Songs like Succession (Main Title Theme) by Nicholas Britell
Based on a tempo of (+/- 10%) and a similar genre
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Steve Mazzaro
Willpower
140 bpm • D Maj • 04:21 • -9.1db
9% Popularity • 34% Danceability • 83% Energy • 27% Liveness
90% Instrumentalness • 3% Positiveness
9% Popularity • 34% Danceability • 83% Energy • 27% Liveness
90% Instrumentalness • 3% Positiveness
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Siddhartha Khosla
Mission Theme Pt. 1
140 bpm • D min • 01:11 • -16.15db
33% Popularity • 68% Danceability • 18% Energy • 20% Liveness
89% Instrumentalness • 89% Positiveness
33% Popularity • 68% Danceability • 18% Energy • 20% Liveness
89% Instrumentalness • 89% Positiveness
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Nicholas Britell
Strings + 808 + Beat
140 bpm • G# Maj • 01:11 • -8.88db
44% Popularity • 75% Danceability • 43% Energy • 11% Liveness
78% Instrumentalness • 17% Positiveness
44% Popularity • 75% Danceability • 43% Energy • 11% Liveness
78% Instrumentalness • 17% Positiveness
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Power-Haus
V for Vivaldi
140 bpm • A min • 02:07 • -8db
28% Popularity • 68% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 68% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
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Ludwig Göransson
Fusion
140 bpm • F min • 03:55 • -19.81db
54% Popularity • 74% Danceability • 24% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
54% Popularity • 74% Danceability • 24% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Nathan Johnson
Andi's Theme
140 bpm • A# min • 02:00 • -16db
24% Popularity • 15% Danceability • 26% Energy • 16% Liveness
97% Instrumentalness • 9% Positiveness
24% Popularity • 15% Danceability • 26% Energy • 16% Liveness
97% Instrumentalness • 9% Positiveness
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Patrick Doyle
Justice
140 bpm • D Maj • 09:29 • -15.69db
37% Popularity • 14% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
37% Popularity • 14% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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James Horner
A Kaleidoscope Of Mathematics
140 bpm • C# min • 04:54 • -20.97db
43% Popularity • 15% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
43% Popularity • 15% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Nicholas Britell
Succession (Main Title Theme)
140 bpm • G# Maj • 01:42 • -6.37db
60% Popularity • 37% Danceability • 47% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
60% Popularity • 37% Danceability • 47% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Daniel Pemberton
Spider-Woman (Gwen Stacy)
140 bpm • E min • 03:06 • -12.6db
54% Popularity • 27% Danceability • 30% Energy • 6% Liveness
89% Instrumentalness • 5% Positiveness
54% Popularity • 27% Danceability • 30% Energy • 6% Liveness
89% Instrumentalness • 5% Positiveness
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Abel Korzeniowski
Song Of Time
141 bpm • F min • 03:49 • -21db
47% Popularity • 25% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
47% Popularity • 25% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
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Carlos Rafael Rivera
Beth's Story
139 bpm • C min • 02:07 • -27db
57% Popularity • 28% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 8% Positiveness
57% Popularity • 28% Danceability • 3% Energy • 9% Liveness
84% Instrumentalness • 8% Positiveness
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John Williams
Anakin's Betrayal
139 bpm • A min • 04:05 • -17.38db
