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Such Great Heights
Songs like
Such Great Heights
by
AS IT IS
Based on a tempo of (+/- 10%) and a similar genre
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Settle Your Scores
Stuck in the Suburbs
176 bpm • C Maj • 03:39 • -6.74db
35% Popularity • 43% Danceability • 96% Energy • 38% Liveness
42% Instrumentalness • 48% Positiveness
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AS IT IS
Soap
176 bpm • D# min • 03:42 • -4db
22% Popularity • 37% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Happy.
Don't Overdose and Drive
176 bpm • D Maj • 02:40 • -7db
34% Popularity • 38% Danceability • 76% Energy • 29% Liveness
1% Instrumentalness • 36% Positiveness
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Bleak Soul
Nostalgia
176 bpm • A min • 03:18 • -3.31db
3% Popularity • 32% Danceability • 92% Energy • 45% Liveness
0% Instrumentalness • 29% Positiveness
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Makeout
Childish
176 bpm • D# Maj • 03:03 • -2.64db
25% Popularity • 19% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
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Story Untold
California
176 bpm • G# Maj • 03:29 • -4db
20% Popularity • 32% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Settle Your Scores
Broken Heart Scenario
177 bpm • B Maj • 03:32 • -3.56db
14% Popularity • 42% Danceability • 89% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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AS IT IS
Such Great Heights
176 bpm • F min • 03:23 • -7db
32% Popularity • 43% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Osatia
Together
175 bpm • F min • 03:10 • -5db
28% Popularity • 43% Danceability • 96% Energy • 8% Liveness
14% Instrumentalness • 52% Positiveness
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Stand Atlantic
Coffee at Midnight
177 bpm • F# Maj • 03:44 • -3.49db
49% Popularity • 39% Danceability • 95% Energy • 86% Liveness
0% Instrumentalness • 63% Positiveness
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ROAM
Tracks
175 bpm • D Maj • 03:22 • -6db
37% Popularity • 45% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
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The Gospel Youth
Afloat
175 bpm • C# Maj • 04:02 • -7db
22% Popularity • 24% Danceability • 72% Energy • 15% Liveness
16% Instrumentalness • 22% Positiveness
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We Are The In Crowd
Rumor Mill
175 bpm • F# Maj • 03:38 • -3.47db
37% Popularity • 41% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Hot Milk
Teenage Runaways
175 bpm • C# min • 02:59 • -5db
39% Popularity • 41% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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AS IT IS
Still Remembering
175 bpm • G# Maj • 03:16 • -7.37db
35% Popularity • 47% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Sincerely, Me
It's Okay to Be Me
175 bpm • E Maj • 03:25 • -5db
28% Popularity • 43% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Oh, Weatherly
One for the Rose
175 bpm • F# min • 03:39 • -3.8db
13% Popularity • 48% Danceability • 96% Energy • 78% Liveness
0% Instrumentalness • 56% Positiveness
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The Summer Set
Under the Influence(r)
178 bpm • G# Maj • 03:15 • -2.82db
46% Popularity • 49% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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WSTR
All The Rage
174 bpm • F# Maj • 03:21 • -3.85db
34% Popularity • 59% Danceability • 86% Energy • 48% Liveness
0% Instrumentalness • 62% Positiveness
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Go Radio
Live, Learn, Let Go
178 bpm • D Maj • 03:09 • -4db
35% Popularity • 38% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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AS IT IS
The Coast Is Where Home Is
175 bpm • C# min • 03:16 • -4db
22% Popularity • 30% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Broadside
Coffee Talk
174 bpm • G# Maj • 02:54 • -2.96db
53% Popularity • 27% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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Makeout
Lisa
174 bpm • G# Maj • 03:21 • -3db
23% Popularity • 43% Danceability • 95% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Last Night Saved My Life
As It Was
174 bpm • A Maj • 02:44 • -3.57db
18% Popularity • 40% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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We Are The In Crowd
Attention
173 bpm • A# Maj • 03:22 • -5.04db
24% Popularity • 39% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Telltale
Won't Be Me
179 bpm • C# Maj • 04:14 • -6db
43% Popularity • 45% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Tonight Alive
Amelia
180 bpm • F# Maj • 03:38 • -6db
34% Popularity • 30% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Boston Manor
Heathens
180 bpm • D# min • 03:46 • -6db
37% Popularity • 35% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Jarrod Alonge
First World Tragedy
180 bpm • C# min • 05:00 • -2.79db
33% Popularity • 40% Danceability • 97% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Last Night Saved My Life
Waterfall
180 bpm • D Maj • 02:56 • -3.5db
32% Popularity • 42% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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The Gospel Youth
Moods Like English Weather
180 bpm • D Maj • 03:45 • -2.63db
25% Popularity • 34% Danceability • 96% Energy • 50% Liveness
0% Instrumentalness • 49% Positiveness
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We Are The In Crowd
Reflections
173 bpm • C Maj • 02:41 • -6db
50% Popularity • 43% Danceability • 83% Energy • 44% Liveness
