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Stubborn Pride
Songs like
Stubborn Pride (feat. Marcus King)
by
Zac Brown Band
Based on a tempo of (+/- 10%) and a similar genre
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Zac Brown Band
Stubborn Pride
133 bpm • B Maj • 07:08 • -6db
43% Popularity • 54% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Drake White
The Coast Is Clear (Live)
133 bpm • G Maj • 04:55 • -9db
41% Popularity • 45% Danceability • 44% Energy • 98% Liveness
0% Instrumentalness • 21% Positiveness
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Sam Hunt
Water Under The Bridge
134 bpm • F Maj • 02:49 • -2.7db
62% Popularity • 64% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Luke Combs
Middle of Somewhere
134 bpm • D Maj • 03:20 • -5.59db
54% Popularity • 56% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Kameron Marlowe
Giving You Up - Acoustic
134 bpm • G Maj • 03:52 • -6.18db
55% Popularity • 68% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Aaron Lewis
Someone
134 bpm • A Maj • 03:59 • -7db
54% Popularity • 62% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Ryan Hurd
Chasing After You
132 bpm • E Maj • 03:27 • -6.36db
65% Popularity • 60% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Jerrod Niemann
A Lifetime of Dancin' to Do
132 bpm • A Maj • 03:38 • -5db
25% Popularity • 53% Danceability • 61% Energy • 37% Liveness
0% Instrumentalness • 32% Positiveness
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Marcus King
This Far Gone
132 bpm • D Maj • 03:03 • -5.48db
34% Popularity • 55% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Luke Combs
South On Ya
134 bpm • G Maj • 02:51 • -4.1db
58% Popularity • 59% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
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Zac Brown Band
Jolene
132 bpm • F# Maj • 04:20 • -5.82db
48% Popularity • 63% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Kameron Marlowe
Sober as a Drunk
134 bpm • B Maj • 03:30 • -3db
49% Popularity • 55% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Cody Johnson
Nothin' on You
135 bpm • F# Maj • 04:20 • -7.18db
62% Popularity • 36% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Cody Jinks
All It Cost Me Was Everything
131 bpm • A Maj • 03:50 • -8db
49% Popularity • 58% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Devin Dawson
God's Country - Riverside Live Acoustic ...
135 bpm • F min • 03:29 • -5db
30% Popularity • 63% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
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Miranda Lambert
I'll Be Lovin' You
135 bpm • B Maj • 03:09 • -5.57db
58% Popularity • 60% Danceability • 75% Energy • 9% Liveness
6% Instrumentalness • 82% Positiveness
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Marcus King
Delilah
131 bpm • C Maj • 04:23 • -4.93db
40% Popularity • 52% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Travis Tritt
Set In Stone
135 bpm • D Maj • 03:04 • -5db
34% Popularity • 57% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Kenny Chesney
You and Tequila
136 bpm • F# Maj • 04:02 • -9.13db
62% Popularity • 69% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Zac Brown Band
Colder Weather
136 bpm • D# Maj • 04:33 • -7.49db
70% Popularity • 67% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Bailey Zimmerman
Fall In Love - Acoustic
136 bpm • A Maj • 03:58 • -9.34db
50% Popularity • 62% Danceability • 42% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Little Big Town
Next To You
136 bpm • G# Maj • 04:06 • -8.15db
48% Popularity • 53% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Marcus King
Turn It Up
130 bpm • A Maj • 03:38 • -7.12db
43% Popularity • 63% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Dustin Lynch
Huntin' Land
136 bpm • E Maj • 03:01 • -3.64db
50% Popularity • 62% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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HARDY
AIN'T A BAD DAY
136 bpm • D Maj • 03:22 • -4.14db
58% Popularity • 58% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Adam Doleac
Don't It Sound Alright
130 bpm • G Maj • 03:38 • -4.92db
43% Popularity • 64% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Luke Bryan
Waves
136 bpm • C# Maj • 03:48 • -4.31db
57% Popularity • 49% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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LANCO
Near Mrs.
