Songs like Sugar Me by Lynsey De Paul
Based on a tempo of (+/- 10%) and a similar genre
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Lynsey De Paul
So Good to You
97 bpm • A# Maj • 03:22 • -13.69db
10% Popularity • 71% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 71% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Scott English
Brandy - Rerecorded 1972
97 bpm • A# Maj • 02:58 • -13db
30% Popularity • 56% Danceability • 45% Energy • 48% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 56% Danceability • 45% Energy • 48% Liveness
0% Instrumentalness • 67% Positiveness
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Helen Shapiro
Walkin' Back to Happiness
98 bpm • G# Maj • 02:31 • -9db
48% Popularity • 66% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
48% Popularity • 66% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Consortium
All the Love in the World
98 bpm • G# min • 02:49 • -3.95db
18% Popularity • 40% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 40% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Mouth & MacNeal
Tell Me World
98 bpm • G Maj • 03:09 • -8.78db
10% Popularity • 53% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 53% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Manfred Mann
My Name Is Jack
98 bpm • A Maj • 02:50 • -5.88db
18% Popularity • 60% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 60% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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Lynsey De Paul
Sugar Me (Club Mix)
97 bpm • C# min • 06:43 • -18.28db
1% Popularity • 65% Danceability • 52% Energy • 11% Liveness
78% Instrumentalness • 92% Positiveness
1% Popularity • 65% Danceability • 52% Energy • 11% Liveness
78% Instrumentalness • 92% Positiveness
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Twice As Much
Sittin' on a Fence (Mono Version)
98 bpm • G# Maj • 03:12 • -8.86db
18% Popularity • 45% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 45% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 68% Positiveness
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Marc Almond
Something's Gotten Hold of My Heart
98 bpm • E Maj • 04:40 • -12.55db
50% Popularity • 56% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
50% Popularity • 56% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Congregation
Softly Whispering I Love You
96 bpm • A# Maj • 03:01 • -7.2db
34% Popularity • 36% Danceability • 63% Energy • 16% Liveness
2% Instrumentalness • 58% Positiveness
34% Popularity • 36% Danceability • 63% Energy • 16% Liveness
2% Instrumentalness • 58% Positiveness
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10cc
The Wall Street Shuffle
98 bpm • C Maj • 03:56 • -4.37db
46% Popularity • 49% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
46% Popularity • 49% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Manfred Mann
My Name Is Jack
98 bpm • D Maj • 02:53 • -4.51db
25% Popularity • 66% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 66% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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5000 Volts
Dr. Kiss Kiss
95 bpm • A min • 03:06 • -9.51db
18% Popularity • 66% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
18% Popularity • 66% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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Lynsey De Paul
Sugar Me
97 bpm • F# min • 05:03 • -16.77db
5% Popularity • 65% Danceability • 50% Energy • 4% Liveness
11% Instrumentalness • 94% Positiveness
5% Popularity • 65% Danceability • 50% Energy • 4% Liveness
11% Instrumentalness • 94% Positiveness
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Mouth & MacNeal
How Do You Do?
95 bpm • D Maj • 04:04 • -8db
45% Popularity • 48% Danceability • 56% Energy • 66% Liveness
0% Instrumentalness • 71% Positiveness
45% Popularity • 48% Danceability • 56% Energy • 66% Liveness
0% Instrumentalness • 71% Positiveness
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Dave Berry
This Strange Effect
99 bpm • D Maj • 02:28 • -7.24db
35% Popularity • 62% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
35% Popularity • 62% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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The Manhattan Transfer
Chanson d'Amour
99 bpm • D min • 02:53 • -17db
49% Popularity • 47% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
49% Popularity • 47% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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Albert Hammond
The Free Electric Band
99 bpm • C Maj • 03:26 • -9.11db
50% Popularity • 57% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
50% Popularity • 57% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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5000 Volts
Dr Kiss Kiss
95 bpm • A min • 03:11 • -7db
21% Popularity • 66% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
21% Popularity • 66% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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The Troggs
Love Is All Around
99 bpm • D Maj • 02:57 • -8.1db
52% Popularity • 46% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
52% Popularity • 46% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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The New Seekers
Pinball Wizard / See Me Feel Me
99 bpm • E Maj • 03:22 • -8.63db
14% Popularity • 32% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 32% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Them
Here Comes the Night
99 bpm • E Maj • 02:47 • -9.42db
47% Popularity • 64% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
47% Popularity • 64% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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C.C.S.
