Songs like Suelo De Canicas by Ella Baila Sola
Based on a tempo of (+/- 10%) and a similar genre
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Luis Eduardo Aute
AlevosÃa
136 bpm • C Maj • 04:38 • -16.09db
48% Popularity • 67% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
48% Popularity • 67% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
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Ella Baila Sola
Suelo De Canicas
136 bpm • A Maj • 04:16 • -9db
28% Popularity • 59% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
28% Popularity • 59% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 19% Positiveness
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David DeMarÃa
He dejado de creer
136 bpm • A# min • 05:14 • -4.11db
17% Popularity • 55% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 55% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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Paulina Rubio
Te Quise Tanto
136 bpm • D Maj • 04:05 • -4.16db
57% Popularity • 70% Danceability • 94% Energy • 78% Liveness
0% Instrumentalness • 92% Positiveness
57% Popularity • 70% Danceability • 94% Energy • 78% Liveness
0% Instrumentalness • 92% Positiveness
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Luz Casal
Un nuevo dÃa brillará
136 bpm • A Maj • 02:59 • -9db
41% Popularity • 73% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
41% Popularity • 73% Danceability • 56% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Antonio Flores
Coraje de Vivir
136 bpm • A min • 03:31 • -3.49db
34% Popularity • 54% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
34% Popularity • 54% Danceability • 81% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
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Carlos Baute
Amarte bien
136 bpm • E Maj • 03:25 • -4.54db
40% Popularity • 71% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
40% Popularity • 71% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Revolver
Si es por ti
136 bpm • D Maj • 06:09 • -9.95db
16% Popularity • 51% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 51% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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El Último De La Fila
Insurreccion (En Directo)
136 bpm • C Maj • 02:14 • -4.01db
52% Popularity • 49% Danceability • 95% Energy • 98% Liveness
0% Instrumentalness • 61% Positiveness
52% Popularity • 49% Danceability • 95% Energy • 98% Liveness
0% Instrumentalness • 61% Positiveness
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Tam Tam Go!
Atrapados en la red
136 bpm • A Maj • 04:23 • -8.76db
46% Popularity • 75% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
46% Popularity • 75% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Christina y Los Subterraneos
Ni una maldita florecita
136 bpm • D Maj • 03:15 • -12.87db
27% Popularity • 66% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 66% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Antonio Flores
Siete Vidas
136 bpm • A min • 04:02 • -11.49db
56% Popularity • 54% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
56% Popularity • 54% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Monica Naranjo
Desátame
136 bpm • G min • 04:47 • -2.28db
43% Popularity • 54% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
43% Popularity • 54% Danceability • 96% Energy • 24% Liveness
0% Instrumentalness • 62% Positiveness
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Pedro Guerra
Dibujos Animados - Remasterizado
136 bpm • D Maj • 04:23 • -12.05db
18% Popularity • 53% Danceability • 36% Energy • 90% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 53% Danceability • 36% Energy • 90% Liveness
0% Instrumentalness • 43% Positiveness
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Los Rodriguez
Mucho mejor
136 bpm • G Maj • 03:54 • -4db
58% Popularity • 68% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
58% Popularity • 68% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
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Tam Tam Go!
En la tierra caliente
135 bpm • A min • 03:52 • -5.42db
23% Popularity • 68% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 68% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Jarabe De Palo
Duerme conmigo
137 bpm • G Maj • 03:21 • -7.82db
48% Popularity • 63% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
48% Popularity • 63% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Chayanne
Te Echo de Menos
137 bpm • A Maj • 03:27 • -4.97db
48% Popularity • 49% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
48% Popularity • 49% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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La Oreja de Van Gogh
Paris
137 bpm • D min • 03:46 • -6.11db
65% Popularity • 53% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
65% Popularity • 53% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Amaia Montero
Quiero Ser
137 bpm • G Maj • 04:16 • -4.76db
57% Popularity • 67% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
57% Popularity • 67% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Alex Ubago
¿Qué pides tú?