51% Popularity • 14% Danceability • 17% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
51% Popularity • 14% Danceability • 17% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Michael Abels
A Hero Falls
139 bpm • A# min • 02:46 • -15.21db
25% Popularity • 57% Danceability • 27% Energy • 10% Liveness
94% Instrumentalness • 13% Positiveness
25% Popularity • 57% Danceability • 27% Energy • 10% Liveness
94% Instrumentalness • 13% Positiveness
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Nicholas Britell
Power - Instrumental
140 bpm • D Maj • 01:35 • -8.88db
40% Popularity • 58% Danceability • 50% Energy • 11% Liveness
90% Instrumentalness • 32% Positiveness
40% Popularity • 58% Danceability • 50% Energy • 11% Liveness
90% Instrumentalness • 32% Positiveness
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Ludwig Göransson
Can You Hear The Music
139 bpm • E min • 01:50 • -12.46db
75% Popularity • 19% Danceability • 44% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
75% Popularity • 19% Danceability • 44% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Natalie Holt
History Is Now
138 bpm • F min • 02:31 • -10.99db
47% Popularity • 47% Danceability • 47% Energy • 20% Liveness
95% Instrumentalness • 37% Positiveness
47% Popularity • 47% Danceability • 47% Energy • 20% Liveness
95% Instrumentalness • 37% Positiveness
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Maxence Cyrin
Where Is My Mind
142 bpm • A Maj • 02:45 • -21.26db
63% Popularity • 33% Danceability • 11% Energy • 12% Liveness
96% Instrumentalness • 6% Positiveness
63% Popularity • 33% Danceability • 11% Energy • 12% Liveness
96% Instrumentalness • 6% Positiveness
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Alexandre Desplat
A Prayer For Madame D
138 bpm • A# min • 01:20 • -16.11db
36% Popularity • 47% Danceability • 35% Energy • 19% Liveness
93% Instrumentalness • 25% Positiveness
36% Popularity • 47% Danceability • 35% Energy • 19% Liveness
93% Instrumentalness • 25% Positiveness
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Dustin O'Halloran
Lion Theme
138 bpm • C min • 01:58 • -18.55db
49% Popularity • 30% Danceability • 13% Energy • 12% Liveness
87% Instrumentalness • 7% Positiveness
49% Popularity • 30% Danceability • 13% Energy • 12% Liveness
87% Instrumentalness • 7% Positiveness
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Nicholas Britell
Succession (Main Title Theme) - Orchestr...
140 bpm • G# Maj • 02:01 • -11.14db
49% Popularity • 35% Danceability • 38% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
49% Popularity • 35% Danceability • 38% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Michael Abels
Pas De Deux
138 bpm • A# min • 02:51 • -16.14db
33% Popularity • 46% Danceability • 9% Energy • 17% Liveness
80% Instrumentalness • 17% Positiveness
33% Popularity • 46% Danceability • 9% Energy • 17% Liveness
80% Instrumentalness • 17% Positiveness
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Max Richter
Recomposed By Max Richter: Vivaldi, The ...
143 bpm • G Maj • 05:00 • -13.37db
47% Popularity • 31% Danceability • 50% Energy • 9% Liveness
84% Instrumentalness • 28% Positiveness
47% Popularity • 31% Danceability • 50% Energy • 9% Liveness
84% Instrumentalness • 28% Positiveness
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Vince Tempera
Sette note - Pt. 1 - Single Version
143 bpm • C min • 02:25 • -9.54db
37% Popularity • 36% Danceability • 39% Energy • 28% Liveness
1% Instrumentalness • 12% Positiveness
37% Popularity • 36% Danceability • 39% Energy • 28% Liveness
1% Instrumentalness • 12% Positiveness
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Chris Benstead
Is That a Gun?
