Songs like Sugar Shack - GOLDHOUSE Extended Remix by Beth Hart
Based on a tempo of (+/- 10%) and a similar genre
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Ben Poole
The Question Why
120 bpm • C# Maj • 05:01 • -12.66db
36% Popularity • 79% Danceability • 44% Energy • 14% Liveness
12% Instrumentalness • 81% Positiveness
36% Popularity • 79% Danceability • 44% Energy • 14% Liveness
12% Instrumentalness • 81% Positiveness
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Beth Hart
Bad Woman Blues
120 bpm • A min • 03:35 • -2.83db
47% Popularity • 74% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
47% Popularity • 74% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Sean Webster
So Rare
120 bpm • A min • 06:40 • -10.12db
10% Popularity • 69% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 69% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Jeff Beck
Scared for the Children
120 bpm • B min • 06:06 • -8db
33% Popularity • 54% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
33% Popularity • 54% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Shemekia Copeland
In The Blood Of The Blues
120 bpm • D Maj • 04:52 • -5.52db
29% Popularity • 69% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 69% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Henrik Freischlader
Jumping at Shadows
120 bpm • A Maj • 05:00 • -7.3db
34% Popularity • 71% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
34% Popularity • 71% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Chantel McGregor
I'm No Good For You
120 bpm • E min • 04:47 • -5.87db
12% Popularity • 60% Danceability • 54% Energy • 36% Liveness
1% Instrumentalness • 18% Positiveness
12% Popularity • 60% Danceability • 54% Energy • 36% Liveness
1% Instrumentalness • 18% Positiveness
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Danny Bryant
Girl from North Country
120 bpm • A Maj • 08:20 • -8.56db
22% Popularity • 49% Danceability • 49% Energy • 92% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 49% Danceability • 49% Energy • 92% Liveness
0% Instrumentalness • 30% Positiveness
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Danielle Nicole
Someday You Might Change Your Mind
120 bpm • A min • 05:25 • -5.84db
28% Popularity • 59% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
28% Popularity • 59% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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Mark Knopfler
Back On The Dance Floor
121 bpm • B min • 05:30 • -15db
34% Popularity • 82% Danceability • 44% Energy • 10% Liveness
27% Instrumentalness • 91% Positiveness
34% Popularity • 82% Danceability • 44% Energy • 10% Liveness
27% Instrumentalness • 91% Positiveness
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Beth Hart
As Long As I Have A Song
119 bpm • G Maj • 03:25 • -11db
25% Popularity • 50% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
25% Popularity • 50% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Blues Company
Red Blood
121 bpm • G Maj • 04:43 • -13db
19% Popularity • 86% Danceability • 36% Energy • 15% Liveness
8% Instrumentalness • 52% Positiveness
19% Popularity • 86% Danceability • 36% Energy • 15% Liveness
8% Instrumentalness • 52% Positiveness
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Beth Hart, Joe Bonamassa
Damn Your Eyes
121 bpm • B min • 04:34 • -7.94db
41% Popularity • 51% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
41% Popularity • 51% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
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BBM
Naked Flame
121 bpm • C Maj • 06:06 • -15db
17% Popularity • 60% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
17% Popularity • 60% Danceability • 18% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
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Elles Bailey
Believed in You
122 bpm • B min • 04:17 • -5.31db
12% Popularity • 61% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 61% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Layla Zoe
Father
122 bpm • A min • 08:18 • -6db
12% Popularity • 43% Danceability • 50% Energy • 8% Liveness
6% Instrumentalness • 24% Positiveness
12% Popularity • 43% Danceability • 50% Energy • 8% Liveness
6% Instrumentalness • 24% Positiveness
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Beth Hart
Tell 'Em To Hold On
119 bpm • C Maj • 04:24 • -9.31db
26% Popularity • 44% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
26% Popularity • 44% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Jeff Jensen
Fall Apart
122 bpm • G Maj • 04:27 • -9.58db
19% Popularity • 76% Danceability • 31% Energy • 12% Liveness
2% Instrumentalness • 28% Positiveness
19% Popularity • 76% Danceability • 31% Energy • 12% Liveness
2% Instrumentalness • 28% Positiveness
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Shemekia Copeland
I Feel A Sin Coming On
122 bpm • D# Maj • 03:52 • -7db
33% Popularity • 60% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 60% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Albert Cummings
Lonely Bed
118 bpm • F min • 07:36 • -7.43db
