Songs like Sueno in C Major - for Guitar by Francisco Tárrega
Based on a tempo of (+/- 10%) and a similar genre
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Roland Dyens
Songe Capricorne
81 bpm • B min • 06:12 • -30db
12% Popularity • 26% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
12% Popularity • 26% Danceability • 2% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
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Miguel Llobet Solés
Variaciones Sobre un Tema de F.Sor, Op. ...
81 bpm • E min • 08:06 • -17.67db
39% Popularity • 40% Danceability • 18% Energy • 12% Liveness
85% Instrumentalness • 21% Positiveness
39% Popularity • 40% Danceability • 18% Energy • 12% Liveness
85% Instrumentalness • 21% Positiveness
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Joaquín Turina
Fandanguillo, Op. 36
81 bpm • A min • 05:03 • -28db
11% Popularity • 30% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
11% Popularity • 30% Danceability • 4% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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Manuel Ponce
Por ti mi Corazon (version for guitar)
81 bpm • A Maj • 03:17 • -29db
39% Popularity • 54% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 17% Positiveness
39% Popularity • 54% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 17% Positiveness
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Carlos Guastavino
Encantamiento (Seis Canciones de Cuna)
81 bpm • D min • 01:47 • -26.6db
32% Popularity • 24% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
32% Popularity • 24% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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Francisco Tárrega
Adelita (Mazurka)
81 bpm • E Maj • 01:47 • -18.69db
15% Popularity • 50% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 56% Positiveness
15% Popularity • 50% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 56% Positiveness
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Roland Dyens
Hymne à l'amour
81 bpm • D# Maj • 03:04 • -23.55db
40% Popularity • 41% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
40% Popularity • 41% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
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Benedict Larsen
Lágrima
81 bpm • E Maj • 01:43 • -17.16db
12% Popularity • 44% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 50% Positiveness
12% Popularity • 44% Danceability • 14% Energy • 9% Liveness
95% Instrumentalness • 50% Positiveness
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Miguel Llobet Solés
Variations on a Theme of Sor, Op. 15: Va...
81 bpm • E min • 00:51 • -34db
27% Popularity • 39% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 32% Positiveness
27% Popularity • 39% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 32% Positiveness
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Jose Luis Merlin
Suite Del Recuerdo: II. Zamba
80 bpm • E min • 01:23 • -19.98db
23% Popularity • 56% Danceability • 12% Energy • 11% Liveness
73% Instrumentalness • 45% Positiveness
23% Popularity • 56% Danceability • 12% Energy • 11% Liveness
73% Instrumentalness • 45% Positiveness
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Franz Schubert
6 Schubertian Songs (arr. J. Mertz for g...
82 bpm • D Maj • 03:23 • -32.11db
18% Popularity • 27% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 20% Positiveness
18% Popularity • 27% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 20% Positiveness
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Erik Satie
3 Gymnopedies (orch. Debussy): Gymnopedi...
80 bpm • G Maj • 03:06 • -30.22db
18% Popularity • 28% Danceability • 1% Energy • 11% Liveness
83% Instrumentalness • 10% Positiveness
18% Popularity • 28% Danceability • 1% Energy • 11% Liveness
83% Instrumentalness • 10% Positiveness
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Leo Brouwer
3 Pieces latino americaines (3 Latin Ame...
80 bpm • E min • 01:37 • -24db
31% Popularity • 28% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 17% Positiveness
31% Popularity • 28% Danceability • 5% Energy • 8% Liveness
94% Instrumentalness • 17% Positiveness
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Norbert Kraft
4 Mazurkas : No. 1. Adelita
82 bpm • F# min • 01:19 • -24db
37% Popularity • 42% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 44% Positiveness
37% Popularity • 42% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 44% Positiveness
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Miguel Llobet Solés
M. リョベート：ソル主題によ�...
81 bpm • E min • 08:43 • -30.09db
8% Popularity • 20% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
8% Popularity • 20% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
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Francisco Tárrega
20 Estudios: No. 14. La Mariposa
80 bpm • D Maj • 01:22 • -25.23db
16% Popularity • 31% Danceability • 18% Energy • 14% Liveness
87% Instrumentalness • 34% Positiveness
16% Popularity • 31% Danceability • 18% Energy • 14% Liveness
87% Instrumentalness • 34% Positiveness
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Federico Moreno Torroba
Aires de La Mancha (arr. P. Galbraith): ...
