Songs like Suicide Neighborhood by Adam Tristar
Based on a tempo of (+/- 10%) and a similar genre
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The Agnes Circle
Martial Love
160 bpm • D min • 03:28 • -9.52db
27% Popularity • 45% Danceability • 84% Energy • 18% Liveness
79% Instrumentalness • 76% Positiveness
27% Popularity • 45% Danceability • 84% Energy • 18% Liveness
79% Instrumentalness • 76% Positiveness
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Harsh Symmetry
Your Eyes
160 bpm • A min • 03:21 • -7.7db
28% Popularity • 46% Danceability • 59% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
28% Popularity • 46% Danceability • 59% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
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Ash Code
Betrayed
160 bpm • D Maj • 03:24 • -6.27db
8% Popularity • 44% Danceability • 74% Energy • 19% Liveness
88% Instrumentalness • 52% Positiveness
8% Popularity • 44% Danceability • 74% Energy • 19% Liveness
88% Instrumentalness • 52% Positiveness
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The Masqs
FEELING BLUE
160 bpm • A min • 02:03 • -7.61db
27% Popularity • 60% Danceability • 82% Energy • 11% Liveness
27% Instrumentalness • 54% Positiveness
27% Popularity • 60% Danceability • 82% Energy • 11% Liveness
27% Instrumentalness • 54% Positiveness
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Sydney Valette
Pandora
160 bpm • G# Maj • 03:31 • -6.63db
13% Popularity • 38% Danceability • 93% Energy • 9% Liveness
90% Instrumentalness • 53% Positiveness
13% Popularity • 38% Danceability • 93% Energy • 9% Liveness
90% Instrumentalness • 53% Positiveness
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Adam Tristar
Suicide Neighborhood
160 bpm • A# min • 04:00 • -7.92db
6% Popularity • 54% Danceability • 68% Energy • 23% Liveness
88% Instrumentalness • 79% Positiveness
6% Popularity • 54% Danceability • 68% Energy • 23% Liveness
88% Instrumentalness • 79% Positiveness
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Blind Seagull
Stray
160 bpm • F Maj • 02:10 • -9.14db
20% Popularity • 53% Danceability • 78% Energy • 41% Liveness
93% Instrumentalness • 62% Positiveness
20% Popularity • 53% Danceability • 78% Energy • 41% Liveness
93% Instrumentalness • 62% Positiveness
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Ductape
Sinners
160 bpm • C Maj • 04:55 • -12.33db
15% Popularity • 53% Danceability • 81% Energy • 17% Liveness
81% Instrumentalness • 26% Positiveness
15% Popularity • 53% Danceability • 81% Energy • 17% Liveness
81% Instrumentalness • 26% Positiveness
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Ash Code
Drama
160 bpm • C Maj • 03:26 • -6.96db
29% Popularity • 47% Danceability • 95% Energy • 15% Liveness
72% Instrumentalness • 77% Positiveness
29% Popularity • 47% Danceability • 95% Energy • 15% Liveness
72% Instrumentalness • 77% Positiveness
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Blind Delon
Assassin
160 bpm • C min • 03:53 • -10.37db
18% Popularity • 65% Danceability • 78% Energy • 10% Liveness
65% Instrumentalness • 85% Positiveness
18% Popularity • 65% Danceability • 78% Energy • 10% Liveness
65% Instrumentalness • 85% Positiveness
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Sydney Valette
So Long
160 bpm • F# min • 03:02 • -6.31db
