Songs like Suc (sur un carreau) by Oswald
Based on a tempo of (+/- 10%) and a similar genre
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Harmonik
Bel ti moman
172 bpm • F Maj • 04:55 • -8.42db
25% Popularity • 57% Danceability • 79% Energy • 11% Liveness
2% Instrumentalness • 72% Positiveness
25% Popularity • 57% Danceability • 79% Energy • 11% Liveness
2% Instrumentalness • 72% Positiveness
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Zo Konpa
Sexual Healing - Zouk
172 bpm • G# Maj • 04:47 • -9.06db
35% Popularity • 61% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
35% Popularity • 61% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
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TROUBLEBOY HITMAKER
Marasa
172 bpm • G Maj • 03:50 • -8.39db
38% Popularity • 73% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 73% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Oswald
Ti doudou
172 bpm • G# Maj • 04:34 • -3.84db
45% Popularity • 64% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
45% Popularity • 64% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
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Kenny
Paka Ranplasew
172 bpm • F# Maj • 04:31 • -6.97db
37% Popularity • 72% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 72% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Mass Konpa
Cheri M Direk
172 bpm • A# Maj • 05:10 • -5.17db
30% Popularity • 68% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 68% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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lucas seb
Mortal kompa
172 bpm • F# min • 04:33 • -7.17db
46% Popularity • 48% Danceability • 88% Energy • 29% Liveness
74% Instrumentalness • 50% Positiveness
46% Popularity • 48% Danceability • 88% Energy • 29% Liveness
74% Instrumentalness • 50% Positiveness
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Jim Rama
Come back
172 bpm • B min • 04:06 • -4db
19% Popularity • 58% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 58% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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DJ Skety
Bob Marley Kompa
172 bpm • A# min • 04:55 • -10.16db
39% Popularity • 57% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
39% Popularity • 57% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Oswald
Suc (sur un carreau)
172 bpm • A# Maj • 04:25 • -5db
41% Popularity • 68% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
41% Popularity • 68% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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Zenglen
With you - Cover
172 bpm • D# Maj • 05:31 • -4.82db
23% Popularity • 64% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
23% Popularity • 64% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Klass
I'm Sorry
172 bpm • C# min • 05:58 • -6.41db
27% Popularity • 59% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 59% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
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Rutshelle Guillaume
Demoli
172 bpm • F# Maj • 04:11 • -4.58db
32% Popularity • 55% Danceability • 79% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 55% Danceability • 79% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
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Vayb
Ralanti
172 bpm • B min • 05:09 • -6.68db
43% Popularity • 64% Danceability • 72% Energy • 42% Liveness
0% Instrumentalness • 76% Positiveness
43% Popularity • 64% Danceability • 72% Energy • 42% Liveness
0% Instrumentalness • 76% Positiveness
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Enposib
Jan L Ye A
172 bpm • F# Maj • 04:10 • -7.15db
39% Popularity • 61% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
39% Popularity • 61% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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kdilak mesaje a
M Pap Padone'w
172 bpm • D Maj • 04:15 • -7.47db
38% Popularity • 62% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
38% Popularity • 62% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Blondedy Ferdinand
Avouer
172 bpm • G# Maj • 05:23 • -5.94db
28% Popularity • 58% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 58% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Klass
Emmène-moi
172 bpm • D# Maj • 05:37 • -7.5db
37% Popularity • 70% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
37% Popularity • 70% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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5Lan
IT'S ALL ABOUT YOU (GOUYAD SA GOU) - RAD...