49% Popularity • 49% Danceability • 54% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
49% Popularity • 49% Danceability • 54% Energy • 10% Liveness
1% Instrumentalness • 27% Positiveness
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Imelda May
Sixth Sense
118 bpm • D min • 04:14 • -8.19db
33% Popularity • 51% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 51% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Lisa Mann
Give You My Love
122 bpm • F Maj • 06:25 • -5.35db
16% Popularity • 65% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
16% Popularity • 65% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Beth Hart
Everything Must Change
121 bpm • C Maj • 03:48 • -8.29db
25% Popularity • 60% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
25% Popularity • 60% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Dion
Dancing Girl
118 bpm • D min • 04:12 • -3db
35% Popularity • 76% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
35% Popularity • 76% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 81% Positiveness
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Henrik Freischlader
Lost Souls
118 bpm • B min • 05:50 • -13.5db
18% Popularity • 68% Danceability • 20% Energy • 14% Liveness
12% Instrumentalness • 22% Positiveness
18% Popularity • 68% Danceability • 20% Energy • 14% Liveness
12% Instrumentalness • 22% Positiveness
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Garrett Lebeau
Broke Down Dream
118 bpm • D# Maj • 06:00 • -11.19db
29% Popularity • 67% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
29% Popularity • 67% Danceability • 22% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
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Buck69
No Medicine Like the Blues
122 bpm • G min • 08:50 • -6.09db
29% Popularity • 50% Danceability • 70% Energy • 12% Liveness
7% Instrumentalness • 61% Positiveness
29% Popularity • 50% Danceability • 70% Energy • 12% Liveness
7% Instrumentalness • 61% Positiveness
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Ina Forsman
Talk To Me
123 bpm • F min • 03:40 • -5.85db
14% Popularity • 58% Danceability • 66% Energy • 68% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 58% Danceability • 66% Energy • 68% Liveness
0% Instrumentalness • 58% Positiveness
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Beth Hart
Little Heartbreak Girl
118 bpm • A Maj • 04:18 • -7.17db
45% Popularity • 57% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
45% Popularity • 57% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Ian Siegal
Falling On Down Again
123 bpm • A# Maj • 06:22 • -9.37db
14% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Henrik Freischlader
Lonely World
118 bpm • G# min • 08:22 • -13.23db
39% Popularity • 54% Danceability • 20% Energy • 9% Liveness
44% Instrumentalness • 10% Positiveness
39% Popularity • 54% Danceability • 20% Energy • 9% Liveness
44% Instrumentalness • 10% Positiveness
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Shemekia Copeland
Love Song
123 bpm • B Maj • 03:03 • -5.76db
34% Popularity • 75% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
34% Popularity • 75% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Tom Jones
Tower Of Song
117 bpm • B Maj • 03:56 • -11.7db
37% Popularity • 63% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 63% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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King of the World
Learn How to Cry
117 bpm • G Maj • 05:29 • -10.02db
11% Popularity • 65% Danceability • 29% Energy • 12% Liveness
1% Instrumentalness • 17% Positiveness
11% Popularity • 65% Danceability • 29% Energy • 12% Liveness
1% Instrumentalness • 17% Positiveness
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Beth Hart
Mama This One's For You
122 bpm • F Maj • 03:26 • -11db
42% Popularity • 42% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
42% Popularity • 42% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Ronnie EarlThe Broadcasters
Six String Blessing
123 bpm • D min • 09:23 • -10db
22% Popularity • 54% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
22% Popularity • 54% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Elles Bailey
Help Somebody (MWS Sessions)
117 bpm • F min • 03:27 • -5.91db
38% Popularity • 68% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
38% Popularity • 68% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Too Mutz Blues Band
Since I've Been Loving You
116 bpm • F min • 07:18 • -12db
23% Popularity • 52% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 52% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Danielle Nicole
Pusher Man
124 bpm • A# min • 03:44 • -6db
40% Popularity • 80% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
40% Popularity • 80% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Danny Bryant
Guntown
124 bpm • G min • 06:08 • -5db
29% Popularity • 49% Danceability • 64% Energy • 14% Liveness
10% Instrumentalness • 20% Positiveness
29% Popularity • 49% Danceability • 64% Energy • 14% Liveness