137 bpm • D Maj • 03:57 • -15db
16% Popularity • 43% Danceability • 29% Energy • 10% Liveness
76% Instrumentalness • 14% Positiveness
16% Popularity • 43% Danceability • 29% Energy • 10% Liveness
76% Instrumentalness • 14% Positiveness
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Nono
Appassionato
143 bpm • D Maj • 01:48 • -10.06db
39% Popularity • 56% Danceability • 72% Energy • 9% Liveness
88% Instrumentalness • 32% Positiveness
39% Popularity • 56% Danceability • 72% Energy • 9% Liveness
88% Instrumentalness • 32% Positiveness
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Nicholas Britell
Minuet in B Minor
141 bpm • C Maj • 01:37 • -14db
43% Popularity • 54% Danceability • 20% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
43% Popularity • 54% Danceability • 20% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
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Mychael Danna
It's a Process
144 bpm • F Maj • 01:52 • -22.57db
46% Popularity • 14% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
46% Popularity • 14% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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David Arnold
The Name's Bond... James Bond
137 bpm • E min • 02:49 • -6.3db
43% Popularity • 26% Danceability • 57% Energy • 8% Liveness
71% Instrumentalness • 10% Positiveness
43% Popularity • 26% Danceability • 57% Energy • 8% Liveness
71% Instrumentalness • 10% Positiveness
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Martin Phipps
Daggers
136 bpm • A min • 02:33 • -16.6db
32% Popularity • 18% Danceability • 32% Energy • 7% Liveness
58% Instrumentalness • 3% Positiveness
32% Popularity • 18% Danceability • 32% Energy • 7% Liveness
58% Instrumentalness • 3% Positiveness
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Chris Benstead
Wrath of Man
137 bpm • C# Maj • 02:14 • -12.95db
34% Popularity • 45% Danceability • 32% Energy • 11% Liveness
72% Instrumentalness • 16% Positiveness
34% Popularity • 45% Danceability • 32% Energy • 11% Liveness
72% Instrumentalness • 16% Positiveness
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Jamie Salisbury
Dark Implications
144 bpm • G min • 02:46 • -17.61db
17% Popularity • 49% Danceability • 20% Energy • 11% Liveness
85% Instrumentalness • 38% Positiveness
17% Popularity • 49% Danceability • 20% Energy • 11% Liveness
85% Instrumentalness • 38% Positiveness
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Nicholas Britell
Dark Minuet
141 bpm • G Maj • 01:05 • -16db
42% Popularity • 49% Danceability • 26% Energy • 8% Liveness
87% Instrumentalness • 8% Positiveness
42% Popularity • 49% Danceability • 26% Energy • 8% Liveness
87% Instrumentalness • 8% Positiveness
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Philip Glass
String Quartet No. 3, "Mishima": VI. Mis...
136 bpm • C min • 03:14 • -29.89db
53% Popularity • 20% Danceability • 4% Energy • 17% Liveness
97% Instrumentalness • 13% Positiveness
53% Popularity • 20% Danceability • 4% Energy • 17% Liveness
97% Instrumentalness • 13% Positiveness
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Ludwig Göransson
Trinity
144 bpm • G Maj • 07:52 • -20.09db
53% Popularity • 34% Danceability • 21% Energy • 13% Liveness
86% Instrumentalness • 8% Positiveness
53% Popularity • 34% Danceability • 21% Energy • 13% Liveness
86% Instrumentalness • 8% Positiveness
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Éric Serra
What's Happening Out There ?
144 bpm • D min • 03:05 • -15db
26% Popularity • 54% Danceability • 52% Energy • 14% Liveness
79% Instrumentalness • 53% Positiveness
26% Popularity • 54% Danceability • 52% Energy • 14% Liveness
79% Instrumentalness • 53% Positiveness
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Saycet
Piano Sonata No. 14 in C-Sharp Minor, Op...
144 bpm • C# Maj • 04:59 • -20.49db
18% Popularity • 24% Danceability • 19% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
18% Popularity • 24% Danceability • 19% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Jóhann Jóhannsson
Epilogue
136 bpm • A min • 01:48 • -24.71db
65% Popularity • 25% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 13% Positiveness
65% Popularity • 25% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 13% Positiveness
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Nicholas Britell
Succession (Main Title Theme) - Extended...