135 bpm • G Maj • 04:09 • -6db
57% Popularity • 68% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
57% Popularity • 68% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 62% Positiveness
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Mecano
Los Amantes
135 bpm • C Maj • 02:52 • -10.77db
53% Popularity • 79% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
53% Popularity • 79% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Jarabe De Palo
Romeo y Julieta
135 bpm • C Maj • 04:13 • -6db
46% Popularity • 74% Danceability • 80% Energy • 55% Liveness
1% Instrumentalness • 96% Positiveness
46% Popularity • 74% Danceability • 80% Energy • 55% Liveness
1% Instrumentalness • 96% Positiveness
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Antonio Flores
Rosas de Fresa
138 bpm • G Maj • 03:06 • -11.01db
32% Popularity • 48% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 48% Danceability • 36% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Manuel Carrasco
Y Ahora
134 bpm • C Maj • 04:15 • -7db
51% Popularity • 47% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
51% Popularity • 47% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Alaska Y Dinarama
Ni tú ni nadie
138 bpm • G Maj • 03:37 • -10.56db
67% Popularity • 60% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
67% Popularity • 60% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Christina y Los Subterraneos
1.000 pedazos
138 bpm • G Maj • 04:18 • -7.7db
48% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
48% Popularity • 63% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Ella Baila Sola
Contigo me cruzo deprisa
138 bpm • D Maj • 04:11 • -6.46db
12% Popularity • 64% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 64% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Cristian Castro
Lloviendo Estrellas
134 bpm • E Maj • 04:15 • -5db
53% Popularity • 59% Danceability • 81% Energy • 42% Liveness
0% Instrumentalness • 59% Positiveness
53% Popularity • 59% Danceability • 81% Energy • 42% Liveness
0% Instrumentalness • 59% Positiveness
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Carlos Baute
Quién te quiere como yo
134 bpm • F# Maj • 03:44 • -4.63db
54% Popularity • 68% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
54% Popularity • 68% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Manuel Carrasco
Dispara Lentamente
138 bpm • C Maj • 04:46 • -7.37db
40% Popularity • 59% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 59% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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El Último De La Fila
Cuando el Mar Te Tenga (En Directo)
138 bpm • G min • 03:43 • -3db
47% Popularity • 35% Danceability • 97% Energy • 92% Liveness
0% Instrumentalness • 45% Positiveness
47% Popularity • 35% Danceability • 97% Energy • 92% Liveness
0% Instrumentalness • 45% Positiveness
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Ricky Martin
Volveras
138 bpm • B Maj • 04:50 • -8.53db
51% Popularity • 50% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
51% Popularity • 50% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Ella Baila Sola
Junta los dedos
138 bpm • C Maj • 04:16 • -6.42db
9% Popularity • 67% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 67% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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Luz Casal
Besaré el suelo
138 bpm • C Maj • 05:13 • -8.04db
36% Popularity • 56% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 56% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Danza Invisible
Sabor de amor - Versión 1988
134 bpm • A Maj • 03:41 • -6db
50% Popularity • 63% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
50% Popularity • 63% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 84% Positiveness
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Ole Ole
La bambola
133 bpm • F# min • 04:24 • -12.97db
17% Popularity • 74% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 74% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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La Quinta Estacion
DarÃa
133 bpm • F Maj • 03:42 • -3.13db
54% Popularity • 60% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
54% Popularity • 60% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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La Oreja de Van Gogh
Cuéntame al Oido
133 bpm • C Maj • 03:11 • -7.04db
57% Popularity • 65% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
57% Popularity • 65% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Ella Baila Sola
Cuando los sapos bailen flamenco
134 bpm • A min • 03:15 • -12db
54% Popularity • 73% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
54% Popularity • 73% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Monica Naranjo
Empiezo a Recordarte
133 bpm • B Maj • 04:09 • -3db
53% Popularity • 32% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
53% Popularity • 32% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
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Laura Pausini
La soledad
133 bpm • C# Maj • 03:59 • -6db
61% Popularity • 58% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
61% Popularity • 58% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Radio Futura
Veneno en la Piel
139 bpm • D Maj • 03:45 • -8.49db
60% Popularity • 67% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
60% Popularity • 67% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Abigail
Hilar Tan Fino
139 bpm • C Maj • 03:45 • -10.7db
14% Popularity • 45% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 45% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Amaral
DÃas de verano
140 bpm • F# min • 03:28 • -2.51db
57% Popularity • 49% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
57% Popularity • 49% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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La Quinta Estacion
Sueños Rotos
140 bpm • F# Maj • 04:10 • -5.85db
60% Popularity • 51% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
60% Popularity • 51% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Cómplices
Sonrisa Plateada
132 bpm • A# min • 04:10 • -12.07db
19% Popularity • 34% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 34% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Shakira
Tú
140 bpm • C Maj • 03:34 • -8.82db
69% Popularity • 57% Danceability • 33% Energy • 25% Liveness
0% Instrumentalness • 21% Positiveness
69% Popularity • 57% Danceability • 33% Energy • 25% Liveness
0% Instrumentalness • 21% Positiveness
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Enrique Urquijo y Los problemas
Amanecà otra vez
132 bpm • F Maj • 02:39 • -7.87db
32% Popularity • 56% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 56% Danceability • 51% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