10% Instrumentalness • 20% Positiveness
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Beth Hart
No Place Like Home
118 bpm • A Maj • 03:53 • -10.61db
29% Popularity • 45% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 45% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Aynsley Lister
Purple Rain - Live
124 bpm • A# Maj • 09:43 • -9db
37% Popularity • 36% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
37% Popularity • 36% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
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Elles Bailey
Jordan
117 bpm • B Maj • 05:01 • -7.92db
31% Popularity • 47% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 47% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
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Shemekia Copeland
Money Makes You Ugly
116 bpm • G Maj • 03:36 • -5db
35% Popularity • 62% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
35% Popularity • 62% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Curtis Stigers
Things Have Changed
124 bpm • A min • 04:58 • -11db
38% Popularity • 80% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
38% Popularity • 80% Danceability • 53% Energy • 24% Liveness
0% Instrumentalness • 65% Positiveness
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Lonnie Mack
Tough On Me, Tough On You
116 bpm • F min • 04:14 • -13.99db
32% Popularity • 60% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 60% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Beth Hart
Rub Me For Luck
124 bpm • C min • 04:32 • -5.55db
32% Popularity • 30% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
32% Popularity • 30% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Ray Bonneville
Bad Man's Blood
116 bpm • B min • 04:19 • -11db
26% Popularity • 67% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
26% Popularity • 67% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
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Elles Bailey
Barrel of Your Gun
116 bpm • E min • 03:10 • -7.19db
26% Popularity • 67% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 67% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Omar and The Howlers
Hoo Doo
125 bpm • C Maj • 02:26 • -9.08db
42% Popularity • 73% Danceability • 53% Energy • 21% Liveness
4% Instrumentalness • 67% Positiveness
42% Popularity • 73% Danceability • 53% Energy • 21% Liveness
4% Instrumentalness • 67% Positiveness
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Shemekia Copeland
Promised Myself
124 bpm • E Maj • 05:19 • -7.5db
22% Popularity • 60% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 60% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Kaz Hawkins
It Ain't You
125 bpm • C# min • 04:44 • -7.32db
20% Popularity • 71% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 71% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Beth Hart
Fat Man
116 bpm • G Maj • 03:51 • -3.77db
31% Popularity • 78% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
31% Popularity • 78% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Pete Alderton
Something Smooth
115 bpm • C Maj • 04:15 • -11.38db
13% Popularity • 76% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
13% Popularity • 76% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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The Devil's Daughters
Rock Boppin' Baby
115 bpm • D min • 02:59 • -7.13db
20% Popularity • 71% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 71% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
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Toots Thielemans
I Gotta Right To Sing The Blues
115 bpm • A min • 03:04 • -10.88db
27% Popularity • 59% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 59% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Tinsley Ellis
Sound Of A Broken Man
115 bpm • F# min • 04:51 • -3.25db
33% Popularity • 64% Danceability • 90% Energy • 10% Liveness
13% Instrumentalness • 96% Positiveness
33% Popularity • 64% Danceability • 90% Energy • 10% Liveness
13% Instrumentalness • 96% Positiveness
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Kaz Hawkins
The River That Sings
125 bpm • F Maj • 03:00 • -9.5db
23% Popularity • 47% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
23% Popularity • 47% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Beth Hart
Jazz Man
115 bpm • F# min • 03:51 • -6db
38% Popularity • 77% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
38% Popularity • 77% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Ray Bonneville
Night Walker
115 bpm • A min • 03:02 • -11.71db
30% Popularity • 81% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 81% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Shemekia Copeland
Ghetto Child
125 bpm • G min • 04:06 • -9db
34% Popularity • 60% Danceability • 38% Energy • 14% Liveness
30% Instrumentalness • 36% Positiveness
34% Popularity • 60% Danceability • 38% Energy • 14% Liveness
30% Instrumentalness • 36% Positiveness
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Liz Mandeville
Quit Me On a Voice Mail
126 bpm • G Maj • 04:44 • -6.8db
