Songs like String Quartet No. 2 in D Major: III. Notturno: Andante by Alexander Borodin
Based on a tempo of (+/- 10%) and a similar genre
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Pyotr Ilyich Tchaikovsky
Serenade in C Major, Op. 48: III. Elegie
89 bpm • D Maj • 09:05 • -21.19db
41% Popularity • 11% Danceability • 7% Energy • 22% Liveness
53% Instrumentalness • 4% Positiveness
41% Popularity • 11% Danceability • 7% Energy • 22% Liveness
53% Instrumentalness • 4% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Act II: Ni sna...
89 bpm • A# min • 07:03 • -17.33db
12% Popularity • 22% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
12% Popularity • 22% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 14% Positiveness
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Edvard Grieg
Grieg: The Last Spring, Op. 34, No. 2
89 bpm • G Maj • 05:47 • -25db
20% Popularity • 12% Danceability • 4% Energy • 17% Liveness
84% Instrumentalness • 3% Positiveness
20% Popularity • 12% Danceability • 4% Energy • 17% Liveness
84% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
12 Romances, Op. 21: No. 7, How Fair Thi...
89 bpm • A Maj • 01:49 • -24.42db
41% Popularity • 16% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
41% Popularity • 16% Danceability • 6% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Alexander Glazunov
Rhapsodie Orientale, Op. 29: 1. Andante
89 bpm • C# Maj • 04:32 • -31db
41% Popularity • 10% Danceability • 2% Energy • 8% Liveness
65% Instrumentalness • 4% Positiveness
41% Popularity • 10% Danceability • 2% Energy • 8% Liveness
65% Instrumentalness • 4% Positiveness
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Maurice Ravel
Ravel: Ma mère l'Oye, M. 60: V. Le jard...
89 bpm • C Maj • 03:45 • -22db
35% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
35% Popularity • 13% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
String Quartet No. 1 in D Major, Op. 11:...
89 bpm • A# Maj • 06:35 • -31.66db
36% Popularity • 16% Danceability • 1% Energy • 11% Liveness
12% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 1% Energy • 11% Liveness
12% Instrumentalness • 4% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: III. No...
89 bpm • A Maj • 08:26 • -22.88db
26% Popularity • 15% Danceability • 9% Energy • 7% Liveness
84% Instrumentalness • 7% Positiveness
26% Popularity • 15% Danceability • 9% Energy • 7% Liveness
84% Instrumentalness • 7% Positiveness
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Léo Delibes
Le roi s'amuse: Passepied
88 bpm • A Maj • 01:41 • -31db
53% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
53% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
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Sergei Rachmaninoff
Morceaux de Fantaisie, Op. 3: 1. Elégie
89 bpm • D# min • 05:17 • -22db
34% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Ein Sommernachtstraum (A Midsummer's Nig...
89 bpm • E Maj • 05:33 • -29.25db
31% Popularity • 10% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
31% Popularity • 10% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Aram Khachaturian
Khachaturian: Spartacus (Highlights from...
88 bpm • G# Maj • 09:54 • -21.56db
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
38% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Florence Beatrice Price
Dances in the Canebrakes (Arr. W.G. Stil...
88 bpm • E Maj • 02:35 • -20db
38% Popularity • 39% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
38% Popularity • 39% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
88 bpm • F Maj • 01:35 • -18db
45% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
45% Popularity • 34% Danceability • 3% Energy • 28% Liveness
96% Instrumentalness • 20% Positiveness
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Dmitri Shostakovich
Chamber Symphony No. 5 in A-Flat Major, ...
88 bpm • A min • 06:43 • -27.41db
1% Popularity • 12% Danceability • 3% Energy • 22% Liveness
86% Instrumentalness • 3% Positiveness
1% Popularity • 12% Danceability • 3% Energy • 22% Liveness
86% Instrumentalness • 3% Positiveness
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Camille Saint-Saëns
Danse macabre, Op. 40 (Arr. F. Liszt, V....
90 bpm • D# Maj • 08:44 • -21.99db
30% Popularity • 30% Danceability • 17% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 30% Danceability • 17% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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Alexander Borodin
Borodin: String Quartet No. 2 in D Major...