139 bpm • C# Maj • 01:52 • -6.33db
48% Popularity • 33% Danceability • 37% Energy • 13% Liveness
88% Instrumentalness • 16% Positiveness
48% Popularity • 33% Danceability • 37% Energy • 13% Liveness
88% Instrumentalness • 16% Positiveness
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Trent Reznor and Atticus Ross
In the Hall of the Mountain King
136 bpm • A# min • 02:21 • -14.01db
39% Popularity • 23% Danceability • 14% Energy • 26% Liveness
91% Instrumentalness • 7% Positiveness
39% Popularity • 23% Danceability • 14% Energy • 26% Liveness
91% Instrumentalness • 7% Positiveness
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Michael Giacchino
Kronos Unveiled
145 bpm • C# Maj • 03:16 • -18.02db
40% Popularity • 14% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
40% Popularity • 14% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Abel Korzeniowski
Ethan's Waltz
145 bpm • B min • 01:25 • -16.41db
50% Popularity • 45% Danceability • 15% Energy • 8% Liveness
91% Instrumentalness • 29% Positiveness
50% Popularity • 45% Danceability • 15% Energy • 8% Liveness
91% Instrumentalness • 29% Positiveness
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Natalie Holt
He Who Remains
135 bpm • F# Maj • 02:55 • -11db
36% Popularity • 57% Danceability • 57% Energy • 25% Liveness
98% Instrumentalness • 45% Positiveness
36% Popularity • 57% Danceability • 57% Energy • 25% Liveness
98% Instrumentalness • 45% Positiveness
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DeVotchKa
First Push
135 bpm • B Maj • 01:05 • -12.3db
35% Popularity • 65% Danceability • 61% Energy • 28% Liveness
55% Instrumentalness • 59% Positiveness
35% Popularity • 65% Danceability • 61% Energy • 28% Liveness
55% Instrumentalness • 59% Positiveness
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Nicholas Britell
Allegro in C Minor
141 bpm • C min • 00:57 • -8.79db
42% Popularity • 66% Danceability • 52% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
42% Popularity • 66% Danceability • 52% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Agnes Obel
September Song - Bonus Track
135 bpm • C Maj • 03:24 • -27.04db
59% Popularity • 23% Danceability • 10% Energy • 11% Liveness
76% Instrumentalness • 13% Positiveness
59% Popularity • 23% Danceability • 10% Energy • 11% Liveness
76% Instrumentalness • 13% Positiveness
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Carlos Rafael Rivera
You're Gloating
134 bpm • F min • 01:06 • -27.89db
62% Popularity • 27% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
62% Popularity • 27% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 14% Positiveness
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Cristobal Tapia De Veer
Pianissimo
146 bpm • D# Maj • 00:57 • -20db
39% Popularity • 81% Danceability • 36% Energy • 11% Liveness
95% Instrumentalness • 61% Positiveness
39% Popularity • 81% Danceability • 36% Energy • 11% Liveness
95% Instrumentalness • 61% Positiveness
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Woodkid
Run Boy Run - Instrumental
134 bpm • F min • 03:34 • -6.31db
51% Popularity • 54% Danceability • 95% Energy • 11% Liveness
48% Instrumentalness • 30% Positiveness
51% Popularity • 54% Danceability • 95% Energy • 11% Liveness
48% Instrumentalness • 30% Positiveness
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Clint Mansell
Marion Barfs
134 bpm • D# Maj • 02:22 • -11.28db
35% Popularity • 45% Danceability • 31% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
35% Popularity • 45% Danceability • 31% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
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Nicholas Britell
Allegro in F Minor - Arrival at Waystar
141 bpm • C# Maj • 01:30 • -12.37db
40% Popularity • 35% Danceability • 25% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
40% Popularity • 35% Danceability • 25% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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Johnny Klimek
My Dream Ended Here
134 bpm • F min • 03:13 • -14.32db
22% Popularity • 16% Danceability • 26% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
22% Popularity • 16% Danceability • 26% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
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Daniel Pemberton
Blood On The Streets
147 bpm • E min • 07:01 • -13db
9% Popularity • 15% Danceability • 52% Energy • 26% Liveness
86% Instrumentalness • 8% Positiveness
9% Popularity • 15% Danceability • 52% Energy • 26% Liveness
86% Instrumentalness • 8% Positiveness
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Abel Korzeniowski
Restless
134 bpm • B min • 01:21 • -17.12db
47% Popularity • 16% Danceability • 33% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