0% Instrumentalness • 55% Positiveness
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First and Forever
If There’s Smoke, There’s a Fire
180 bpm • F Maj • 03:30 • -3.99db
21% Popularity • 44% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
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Makeout
Better Days
172 bpm • C# Maj • 03:09 • -5.02db
20% Popularity • 46% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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WSTR
Riddle Me This
180 bpm • G# Maj • 02:49 • -5db
26% Popularity • 36% Danceability • 98% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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The Home Team
She's Quiet
180 bpm • F Maj • 03:19 • -3db
53% Popularity • 44% Danceability • 94% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Last Night Saved My Life
Undone
180 bpm • A# Maj • 03:20 • -5db
23% Popularity • 36% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Against The Current
weapon
180 bpm • G min • 03:17 • -4db
58% Popularity • 40% Danceability • 92% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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World War Me
Ache for Agony
172 bpm • C Maj • 03:41 • -2.54db
16% Popularity • 43% Danceability • 94% Energy • 65% Liveness
0% Instrumentalness • 39% Positiveness
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All Time Low
Don't You Go
180 bpm • A# Maj • 03:05 • -4.29db
40% Popularity • 47% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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WSTR
Bad To The Bone
180 bpm • B min • 03:21 • -5db
32% Popularity • 40% Danceability • 89% Energy • 6% Liveness
1% Instrumentalness • 56% Positiveness
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AS IT IS
Silence (Pretending's So Comfortable)
172 bpm • E Maj • 03:42 • -4.83db
20% Popularity • 28% Danceability • 87% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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The Gospel Youth
Hurricane
172 bpm • C# min • 03:28 • -6.01db
12% Popularity • 32% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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We Are The In Crowd
Come Back Home
172 bpm • E Maj • 02:56 • -5db
30% Popularity • 42% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 54% Positiveness
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The Bottom Line
Broke
170 bpm • F Maj • 03:38 • -6.33db
13% Popularity • 53% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
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All Time Low
Weightless
181 bpm • D Maj • 03:18 • -4.51db
64% Popularity • 50% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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WSTR
3 Days Sober
172 bpm • A# Maj • 02:57 • -2.84db
38% Popularity • 42% Danceability • 97% Energy • 73% Liveness
0% Instrumentalness • 44% Positiveness
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The Home Team
She's Quiet - Acoustic
170 bpm • F Maj • 03:20 • -7db
40% Popularity • 52% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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AS IT IS
I DIE 1000x
172 bpm • G# Maj • 02:46 • -4.56db
23% Popularity • 36% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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World War Me
Live with Ourselves
182 bpm • G# Maj • 03:41 • -3.1db
12% Popularity • 44% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Driveways
October Forever
170 bpm • D min • 04:11 • -7db
41% Popularity • 39% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Last Night Saved My Life
Broke & Lying
170 bpm • G Maj • 02:52 • -4.08db
21% Popularity • 44% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Hot Milk
I JUST WANNA KNOW WHAT HAPPENS WHEN I'M ...
182 bpm • C# min • 03:01 • -3.24db
39% Popularity • 40% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Hawthorne Heights
Holy Coast
170 bpm • D# min • 03:42 • -5.61db
23% Popularity • 49% Danceability • 88% Energy • 13% Liveness
4% Instrumentalness • 59% Positiveness
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Story Untold
History
182 bpm • G Maj • 02:59 • -4.43db
33% Popularity • 41% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
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First and Forever
Alone in the Dark
170 bpm • C Maj • 02:29 • -3.33db
31% Popularity • 43% Danceability • 95% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Driveways
XO Tour Llif3
170 bpm • B min • 03:00 • -4.7db
39% Popularity • 45% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Against The Current
jump
170 bpm • F min • 02:40 • -5db
49% Popularity • 40% Danceability • 78% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
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Telltale
Out Of Control!
182 bpm • A Maj • 02:47 • -3.27db
22% Popularity • 38% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 33% Positiveness
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Oh, Weatherly
Say You're My Friend
170 bpm • G# Maj • 03:23 • -2.56db
12% Popularity • 51% Danceability • 98% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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Milestones
Forever Or Never
170 bpm • G# min • 03:54 • -4.59db
8% Popularity • 44% Danceability • 97% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Sunrise Skater Kids
All the Old Things
170 bpm • G Maj • 04:17 • -3.27db
43% Popularity • 29% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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FigureItOut
Stay
170 bpm • C# Maj • 02:27 • -3.65db
29% Popularity • 42% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Blossom
How Do You Like Me Now?