90 bpm • A Maj • 08:35 • -19.97db
1% Popularity • 17% Danceability • 11% Energy • 5% Liveness
84% Instrumentalness • 11% Positiveness
1% Popularity • 17% Danceability • 11% Energy • 5% Liveness
84% Instrumentalness • 11% Positiveness
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Claude Debussy
Prélude à l'après-midi d'un faune, L....
90 bpm • G# min • 10:44 • -30.2db
42% Popularity • 10% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
42% Popularity • 10% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Slovak Philharmonic
Romance No. 2 In F Major, Op. 50
88 bpm • F Maj • 09:50 • -23db
38% Popularity • 18% Danceability • 6% Energy • 30% Liveness
28% Instrumentalness • 8% Positiveness
38% Popularity • 18% Danceability • 6% Energy • 30% Liveness
28% Instrumentalness • 8% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition (Orch. Ravel):...
90 bpm • A Maj • 02:55 • -19db
35% Popularity • 18% Danceability • 7% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
35% Popularity • 18% Danceability • 7% Energy • 11% Liveness
98% Instrumentalness • 5% Positiveness
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Gabriel Fauré
Elégie in C Minor, Op. 24 (Arr. Parkin ...
88 bpm • G# Maj • 07:35 • -24db
49% Popularity • 12% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
49% Popularity • 12% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Florence Beatrice Price
Symphony No. 3 in C Minor: II. Andante m...
88 bpm • G# Maj • 09:32 • -24.98db
42% Popularity • 10% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
42% Popularity • 10% Danceability • 3% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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Alexander Borodin
String Quartet No.2 in D Major
90 bpm • A Maj • 08:12 • -20.95db
21% Popularity • 18% Danceability • 12% Energy • 7% Liveness
75% Instrumentalness • 11% Positiveness
21% Popularity • 18% Danceability • 12% Energy • 7% Liveness
75% Instrumentalness • 11% Positiveness
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Ottorino Respighi
Suite No. 1, P. 109: III. Villanella: An...
88 bpm • B min • 05:55 • -35db
22% Popularity • 12% Danceability • 1% Energy • 9% Liveness
56% Instrumentalness • 4% Positiveness
22% Popularity • 12% Danceability • 1% Energy • 9% Liveness
56% Instrumentalness • 4% Positiveness
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Frederick Delius
3 Small Tone Poems: No. 1. Summer Evenin...
90 bpm • D Maj • 06:17 • -24db
33% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
33% Popularity • 10% Danceability • 4% Energy • 6% Liveness
77% Instrumentalness • 3% Positiveness
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Anton Arensky
Piano Trio No. 1 in D Minor, Op. 32: III...
90 bpm • G min • 05:08 • -35db
29% Popularity • 21% Danceability • 1% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
29% Popularity • 21% Danceability • 1% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
91 bpm • G min • 01:25 • -35db
41% Popularity • 14% Danceability • 1% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
41% Popularity • 14% Danceability • 1% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
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Maurice Ravel
Pavane pour une infante défunte, M. 19 ...
91 bpm • G Maj • 07:09 • -35.82db
42% Popularity • 10% Danceability • 0% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
42% Popularity • 10% Danceability • 0% Energy • 5% Liveness
82% Instrumentalness • 4% Positiveness
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Alexander Borodin
Prince Igor: Polovtsian Dances
90 bpm • D Maj • 11:14 • -18.25db
23% Popularity • 20% Danceability • 15% Energy • 7% Liveness
3% Instrumentalness • 7% Positiveness
23% Popularity • 20% Danceability • 15% Energy • 7% Liveness
3% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
Cello Sonata in G Minor, Op. 19: III. An...
87 bpm • D# Maj • 05:39 • -26db
31% Popularity • 16% Danceability • 2% Energy • 12% Liveness
86% Instrumentalness • 5% Positiveness
31% Popularity • 16% Danceability • 2% Energy • 12% Liveness
86% Instrumentalness • 5% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade: The Sea & Sinbad's Ship
87 bpm • A min • 03:37 • -20.67db
38% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
38% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
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Moritz Moszkowski
Piano Concerto in E, Op. 59: II. Andante
87 bpm • C# min • 08:25 • -28db
22% Popularity • 18% Danceability • 2% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
22% Popularity • 18% Danceability • 2% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Promenade - I...