80 bpm • F min • 02:29 • -29.58db
24% Popularity • 53% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 31% Positiveness
24% Popularity • 53% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 31% Positiveness
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Mauro Giuliani
Variazioni su un tema di Handel, Op. 107
80 bpm • A Maj • 09:26 • -29db
37% Popularity • 24% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 27% Positiveness
37% Popularity • 24% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 27% Positiveness
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Ludwig van Beethoven
Adagio for Mandolin and Harpsichord in E...
80 bpm • D# Maj • 04:32 • -29.22db
12% Popularity • 44% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 9% Positiveness
12% Popularity • 44% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 9% Positiveness
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Anonomous Anonomous
Spanish Romance (Romanza)
82 bpm • E min • 03:07 • -27.68db
18% Popularity • 48% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
18% Popularity • 48% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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Miguel Llobet Solés
El Testament D'amèlia
80 bpm • D min • 02:22 • -22.44db
37% Popularity • 51% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 25% Positiveness
37% Popularity • 51% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 25% Positiveness
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Francisco Tárrega
María (Gavota)
80 bpm • D min • 01:34 • -14.71db
18% Popularity • 51% Danceability • 12% Energy • 9% Liveness
89% Instrumentalness • 46% Positiveness
18% Popularity • 51% Danceability • 12% Energy • 9% Liveness
89% Instrumentalness • 46% Positiveness
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Michael Nicolella
Suite No. 1 in D Major (Orig. G Major), ...
82 bpm • D Maj • 02:34 • -17.48db
14% Popularity • 30% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 47% Positiveness
14% Popularity • 30% Danceability • 25% Energy • 11% Liveness
94% Instrumentalness • 47% Positiveness
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Mauro Giuliani
Giuliani: Études for Guitar, Le papillo...
80 bpm • G Maj • 01:06 • -27.04db
22% Popularity • 37% Danceability • 1% Energy • 11% Liveness
87% Instrumentalness • 24% Positiveness
22% Popularity • 37% Danceability • 1% Energy • 11% Liveness
87% Instrumentalness • 24% Positiveness
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Frédéric Chopin
Valse, Op. 64: II. Tempo giusto
82 bpm • A min • 03:51 • -14.19db
13% Popularity • 42% Danceability • 25% Energy • 10% Liveness
94% Instrumentalness • 35% Positiveness
13% Popularity • 42% Danceability • 25% Energy • 10% Liveness
94% Instrumentalness • 35% Positiveness
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Berta Rojas
La Catedral: Allegro Solemne
82 bpm • B min • 03:09 • -19.42db
20% Popularity • 26% Danceability • 25% Energy • 9% Liveness
87% Instrumentalness • 59% Positiveness
20% Popularity • 26% Danceability • 25% Energy • 9% Liveness
87% Instrumentalness • 59% Positiveness
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Joaquín Malats
Serenata españole
82 bpm • A Maj • 04:25 • -28db
26% Popularity • 39% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 35% Positiveness
26% Popularity • 39% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 35% Positiveness
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Hector Ayala
Serie Americana: Guarania
82 bpm • D Maj • 04:37 • -35db
13% Popularity • 40% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 22% Positiveness
13% Popularity • 40% Danceability • 1% Energy • 7% Liveness
93% Instrumentalness • 22% Positiveness
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Joaquín Rodrigo
Junto al Generalife
82 bpm • E min • 05:08 • -27.64db
13% Popularity • 23% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 26% Positiveness
13% Popularity • 23% Danceability • 10% Energy • 7% Liveness
88% Instrumentalness • 26% Positiveness
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Antonio Lauro
El Negrito
82 bpm • G Maj • 01:43 • -30db
29% Popularity • 29% Danceability • 7% Energy • 18% Liveness
82% Instrumentalness • 74% Positiveness
29% Popularity • 29% Danceability • 7% Energy • 18% Liveness
82% Instrumentalness • 74% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39 (1867 version): No. 1...
79 bpm • A Maj • 01:25 • -39.13db
64% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
64% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
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Francisco Tárrega
Lagrima
83 bpm • E Maj • 01:55 • -20.72db
18% Popularity • 39% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
18% Popularity • 39% Danceability • 7% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
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Robert de Visée
De Visée / Transcr. Garcia: Pièces de ...