26% Popularity • 56% Danceability • 76% Energy • 6% Liveness
1% Instrumentalness • 82% Positiveness
26% Popularity • 56% Danceability • 76% Energy • 6% Liveness
1% Instrumentalness • 82% Positiveness
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Undertheskin
Nothere
160 bpm • F# Maj • 04:20 • -8.2db
12% Popularity • 46% Danceability • 86% Energy • 7% Liveness
70% Instrumentalness • 28% Positiveness
12% Popularity • 46% Danceability • 86% Energy • 7% Liveness
70% Instrumentalness • 28% Positiveness
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JE T’AIME
C++
160 bpm • C Maj • 02:36 • -8.66db
19% Popularity • 44% Danceability • 86% Energy • 8% Liveness
8% Instrumentalness • 79% Positiveness
19% Popularity • 44% Danceability • 86% Energy • 8% Liveness
8% Instrumentalness • 79% Positiveness
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Casket Cassette
Into the Sun
160 bpm • C# Maj • 04:08 • -5.31db
40% Popularity • 45% Danceability • 84% Energy • 11% Liveness
95% Instrumentalness • 53% Positiveness
40% Popularity • 45% Danceability • 84% Energy • 11% Liveness
95% Instrumentalness • 53% Positiveness
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Adam Tristar
Suicide Neighborhood (Album Version)
160 bpm • A# min • 03:54 • -5.65db
5% Popularity • 56% Danceability • 75% Energy • 45% Liveness
78% Instrumentalness • 74% Positiveness
5% Popularity • 56% Danceability • 75% Energy • 45% Liveness
78% Instrumentalness • 74% Positiveness
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Caput Medusae
Deus Ex Machina
160 bpm • E min • 04:24 • -5.54db
7% Popularity • 44% Danceability • 74% Energy • 67% Liveness
89% Instrumentalness • 29% Positiveness
7% Popularity • 44% Danceability • 74% Energy • 67% Liveness
89% Instrumentalness • 29% Positiveness
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Sydney Valette
Someone in My Room
160 bpm • C Maj • 03:24 • -6.38db
23% Popularity • 43% Danceability • 96% Energy • 37% Liveness
11% Instrumentalness • 58% Positiveness
23% Popularity • 43% Danceability • 96% Energy • 37% Liveness
11% Instrumentalness • 58% Positiveness
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Twin Tribes
Avalon - Bootblacks Remix
160 bpm • D Maj • 03:23 • -10.54db
22% Popularity • 47% Danceability • 80% Energy • 48% Liveness
57% Instrumentalness • 79% Positiveness
22% Popularity • 47% Danceability • 80% Energy • 48% Liveness
57% Instrumentalness • 79% Positiveness
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The Agnes Circle
Sister Flux
160 bpm • C Maj • 02:57 • -9.61db
19% Popularity • 43% Danceability • 90% Energy • 39% Liveness
64% Instrumentalness • 36% Positiveness
19% Popularity • 43% Danceability • 90% Energy • 39% Liveness
64% Instrumentalness • 36% Positiveness
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The Masqs
ANOTHER ROUND?
160 bpm • F Maj • 01:50 • -7.46db
37% Popularity • 54% Danceability • 86% Energy • 57% Liveness
33% Instrumentalness • 36% Positiveness
37% Popularity • 54% Danceability • 86% Energy • 57% Liveness
33% Instrumentalness • 36% Positiveness
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Digital Drvgs
Bruja
160 bpm • D# Maj • 03:22 • -10.59db
31% Popularity • 25% Danceability • 73% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
31% Popularity • 25% Danceability • 73% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