87 bpm • G# Maj • 01:07 • -39.84db
48% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
48% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
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Hubert Parry
An English Suite: VI. Air
91 bpm • G Maj • 02:09 • -29db
28% Popularity • 20% Danceability • 3% Energy • 6% Liveness
75% Instrumentalness • 8% Positiveness
28% Popularity • 20% Danceability • 3% Energy • 6% Liveness
75% Instrumentalness • 8% Positiveness
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Alexander Borodin
String Quartet No. 1 in A Major: II. And...
88 bpm • F# min • 07:50 • -20.91db
14% Popularity • 11% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
14% Popularity • 11% Danceability • 9% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Léo Delibes
Le roi s'amuse: Pavane
91 bpm • A# Maj • 01:28 • -34db
63% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
63% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
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AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
91 bpm • A Maj • 05:44 • -21.15db
33% Popularity • 13% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 13% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Alexander Glazunov
The Seasons, Op. 67, Pt. 1 "L'hiver": No...
87 bpm • G# Maj • 01:17 • -29.98db
54% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
54% Popularity • 28% Danceability • 1% Energy • 9% Liveness
70% Instrumentalness • 11% Positiveness
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Johannes Brahms
Hungarian Dance No. 1 in G Minor: Allegr...
91 bpm • G min • 03:17 • -23.86db
26% Popularity • 18% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
26% Popularity • 18% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
87 bpm • C# min • 03:12 • -25.4db
49% Popularity • 20% Danceability • 9% Energy • 9% Liveness
88% Instrumentalness • 9% Positiveness
49% Popularity • 20% Danceability • 9% Energy • 9% Liveness
88% Instrumentalness • 9% Positiveness
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Alexander Borodin
Les danses polovtsiennes (Extraits de l'...
87 bpm • A Maj • 01:25 • -32db
54% Popularity • 17% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 9% Positiveness
54% Popularity • 17% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 9% Positiveness
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Jules Massenet
Thaïs: Méditation
91 bpm • D Maj • 06:01 • -29.86db
28% Popularity • 11% Danceability • 3% Energy • 18% Liveness
47% Instrumentalness • 4% Positiveness
28% Popularity • 11% Danceability • 3% Energy • 18% Liveness
47% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
String Quartet No. 12 in F Major, "Ameri...
87 bpm • D min • 06:25 • -24.06db
19% Popularity • 20% Danceability • 4% Energy • 10% Liveness
63% Instrumentalness • 8% Positiveness
19% Popularity • 20% Danceability • 4% Energy • 10% Liveness
63% Instrumentalness • 8% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
87 bpm • D# Maj • 08:32 • -21.36db
26% Popularity • 12% Danceability • 11% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
26% Popularity • 12% Danceability • 11% Energy • 8% Liveness
13% Instrumentalness • 5% Positiveness
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Johannes Brahms
Brahms: Violin Concerto in D Major, Op. ...
87 bpm • G Maj • 08:20 • -12db
34% Popularity • 44% Danceability • 34% Energy • 27% Liveness
41% Instrumentalness • 40% Positiveness
34% Popularity • 44% Danceability • 34% Energy • 27% Liveness
41% Instrumentalness • 40% Positiveness
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George Frideric Handel
Messiah, HWV 56, Part I: Pastoral Sympho...
92 bpm • C Maj • 03:47 • -29db
51% Popularity • 11% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 3% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Alexander Glazunov
The Seasons, Op. 67: XIV. Petit Adagio
87 bpm • A Maj • 03:29 • -21.96db
33% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
33% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
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Dmitri Shostakovich
Five Pieces For Two Violins and Piano: I...
92 bpm • A Maj • 02:49 • -25db
21% Popularity • 15% Danceability • 9% Energy • 8% Liveness
3% Instrumentalness • 6% Positiveness
21% Popularity • 15% Danceability • 9% Energy • 8% Liveness
3% Instrumentalness • 6% Positiveness
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AntonÃn Dvořák
String Quartet No. 12 in F Major, Op. 96...