47% Popularity • 16% Danceability • 33% Energy • 12% Liveness
74% Instrumentalness • 4% Positiveness
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Colin Stetson
Reborn
133 bpm • C# Maj • 03:51 • -10.28db
44% Popularity • 16% Danceability • 16% Energy • 13% Liveness
22% Instrumentalness • 3% Positiveness
44% Popularity • 16% Danceability • 16% Energy • 13% Liveness
22% Instrumentalness • 3% Positiveness
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Clint Mansell
Cleaning Apartment
134 bpm • D# Maj • 01:26 • -15db
33% Popularity • 43% Danceability • 28% Energy • 17% Liveness
83% Instrumentalness • 4% Positiveness
33% Popularity • 43% Danceability • 28% Energy • 17% Liveness
83% Instrumentalness • 4% Positiveness
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Trevor Gureckis
Main Titles - The Crowded Room
133 bpm • F min • 01:54 • -14.74db
18% Popularity • 55% Danceability • 40% Energy • 13% Liveness
94% Instrumentalness • 34% Positiveness
18% Popularity • 55% Danceability • 40% Energy • 13% Liveness
94% Instrumentalness • 34% Positiveness
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Nicholas Britell
Furioso in F Minor
141 bpm • C# Maj • 01:51 • -14.09db
41% Popularity • 61% Danceability • 35% Energy • 12% Liveness
79% Instrumentalness • 19% Positiveness
41% Popularity • 61% Danceability • 35% Energy • 12% Liveness
79% Instrumentalness • 19% Positiveness
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Robbie Robertson
Theme for The Irishman
133 bpm • C Maj • 04:35 • -16db
33% Popularity • 68% Danceability • 39% Energy • 11% Liveness
80% Instrumentalness • 40% Positiveness
33% Popularity • 68% Danceability • 39% Energy • 11% Liveness
80% Instrumentalness • 40% Positiveness
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Trent Reznor and Atticus Ross
Earthbound
148 bpm • D Maj • 01:27 • -18.94db
36% Popularity • 61% Danceability • 20% Energy • 14% Liveness
94% Instrumentalness • 9% Positiveness
36% Popularity • 61% Danceability • 20% Energy • 14% Liveness
94% Instrumentalness • 9% Positiveness
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Abel Korzeniowski
Table For Two
132 bpm • A# min • 03:23 • -15.99db
53% Popularity • 20% Danceability • 13% Energy • 28% Liveness
87% Instrumentalness • 4% Positiveness
53% Popularity • 20% Danceability • 13% Energy • 28% Liveness
87% Instrumentalness • 4% Positiveness
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Clint Mansell
Lux Aeterna
134 bpm • G min • 03:54 • -13.96db
56% Popularity • 38% Danceability • 25% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
56% Popularity • 38% Danceability • 25% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Alexandre Desplat
Mr. Fox in the Fields
132 bpm • D Maj • 01:02 • -19.89db
54% Popularity • 71% Danceability • 39% Energy • 30% Liveness
78% Instrumentalness • 85% Positiveness
54% Popularity • 71% Danceability • 39% Energy • 30% Liveness
78% Instrumentalness • 85% Positiveness
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Nicholas Britell
Pianos + 808 + Beat - "Welcome Home”
142 bpm • C Maj • 02:04 • -9.26db
42% Popularity • 78% Danceability • 48% Energy • 11% Liveness
88% Instrumentalness • 62% Positiveness
42% Popularity • 78% Danceability • 48% Energy • 11% Liveness
88% Instrumentalness • 62% Positiveness
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Marco Beltrami
Le Mans 66
132 bpm • E Maj • 05:42 • -11.67db
36% Popularity • 30% Danceability • 62% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
36% Popularity • 30% Danceability • 62% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
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Ryuichi Sakamoto
The Revenant Main Theme
132 bpm • E min • 02:41 • -26.3db
53% Popularity • 16% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 5% Positiveness
53% Popularity • 16% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 5% Positiveness
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Max Richter
To the Stars
131 bpm • E min • 03:30 • -25.28db
48% Popularity • 16% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
48% Popularity • 16% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Ludwig Göransson
FOILS
150 bpm • D# min • 03:10 • -13.32db
46% Popularity • 54% Danceability • 46% Energy • 10% Liveness
93% Instrumentalness • 42% Positiveness
46% Popularity • 54% Danceability • 46% Energy • 10% Liveness
93% Instrumentalness • 42% Positiveness
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David Buckley
The Kingdom of Dreams (Main Title Theme)
131 bpm • G# Maj • 02:14 • -16.24db
40% Popularity • 36% Danceability • 37% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
40% Popularity • 36% Danceability • 37% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Nicholas Britell
Theme Variation - Piano, Orchestra, 808