16% Popularity • 54% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 54% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Elles Bailey
Don't Let the Green Grass Fool You
126 bpm • C Maj • 03:45 • -8.88db
42% Popularity • 53% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
42% Popularity • 53% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Kaz Hawkins
Because You Love Me
125 bpm • C min • 04:22 • -10.62db
33% Popularity • 49% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
33% Popularity • 49% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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The Nimmo Brothers
I Do It All For You
115 bpm • B min • 09:01 • -10.26db
21% Popularity • 46% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
21% Popularity • 46% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
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Beth Hart
Sister Dear
125 bpm • A Maj • 03:34 • -10.25db
36% Popularity • 35% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
36% Popularity • 35% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Michael Burks
Make It Rain
126 bpm • G min • 06:59 • -7db
37% Popularity • 59% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 59% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Sonny Landreth
Somebody Gotta Make A Move
126 bpm • E min • 03:54 • -8.7db
41% Popularity • 57% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
41% Popularity • 57% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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B.B. King
All Over Again
114 bpm • C# min • 04:53 • -8.38db
45% Popularity • 59% Danceability • 55% Energy • 9% Liveness
1% Instrumentalness • 60% Positiveness
45% Popularity • 59% Danceability • 55% Energy • 9% Liveness
1% Instrumentalness • 60% Positiveness
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Kaz Hawkins
Don't Slip Away
126 bpm • G Maj • 02:34 • -7.2db
41% Popularity • 66% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 21% Positiveness
41% Popularity • 66% Danceability • 30% Energy • 26% Liveness
0% Instrumentalness • 21% Positiveness
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Karen Lovely
Fish Outta Water
114 bpm • E min • 03:50 • -7.97db
30% Popularity • 76% Danceability • 46% Energy • 13% Liveness
33% Instrumentalness • 65% Positiveness
30% Popularity • 76% Danceability • 46% Energy • 13% Liveness
33% Instrumentalness • 65% Positiveness
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Beth Hart
Picture In A Frame
126 bpm • A# Maj • 04:39 • -6.87db
21% Popularity • 64% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
21% Popularity • 64% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Gregor Hilden
I Loved Another Woman
114 bpm • D min • 03:56 • -6.17db
37% Popularity • 60% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
37% Popularity • 60% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Teresa James
Wind Cries the Blues
114 bpm • D min • 06:02 • -10db
12% Popularity • 71% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
12% Popularity • 71% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Tinsley Ellis
Kiss Of Death
126 bpm • E min • 07:05 • -8.48db
46% Popularity • 72% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
46% Popularity • 72% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Kaz Hawkins
This Is Me
126 bpm • D Maj • 03:39 • -5.87db
30% Popularity • 60% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 60% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Kirk Fletcher
The Answer
114 bpm • G min • 08:10 • -6.62db
24% Popularity • 42% Danceability • 54% Energy • 12% Liveness
50% Instrumentalness • 24% Positiveness
24% Popularity • 42% Danceability • 54% Energy • 12% Liveness
50% Instrumentalness • 24% Positiveness
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Beth Hart
Love Is A Lie
114 bpm • G min • 03:15 • -6.64db
40% Popularity • 73% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
40% Popularity • 73% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 72% Positiveness
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Larry Garner
Another Bad Day
114 bpm • G min • 04:59 • -10.52db
26% Popularity • 74% Danceability • 66% Energy • 23% Liveness
1% Instrumentalness • 93% Positiveness
26% Popularity • 74% Danceability • 66% Energy • 23% Liveness
1% Instrumentalness • 93% Positiveness
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Gregor Hilden
Black Magic Woman
114 bpm • D min • 03:48 • -4.45db
27% Popularity • 78% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 75% Positiveness
27% Popularity • 78% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 75% Positiveness
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The Robert Cray Band
Don't Be Afraid Of The Dark
113 bpm • G# Maj • 03:46 • -12db
47% Popularity • 71% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
47% Popularity • 71% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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Stevie Ray Vaughan
Tin Pan Alley (AKA Roughest Place in Tow...