87 bpm • D min • 07:07 • -23.36db
31% Popularity • 10% Danceability • 4% Energy • 10% Liveness
51% Instrumentalness • 7% Positiveness
31% Popularity • 10% Danceability • 4% Energy • 10% Liveness
51% Instrumentalness • 7% Positiveness
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Alexander Borodin
String Quartet No. 2 in D: 3. Notturno
86 bpm • A Maj • 08:36 • -25.14db
12% Popularity • 21% Danceability • 7% Energy • 7% Liveness
78% Instrumentalness • 8% Positiveness
12% Popularity • 21% Danceability • 7% Energy • 7% Liveness
78% Instrumentalness • 8% Positiveness
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Jean Sibelius
Andante Festivo
86 bpm • G Maj • 05:10 • -22db
26% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
26% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Henry VIII: Scherzetto
92 bpm • A# Maj • 01:34 • -28.97db
46% Popularity • 44% Danceability • 2% Energy • 17% Liveness
94% Instrumentalness • 19% Positiveness
46% Popularity • 44% Danceability • 2% Energy • 17% Liveness
94% Instrumentalness • 19% Positiveness
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Gerald Finzi
Romance in E-Flat Major, Op. 11
86 bpm • G# Maj • 08:16 • -21.83db
14% Popularity • 12% Danceability • 9% Energy • 16% Liveness
87% Instrumentalness • 4% Positiveness
14% Popularity • 12% Danceability • 9% Energy • 16% Liveness
87% Instrumentalness • 4% Positiveness
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Johannes Brahms
Double Concerto in A Minor, Op. 102 for ...
86 bpm • A min • 08:39 • -15db
31% Popularity • 29% Danceability • 21% Energy • 11% Liveness
60% Instrumentalness • 28% Positiveness
31% Popularity • 29% Danceability • 21% Energy • 11% Liveness
60% Instrumentalness • 28% Positiveness
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AntonÃn Dvořák
Czech Suite in D Major, Op. 39, B. 93: I...
86 bpm • D min • 05:19 • -18db
27% Popularity • 18% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
27% Popularity • 18% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
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Georges Bizet
L'Arlésienne Suite No. 1, WD 40: 3. Ada...
86 bpm • F Maj • 03:11 • -36.92db
34% Popularity • 15% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
34% Popularity • 15% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
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Alexander Borodin
String Quartet No. 2 in D Major: III. No...
86 bpm • A Maj • 08:08 • -23db
1% Popularity • 16% Danceability • 8% Energy • 9% Liveness
49% Instrumentalness • 11% Positiveness
1% Popularity • 16% Danceability • 8% Energy • 9% Liveness
49% Instrumentalness • 11% Positiveness
► Preview
Maurice Ravel
Le tombeau de Couperin (version for orch...
86 bpm • G Maj • 04:25 • -30db
41% Popularity • 12% Danceability • 2% Energy • 5% Liveness
88% Instrumentalness • 8% Positiveness
41% Popularity • 12% Danceability • 2% Energy • 5% Liveness
88% Instrumentalness • 8% Positiveness
► Preview
Edvard Grieg
Piano Concerto in A Minor, Op. 16: II. A...
86 bpm • C# Maj • 06:34 • -24.88db
33% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
33% Popularity • 18% Danceability • 2% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
Beau soir, L. 6 (Arranged for Violin and...
86 bpm • F# min • 02:28 • -24.49db
33% Popularity • 14% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
33% Popularity • 14% Danceability • 5% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Gabriel Fauré
Pelléas et Mélisande, Op. 80: 4. Sicil...
92 bpm • G min • 04:04 • -30.09db
36% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
36% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
► Preview
Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
92 bpm • D# Maj • 02:48 • -33.21db
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
86 bpm • E Maj • 04:26 • -24db
28% Popularity • 13% Danceability • 8% Energy • 25% Liveness
82% Instrumentalness • 9% Positiveness
28% Popularity • 13% Danceability • 8% Energy • 25% Liveness
82% Instrumentalness • 9% Positiveness
► Preview
Luigi Boccherini
Bocherini / Arr. Grützmacher: Cello Con...