83 bpm • A min • 01:23 • -27.5db
15% Popularity • 40% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 75% Positiveness
15% Popularity • 40% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 75% Positiveness
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Maximo Diego Pujol
Suite del Plata, No. 1: Tango
80 bpm • C Maj • 03:00 • -26db
17% Popularity • 36% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 19% Positiveness
17% Popularity • 36% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 19% Positiveness
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Manuel Ponce
Estrellita
79 bpm • E Maj • 02:34 • -27db
19% Popularity • 50% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
19% Popularity • 50% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 21% Positiveness
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Julian Arcas
Bolero in A Minor
83 bpm • A min • 02:16 • -31db
32% Popularity • 32% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 35% Positiveness
32% Popularity • 32% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 35% Positiveness
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Fernando Sor
24 Studies, Op. 35, "Exercises": Study N...
79 bpm • D Maj • 01:44 • -30db
43% Popularity • 28% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 54% Positiveness
43% Popularity • 28% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 54% Positiveness
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Francisco Tárrega
Recuerdos de la Alhambra
79 bpm • D Maj • 05:25 • -18.56db
44% Popularity • 23% Danceability • 28% Energy • 9% Liveness
85% Instrumentalness • 28% Positiveness
44% Popularity • 23% Danceability • 28% Energy • 9% Liveness
85% Instrumentalness • 28% Positiveness
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Federico Moreno Torroba
Romance de los pinos
83 bpm • A Maj • 01:46 • -26.94db
29% Popularity • 50% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
29% Popularity • 50% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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Antônio Carlos Jobim
Jobim: Road to the Sun
79 bpm • D Maj • 02:32 • -31db
40% Popularity • 36% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
40% Popularity • 36% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
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Niccolò Paganini
Romanza in Am
79 bpm • A min • 04:40 • -19.36db
29% Popularity • 41% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 23% Positiveness
29% Popularity • 41% Danceability • 4% Energy • 10% Liveness
94% Instrumentalness • 23% Positiveness
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Franz Schubert
6 Schubertian Songs: Winterreise, Op. 89...
79 bpm • D Maj • 02:30 • -25.07db
21% Popularity • 46% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
21% Popularity • 46% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
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Fernando Sor
Theme varies et 12 Minuets, Op. 11: Menu...
79 bpm • G Maj • 01:58 • -23.08db
31% Popularity • 52% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 33% Positiveness
31% Popularity • 52% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 33% Positiveness
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Francisco Tárrega
Recuerdos de la Alhambra
79 bpm • A Maj • 05:05 • -22.16db
13% Popularity • 23% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 33% Positiveness
13% Popularity • 23% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 33% Positiveness
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Jeffrey McFadden
Eagle Soaring
79 bpm • G min • 02:00 • -20db
16% Popularity • 36% Danceability • 10% Energy • 10% Liveness
96% Instrumentalness • 13% Positiveness
16% Popularity • 36% Danceability • 10% Energy • 10% Liveness
96% Instrumentalness • 13% Positiveness
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Norbert Kraft
6 Etudes: Leccion No. 29
79 bpm • E min • 01:24 • -25db
30% Popularity • 41% Danceability • 2% Energy • 10% Liveness
80% Instrumentalness • 40% Positiveness
30% Popularity • 41% Danceability • 2% Energy • 10% Liveness
80% Instrumentalness • 40% Positiveness
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Joaquín Rodrigo
3 Piezas espanolas (3 Spanish Pieces): N...
84 bpm • E Maj • 04:00 • -26db
9% Popularity • 38% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 34% Positiveness
9% Popularity • 38% Danceability • 8% Energy • 9% Liveness
89% Instrumentalness • 34% Positiveness
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Antonio Lauro
Flores de la montana
84 bpm • E Maj • 02:00 • -23db
26% Popularity • 42% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 56% Positiveness
26% Popularity • 42% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 56% Positiveness
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Fernando Sor
Introduction and Variations on a theme b...
84 bpm • E Maj • 08:22 • -23.15db
9% Popularity • 34% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 33% Positiveness
9% Popularity • 34% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 33% Positiveness
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Francisco Tárrega
Prelude in D Minor, "Oremus"
83 bpm • D min • 01:09 • -30db
29% Popularity • 43% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 41% Positiveness
29% Popularity • 43% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 41% Positiveness
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Alvaro Pierri
Choros no. 1
78 bpm • C Maj • 06:01 • -20db
15% Popularity • 39% Danceability • 21% Energy • 14% Liveness
86% Instrumentalness • 22% Positiveness
15% Popularity • 39% Danceability • 21% Energy • 14% Liveness
86% Instrumentalness • 22% Positiveness
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Miguel Llobet Solés
13 Catalan Folksongs: El testament d'Ame...
84 bpm • D min • 02:01 • -31db
36% Popularity • 40% Danceability • 1% Energy • 8% Liveness
81% Instrumentalness • 33% Positiveness
36% Popularity • 40% Danceability • 1% Energy • 8% Liveness
81% Instrumentalness • 33% Positiveness
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Ariel Ramírez
Alfonsina y el mar (Arr. R. Dyens for Gu...