Tap Turns on the Water
95 bpm • E min • 03:43 • -10.21db
27% Popularity • 64% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 64% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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Colin Blunstone
Wonderful
94 bpm • A Maj • 05:01 • -8.25db
17% Popularity • 53% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 53% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Diana Ross & The Supremes
Reflections
100 bpm • C# Maj • 02:49 • -10db
50% Popularity • 69% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
50% Popularity • 69% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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David Cassidy
Rock Me Baby
94 bpm • B Maj • 03:29 • -4db
21% Popularity • 60% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
21% Popularity • 60% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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The New Seekers
Never Ending Song Of Love
95 bpm • D Maj • 03:10 • -13db
41% Popularity • 60% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
41% Popularity • 60% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Dave Berry
Mama
94 bpm • A# min • 02:50 • -12.28db
28% Popularity • 60% Danceability • 41% Energy • 10% Liveness
72% Instrumentalness • 76% Positiveness
28% Popularity • 60% Danceability • 41% Energy • 10% Liveness
72% Instrumentalness • 76% Positiveness
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Richard Barnes
Take To The Mountains
94 bpm • E Maj • 02:57 • -12.93db
17% Popularity • 33% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 33% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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The Searchers
Take It or Leave It
100 bpm • B Maj • 02:45 • -5.1db
31% Popularity • 45% Danceability • 67% Energy • 42% Liveness
0% Instrumentalness • 78% Positiveness
31% Popularity • 45% Danceability • 67% Energy • 42% Liveness
0% Instrumentalness • 78% Positiveness
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Dave Dee, Dozy, Beaky, Mick & Tich
Bend It
94 bpm • D Maj • 02:31 • -3.65db
24% Popularity • 47% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 47% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Georgie Fame & The Blue Flames
Getaway
94 bpm • B Maj • 02:32 • -11db
30% Popularity • 84% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
30% Popularity • 84% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Unit 4 + 2
Concrete and Clay
101 bpm • C# Maj • 02:17 • -10.08db
36% Popularity • 62% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
36% Popularity • 62% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Leo Sayer
The Show Must Go On - 2010 Remastered Ve...
101 bpm • F Maj • 02:53 • -6.82db
26% Popularity • 68% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 68% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Mud
Tiger Feet
93 bpm • B Maj • 03:50 • -7.23db
46% Popularity • 53% Danceability • 91% Energy • 47% Liveness
0% Instrumentalness • 74% Positiveness
46% Popularity • 53% Danceability • 91% Energy • 47% Liveness
0% Instrumentalness • 74% Positiveness
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The Kinks
Days (Stereo Mix) (2018 Remaster)
101 bpm • D Maj • 02:53 • -7.89db
41% Popularity • 55% Danceability • 77% Energy • 6% Liveness
1% Instrumentalness • 87% Positiveness
41% Popularity • 55% Danceability • 77% Energy • 6% Liveness
1% Instrumentalness • 87% Positiveness
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The Walker Brothers
No Regrets
101 bpm • D Maj • 05:43 • -15db
39% Popularity • 56% Danceability • 45% Energy • 14% Liveness
10% Instrumentalness • 50% Positiveness
39% Popularity • 56% Danceability • 45% Energy • 14% Liveness
10% Instrumentalness • 50% Positiveness
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Aphrodite's Child
Such A Funny Night
101 bpm • F Maj • 04:33 • -11.61db
22% Popularity • 67% Danceability • 59% Energy • 24% Liveness
9% Instrumentalness • 96% Positiveness
22% Popularity • 67% Danceability • 59% Energy • 24% Liveness
9% Instrumentalness • 96% Positiveness
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Reparata & The Delrons
Captain of Your Ship
93 bpm • F Maj • 02:26 • -9db
22% Popularity • 53% Danceability • 63% Energy • 81% Liveness
21% Instrumentalness • 83% Positiveness
22% Popularity • 53% Danceability • 63% Energy • 81% Liveness
21% Instrumentalness • 83% Positiveness
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Albert Hammond
I'm a Train
101 bpm • G# Maj • 03:23 • -10.98db
41% Popularity • 69% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
41% Popularity • 69% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Demis Roussos
Auntie
101 bpm • G min • 04:15 • -6db
20% Popularity • 51% Danceability • 70% Energy • 59% Liveness
0% Instrumentalness • 56% Positiveness
20% Popularity • 51% Danceability • 70% Energy • 59% Liveness
0% Instrumentalness • 56% Positiveness