142 bpm • C# Maj • 00:52 • -13.93db
43% Popularity • 32% Danceability • 29% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
43% Popularity • 32% Danceability • 29% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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Inon Zur
Dangerous Affairs
150 bpm • D min • 02:13 • -10.98db
32% Popularity • 62% Danceability • 39% Energy • 14% Liveness
61% Instrumentalness • 36% Positiveness
32% Popularity • 62% Danceability • 39% Energy • 14% Liveness
61% Instrumentalness • 36% Positiveness
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Alexandre Desplat
Mr. Moustafa
150 bpm • F Maj • 03:03 • -15.09db
46% Popularity • 52% Danceability • 31% Energy • 11% Liveness
97% Instrumentalness • 33% Positiveness
46% Popularity • 52% Danceability • 31% Energy • 11% Liveness
97% Instrumentalness • 33% Positiveness
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Colin Stetson
Amuse Bouche (Reprise)
150 bpm • C min • 02:05 • -10.77db
22% Popularity • 70% Danceability • 41% Energy • 10% Liveness
62% Instrumentalness • 39% Positiveness
22% Popularity • 70% Danceability • 41% Energy • 10% Liveness
62% Instrumentalness • 39% Positiveness
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Philip Glass
Tales from the Loop
150 bpm • B min • 02:55 • -26.97db
44% Popularity • 42% Danceability • 6% Energy • 9% Liveness
82% Instrumentalness • 6% Positiveness
44% Popularity • 42% Danceability • 6% Energy • 9% Liveness
82% Instrumentalness • 6% Positiveness
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Francis Lai
La leçon particulière - Bande original...
150 bpm • D min • 01:45 • -7.73db
70% Popularity • 18% Danceability • 47% Energy • 20% Liveness
91% Instrumentalness • 42% Positiveness
70% Popularity • 18% Danceability • 47% Energy • 20% Liveness
91% Instrumentalness • 42% Positiveness
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Nicholas Britell
Rondo in F Minor for String Orchestra
142 bpm • F min • 01:36 • -15.49db
42% Popularity • 43% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 14% Positiveness
42% Popularity • 43% Danceability • 18% Energy • 11% Liveness
85% Instrumentalness • 14% Positiveness
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Abel Korzeniowski
Satin Birds
130 bpm • C min • 04:29 • -19db
38% Popularity • 42% Danceability • 13% Energy • 10% Liveness
77% Instrumentalness • 12% Positiveness
38% Popularity • 42% Danceability • 13% Energy • 10% Liveness
77% Instrumentalness • 12% Positiveness
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Eternal Eclipse
Dawn of Faith
130 bpm • C min • 03:13 • -9.42db
51% Popularity • 24% Danceability • 47% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
51% Popularity • 24% Danceability • 47% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
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Ólafur Arnalds
Defending Jacob Theme (Extended Version)
130 bpm • B min • 02:11 • -17db
26% Popularity • 36% Danceability • 30% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
26% Popularity • 36% Danceability • 30% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
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Rafael Krux
Baroque Harpsichord and Strings
130 bpm • A min • 01:36 • -7.71db
40% Popularity • 64% Danceability • 64% Energy • 8% Liveness
79% Instrumentalness • 52% Positiveness
40% Popularity • 64% Danceability • 64% Energy • 8% Liveness
79% Instrumentalness • 52% Positiveness
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Martin Phipps
Actually Her
130 bpm • D min • 03:12 • -20db
34% Popularity • 22% Danceability • 20% Energy • 9% Liveness
97% Instrumentalness • 10% Positiveness
34% Popularity • 22% Danceability • 20% Energy • 9% Liveness
97% Instrumentalness • 10% Positiveness
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Nicholas Britell
Impromptu No. 2 for Piano and Orchestra
135 bpm • C min • 02:11 • -20.44db
37% Popularity • 41% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
37% Popularity • 41% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Howard Harper-Barnes
The Farewell Serenade
130 bpm • E min • 02:02 • -10db
39% Popularity • 72% Danceability • 47% Energy • 16% Liveness
96% Instrumentalness • 43% Positiveness
39% Popularity • 72% Danceability • 47% Energy • 16% Liveness
96% Instrumentalness • 43% Positiveness
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Wednesday Addams
Paint It Black
130 bpm • F min • 02:25 • -11.23db
50% Popularity • 63% Danceability • 27% Energy • 10% Liveness
94% Instrumentalness • 76% Positiveness
50% Popularity • 63% Danceability • 27% Energy • 10% Liveness
94% Instrumentalness • 76% Positiveness
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Max Richter
Recomposed By Max Richter: Vivaldi, The ...