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Ash Code
Nite Rite
160 bpm • D Maj • 03:51 • -6.17db
21% Popularity • 39% Danceability • 95% Energy • 15% Liveness
91% Instrumentalness • 50% Positiveness
21% Popularity • 39% Danceability • 95% Energy • 15% Liveness
91% Instrumentalness • 50% Positiveness
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Sydney Valette
Mistress of Desire
160 bpm • F Maj • 03:44 • -7.11db
16% Popularity • 63% Danceability • 86% Energy • 10% Liveness
69% Instrumentalness • 29% Positiveness
16% Popularity • 63% Danceability • 86% Energy • 10% Liveness
69% Instrumentalness • 29% Positiveness
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Double Echo
Darkroom
160 bpm • A min • 03:52 • -11.56db
15% Popularity • 41% Danceability • 92% Energy • 42% Liveness
91% Instrumentalness • 91% Positiveness
15% Popularity • 41% Danceability • 92% Energy • 42% Liveness
91% Instrumentalness • 91% Positiveness
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Blind Delon
Elle
160 bpm • G Maj • 02:39 • -8.78db
28% Popularity • 64% Danceability • 68% Energy • 14% Liveness
84% Instrumentalness • 56% Positiveness
28% Popularity • 64% Danceability • 68% Energy • 14% Liveness
84% Instrumentalness • 56% Positiveness
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Adam Tristar
Smile in Vain
159 bpm • G Maj • 04:04 • -7.36db
3% Popularity • 44% Danceability • 81% Energy • 36% Liveness
17% Instrumentalness • 49% Positiveness
3% Popularity • 44% Danceability • 81% Energy • 36% Liveness
17% Instrumentalness • 49% Positiveness
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European Ghost
Cold Lips
158 bpm • A min • 04:00 • -5.96db
12% Popularity • 45% Danceability • 87% Energy • 10% Liveness
34% Instrumentalness • 37% Positiveness
12% Popularity • 45% Danceability • 87% Energy • 10% Liveness
34% Instrumentalness • 37% Positiveness
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Geometric Vision
79 D.C.
158 bpm • C Maj • 03:06 • -6.62db
18% Popularity • 43% Danceability • 91% Energy • 9% Liveness
61% Instrumentalness • 49% Positiveness
18% Popularity • 43% Danceability • 91% Energy • 9% Liveness
61% Instrumentalness • 49% Positiveness
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Sydney Valette
Fight Back
160 bpm • F min • 04:33 • -11db
30% Popularity • 52% Danceability • 78% Energy • 14% Liveness
6% Instrumentalness • 55% Positiveness
30% Popularity • 52% Danceability • 78% Energy • 14% Liveness
6% Instrumentalness • 55% Positiveness
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Vexagon
Deathwish Kid (The Dance Is Over)
162 bpm • F# min • 03:02 • -8.52db
13% Popularity • 60% Danceability • 79% Energy • 10% Liveness
66% Instrumentalness • 68% Positiveness
13% Popularity • 60% Danceability • 79% Energy • 10% Liveness
66% Instrumentalness • 68% Positiveness
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Keluar
Surface
158 bpm • D# min • 03:20 • -6.86db
39% Popularity • 54% Danceability • 84% Energy • 65% Liveness
2% Instrumentalness • 67% Positiveness
39% Popularity • 54% Danceability • 84% Energy • 65% Liveness
2% Instrumentalness • 67% Positiveness
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Adam Tristar
Hate Close to Love
162 bpm • A min • 04:03 • -7.33db
4% Popularity • 56% Danceability • 79% Energy • 30% Liveness
96% Instrumentalness • 81% Positiveness
4% Popularity • 56% Danceability • 79% Energy • 30% Liveness
96% Instrumentalness • 81% Positiveness
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Second Still
Opening
157 bpm • F# Maj • 04:23 • -4.09db
19% Popularity • 49% Danceability • 88% Energy • 12% Liveness
70% Instrumentalness • 41% Positiveness
19% Popularity • 49% Danceability • 88% Energy • 12% Liveness
70% Instrumentalness • 41% Positiveness
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Geometric Vision
Fire Fire Fire
163 bpm • F min • 03:46 • -6.62db
24% Popularity • 46% Danceability • 88% Energy • 25% Liveness
44% Instrumentalness • 47% Positiveness
24% Popularity • 46% Danceability • 88% Energy • 25% Liveness
44% Instrumentalness • 47% Positiveness
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Bragolin
Hate Close to Love
163 bpm • A min • 03:18 • -4.63db
34% Popularity • 56% Danceability • 88% Energy • 34% Liveness
95% Instrumentalness • 51% Positiveness
34% Popularity • 56% Danceability • 88% Energy • 34% Liveness
95% Instrumentalness • 51% Positiveness