78 bpm • E min • 05:05 • -29db
18% Popularity • 29% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
18% Popularity • 29% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
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Johann Kaspar Mertz
Bardenklange, Op. 13: Elfenreigen (Dance...
84 bpm • D Maj • 01:50 • -29db
30% Popularity • 30% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 34% Positiveness
30% Popularity • 30% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 34% Positiveness
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Napoléon Coste
25 Etudes for Guitar, Op. 38: Etude No. ...
84 bpm • A min • 01:20 • -16db
23% Popularity • 49% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 32% Positiveness
23% Popularity • 49% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 32% Positiveness
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Francisco Tárrega
La Alborada
79 bpm • D Maj • 01:47 • -19.63db
18% Popularity • 46% Danceability • 16% Energy • 11% Liveness
93% Instrumentalness • 39% Positiveness
18% Popularity • 46% Danceability • 16% Energy • 11% Liveness
93% Instrumentalness • 39% Positiveness
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Fernando Sor
Etude No. 5 en si mineur
84 bpm • E min • 01:16 • -32db
40% Popularity • 32% Danceability • 3% Energy • 10% Liveness
85% Instrumentalness • 42% Positiveness
40% Popularity • 32% Danceability • 3% Energy • 10% Liveness
85% Instrumentalness • 42% Positiveness
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Eduardo Sainz De La Maza
Campanas del Alba
84 bpm • B min • 03:52 • -27.8db
18% Popularity • 23% Danceability • 12% Energy • 6% Liveness
88% Instrumentalness • 19% Positiveness
18% Popularity • 23% Danceability • 12% Energy • 6% Liveness
88% Instrumentalness • 19% Positiveness
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Jose Luis Merlin
Suite del recuerdo: Zamba
84 bpm • E min • 02:46 • -22.81db
28% Popularity • 46% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 21% Positiveness
28% Popularity • 46% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 21% Positiveness
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Franz Schubert
Die Nacht (Arr. for Cello and Guitar by ...
85 bpm • G Maj • 02:23 • -27.02db
56% Popularity • 16% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
56% Popularity • 16% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
► Preview
Andrey Sychra
The Poor Branch
78 bpm • E min • 05:04 • -21.21db
10% Popularity • 30% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 29% Positiveness
10% Popularity • 30% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 29% Positiveness
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Francisco Tárrega
Lágrima
79 bpm • E Maj • 02:01 • -19.71db
16% Popularity • 48% Danceability • 11% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
16% Popularity • 48% Danceability • 11% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
► Preview
Maximo Diego Pujol
Elegia por la muerte de un tanguero (Ele...
77 bpm • D min • 03:03 • -28.99db
24% Popularity • 34% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
24% Popularity • 34% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
► Preview
Niccolò Paganini
Guitar Sonata No. 6 in F Major: Minuet -...
77 bpm • C Maj • 04:15 • -26.64db
15% Popularity • 29% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
15% Popularity • 29% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
► Preview
Erik Satie
Gymnopédie No. 1 (Arr. for Guitar)
77 bpm • G Maj • 03:27 • -23.15db
10% Popularity • 62% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
10% Popularity • 62% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
► Preview
Berta Rojas
Un Sueno En La Floresta
77 bpm • G Maj • 07:34 • -19.87db
23% Popularity • 30% Danceability • 24% Energy • 10% Liveness
89% Instrumentalness • 23% Positiveness
23% Popularity • 30% Danceability • 24% Energy • 10% Liveness
89% Instrumentalness • 23% Positiveness
► Preview
Xuefei Yang
楊雪霏
77 bpm • E min • 03:07 • -12.98db
17% Popularity • 37% Danceability • 26% Energy • 11% Liveness
94% Instrumentalness • 32% Positiveness
17% Popularity • 37% Danceability • 26% Energy • 11% Liveness
94% Instrumentalness • 32% Positiveness
► Preview
Francisco Tárrega
Lágrima (Preludio)
83 bpm • E Maj • 01:52 • -18.51db
11% Popularity • 55% Danceability • 5% Energy • 16% Liveness
84% Instrumentalness • 46% Positiveness
11% Popularity • 55% Danceability • 5% Energy • 16% Liveness
84% Instrumentalness • 46% Positiveness
► Preview
Ariel Ramírez
Alfonsina y el mar (Arr. V. Coves for gu...
