street You Live On
156 bpm • E Maj • 03:33 • -7db
44% Popularity • 54% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
44% Popularity • 54% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Ryan Beatty
Cinnamon Bread
156 bpm • D Maj • 03:08 • -9.74db
48% Popularity • 43% Danceability • 62% Energy • 19% Liveness
1% Instrumentalness • 72% Positiveness
48% Popularity • 43% Danceability • 62% Energy • 19% Liveness
1% Instrumentalness • 72% Positiveness
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Sir Woman
Bitch
156 bpm • B min • 03:48 • -6.86db
29% Popularity • 56% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
29% Popularity • 56% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Eliza McLamb
Doing Fine
140 bpm • G# Maj • 03:30 • -7.87db
36% Popularity • 59% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 59% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Miel
Columbus Day
140 bpm • F Maj • 02:03 • -13.33db
24% Popularity • 57% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 57% Danceability • 33% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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Bestfriend
Hannah in the City
140 bpm • C# min • 03:48 • -6.52db
19% Popularity • 64% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
19% Popularity • 64% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Remi Wolf
Prescription - Extended
140 bpm • A Maj • 07:11 • -6.32db
40% Popularity • 65% Danceability • 62% Energy • 7% Liveness
6% Instrumentalness • 53% Positiveness
40% Popularity • 65% Danceability • 62% Energy • 7% Liveness
6% Instrumentalness • 53% Positiveness
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Martin Luke Brown
elsie
140 bpm • E Maj • 03:23 • -6.54db
32% Popularity • 65% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 65% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Shallow Alcove
Your Star
140 bpm • G# Maj • 04:55 • -11.81db
14% Popularity • 60% Danceability • 32% Energy • 12% Liveness
14% Instrumentalness • 32% Positiveness
14% Popularity • 60% Danceability • 32% Energy • 12% Liveness
14% Instrumentalness • 32% Positiveness
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Bridget Kearney
I Bet Ur
140 bpm • C Maj • 05:15 • -6.98db
27% Popularity • 64% Danceability • 63% Energy • 12% Liveness
2% Instrumentalness • 56% Positiveness
27% Popularity • 64% Danceability • 63% Energy • 12% Liveness
2% Instrumentalness • 56% Positiveness
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The Brummies
Cosmic Space Girl
140 bpm • D Maj • 02:55 • -5.99db
24% Popularity • 40% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 40% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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quinnie
security question
140 bpm • A# Maj • 04:16 • -7.33db
30% Popularity • 55% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
30% Popularity • 55% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Remi Wolf
Prescription
140 bpm • A Maj • 03:33 • -5.82db
54% Popularity • 65% Danceability • 62% Energy • 14% Liveness
3% Instrumentalness • 74% Positiveness
54% Popularity • 65% Danceability • 62% Energy • 14% Liveness
3% Instrumentalness • 74% Positiveness
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Superfan
Insomnia
140 bpm • B Maj • 04:52 • -8db
44% Popularity • 59% Danceability • 58% Energy • 9% Liveness
2% Instrumentalness • 58% Positiveness
44% Popularity • 59% Danceability • 58% Energy • 9% Liveness
2% Instrumentalness • 58% Positiveness
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Maia Friedman
First to Love
140 bpm • D# Maj • 04:38 • -8.53db
38% Popularity • 49% Danceability • 55% Energy • 10% Liveness
70% Instrumentalness • 39% Positiveness
38% Popularity • 49% Danceability • 55% Energy • 10% Liveness
70% Instrumentalness • 39% Positiveness
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Madison Cunningham
Death By Suspicion
140 bpm • G# Maj • 04:43 • -8.59db
24% Popularity • 54% Danceability • 42% Energy • 30% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 54% Danceability • 42% Energy • 30% Liveness
0% Instrumentalness • 33% Positiveness
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Alisa Amador
Slow Down
139 bpm • C# Maj • 03:08 • -8.88db
21% Popularity • 68% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 68% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Maude Latour
No Rush
157 bpm • B Maj • 02:12 • -4.74db
36% Popularity • 67% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 73% Positiveness
36% Popularity • 67% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 73% Positiveness
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Remi Wolf
Sauce
140 bpm • G# min • 03:50 • -6.63db
45% Popularity • 72% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
45% Popularity • 72% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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ella jane
Sore Loser
139 bpm • C Maj • 03:08 • -7.23db
22% Popularity • 59% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
22% Popularity • 59% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 78% Positiveness
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Houston Kendrick
Small Infinity
138 bpm • B Maj • 03:21 • -6db
22% Popularity • 35% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 35% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
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Leith Ross
Guts
139 bpm • G Maj • 05:04 • -10.13db
39% Popularity • 52% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 52% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Evangeline
Neighborhood
138 bpm • D Maj • 03:27 • -11.02db
19% Popularity • 64% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 64% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Frankie Cosmos
One Year Stand
158 bpm • B Maj • 02:35 • -17db
45% Popularity • 38% Danceability • 22% Energy • 8% Liveness
40% Instrumentalness • 29% Positiveness
45% Popularity • 38% Danceability • 22% Energy • 8% Liveness