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Rendez Vous
Demian
164 bpm • A# min • 03:44 • -6.07db
30% Popularity • 47% Danceability • 96% Energy • 33% Liveness
77% Instrumentalness • 58% Positiveness
30% Popularity • 47% Danceability • 96% Energy • 33% Liveness
77% Instrumentalness • 58% Positiveness
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Incirrina
Careworn Face
164 bpm • C# min • 04:36 • -8.08db
9% Popularity • 46% Danceability • 87% Energy • 11% Liveness
72% Instrumentalness • 55% Positiveness
9% Popularity • 46% Danceability • 87% Energy • 11% Liveness
72% Instrumentalness • 55% Positiveness
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Adam Tristar
Zero Points
162 bpm • B Maj • 04:47 • -5.97db
5% Popularity • 50% Danceability • 84% Energy • 16% Liveness
72% Instrumentalness • 62% Positiveness
5% Popularity • 50% Danceability • 84% Energy • 16% Liveness
72% Instrumentalness • 62% Positiveness
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Second Still
Try Not to Hide
157 bpm • A# Maj • 03:42 • -7.26db
22% Popularity • 53% Danceability • 68% Energy • 15% Liveness
77% Instrumentalness • 56% Positiveness
22% Popularity • 53% Danceability • 68% Energy • 15% Liveness
77% Instrumentalness • 56% Positiveness
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Undertheskin
\\COLD\\
156 bpm • C min • 05:27 • -7.86db
12% Popularity • 49% Danceability • 90% Energy • 43% Liveness
95% Instrumentalness • 79% Positiveness
12% Popularity • 49% Danceability • 90% Energy • 43% Liveness
95% Instrumentalness • 79% Positiveness
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Creux Lies
Electrum
156 bpm • B min • 03:57 • -8.66db
17% Popularity • 50% Danceability • 80% Energy • 74% Liveness
67% Instrumentalness • 53% Positiveness
17% Popularity • 50% Danceability • 80% Energy • 74% Liveness
67% Instrumentalness • 53% Positiveness
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Hapax
Desert
156 bpm • C# min • 04:30 • -6.3db
14% Popularity • 45% Danceability • 95% Energy • 25% Liveness
48% Instrumentalness • 34% Positiveness
14% Popularity • 45% Danceability • 95% Energy • 25% Liveness
48% Instrumentalness • 34% Positiveness
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Ash Code
I Can't Escape Myself
156 bpm • F# Maj • 04:00 • -7.33db
17% Popularity • 49% Danceability • 87% Energy • 10% Liveness
53% Instrumentalness • 26% Positiveness
17% Popularity • 49% Danceability • 87% Energy • 10% Liveness
53% Instrumentalness • 26% Positiveness
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Adam Tristar
Submission
157 bpm • E min • 03:54 • -5.73db
11% Popularity • 56% Danceability • 74% Energy • 10% Liveness
67% Instrumentalness • 64% Positiveness
11% Popularity • 56% Danceability • 74% Energy • 10% Liveness
67% Instrumentalness • 64% Positiveness
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Second Still
You Two so Alike
157 bpm • B Maj • 02:10 • -6.49db
36% Popularity • 62% Danceability • 89% Energy • 12% Liveness
44% Instrumentalness • 73% Positiveness
36% Popularity • 62% Danceability • 89% Energy • 12% Liveness
44% Instrumentalness • 73% Positiveness
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Bragolin
The End Dwells in Us All
165 bpm • E min • 03:47 • -6.36db
32% Popularity • 53% Danceability • 70% Energy • 26% Liveness
87% Instrumentalness • 47% Positiveness
32% Popularity • 53% Danceability • 70% Energy • 26% Liveness
87% Instrumentalness • 47% Positiveness
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Traitrs
Lya
155 bpm • B Maj • 03:40 • -8.69db
24% Popularity • 43% Danceability • 76% Energy • 18% Liveness
88% Instrumentalness • 32% Positiveness
24% Popularity • 43% Danceability • 76% Energy • 18% Liveness
88% Instrumentalness • 32% Positiveness
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Ductape
Rain
155 bpm • D Maj • 04:00 • -10.23db
20% Popularity • 42% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
20% Popularity • 42% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Deus Ex Lumina
Alien
155 bpm • C# min • 03:39 • -12.15db
24% Popularity • 46% Danceability • 66% Energy • 19% Liveness
74% Instrumentalness • 88% Positiveness
24% Popularity • 46% Danceability • 66% Energy • 19% Liveness
74% Instrumentalness • 88% Positiveness
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Adam Tristar
Dead End
164 bpm • A# min • 04:09 • -7.3db