86 bpm • G min • 06:54 • -23.72db
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Edvard Grieg
Holberg Suite, Op. 40: IV. Air (Andante ...
86 bpm • A# Maj • 05:21 • -25.03db
24% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 2% Energy • 11% Liveness
36% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
Petite suite: I. En bateau (arr. H. Buss...
93 bpm • G Maj • 03:47 • -30.82db
53% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
53% Popularity • 14% Danceability • 2% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
► Preview
Ottorino Respighi
Suite No. 3, P. 172: III. Siciliana: And...
93 bpm • C min • 03:58 • -23.41db
39% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
39% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
► Preview
Igor Stravinsky
Choral-Vatiationen: Var. I. In canone al...
93 bpm • C Maj • 01:13 • -29.05db
39% Popularity • 43% Danceability • 9% Energy • 7% Liveness
91% Instrumentalness • 72% Positiveness
39% Popularity • 43% Danceability • 9% Energy • 7% Liveness
91% Instrumentalness • 72% Positiveness
► Preview
Johann Sebastian Bach
Goldberg Variations: Goldberg Variations...
85 bpm • G Maj • 03:33 • -25.7db
45% Popularity • 18% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
45% Popularity • 18% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Alexander Borodin
Borodin: String Quartet No. 2 in D Major...
93 bpm • A Maj • 07:45 • -25.41db
10% Popularity • 15% Danceability • 6% Energy • 14% Liveness
76% Instrumentalness • 7% Positiveness
10% Popularity • 15% Danceability • 6% Energy • 14% Liveness
76% Instrumentalness • 7% Positiveness
► Preview
Edward Elgar
Salut d'amour, Op. 12 (version for orche...
85 bpm • E Maj • 03:35 • -31.88db
47% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
47% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
6 Épigraphes antiques, L. 131: I. Pour ...
93 bpm • D min • 02:43 • -32.38db
7% Popularity • 12% Danceability • 1% Energy • 8% Liveness
71% Instrumentalness • 8% Positiveness
7% Popularity • 12% Danceability • 1% Energy • 8% Liveness
71% Instrumentalness • 8% Positiveness
► Preview
Louise Farrenc
Symphony No. 3 in G Minor, Op. 36: II. A...
85 bpm • D# Maj • 09:26 • -24db
18% Popularity • 9% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
18% Popularity • 9% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Frédéric Chopin
Cello Sonata in G Minor, Op. 65: III. La...
85 bpm • A# Maj • 03:42 • -31.75db
28% Popularity • 16% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
28% Popularity • 16% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 5% Positiveness
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Ralph Vaughan Williams
Suite for Viola & Small Orchestra: II. C...
85 bpm • C min • 03:01 • -33db
38% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
38% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
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Dmitri Shostakovich
Five Pieces For Two Violins and Piano: I...
85 bpm • G Maj • 02:44 • -26.75db
35% Popularity • 9% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
35% Popularity • 9% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
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Samuel Barber
Violin Concerto, Op. 14: II. Andante
85 bpm • E Maj • 08:49 • -18db
15% Popularity • 14% Danceability • 13% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
15% Popularity • 14% Danceability • 13% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
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Léo Delibes
Le roi s'amuse: Final
94 bpm • A min • 01:04 • -19.13db
53% Popularity • 43% Danceability • 12% Energy • 11% Liveness
60% Instrumentalness • 48% Positiveness
53% Popularity • 43% Danceability • 12% Energy • 11% Liveness
60% Instrumentalness • 48% Positiveness
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Camille Saint-Saëns
Sarabande et rigaudon, Op. 93: Sarabande
84 bpm • E Maj • 06:16 • -26db
42% Popularity • 11% Danceability • 8% Energy • 22% Liveness
80% Instrumentalness • 5% Positiveness
42% Popularity • 11% Danceability • 8% Energy • 22% Liveness
80% Instrumentalness • 5% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
47% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
47% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
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Alexander Glazunov
Mélodie, Op. 20, No. 1
84 bpm • D Maj • 06:39 • -23db
43% Popularity • 9% Danceability • 10% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
43% Popularity • 9% Danceability • 10% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
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Felix Mendelssohn
On The Wings Of Song Op. 34 No. 2
84 bpm • D Maj • 03:47 • -19.93db
28% Popularity • 16% Danceability • 14% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
28% Popularity • 16% Danceability • 14% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Claude Debussy
The Girl with Flaxen Hair
84 bpm • G Maj • 02:32 • -24db
30% Popularity • 16% Danceability • 7% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
30% Popularity • 16% Danceability • 7% Energy • 8% Liveness
21% Instrumentalness • 4% Positiveness
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Jean Sibelius
Sonatina No. 1, Op. 67: III. Allegro mod...