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Gallagher And Lyle
Breakaway - Edit Version
101 bpm • D Maj • 03:42 • -14.49db
34% Popularity • 49% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 49% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Donna Hightower
If You Hold My Hand
102 bpm • D# min • 03:34 • -6db
18% Popularity • 51% Danceability • 92% Energy • 78% Liveness
0% Instrumentalness • 46% Positiveness
18% Popularity • 51% Danceability • 92% Energy • 78% Liveness
0% Instrumentalness • 46% Positiveness
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Marshall Hain
Dancing in the City
102 bpm • C Maj • 03:49 • -13.95db
48% Popularity • 73% Danceability • 43% Energy • 10% Liveness
9% Instrumentalness • 56% Positiveness
48% Popularity • 73% Danceability • 43% Energy • 10% Liveness
9% Instrumentalness • 56% Positiveness
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Melanie
Lay Down (Candles in the Rain)
92 bpm • G Maj • 07:41 • -4.87db
17% Popularity • 31% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
17% Popularity • 31% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Tommy Roe
Dizzy
102 bpm • F# Maj • 02:57 • -5.85db
51% Popularity • 74% Danceability • 60% Energy • 14% Liveness
1% Instrumentalness • 72% Positiveness
51% Popularity • 74% Danceability • 60% Energy • 14% Liveness
1% Instrumentalness • 72% Positiveness
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Sweet Sensation
Sad Sweet Dreamer
102 bpm • D Maj • 03:23 • -10.69db
37% Popularity • 55% Danceability • 57% Energy • 46% Liveness
0% Instrumentalness • 43% Positiveness
37% Popularity • 55% Danceability • 57% Energy • 46% Liveness
0% Instrumentalness • 43% Positiveness
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Dave Berry
The Crying Game
92 bpm • C Maj • 02:45 • -14.63db
33% Popularity • 50% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
33% Popularity • 50% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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The Tremeloes
Here Comes My Baby
92 bpm • G Maj • 03:04 • -5.31db
46% Popularity • 51% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 94% Positiveness
46% Popularity • 51% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 94% Positiveness
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The Move
Blackberry Way
102 bpm • F# Maj • 03:41 • -7db
34% Popularity • 58% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
34% Popularity • 58% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Lynsey De Paul
Sleeping Blue Nights
92 bpm • G min • 04:27 • -12.5db
5% Popularity • 65% Danceability • 35% Energy • 9% Liveness
70% Instrumentalness • 60% Positiveness
5% Popularity • 65% Danceability • 35% Energy • 9% Liveness
70% Instrumentalness • 60% Positiveness
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Georgie Fame
Sitting In The Park
92 bpm • B min • 03:26 • -9db
30% Popularity • 53% Danceability • 48% Energy • 29% Liveness
6% Instrumentalness • 63% Positiveness
30% Popularity • 53% Danceability • 48% Energy • 29% Liveness
6% Instrumentalness • 63% Positiveness
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Cliff Richard
Power to All Our Friends - 1998 Remaster
91 bpm • E Maj • 03:01 • -7.35db
29% Popularity • 42% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 42% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Herman's Hermits
Oh You Pretty Things
91 bpm • C# Maj • 03:04 • -12.84db
17% Popularity • 64% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 64% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Clout
Substitute
104 bpm • E Maj • 03:23 • -7.48db
49% Popularity • 48% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
49% Popularity • 48% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Tee-Set
Red Red Wine
91 bpm • C# Maj • 02:42 • -10.4db
20% Popularity • 40% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 40% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Lynsey De Paul
Sugar Me
92 bpm • F# min • 03:40 • -9.58db
40% Popularity • 57% Danceability • 55% Energy • 31% Liveness
1% Instrumentalness • 89% Positiveness
40% Popularity • 57% Danceability • 55% Energy • 31% Liveness
1% Instrumentalness • 89% Positiveness
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Ian Dury
Hit Me with Your Rhythm Stick
104 bpm • F min • 03:43 • -16.36db
51% Popularity • 72% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
51% Popularity • 72% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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George McCrae
Rock Your Baby
104 bpm • C# Maj • 03:20 • -5.54db
61% Popularity • 59% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
61% Popularity • 59% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Fox
S-S-S-Single Bed
104 bpm • A# min • 03:52 • -9db
34% Popularity • 77% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
34% Popularity • 77% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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MISTRAL.