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Ella Baila Sola
Nacer para encontrarte
140 bpm • C Maj • 03:40 • -7.52db
11% Popularity • 69% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 69% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Amaia Montero
Te Voy A Decir Una Cosa
140 bpm • A# min • 03:32 • -5db
49% Popularity • 70% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
49% Popularity • 70% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Monica Naranjo
Sobreviviré
132 bpm • E Maj • 04:56 • -4.96db
49% Popularity • 58% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
49% Popularity • 58% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Danza Invisible
Yolanda
140 bpm • G Maj • 04:13 • -9db
30% Popularity • 69% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 69% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
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Formula V
Cuéntame
132 bpm • C# min • 02:50 • -13.21db
47% Popularity • 68% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
47% Popularity • 68% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
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Amistades Peligrosas
Te Besé, Pt. 2
140 bpm • C# min • 03:29 • -6db
33% Popularity • 82% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
33% Popularity • 82% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Nacho Cano
El Amargo del Pomelo
132 bpm • F min • 03:02 • -8.27db
34% Popularity • 69% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
34% Popularity • 69% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Franco De Vita
Fuera De Este Mundo
140 bpm • G Maj • 04:35 • -6.89db
49% Popularity • 52% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 19% Positiveness
49% Popularity • 52% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 19% Positiveness
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La Quinta Estacion
Sin Salida
132 bpm • A# Maj • 03:13 • -3.34db
23% Popularity • 54% Danceability • 95% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
23% Popularity • 54% Danceability • 95% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
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Monica Naranjo
Tú y Yo Volvemos al Amor
140 bpm • A Maj • 04:34 • -3.89db
43% Popularity • 63% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
43% Popularity • 63% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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David DeMarÃa
Cada vez que estoy sin ti
132 bpm • B min • 04:04 • -6.44db
26% Popularity • 60% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 60% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Amistades Peligrosas
Te Besé, Pt. 1
140 bpm • C# min • 03:23 • -6db
35% Popularity • 74% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
35% Popularity • 74% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
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Andy & Lucas
Hasta los Huesos
140 bpm • A Maj • 03:25 • -7db
41% Popularity • 71% Danceability • 75% Energy • 41% Liveness
0% Instrumentalness • 81% Positiveness
41% Popularity • 71% Danceability • 75% Energy • 41% Liveness
0% Instrumentalness • 81% Positiveness
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Enrique Urquijo y Los problemas
Desde que no nos vemos
140 bpm • A# Maj • 02:37 • -7db
33% Popularity • 59% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 59% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 96% Positiveness
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Franco De Vita
No Se Olvida
140 bpm • F Maj • 04:06 • -5.03db
43% Popularity • 56% Danceability • 60% Energy • 89% Liveness
0% Instrumentalness • 18% Positiveness
43% Popularity • 56% Danceability • 60% Energy • 89% Liveness
0% Instrumentalness • 18% Positiveness
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Manuel Carrasco
Siendo Uno Mismo
140 bpm • D# Maj • 05:16 • -6db
46% Popularity • 51% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
46% Popularity • 51% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Ella Baila Sola
Ay de ti, ay de mÃ
132 bpm • G Maj • 03:50 • -7db
38% Popularity • 62% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 62% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
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David DeMarÃa
Precisamente ahora
140 bpm • B Maj • 04:24 • -4db
47% Popularity • 52% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
47% Popularity • 52% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Luis Eduardo Aute
No Te Desnudes Todavia
140 bpm • F# min • 04:13 • -10.48db
26% Popularity • 47% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
26% Popularity • 47% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Antonio Flores
No DudarÃa - Remasterizado
140 bpm • C Maj • 03:33 • -5db
51% Popularity • 54% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
51% Popularity • 54% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
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Monica Naranjo
Pantera en Libertad
131 bpm • D# min • 04:43 • -3.42db
37% Popularity • 55% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
37% Popularity • 55% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Christina y Los Subterraneos
Señorita
141 bpm • G Maj • 02:51 • -17.04db
29% Popularity • 68% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 68% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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El Arrebato
Hoy me dio por ser honesto (con Antonio ...
141 bpm • F# Maj • 03:59 • -4db
37% Popularity • 65% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 65% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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La Oreja de Van Gogh
CuÃdate
141 bpm • G# Maj • 02:49 • -4.63db
72% Popularity • 66% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
72% Popularity • 66% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
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Alaska Y Dinarama
A quién le importa
131 bpm • G Maj • 03:25 • -10.47db
61% Popularity • 57% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
61% Popularity • 57% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Antonio Vega
Se dejaba llevar - Live
130 bpm • A Maj • 04:00 • -7.77db
29% Popularity • 65% Danceability • 70% Energy • 98% Liveness
0% Instrumentalness • 30% Positiveness
29% Popularity • 65% Danceability • 70% Energy • 98% Liveness
0% Instrumentalness • 30% Positiveness
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Ella Baila Sola
Disimulando
130 bpm • C Maj • 01:16 • -11db
20% Popularity • 27% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
20% Popularity • 27% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 3% Positiveness
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La Caja De Pandora
¿cómo Te Ha Ido?