40% Instrumentalness • 29% Positiveness
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Remi Wolf
Sally
140 bpm • F# min • 02:43 • -3.86db
38% Popularity • 60% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 60% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Trousdale
Out Of My Mind
138 bpm • B Maj • 04:41 • -9.2db
36% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Phoebe Go
The Kid
138 bpm • F Maj • 03:33 • -12.51db
23% Popularity • 63% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
23% Popularity • 63% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Maude Latour
Lola
159 bpm • D# Maj • 02:41 • -7.57db
41% Popularity • 59% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
41% Popularity • 59% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Etta Marcus
Hide & Seek
159 bpm • G Maj • 03:41 • -8db
43% Popularity • 47% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 29% Positiveness
43% Popularity • 47% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 29% Positiveness
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Taylor Swift
Down Bad
160 bpm • B Maj • 04:21 • -10.38db
86% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
86% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Remi Wolf
Sauce - Beck Remix
159 bpm • G# min • 03:23 • -4.57db
27% Popularity • 65% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 65% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Wallice
Best Friend
160 bpm • D Maj • 02:43 • -5.06db
40% Popularity • 44% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
40% Popularity • 44% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Stolen Jars
Won’t Stay Gone Forever
137 bpm • B min • 02:52 • -9.07db
18% Popularity • 71% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
18% Popularity • 71% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Georgia Harmer
Homes
137 bpm • E min • 04:49 • -8.97db
28% Popularity • 76% Danceability • 39% Energy • 13% Liveness
14% Instrumentalness • 37% Positiveness
28% Popularity • 76% Danceability • 39% Energy • 13% Liveness
14% Instrumentalness • 37% Positiveness
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BEL
Are You Okay?
136 bpm • A Maj • 02:44 • -7.83db
49% Popularity • 67% Danceability • 54% Energy • 44% Liveness
11% Instrumentalness • 85% Positiveness
49% Popularity • 67% Danceability • 54% Energy • 44% Liveness
11% Instrumentalness • 85% Positiveness
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Taylor Swift
So Long, London
160 bpm • A Maj • 04:22 • -11.42db
85% Popularity • 47% Danceability • 54% Energy • 8% Liveness
1% Instrumentalness • 29% Positiveness
85% Popularity • 47% Danceability • 54% Energy • 8% Liveness
1% Instrumentalness • 29% Positiveness
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Madison Cunningham
All I’ve Ever Known
136 bpm • G min • 05:06 • -10.32db
37% Popularity • 62% Danceability • 65% Energy • 14% Liveness
1% Instrumentalness • 43% Positiveness
37% Popularity • 62% Danceability • 65% Energy • 14% Liveness
1% Instrumentalness • 43% Positiveness
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quinnie
man
136 bpm • C Maj • 03:58 • -9db
48% Popularity • 49% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
48% Popularity • 49% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
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Sure Sure
Another Bad Dream
136 bpm • F Maj • 02:16 • -6.4db
31% Popularity • 63% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
31% Popularity • 63% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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buffchick
Over & Again
136 bpm • B Maj • 03:07 • -7db
27% Popularity • 67% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
27% Popularity • 67% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Remi Wolf
Liz
161 bpm • F min • 02:55 • -3.87db
59% Popularity • 57% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
59% Popularity • 57% Danceability • 79% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Kacy Hill
So Loud
162 bpm • C Maj • 03:11 • -11.29db
18% Popularity • 75% Danceability • 41% Energy • 12% Liveness
2% Instrumentalness • 35% Positiveness
18% Popularity • 75% Danceability • 41% Energy • 12% Liveness
2% Instrumentalness • 35% Positiveness
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Norah Jones
Change
135 bpm • A# Maj • 04:49 • -13.35db
55% Popularity • 60% Danceability • 20% Energy • 6% Liveness
1% Instrumentalness • 45% Positiveness
55% Popularity • 60% Danceability • 20% Energy • 6% Liveness
1% Instrumentalness • 45% Positiveness
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quinnie
flounder
162 bpm • B Maj • 03:39 • -6db
43% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
43% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Peach Fuzz
Shaking the Can
135 bpm • C Maj • 02:44 • -9db
30% Popularity • 68% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
30% Popularity • 68% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Sara Keden
Everybody
135 bpm • A Maj • 04:43 • -6.79db
24% Popularity • 64% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 64% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Wilby
Bad
135 bpm • G# Maj • 03:16 • -12.88db
27% Popularity • 77% Danceability • 45% Energy • 16% Liveness
1% Instrumentalness • 94% Positiveness
27% Popularity • 77% Danceability • 45% Energy • 16% Liveness
1% Instrumentalness • 94% Positiveness
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Evangeline
Windansea
135 bpm • C# Maj • 03:43 • -11.5db
23% Popularity • 63% Danceability • 55% Energy • 20% Liveness
3% Instrumentalness • 62% Positiveness
23% Popularity • 63% Danceability • 55% Energy • 20% Liveness
3% Instrumentalness • 62% Positiveness
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Miya Folick
Nothing to See
135 bpm • C Maj • 03:34 • -5.4db
28% Popularity • 70% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 70% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