Jamie
90 bpm • C# Maj • 03:51 • -12.73db
9% Popularity • 69% Danceability • 40% Energy • 40% Liveness
62% Instrumentalness • 78% Positiveness
9% Popularity • 69% Danceability • 40% Energy • 40% Liveness
62% Instrumentalness • 78% Positiveness
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Bohannon
Disco Stomp
105 bpm • F Maj • 05:15 • -9db
25% Popularity • 87% Danceability • 79% Energy • 8% Liveness
35% Instrumentalness • 94% Positiveness
25% Popularity • 87% Danceability • 79% Energy • 8% Liveness
35% Instrumentalness • 94% Positiveness
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Lynsey De Paul
Sugar Me
92 bpm • F# min • 03:55 • -9.58db
22% Popularity • 56% Danceability • 55% Energy • 31% Liveness
1% Instrumentalness • 89% Positiveness
22% Popularity • 56% Danceability • 55% Energy • 31% Liveness
1% Instrumentalness • 89% Positiveness
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The Walker Brothers
Walking In The Rain
105 bpm • E Maj • 03:21 • -6.39db
23% Popularity • 54% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 54% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Albert Hammond
99 Miles from L.A.
105 bpm • C min • 04:00 • -10.94db
9% Popularity • 52% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 52% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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George McCrae
You Can Have It All
105 bpm • F min • 02:53 • -6.05db
14% Popularity • 40% Danceability • 90% Energy • 10% Liveness
14% Instrumentalness • 66% Positiveness
14% Popularity • 40% Danceability • 90% Energy • 10% Liveness
14% Instrumentalness • 66% Positiveness
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MISTRAL.
Starship 109
105 bpm • D min • 03:01 • -10db
29% Popularity • 69% Danceability • 65% Energy • 14% Liveness
1% Instrumentalness • 78% Positiveness
29% Popularity • 69% Danceability • 65% Energy • 14% Liveness
1% Instrumentalness • 78% Positiveness
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Gerry & The Pacemakers
Ferry Cross the Mersey - Stereo; 1997 Re...
105 bpm • F# min • 02:23 • -11db
55% Popularity • 40% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
55% Popularity • 40% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Lynsey De Paul
Blind Leading the Blind
103 bpm • G min • 04:02 • -13.96db
4% Popularity • 56% Danceability • 36% Energy • 9% Liveness
69% Instrumentalness • 20% Positiveness
4% Popularity • 56% Danceability • 36% Energy • 9% Liveness
69% Instrumentalness • 20% Positiveness
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The Walker Brothers
First Love Never Dies
90 bpm • F Maj • 03:37 • -9.1db
24% Popularity • 34% Danceability • 56% Energy • 8% Liveness
2% Instrumentalness • 50% Positiveness
24% Popularity • 34% Danceability • 56% Energy • 8% Liveness
2% Instrumentalness • 50% Positiveness
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David McWilliams
The Days of Pearly Spencer
105 bpm • A min • 02:36 • -8.01db
36% Popularity • 42% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 42% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Lindisfarne
Lady Eleanor - Remastered
105 bpm • B min • 04:15 • -13.82db
37% Popularity • 50% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
37% Popularity • 50% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Jonathan King
Everyone's Gone to the Moon
89 bpm • D# Maj • 02:23 • -9db
36% Popularity • 43% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
36% Popularity • 43% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Bee Gees
New York Mining Disaster 1941
89 bpm • A min • 02:12 • -13.42db
52% Popularity • 45% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
52% Popularity • 45% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Billy Joe Royal
Hush
106 bpm • G# Maj • 02:38 • -11.32db
30% Popularity • 59% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 59% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Lynsey De Paul
Mama Do
89 bpm • F Maj • 04:16 • -12.76db
4% Popularity • 76% Danceability • 55% Energy • 13% Liveness
71% Instrumentalness • 96% Positiveness
4% Popularity • 76% Danceability • 55% Energy • 13% Liveness
71% Instrumentalness • 96% Positiveness
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The Tremeloes
Suddenly You Love Me
106 bpm • D Maj • 02:45 • -3.79db
33% Popularity • 56% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 56% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Love Affair
Rainbow Valley
106 bpm • C Maj • 03:50 • -12.55db
33% Popularity • 50% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 50% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
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10cc
Donna
106 bpm • C min • 02:57 • -6.62db
38% Popularity • 72% Danceability • 57% Energy • 15% Liveness
3% Instrumentalness • 45% Positiveness
38% Popularity • 72% Danceability • 57% Energy • 15% Liveness
3% Instrumentalness • 45% Positiveness
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Gilbert O'Sullivan
Clair