142 bpm • G# Maj • 04:10 • -3.59db
21% Popularity • 46% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 46% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Soraya
Como Seria
142 bpm • A# min • 04:23 • -7.07db
47% Popularity • 58% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
47% Popularity • 58% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Chenoa
Si De Amor Ya No Se Muere
142 bpm • C Maj • 04:19 • -6.97db
20% Popularity • 54% Danceability • 45% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 54% Danceability • 45% Energy • 23% Liveness
0% Instrumentalness • 34% Positiveness
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Manolo Garcia
Prefiero el Trapecio
142 bpm • F# min • 04:56 • -5db
24% Popularity • 69% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
24% Popularity • 69% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Revolver
El roce de tu piel - En directo 1993
130 bpm • G Maj • 05:14 • -5.09db
46% Popularity • 50% Danceability • 89% Energy • 97% Liveness
0% Instrumentalness • 81% Positiveness
46% Popularity • 50% Danceability • 89% Energy • 97% Liveness
0% Instrumentalness • 81% Positiveness
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Ella Baila Sola
Beso eterno
142 bpm • D Maj • 03:07 • -7db
18% Popularity • 59% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
18% Popularity • 59% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Monica Naranjo
Entender el Amor
130 bpm • C# min • 05:26 • -2.11db
30% Popularity • 63% Danceability • 99% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 63% Danceability • 99% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Soraya
Sin Tu Amor
142 bpm • G Maj • 04:20 • -6.26db
22% Popularity • 62% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
22% Popularity • 62% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Mecano
Ay Que Pesado
142 bpm • F Maj • 03:59 • -7.33db
52% Popularity • 82% Danceability • 70% Energy • 5% Liveness
9% Instrumentalness • 97% Positiveness
52% Popularity • 82% Danceability • 70% Energy • 5% Liveness
9% Instrumentalness • 97% Positiveness
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Alberto Plaza
Bandido
130 bpm • A Maj • 03:28 • -9.22db
49% Popularity • 67% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
49% Popularity • 67% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
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Azucar Moreno
Hoy Tengo Ganas de Ti
130 bpm • B Maj • 04:09 • -6.23db
29% Popularity • 66% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 66% Danceability • 79% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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La Quinta Estacion
Te Supieron A Poco
130 bpm • A# Maj • 03:39 • -4.22db
25% Popularity • 60% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 60% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Mikel Erentxun
California
130 bpm • D Maj • 02:55 • -6.68db
26% Popularity • 65% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 65% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 88% Positiveness
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Antonio Flores
Mi Habitacion
130 bpm • D Maj • 03:49 • -3.42db
38% Popularity • 72% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
38% Popularity • 72% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
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Luis Eduardo Aute
Las Cuatro y Diez (Directo Cordoba)
142 bpm • A Maj • 02:51 • -20.7db
23% Popularity • 49% Danceability • 15% Energy • 48% Liveness
4% Instrumentalness • 34% Positiveness
23% Popularity • 49% Danceability • 15% Energy • 48% Liveness
4% Instrumentalness • 34% Positiveness
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Ketama
Se Dejaba Llevar Por Ti
130 bpm • A Maj • 04:18 • -10db
52% Popularity • 65% Danceability • 60% Energy • 64% Liveness
0% Instrumentalness • 40% Positiveness
52% Popularity • 65% Danceability • 60% Energy • 64% Liveness
0% Instrumentalness • 40% Positiveness
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Al Este Del Eden
Nostalgia de ti
130 bpm • C Maj • 03:49 • -7.09db
15% Popularity • 55% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 55% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Ella Baila Sola
Infinito
143 bpm • E min • 04:42 • -11.3db
8% Popularity • 63% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 63% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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La Quinta Estacion
Que Te QuerÃa
143 bpm • A min • 03:49 • -4.77db
61% Popularity • 51% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
61% Popularity • 51% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Shakira
La Pared
129 bpm • G# Maj • 03:19 • -7.1db
51% Popularity • 76% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
51% Popularity • 76% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Diego MartÃn
Haces llover - con Malu
129 bpm • D# min • 04:29 • -4db
32% Popularity • 55% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 55% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Pedro Guerra
Pasaba por Aqui - Directo Libertad 8
143 bpm • A Maj • 03:03 • -11.19db
23% Popularity • 56% Danceability • 30% Energy • 94% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 56% Danceability • 30% Energy • 94% Liveness
0% Instrumentalness • 66% Positiveness