170 bpm • D Maj • 03:23 • -3.57db
7% Popularity • 35% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Boys of Fall
My Promise to Maryland
170 bpm • C Maj • 03:48 • -2db
25% Popularity • 41% Danceability • 99% Energy • 19% Liveness
0% Instrumentalness • 20% Positiveness
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Tonight Alive
Lonely Girl
170 bpm • G min • 03:11 • -3.43db
45% Popularity • 41% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Secrets
Last Time
170 bpm • E min • 03:35 • -3.31db
35% Popularity • 47% Danceability • 99% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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The Home Team
Ageless
170 bpm • F min • 03:20 • -4db
34% Popularity • 48% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Belmont
Stay
170 bpm • C# Maj • 02:18 • -4.7db
39% Popularity • 48% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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We Are The In Crowd
Better Luck Next Time
183 bpm • F# Maj • 02:51 • -4db
21% Popularity • 42% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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We Were Sharks
Hotel Beds
169 bpm • D Maj • 02:34 • -3db
45% Popularity • 43% Danceability • 98% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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First and Forever
One More Time
168 bpm • F min • 03:21 • -3.41db
33% Popularity • 40% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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Driveways
Skeletons
169 bpm • A# Maj • 02:48 • -6.74db
45% Popularity • 47% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Happy.
Where the Wild Things Were
168 bpm • A Maj • 03:04 • -6.83db
12% Popularity • 41% Danceability • 86% Energy • 7% Liveness
1% Instrumentalness • 30% Positiveness
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State Champs
Dead and Gone
168 bpm • D Maj • 03:11 • -2.71db
46% Popularity • 37% Danceability • 97% Energy • 42% Liveness
0% Instrumentalness • 52% Positiveness
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World War Me
Escape
168 bpm • D Maj • 02:52 • -2.23db
22% Popularity • 52% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Boston Manor
Carbon Mono
168 bpm • F# Maj • 03:55 • -4.33db
38% Popularity • 41% Danceability • 97% Energy • 91% Liveness
0% Instrumentalness • 49% Positiveness
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Sundressed
Beck and Call
168 bpm • G# Maj • 03:00 • -2db
32% Popularity • 56% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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The Maine
Black Butterflies and Déjà Vu
168 bpm • F Maj • 03:23 • -4.52db
58% Popularity • 45% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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7 Minutes In Heaven
Better Off
185 bpm • D Maj • 03:15 • -3.96db
25% Popularity • 43% Danceability • 90% Energy • 51% Liveness
0% Instrumentalness • 67% Positiveness
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Chunk! No, Captain Chunk!
In Friends We Trust
185 bpm • F min • 03:27 • -4.88db
41% Popularity • 38% Danceability • 96% Energy • 24% Liveness
1% Instrumentalness • 40% Positiveness
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The Gospel Youth
All She Ever Does
185 bpm • C Maj • 03:17 • -5.29db
14% Popularity • 33% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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City Lights
Cold and Grey
185 bpm • B Maj • 03:26 • -3.56db
23% Popularity • 34% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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AS IT IS
The Stigma (Boys Don’t Cry)
167 bpm • G# Maj • 03:02 • -5db
43% Popularity • 33% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Hawthorne Heights
Hard to Breathe
167 bpm • C# Maj • 02:57 • -6.27db
40% Popularity • 43% Danceability • 93% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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Milestones
Paranoid
167 bpm • B min • 03:11 • -2.88db
32% Popularity • 38% Danceability • 98% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Chunk! No, Captain Chunk!
The Other Line
167 bpm • C# min • 03:29 • -3.75db
46% Popularity • 39% Danceability • 93% Energy • 19% Liveness
46% Instrumentalness • 38% Positiveness
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Last Night Saved My Life
Talk Me Down
166 bpm • F Maj • 03:19 • -3.48db
17% Popularity • 44% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
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Every Avenue
Fall Apart
166 bpm • C# Maj • 03:20 • -6.3db
35% Popularity • 39% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 61% Positiveness
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AS IT IS
No Way Out
167 bpm • G# Maj • 03:17 • -3.74db
26% Popularity • 38% Danceability • 94% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
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All Time Low
Something's Gotta Give
166 bpm • E Maj • 03:09 • -3.29db
55% Popularity • 50% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Chase Your Words
Here to Stay
165 bpm • G# Maj • 03:23 • -2.08db
19% Popularity • 43% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Simple Creatures
One Little Lie
165 bpm • C Maj • 03:15 • -5.62db
41% Popularity • 51% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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ROAM
Playing Fiction
165 bpm • D Maj • 02:40 • -2.7db
47% Popularity • 47% Danceability • 99% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
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Summer Wars
End of an Era
165 bpm • G# Maj • 03:13 • -5db
39% Popularity • 37% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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AS IT IS
I CAN’T FEEL A THING
167 bpm • G# Maj • 03:24 • -4.67db
25% Popularity • 37% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Oh, Weatherly
Here Tonight
165 bpm • B Maj • 03:19 • -4db
39% Popularity • 45% Danceability • 98% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Driveways
There for a Reason
165 bpm • B Maj • 03:13 • -7.9db
39% Popularity • 39% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Makeout
Clockwork
165 bpm • C# Maj • 03:25 • -3.13db
21% Popularity • 44% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Milestones
Against The World
165 bpm • D Maj • 04:02 • -5.68db
7% Popularity • 40% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Such Great Heights