77 bpm • E min • 03:23 • -24.27db
14% Popularity • 46% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
14% Popularity • 46% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
► Preview
João Pernambuco
Sons de Carrilhoes
77 bpm • D Maj • 02:27 • -16db
12% Popularity • 44% Danceability • 23% Energy • 8% Liveness
93% Instrumentalness • 33% Positiveness
12% Popularity • 44% Danceability • 23% Energy • 8% Liveness
93% Instrumentalness • 33% Positiveness
► Preview
Miguel Llobet Solés
13 Catalan Folksongs: No. 13. Canco del ...
77 bpm • D Maj • 02:12 • -35.33db
28% Popularity • 19% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 30% Positiveness
28% Popularity • 19% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 30% Positiveness
► Preview
Tsuneo Imahori
Stars of Sand
77 bpm • D Maj • 03:29 • -25.61db
39% Popularity • 60% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
39% Popularity • 60% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
► Preview
John Dowland
The Frog Galliard
86 bpm • E Maj • 02:10 • -21.1db
37% Popularity • 31% Danceability • 16% Energy • 10% Liveness
89% Instrumentalness • 52% Positiveness
37% Popularity • 31% Danceability • 16% Energy • 10% Liveness
89% Instrumentalness • 52% Positiveness
► Preview
Francisco Tárrega
Preludio Nº 2
84 bpm • A Maj • 02:14 • -22.71db
13% Popularity • 35% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 17% Positiveness
13% Popularity • 35% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 17% Positiveness
► Preview
Johann Kaspar Mertz
Mazurka, Op. 40 (version for 2 guitars)
76 bpm • F Maj • 03:14 • -24.08db
19% Popularity • 49% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 34% Positiveness
19% Popularity • 49% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 34% Positiveness
► Preview
Norbert Kraft
Lagrima : Lagrima
76 bpm • E Maj • 02:02 • -27.35db
32% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 34% Positiveness
32% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 34% Positiveness
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Giulio Regondi
10 Etudes: I. Etude No. 1: Moderato
86 bpm • C Maj • 03:00 • -21.85db
16% Popularity • 27% Danceability • 17% Energy • 11% Liveness
87% Instrumentalness • 77% Positiveness
16% Popularity • 27% Danceability • 17% Energy • 11% Liveness
87% Instrumentalness • 77% Positiveness
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Roland Dyens
Göttingen
86 bpm • A min • 03:48 • -22.38db
28% Popularity • 31% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 22% Positiveness
28% Popularity • 31% Danceability • 7% Energy • 10% Liveness
93% Instrumentalness • 22% Positiveness
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Franz Schubert
Schwanengesang, D. 957: No. 1. Liebesbot...
86 bpm • G Maj • 03:37 • -26.83db
16% Popularity • 35% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 33% Positiveness
16% Popularity • 35% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 33% Positiveness
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Francisco Tárrega
Capricho arabe
85 bpm • D Maj • 04:13 • -28.48db
24% Popularity • 24% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 15% Positiveness
24% Popularity • 24% Danceability • 7% Energy • 7% Liveness
90% Instrumentalness • 15% Positiveness
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Mario Castelnuovo-Tedesco
Capriccio Diabolico ''Omaggio a Paganini...
86 bpm • G Maj • 09:12 • -23.21db
13% Popularity • 34% Danceability • 10% Energy • 9% Liveness
91% Instrumentalness • 30% Positiveness
13% Popularity • 34% Danceability • 10% Energy • 9% Liveness
91% Instrumentalness • 30% Positiveness
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Jorge Morel
Prelude (for Olga)
76 bpm • A min • 02:29 • -35.79db
33% Popularity • 44% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 24% Positiveness
33% Popularity • 44% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 24% Positiveness
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João Pernambuco
Maxixe Choro
76 bpm • G Maj • 01:54 • -24db
27% Popularity • 41% Danceability • 31% Energy • 13% Liveness
88% Instrumentalness • 55% Positiveness
27% Popularity • 41% Danceability • 31% Energy • 13% Liveness
88% Instrumentalness • 55% Positiveness
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Robert de Visée
De Visée / Transcr. Garcia: Pièces de ...