151 bpm • F min • 03:00 • -12.2db
45% Popularity • 48% Danceability • 61% Energy • 30% Liveness
90% Instrumentalness • 48% Positiveness
45% Popularity • 48% Danceability • 61% Energy • 30% Liveness
90% Instrumentalness • 48% Positiveness
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Grooving Gecko
Violin
130 bpm • G min • 01:22 • -10.52db
31% Popularity • 56% Danceability • 49% Energy • 8% Liveness
89% Instrumentalness • 75% Positiveness
31% Popularity • 56% Danceability • 49% Energy • 8% Liveness
89% Instrumentalness • 75% Positiveness
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David Arnold
Who You Really Are
129 bpm • A min • 02:35 • -15.59db
17% Popularity • 22% Danceability • 27% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
17% Popularity • 22% Danceability • 27% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
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Nicholas Britell
Adagio in C Minor
131 bpm • C min • 01:30 • -17.87db
60% Popularity • 16% Danceability • 8% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
60% Popularity • 16% Danceability • 8% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Alexandre Desplat
Statues
129 bpm • C# Maj • 02:24 • -20.5db
55% Popularity • 32% Danceability • 24% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
55% Popularity • 32% Danceability • 24% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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Jóhann Jóhannsson
Camping
129 bpm • A min • 01:18 • -20db
66% Popularity • 37% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
66% Popularity • 37% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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Gustavo Santaolalla
The Last of Us Part II
129 bpm • D min • 02:52 • -18.03db
51% Popularity • 45% Danceability • 5% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness
51% Popularity • 45% Danceability • 5% Energy • 10% Liveness
78% Instrumentalness • 13% Positiveness
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Theodore Shapiro
Main Titles
128 bpm • A# Maj • 01:20 • -14.45db
40% Popularity • 51% Danceability • 21% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
40% Popularity • 51% Danceability • 21% Energy • 8% Liveness
97% Instrumentalness • 3% Positiveness
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Colin Stetson
A Revolution in Cuisine
128 bpm • D min • 01:38 • -12.62db
23% Popularity • 17% Danceability • 28% Energy • 11% Liveness
5% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 28% Energy • 11% Liveness
5% Instrumentalness • 4% Positiveness
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Nicholas Britell
Million Dollar Home Run
131 bpm • A min • 01:30 • -15.96db
42% Popularity • 66% Danceability • 34% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
42% Popularity • 66% Danceability • 34% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Alexandre Desplat
Moses Rosenthaler
129 bpm • G Maj • 02:29 • -19db
20% Popularity • 52% Danceability • 26% Energy • 8% Liveness
94% Instrumentalness • 24% Positiveness
20% Popularity • 52% Danceability • 26% Energy • 8% Liveness
94% Instrumentalness • 24% Positiveness
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Inon Zur
Total View
154 bpm • D min • 02:03 • -9.96db
27% Popularity • 62% Danceability • 49% Energy • 27% Liveness
89% Instrumentalness • 46% Positiveness
27% Popularity • 62% Danceability • 49% Energy • 27% Liveness
89% Instrumentalness • 46% Positiveness
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Chris Benstead
A Proper Handsome C**t
127 bpm • D Maj • 02:10 • -15.95db
24% Popularity • 87% Danceability • 22% Energy • 11% Liveness
86% Instrumentalness • 21% Positiveness
24% Popularity • 87% Danceability • 22% Energy • 11% Liveness
86% Instrumentalness • 21% Positiveness
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Theodore Shapiro
Still Vibrating
128 bpm • C min • 01:49 • -17db
28% Popularity • 41% Danceability • 28% Energy • 10% Liveness
75% Instrumentalness • 3% Positiveness
28% Popularity • 41% Danceability • 28% Energy • 10% Liveness
75% Instrumentalness • 3% Positiveness