172 bpm • B min • 05:11 • -5.57db
26% Popularity • 59% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 59% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Vayb
GEN MÈT
172 bpm • G# Maj • 05:15 • -5.2db
26% Popularity • 62% Danceability • 86% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
26% Popularity • 62% Danceability • 86% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
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Dj Tyson
Baby Yayad vol.2
172 bpm • D Maj • 04:28 • -8db
31% Popularity • 56% Danceability • 83% Energy • 10% Liveness
24% Instrumentalness • 46% Positiveness
31% Popularity • 56% Danceability • 83% Energy • 10% Liveness
24% Instrumentalness • 46% Positiveness
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Dj Jackson
Doudou an mwen - 2019
172 bpm • F Maj • 05:45 • -6.02db
28% Popularity • 55% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 55% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 44% Positiveness
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Rutshelle Guillaume
Ou se yon melodi
172 bpm • F Maj • 03:55 • -3.32db
39% Popularity • 58% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
39% Popularity • 58% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Klass
Pitit deyo
172 bpm • F# Maj • 06:00 • -8.01db
43% Popularity • 66% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
43% Popularity • 66% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Wid
Min Nan Fwon
172 bpm • G# min • 04:39 • -4.01db
34% Popularity • 58% Danceability • 90% Energy • 7% Liveness
1% Instrumentalness • 86% Positiveness
34% Popularity • 58% Danceability • 90% Energy • 7% Liveness
1% Instrumentalness • 86% Positiveness
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Vanessa Desire
Yon lòt
172 bpm • C Maj • 04:17 • -5.93db
31% Popularity • 63% Danceability • 68% Energy • 46% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 63% Danceability • 68% Energy • 46% Liveness
0% Instrumentalness • 62% Positiveness
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Leila Chicot
Inmew' en secre
172 bpm • G min • 04:15 • -7.19db
42% Popularity • 60% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
42% Popularity • 60% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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DANOLA
SI DEMEN
172 bpm • C Maj • 03:24 • -7.9db
22% Popularity • 56% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 56% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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R Dydy
Kitél Maché
172 bpm • C# Maj • 03:26 • -11.78db
32% Popularity • 52% Danceability • 49% Energy • 10% Liveness
41% Instrumentalness • 73% Positiveness
32% Popularity • 52% Danceability • 49% Energy • 10% Liveness
41% Instrumentalness • 73% Positiveness
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Klass
Lanmou n Kidnape
172 bpm • G Maj • 05:25 • -3.86db
36% Popularity • 57% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
36% Popularity • 57% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Wid
Kout Ba
172 bpm • C Maj • 04:16 • -4.67db
39% Popularity • 59% Danceability • 80% Energy • 39% Liveness
0% Instrumentalness • 56% Positiveness
39% Popularity • 59% Danceability • 80% Energy • 39% Liveness
0% Instrumentalness • 56% Positiveness
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Zafem
Dlo Dous
172 bpm • F min • 05:13 • -4.7db
42% Popularity • 60% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
42% Popularity • 60% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 81% Positiveness
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Oswald
Solo
172 bpm • C# Maj • 04:30 • -6.94db
44% Popularity • 64% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
44% Popularity • 64% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Gabel
Beni
172 bpm • A Maj • 04:42 • -6db
31% Popularity • 57% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
31% Popularity • 57% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Leila Chicot
Ca aurait du être moi
172 bpm • A Maj • 04:44 • -7.6db
39% Popularity • 55% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
39% Popularity • 55% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Klass
Blakawout
172 bpm • C Maj • 05:14 • -4.73db
29% Popularity • 60% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
29% Popularity • 60% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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5Lan
Vini Pou Ka Vini
172 bpm • D min • 04:17 • -4.59db
40% Popularity • 60% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
40% Popularity • 60% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 61% Positiveness
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EKIP
Ou Blom
172 bpm • C Maj • 05:05 • -4.96db
30% Popularity • 62% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
30% Popularity • 62% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Rutshelle Guillaume
Rete La - Remix
172 bpm • F min • 05:25 • -3.74db
41% Popularity • 54% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
41% Popularity • 54% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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DJ Roger
All About You
172 bpm • F min • 04:42 • -4.98db
28% Popularity • 58% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 58% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Original H
Trahison - Remix
172 bpm • D Maj • 05:23 • -5.5db
24% Popularity • 52% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 52% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 52% Positiveness
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Klass
You Don't Want Me
172 bpm • D Maj • 05:57 • -6.06db
37% Popularity • 60% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
37% Popularity • 60% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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5Lan
Hold Me Tight
172 bpm • B Maj • 05:13 • -5.83db
22% Popularity • 57% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 57% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Oswald
C'est nous
174 bpm • C# Maj • 04:17 • -5db
31% Popularity • 62% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
31% Popularity • 62% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Rutshelle Guillaume