94 bpm • F# Maj • 01:41 • -30db
42% Popularity • 36% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 33% Positiveness
42% Popularity • 36% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 33% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Act I: Greshno...
84 bpm • B Maj • 03:58 • -14.51db
16% Popularity • 31% Danceability • 36% Energy • 24% Liveness
5% Instrumentalness • 37% Positiveness
16% Popularity • 31% Danceability • 36% Energy • 24% Liveness
5% Instrumentalness • 37% Positiveness
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Johannes Brahms
Violin Concerto in D Major, Op. 77: III....
84 bpm • D Maj • 08:30 • -17db
29% Popularity • 31% Danceability • 21% Energy • 39% Liveness
7% Instrumentalness • 35% Positiveness
29% Popularity • 31% Danceability • 21% Energy • 39% Liveness
7% Instrumentalness • 35% Positiveness
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Leopold Godowsky
Renaissance, Book 2: Sarabande (Lully)
94 bpm • E min • 05:36 • -35db
33% Popularity • 48% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
33% Popularity • 48% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
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César Franck
Violin Sonata in A major, FWV 8: IV. All...
94 bpm • A Maj • 06:04 • -18.62db
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
51% Popularity • 25% Danceability • 14% Energy • 5% Liveness
3% Instrumentalness • 18% Positiveness
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Franz Liszt
6 Consolations, S. 172: No. 3 in D-Flat ...
84 bpm • C# Maj • 03:49 • -36.72db
24% Popularity • 26% Danceability • 0% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
24% Popularity • 26% Danceability • 0% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
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Domenico Scarlatti
Sonata in D Minor, K. 9
94 bpm • D min • 04:14 • -32.37db
41% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
41% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
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Alexander Borodin
String Quartet No. 2 in D major: III. No...
84 bpm • A Maj • 07:54 • -24.49db
10% Popularity • 20% Danceability • 5% Energy • 8% Liveness
83% Instrumentalness • 7% Positiveness
10% Popularity • 20% Danceability • 5% Energy • 8% Liveness
83% Instrumentalness • 7% Positiveness
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Leonard Bernstein
Divertimento: II. Waltz: Allegretto, con...
84 bpm • G Maj • 01:58 • -36db
46% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
46% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
84 bpm • F min • 01:09 • -35db
42% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 11% Danceability • 1% Energy • 22% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Jules Massenet
Thaïs: Méditation
84 bpm • D Maj • 05:28 • -27db
44% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
44% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
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Claude Debussy
Suite Bergamasque, L. 75, CD 82: IV. Pas...
95 bpm • F# min • 03:43 • -31.14db
29% Popularity • 39% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
29% Popularity • 39% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
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Domenico Scarlatti
Sonata in E Major, K. 380
84 bpm • B Maj • 02:52 • -31.38db
42% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
42% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
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Frederick Delius
3 Small Tone Poems: No. 3. Spring Mornin...
95 bpm • A Maj • 07:24 • -26db
29% Popularity • 12% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
29% Popularity • 12% Danceability • 3% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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Alexander Borodin
String Sextet in D Minor (unfinished): I...
84 bpm • G Maj • 03:58 • -23.37db
10% Popularity • 22% Danceability • 3% Energy • 11% Liveness
55% Instrumentalness • 8% Positiveness
10% Popularity • 22% Danceability • 3% Energy • 11% Liveness
55% Instrumentalness • 8% Positiveness