113 bpm • F# min • 09:11 • -19.44db
54% Popularity • 58% Danceability • 10% Energy • 23% Liveness
29% Instrumentalness • 17% Positiveness
54% Popularity • 58% Danceability • 10% Energy • 23% Liveness
29% Instrumentalness • 17% Positiveness
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Kaz Hawkins
Surviving
127 bpm • A min • 04:11 • -11.12db
39% Popularity • 52% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
39% Popularity • 52% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Julian Sas
Life On The Line
113 bpm • A min • 05:01 • -3db
26% Popularity • 59% Danceability • 77% Energy • 9% Liveness
8% Instrumentalness • 52% Positiveness
26% Popularity • 59% Danceability • 77% Energy • 9% Liveness
8% Instrumentalness • 52% Positiveness
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Danny Bryant
Alone In The Dark
127 bpm • F Maj • 08:26 • -5.52db
12% Popularity • 37% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 37% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 8% Positiveness
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Gregor Hilden
It's a Man's World
127 bpm • C min • 05:56 • -12db
29% Popularity • 53% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 53% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
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Beth Hart
Spirit Of God
113 bpm • G min • 04:52 • -7.62db
25% Popularity • 80% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 87% Positiveness
25% Popularity • 80% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 87% Positiveness
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Elles Bailey
Cheats and Liars
128 bpm • D Maj • 03:48 • -6.75db
41% Popularity • 49% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
41% Popularity • 49% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Layla Zoe
The Lily
128 bpm • E Maj • 09:32 • -8db
29% Popularity • 52% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
29% Popularity • 52% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Shemekia Copeland
Married To The Blues
128 bpm • B min • 07:12 • -11db
42% Popularity • 57% Danceability • 25% Energy • 8% Liveness
4% Instrumentalness • 30% Positiveness
42% Popularity • 57% Danceability • 25% Energy • 8% Liveness
4% Instrumentalness • 30% Positiveness
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Beth Hart, Joe Bonamassa
I'd Rather Go Blind
113 bpm • A Maj • 08:06 • -7.34db
53% Popularity • 39% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
53% Popularity • 39% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Vaya Con Dios
Forever Blue
113 bpm • A min • 03:56 • -9.92db
25% Popularity • 67% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 67% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Beth Hart
Love Gangster
113 bpm • C min • 04:09 • -4.73db
24% Popularity • 65% Danceability • 64% Energy • 25% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 65% Danceability • 64% Energy • 25% Liveness
0% Instrumentalness • 37% Positiveness
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Elles Bailey
When I Go Away (MWS Sessions)
128 bpm • C# Maj • 04:32 • -5.83db
37% Popularity • 64% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
37% Popularity • 64% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Robert Jon & the Wreck
Gold
128 bpm • C Maj • 04:57 • -5.17db
30% Popularity • 49% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
30% Popularity • 49% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Layla Zoe
Praying Kind
113 bpm • C Maj • 05:20 • -13.95db
13% Popularity • 68% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 68% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Henrik Freischlader
New Beginning
128 bpm • A Maj • 07:39 • -11.03db
12% Popularity • 60% Danceability • 28% Energy • 10% Liveness
17% Instrumentalness • 20% Positiveness
12% Popularity • 60% Danceability • 28% Energy • 10% Liveness
17% Instrumentalness • 20% Positiveness
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Danny Bryant
Together Trough Life
128 bpm • A min • 05:38 • -4.3db
10% Popularity • 47% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 29% Positiveness
10% Popularity • 47% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 29% Positiveness