Rete La
172 bpm • F min • 05:03 • -4.22db
36% Popularity • 54% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
36% Popularity • 54% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Paska
Never Be Enough
172 bpm • A# Maj • 04:22 • -6.64db
28% Popularity • 59% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
28% Popularity • 59% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Bryans
Elle t'a piqué
174 bpm • E min • 03:46 • -4.56db
38% Popularity • 56% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
38% Popularity • 56% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Nu-Look
Wasn't Meant To Be
174 bpm • E Maj • 06:59 • -6db
35% Popularity • 60% Danceability • 75% Energy • 45% Liveness
0% Instrumentalness • 76% Positiveness
35% Popularity • 60% Danceability • 75% Energy • 45% Liveness
0% Instrumentalness • 76% Positiveness
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k-dilak mesaje a
Move chofè
174 bpm • F# Maj • 05:03 • -4.03db
31% Popularity • 60% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
31% Popularity • 60% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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lucas seb
Frissonne
174 bpm • C# min • 04:22 • -6.84db
34% Popularity • 54% Danceability • 88% Energy • 12% Liveness
67% Instrumentalness • 49% Positiveness
34% Popularity • 54% Danceability • 88% Energy • 12% Liveness
67% Instrumentalness • 49% Positiveness
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Baky
Bay Vag
170 bpm • E min • 04:13 • -7.12db
32% Popularity • 66% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
32% Popularity • 66% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Vayb
Fo'm alé
174 bpm • F Maj • 05:30 • -8db
31% Popularity • 65% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 65% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Oswald
Dimension - Radio edit
170 bpm • A# Maj • 03:38 • -4.78db
37% Popularity • 58% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
37% Popularity • 58% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
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Djakout #1
Nan Kisa M Pran La
174 bpm • G# Maj • 05:50 • -5db
28% Popularity • 61% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 61% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Face À Face
Ghetto face à face
174 bpm • D# min • 04:49 • -6db
30% Popularity • 54% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 54% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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kdilak mesaje a
pou timoun yo
170 bpm • C# Maj • 04:48 • -5.02db
27% Popularity • 52% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 52% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Jessye Belleval
La limite de l'interdit
170 bpm • F# Maj • 03:43 • -4.01db
26% Popularity • 57% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 57% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Zenglen
Nou Tout Bel
174 bpm • F Maj • 05:23 • -5db
24% Popularity • 61% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 61% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
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Oswald
Girls That Like Girls
170 bpm • C Maj • 04:49 • -7.24db
19% Popularity • 66% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 66% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Daan Junior
Yon ti moment
170 bpm • D Maj • 05:10 • -8.65db
30% Popularity • 65% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 65% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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DJ Eladji
Trop tard
174 bpm • A min • 03:57 • -6.88db
35% Popularity • 57% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 57% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Djakout #1
Habitude
174 bpm • C Maj • 05:32 • -4db
34% Popularity • 54% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 54% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Mikey Mike
Kay Pou Nou
170 bpm • F Maj • 04:19 • -6.35db
26% Popularity • 56% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 56% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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Steves J. Bryan
Menaj
170 bpm • A min • 03:31 • -11.3db
29% Popularity • 67% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 67% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 60% Positiveness
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Gabel
Sex Friend
174 bpm • A# Maj • 05:21 • -6.92db
14% Popularity • 60% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 60% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
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Harmonik
Cheri benyen m' - Remastered Version
170 bpm • F Maj • 04:31 • -6.56db
23% Popularity • 67% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 67% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
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Cruz La
A Raj
170 bpm • F min • 04:13 • -6.32db
32% Popularity • 61% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 61% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Master Brain
Wap Pote'l Tounen
170 bpm • G min • 03:25 • -6.69db
21% Popularity • 64% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
21% Popularity • 64% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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5Lan
Kilot
170 bpm • C# min • 05:09 • -5.51db
34% Popularity • 55% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 55% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Vayb
Je ferai
170 bpm • G Maj • 05:10 • -7.44db
42% Popularity • 60% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
42% Popularity • 60% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Harmonik
Ou Detenn Sou Mwen
170 bpm • D Maj • 04:39 • -4.67db
29% Popularity • 64% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
29% Popularity • 64% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 89% Positiveness
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Zafem
Le Plein
170 bpm • G Maj • 05:39 • -5.19db
41% Popularity • 62% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
41% Popularity • 62% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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lucas seb