76 bpm • C Maj • 01:23 • -28db
21% Popularity • 36% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 65% Positiveness
21% Popularity • 36% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 65% Positiveness
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Joaquín Turina
Homenaje a Tarrega: II. Soleares
76 bpm • D Maj • 02:30 • -18db
16% Popularity • 36% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 50% Positiveness
16% Popularity • 36% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 50% Positiveness
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Francisco Tárrega
Etude In E Minor
85 bpm • E min • 01:13 • -29.26db
21% Popularity • 28% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
21% Popularity • 28% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
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Paco de Lucía
Albéniz: Iberia: 2. Albaicin
87 bpm • F# min • 07:26 • -24.13db
17% Popularity • 44% Danceability • 10% Energy • 10% Liveness
85% Instrumentalness • 19% Positiveness
17% Popularity • 44% Danceability • 10% Energy • 10% Liveness
85% Instrumentalness • 19% Positiveness
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Andrés Segovia
Keyboard Suite No. 4 in D Minor, HWV 437...
87 bpm • D min • 04:01 • -21.45db
28% Popularity • 56% Danceability • 9% Energy • 12% Liveness
64% Instrumentalness • 40% Positiveness
28% Popularity • 56% Danceability • 9% Energy • 12% Liveness
64% Instrumentalness • 40% Positiveness
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Marshall (Arr.)
The Girl With The Flaxen Hair
87 bpm • E min • 02:33 • -33.26db
17% Popularity • 40% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 11% Positiveness
17% Popularity • 40% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 11% Positiveness
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Carlos Fariñas
Cancion triste (Sad Song)
75 bpm • C Maj • 02:56 • -28db
17% Popularity • 35% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 18% Positiveness
17% Popularity • 35% Danceability • 3% Energy • 9% Liveness
91% Instrumentalness • 18% Positiveness
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Joaquín Turina
Sonata D Major, Op. 61: 1. Allegro
76 bpm • G Maj • 04:00 • -24db
24% Popularity • 45% Danceability • 7% Energy • 7% Liveness
89% Instrumentalness • 36% Positiveness
24% Popularity • 45% Danceability • 7% Energy • 7% Liveness
89% Instrumentalness • 36% Positiveness
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Sergei Rachmaninoff
Zdes' khorosho ('How Fair This Spot'), O...
87 bpm • A Maj • 01:59 • -29.09db
56% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
56% Popularity • 25% Danceability • 2% Energy • 4% Liveness
94% Instrumentalness • 6% Positiveness
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Francisco Tárrega
El columpio
77 bpm • D Maj • 03:21 • -34.31db
16% Popularity • 24% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 16% Positiveness
16% Popularity • 24% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 16% Positiveness
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Berta Rojas
Julia Florida
75 bpm • D Maj • 04:18 • -21.91db
14% Popularity • 37% Danceability • 12% Energy • 8% Liveness
95% Instrumentalness • 38% Positiveness
14% Popularity • 37% Danceability • 12% Energy • 8% Liveness
95% Instrumentalness • 38% Positiveness
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François Couperin
Vingt-Sixiéme Ordre - L'Epineuse
75 bpm • A min • 04:36 • -26db
35% Popularity • 32% Danceability • 7% Energy • 9% Liveness
86% Instrumentalness • 25% Positiveness
35% Popularity • 32% Danceability • 7% Energy • 9% Liveness
86% Instrumentalness • 25% Positiveness
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Mario Castelnuovo-Tedesco
Les guitares bien temperees (The Well-Te...
88 bpm • E Maj • 02:24 • -28db
28% Popularity • 25% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
28% Popularity • 25% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 11% Positiveness
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Xuefei Yang
楊雪霏
88 bpm • A min • 02:40 • -13.57db
8% Popularity • 42% Danceability • 28% Energy • 12% Liveness
91% Instrumentalness • 22% Positiveness
8% Popularity • 42% Danceability • 28% Energy • 12% Liveness
91% Instrumentalness • 22% Positiveness
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Norbert Kraft
Recuerdos de la Alhambra : Recuerdos de ...
75 bpm • A Maj • 04:17 • -29.82db
23% Popularity • 12% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 27% Positiveness
23% Popularity • 12% Danceability • 8% Energy • 10% Liveness
84% Instrumentalness • 27% Positiveness