106 bpm • A Maj • 02:59 • -7.31db
55% Popularity • 72% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
55% Popularity • 72% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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The Peppers
Pepper Box
106 bpm • B Maj • 02:27 • -7.21db
20% Popularity • 60% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 60% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Brotherhood of Man
Oh Boy (The Mood I'm In)
106 bpm • D# Maj • 03:17 • -7db
34% Popularity • 72% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 72% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Sweet
Poppa Joe
106 bpm • C# Maj • 03:06 • -5.6db
46% Popularity • 74% Danceability • 89% Energy • 10% Liveness
2% Instrumentalness • 94% Positiveness
46% Popularity • 74% Danceability • 89% Energy • 10% Liveness
2% Instrumentalness • 94% Positiveness
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The Supremes
My World Is Empty Without You
89 bpm • F# min • 02:34 • -9.38db
50% Popularity • 47% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
50% Popularity • 47% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Keith West
Excerpt from a Teenage Opera
89 bpm • E Maj • 04:42 • -6db
32% Popularity • 38% Danceability • 65% Energy • 46% Liveness
20% Instrumentalness • 61% Positiveness
32% Popularity • 38% Danceability • 65% Energy • 46% Liveness
20% Instrumentalness • 61% Positiveness
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Mouth & MacNeal
Hello-A
106 bpm • D Maj • 04:00 • -8.36db
34% Popularity • 64% Danceability • 77% Energy • 19% Liveness
1% Instrumentalness • 79% Positiveness
34% Popularity • 64% Danceability • 77% Energy • 19% Liveness
1% Instrumentalness • 79% Positiveness
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Casey And His Group
Comin' Home Baby
88 bpm • C Maj • 03:09 • -10.66db
4% Popularity • 49% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
4% Popularity • 49% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Georgie Fame
The Ballad of Bonnie & Clyde
106 bpm • G Maj • 03:09 • -16.25db
19% Popularity • 66% Danceability • 30% Energy • 44% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 66% Danceability • 30% Energy • 44% Liveness
0% Instrumentalness • 74% Positiveness
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Gene Pitney
Something's Gotten Hold Of My Heart
88 bpm • G Maj • 03:36 • -6.31db
38% Popularity • 54% Danceability • 62% Energy • 5% Liveness
2% Instrumentalness • 40% Positiveness
38% Popularity • 54% Danceability • 62% Energy • 5% Liveness
2% Instrumentalness • 40% Positiveness
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Mark Wirtz
Grocer Jack (Excerpt From A Teenage Oper...
88 bpm • E Maj • 04:40 • -8.15db
29% Popularity • 39% Danceability • 58% Energy • 36% Liveness
1% Instrumentalness • 58% Positiveness
29% Popularity • 39% Danceability • 58% Energy • 36% Liveness
1% Instrumentalness • 58% Positiveness
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Melanie
Ruby Tuesday
88 bpm • G# Maj • 04:38 • -9db
41% Popularity • 41% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 41% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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The Pointer Sisters
Happiness
107 bpm • B min • 03:59 • -7.68db
43% Popularity • 63% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
43% Popularity • 63% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Lynsey De Paul
Storm in a Teacup
107 bpm • C# Maj • 04:35 • -15.55db
1% Popularity • 76% Danceability • 55% Energy • 3% Liveness
8% Instrumentalness • 96% Positiveness
1% Popularity • 76% Danceability • 55% Energy • 3% Liveness
8% Instrumentalness • 96% Positiveness
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Gilbert O'Sullivan
Matrimony
107 bpm • C Maj • 03:14 • -8.32db
38% Popularity • 65% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
38% Popularity • 65% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Terry Dactyl & The Dinosaurs
Sea Side Shuffle
107 bpm • D Maj • 02:41 • -15.39db
23% Popularity • 60% Danceability • 56% Energy • 64% Liveness
0% Instrumentalness • 77% Positiveness
23% Popularity • 60% Danceability • 56% Energy • 64% Liveness
0% Instrumentalness • 77% Positiveness
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Sonny & Cher
Little Man - LP/Single Version
107 bpm • A Maj • 03:22 • -7.7db
33% Popularity • 60% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
33% Popularity • 60% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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The Tremeloes
(Call Me) Number One
107 bpm • C Maj • 03:44 • -8.37db
25% Popularity • 58% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 58% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Marmalade
I See the Rain
88 bpm • D# Maj • 03:48 • -5.74db
20% Popularity • 30% Danceability • 73% Energy • 7% Liveness
7% Instrumentalness • 36% Positiveness
20% Popularity • 30% Danceability • 73% Energy • 7% Liveness
7% Instrumentalness • 36% Positiveness