Roue libre
170 bpm • D min • 04:59 • -7.22db
26% Popularity • 56% Danceability • 86% Energy • 10% Liveness
30% Instrumentalness • 56% Positiveness
26% Popularity • 56% Danceability • 86% Energy • 10% Liveness
30% Instrumentalness • 56% Positiveness
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Djakout #1
Libre D'aimer
174 bpm • D Maj • 06:35 • -7db
36% Popularity • 59% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 59% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Alex Catherine
Fleur d'elle
170 bpm • A Maj • 04:37 • -7.44db
31% Popularity • 54% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
31% Popularity • 54% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Rayy Raymond
Absans Ou
170 bpm • G# Maj • 04:31 • -8db
32% Popularity • 51% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
32% Popularity • 51% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Wid
M Ap Sispann
174 bpm • F Maj • 05:03 • -3.88db
33% Popularity • 56% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
33% Popularity • 56% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Jim Rama
Je Ferai
174 bpm • C# Maj • 04:15 • -8.16db
20% Popularity • 60% Danceability • 63% Energy • 11% Liveness
1% Instrumentalness • 59% Positiveness
20% Popularity • 60% Danceability • 63% Energy • 11% Liveness
1% Instrumentalness • 59% Positiveness
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Zenglen
Grev Bèbè
170 bpm • F Maj • 05:16 • -6.53db
31% Popularity • 58% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 58% Danceability • 77% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Oswald
Option
170 bpm • G Maj • 04:48 • -3.93db
31% Popularity • 59% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 59% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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lucas seb
Kitel maché pi red 2
170 bpm • F Maj • 04:22 • -5db
38% Popularity • 49% Danceability • 87% Energy • 14% Liveness
62% Instrumentalness • 81% Positiveness
38% Popularity • 49% Danceability • 87% Energy • 14% Liveness
62% Instrumentalness • 81% Positiveness
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Dj Tyson
Baby Yayad
170 bpm • A# min • 04:21 • -10.32db
44% Popularity • 54% Danceability • 86% Energy • 11% Liveness
64% Instrumentalness • 50% Positiveness
44% Popularity • 54% Danceability • 86% Energy • 11% Liveness
64% Instrumentalness • 50% Positiveness
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Wid
Sanble Li Twò Ta
170 bpm • G min • 04:22 • -3.79db
34% Popularity • 61% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
34% Popularity • 61% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Rayy Raymond
San Rezon
170 bpm • D Maj • 04:55 • -9.87db
9% Popularity • 50% Danceability • 54% Energy • 58% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 50% Danceability • 54% Energy • 58% Liveness
0% Instrumentalness • 29% Positiveness
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Carimi
I'll Yayad - Pretty Bumpy
174 bpm • A min • 04:27 • -6.98db
43% Popularity • 65% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
43% Popularity • 65% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Harmonik
M'ap Trepase
174 bpm • A Maj • 05:45 • -4.63db
18% Popularity • 60% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 60% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Medjy
Bad gyal
174 bpm • D Maj • 02:50 • -4.14db
37% Popularity • 70% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
37% Popularity • 70% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Mikaben
Pouki Se Li
170 bpm • F Maj • 05:00 • -5.29db
30% Popularity • 61% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 61% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
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Oswald
Dimension
170 bpm • A# Maj • 04:36 • -4.42db
32% Popularity • 57% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
32% Popularity • 57% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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KAI
Criminèl
174 bpm • C# Maj • 05:27 • -5db
37% Popularity • 57% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
37% Popularity • 57% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Wid
Lanmou Pa Sifi
170 bpm • G Maj • 05:08 • -2.44db
35% Popularity • 54% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
35% Popularity • 54% Danceability • 88% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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J-BEATZ
Renmen'm Renmen'w
170 bpm • A Maj • 05:50 • -4db
24% Popularity • 67% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
24% Popularity • 67% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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5Lan
Kilot
170 bpm • C# min • 05:12 • -4.78db
7% Popularity • 55% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
7% Popularity • 55% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Vayb
MAYDAY
170 bpm • G Maj • 05:06 • -5.64db
45% Popularity • 60% Danceability • 82% Energy • 54% Liveness
0% Instrumentalness • 58% Positiveness
45% Popularity • 60% Danceability • 82% Energy • 54% Liveness
0% Instrumentalness • 58% Positiveness
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Ali Angel
Juste nous
170 bpm • F Maj • 04:49 • -9db
36% Popularity • 64% Danceability • 69% Energy • 29% Liveness
32% Instrumentalness • 77% Positiveness
36% Popularity • 64% Danceability • 69% Energy • 29% Liveness
32% Instrumentalness • 77% Positiveness
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Enposib
Overdose
174 bpm • G Maj • 04:29 • -6db
43% Popularity • 59% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
43% Popularity • 59% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Stony
Tout a changé
174 bpm • D min • 04:05 • -8.99db
26% Popularity • 56% Danceability • 69% Energy • 13% Liveness
4% Instrumentalness • 53% Positiveness
26% Popularity • 56% Danceability • 69% Energy • 13% Liveness
4% Instrumentalness • 53% Positiveness
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Oswald
Tourner le dos
170 bpm • A Maj • 04:36 • -6.74db
32% Popularity • 66% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
32% Popularity • 66% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