136 bpm • G Maj • 04:17 • -3.79db
30% Popularity • 55% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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Gary Allan
Ruthless
130 bpm • A# Maj • 03:37 • -6db
37% Popularity • 60% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Mitch Rossell
Ran into You
130 bpm • D Maj • 03:33 • -6.09db
42% Popularity • 65% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Kameron Marlowe
Leavin' to Me
130 bpm • G Maj • 03:28 • -7.14db
52% Popularity • 69% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 23% Positiveness
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The Cadillac Three
White Lightning
137 bpm • G Maj • 02:58 • -4.3db
48% Popularity • 42% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Zac Brown Band
Fun Having Fun
137 bpm • G# Maj • 03:40 • -5db
36% Popularity • 64% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
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Ashley McBryde
Martha Divine
137 bpm • A min • 03:37 • -4.87db
51% Popularity • 59% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Chase Rice
Key West & Colorado
137 bpm • D Maj • 03:26 • -4.77db
45% Popularity • 48% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Kolton Moore & the Clever Few
What Brings Life Also Kills
129 bpm • A Maj • 04:50 • -10db
41% Popularity • 60% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Cody Johnson
Whoever's in New England
137 bpm • B Maj • 03:46 • -11.16db
50% Popularity • 49% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Tim McGraw
The Cowboy In Me - Yellowstone Edition
138 bpm • D Maj • 03:37 • -10db
51% Popularity • 57% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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ERNEST
Flower Shops [Acoustic]
128 bpm • G Maj • 03:28 • -9db
52% Popularity • 57% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Brooks & Dunn
Red Dirt Road - with Cody Johnson
128 bpm • E Maj • 03:56 • -7.8db
54% Popularity • 60% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Caitlyn Smith
I Can't
138 bpm • C Maj • 03:30 • -4.34db
46% Popularity • 50% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Josh Turner
I've Got It Made
138 bpm • C# Maj • 02:55 • -5.23db
32% Popularity • 48% Danceability • 78% Energy • 12% Liveness
24% Instrumentalness • 78% Positiveness
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Larry Fleet
Where I Find God
138 bpm • B Maj • 04:09 • -6.2db
64% Popularity • 59% Danceability • 52% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Ashley McBryde
Bonfire At Tina's
138 bpm • C Maj • 03:40 • -4.7db
46% Popularity • 54% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 35% Positiveness
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ERNEST
Flower Shops
128 bpm • G Maj • 03:34 • -6db
72% Popularity • 53% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Tyler Childers
Angel Band - Jubilee Version
138 bpm • D Maj • 06:12 • -5.64db
39% Popularity • 39% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Kelsea Ballerini
half of my hometown
138 bpm • A# Maj • 03:51 • -4.97db
64% Popularity • 57% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Luke Combs
When It Rains It Pours
128 bpm • F# Maj • 04:00 • -5.07db
80% Popularity • 55% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Larry Fleet
Where I Find God (Live)
138 bpm • B Maj • 04:15 • -5.82db
44% Popularity • 52% Danceability • 58% Energy • 32% Liveness
0% Instrumentalness • 21% Positiveness
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Zac Brown Band
Cover Me Up - Recorded at Spotify Studio...
128 bpm • C# Maj • 04:47 • -10.02db
47% Popularity • 46% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Tim McGraw
Good Taste In Women
128 bpm • F Maj • 03:47 • -6.24db
33% Popularity • 65% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Billy Currington
We Are Tonight
128 bpm • B Maj • 03:52 • -5.35db
60% Popularity • 56% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Drake White
Makin’ Me Look Good Again
128 bpm • A# Maj • 03:58 • -6.14db
54% Popularity • 57% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Luke Combs
Outrunnin' Your Memory
128 bpm • C# min • 04:14 • -3.42db
64% Popularity • 60% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Marcus King
Hard Working Man
128 bpm • F min • 03:37 • -4.7db
50% Popularity • 50% Danceability • 72% Energy • 64% Liveness
0% Instrumentalness • 71% Positiveness
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Sundy Best
Painted Blue
139 bpm • C# Maj • 05:58 • -7.94db
34% Popularity • 37% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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HIXTAPE
Goin’ Nowhere
127 bpm • F Maj • 03:09 • -4.06db
54% Popularity • 64% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
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Randy Houser
What Whiskey Does
127 bpm • D Maj • 03:45 • -5.03db
44% Popularity • 69% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 42% Positiveness
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Travis Tritt
Smoke In A Bar
127 bpm • D Maj • 04:22 • -8db
32% Popularity • 59% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Blake Shelton
We Can Reach the Stars
140 bpm • C# Maj • 03:36 • -6.06db
25% Popularity • 42% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Casey Donahew
Drove Me to the Whiskey
140 bpm • G Maj • 03:20 • -8.7db
54% Popularity • 48% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Brooks & Dunn
You're Gonna Miss Me When I'm Gone - wit...
140 bpm • G Maj • 04:18 • -8db
40% Popularity • 57% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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The Cadillac Three
Take Me To The Bottom
140 bpm • A# Maj • 03:09 • -7db
55% Popularity • 62% Danceability • 55% Energy • 45% Liveness
0% Instrumentalness • 44% Positiveness
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Miranda Lambert
Actin' Up
140 bpm • B Maj • 03:25 • -7.87db
46% Popularity • 68% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Luke Combs
Any Given Friday Night
140 bpm • G Maj • 03:13 • -3.88db
59% Popularity • 53% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 66% Positiveness
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Craig Morgan
The Father, My Son, And The Holy Ghost
140 bpm • C Maj • 04:08 • -5.62db
44% Popularity • 60% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
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Muscadine Bloodline
Can't Tell You No
140 bpm • F# Maj • 03:11 • -7.79db
62% Popularity • 87% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Zac Brown Band
Sweet Annie
140 bpm • F# Maj • 04:38 • -8db
55% Popularity • 64% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Old Dominion
I Was On a Boat That Day
140 bpm • B Maj • 02:58 • -5db
58% Popularity • 54% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Billy Currington
Details
140 bpm • F Maj • 03:21 • -4db
46% Popularity • 68% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
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Mikele Buck Band
In Came You
140 bpm • D# Maj • 03:33 • -5.15db
36% Popularity • 53% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Jameson Rodgers
Good Dogs
140 bpm • E Maj • 03:18 • -6.93db
46% Popularity • 56% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Drew Parker
While You're Gone
140 bpm • C# Maj • 03:46 • -5.64db
47% Popularity • 62% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Morgan Wallen
Rednecks, Red Letters, Red Dirt
140 bpm • F# Maj • 03:05 • -4.29db
59% Popularity • 55% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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The Cadillac Three
Runnin' Red Lights
140 bpm • F Maj • 03:06 • -9.5db
50% Popularity • 49% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Old Dominion
All I Know About Girls
140 bpm • E Maj • 02:42 • -8db
46% Popularity • 68% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Brett James
Lonely Ain't So Lonely
140 bpm • A# Maj • 03:32 • -5.26db
24% Popularity • 56% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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49 Winchester
Damn Darlin'
140 bpm • D Maj • 03:19 • -9.94db
57% Popularity • 57% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Nate Smith
Sleeve
126 bpm • C Maj • 04:21 • -6db
57% Popularity • 70% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Morgan Wallen
Sand In My Boots (The Dangerous Sessions...
140 bpm • D# Maj • 03:16 • -9db
53% Popularity • 41% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Kenny Chesney
Knowing You
126 bpm • G Maj • 03:46 • -6.12db
57% Popularity • 56% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Old Dominion
Never Be Sorry
126 bpm • B Maj • 03:23 • -5db
50% Popularity • 73% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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Parker McCollum
Like A Cowboy
125 bpm • E Maj • 03:46 • -6.79db
58% Popularity • 49% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Kane Brown
Like I Love Country Music
125 bpm • G# Maj • 03:54 • -6.73db
63% Popularity • 53% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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Jake Owen
Drunk On A Boat
125 bpm • D# Maj • 03:12 • -4.21db
40% Popularity • 58% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Kameron Marlowe
Giving You Up - Spotify Singles
142 bpm • G Maj • 03:44 • -8.69db
28% Popularity • 58% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Kenny Chesney
Beautiful World
125 bpm • C# Maj • 03:10 • -5.31db
37% Popularity • 61% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Ian Munsick
Long Haul
142 bpm • F# Maj • 03:51 • -7.85db
59% Popularity • 50% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Luke Combs
Without You
142 bpm • F# Maj • 03:44 • -6.02db
59% Popularity • 52% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Keith Urban
Brown Eyes Baby
142 bpm • G# Maj • 03:44 • -6.99db
62% Popularity • 52% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Riley Green
Different 'Round Here
142 bpm • C# Maj • 03:03 • -6.47db
61% Popularity • 50% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Zac Brown Band
Us Against the World
142 bpm • C# Maj • 03:12 • -3.36db
30% Popularity • 59% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
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Parker McCollum
Drinkin'
142 bpm • C Maj • 03:14 • -3.58db
52% Popularity • 45% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Ashland Craft
Make It Past Georgia
142 bpm • A# Maj • 03:21 • -5.05db
36% Popularity • 56% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Luke Combs
Used To Wish I Was
142 bpm • D Maj • 02:58 • -4.89db
52% Popularity • 52% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Kenny Chesney
Everybody Wants to Go to Heaven - Live
143 bpm • E Maj • 02:59 • -5.81db
30% Popularity • 57% Danceability • 94% Energy • 92% Liveness
0% Instrumentalness • 53% Positiveness
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Brett Eldredge
Hideaway
124 bpm • G# Maj • 02:43 • -5.57db
42% Popularity • 69% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Zac Brown Band
You and Islands
124 bpm • A Maj • 03:50 • -5.34db
43% Popularity • 65% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 67% Positiveness
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Dillon Carmichael
Son Of A
124 bpm • C Maj • 03:13 • -7.54db
45% Popularity • 61% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Danielle Bradbery
Stop Draggin' Your Boots
124 bpm • D Maj • 02:44 • -5.96db
53% Popularity • 46% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Stubborn Pride