3% Popularity • 52% Danceability • 74% Energy • 9% Liveness
39% Instrumentalness • 38% Positiveness
3% Popularity • 52% Danceability • 74% Energy • 9% Liveness
39% Instrumentalness • 38% Positiveness
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Sydney Valette
PTSD
155 bpm • G Maj • 04:12 • -6.21db
16% Popularity • 56% Danceability • 86% Energy • 55% Liveness
93% Instrumentalness • 43% Positiveness
16% Popularity • 56% Danceability • 86% Energy • 55% Liveness
93% Instrumentalness • 43% Positiveness
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Mannequin
Lines
155 bpm • A min • 02:54 • -9.15db
18% Popularity • 48% Danceability • 88% Energy • 11% Liveness
78% Instrumentalness • 41% Positiveness
18% Popularity • 48% Danceability • 88% Energy • 11% Liveness
78% Instrumentalness • 41% Positiveness
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Twin Tribes
Tower of Glass - Geometric Vision Remix
155 bpm • E min • 04:16 • -12.4db
22% Popularity • 60% Danceability • 63% Energy • 22% Liveness
66% Instrumentalness • 89% Positiveness
22% Popularity • 60% Danceability • 63% Energy • 22% Liveness
66% Instrumentalness • 89% Positiveness
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Winter Severity Index
The Brightest Days
155 bpm • F min • 05:03 • -5.28db
23% Popularity • 45% Danceability • 89% Energy • 11% Liveness
87% Instrumentalness • 47% Positiveness
23% Popularity • 45% Danceability • 89% Energy • 11% Liveness
87% Instrumentalness • 47% Positiveness
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Double Echo
Sylvia
155 bpm • D Maj • 04:55 • -4.55db
32% Popularity • 53% Danceability • 98% Energy • 13% Liveness
19% Instrumentalness • 92% Positiveness
32% Popularity • 53% Danceability • 98% Energy • 13% Liveness
19% Instrumentalness • 92% Positiveness
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Adam Tristar
Minimal Compunction
165 bpm • C Maj • 03:38 • -5.91db
4% Popularity • 56% Danceability • 77% Energy • 8% Liveness
90% Instrumentalness • 69% Positiveness
4% Popularity • 56% Danceability • 77% Energy • 8% Liveness
90% Instrumentalness • 69% Positiveness
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Lobby
Collapse
166 bpm • D# Maj • 03:35 • -5db
24% Popularity • 37% Danceability • 92% Energy • 9% Liveness
97% Instrumentalness • 81% Positiveness
24% Popularity • 37% Danceability • 92% Energy • 9% Liveness
97% Instrumentalness • 81% Positiveness
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Mannequin
Limits
155 bpm • A min • 02:04 • -12.57db
23% Popularity • 61% Danceability • 48% Energy • 11% Liveness
79% Instrumentalness • 40% Positiveness
23% Popularity • 61% Danceability • 48% Energy • 11% Liveness
79% Instrumentalness • 40% Positiveness
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Twin Tribes
Fantasmas - Ash Code Remix
155 bpm • F# Maj • 03:36 • -9.48db
22% Popularity • 41% Danceability • 73% Energy • 35% Liveness
79% Instrumentalness • 40% Positiveness
22% Popularity • 41% Danceability • 73% Energy • 35% Liveness
79% Instrumentalness • 40% Positiveness
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The Masqs
cut me up
166 bpm • A min • 02:20 • -10.87db
27% Popularity • 70% Danceability • 81% Energy • 6% Liveness
25% Instrumentalness • 88% Positiveness
27% Popularity • 70% Danceability • 81% Energy • 6% Liveness
25% Instrumentalness • 88% Positiveness
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Ssleeping Desiress
We Need
154 bpm • F# min • 04:13 • -8db
38% Popularity • 48% Danceability • 88% Energy • 14% Liveness
88% Instrumentalness • 78% Positiveness
38% Popularity • 48% Danceability • 88% Energy • 14% Liveness
88% Instrumentalness • 78% Positiveness
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Adam Tristar
Television Lies
165 bpm • A min • 03:30 • -7.41db
3% Popularity • 61% Danceability • 89% Energy • 32% Liveness
88% Instrumentalness • 72% Positiveness
3% Popularity • 61% Danceability • 89% Energy • 32% Liveness
88% Instrumentalness • 72% Positiveness
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Second Still
Recover
154 bpm • A min • 04:41 • -5.75db
31% Popularity • 59% Danceability • 92% Energy • 11% Liveness
86% Instrumentalness • 30% Positiveness
31% Popularity • 59% Danceability • 92% Energy • 11% Liveness
86% Instrumentalness • 30% Positiveness
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Sally Dige
Forget Me
154 bpm • A min • 04:10 • -9.54db
27% Popularity • 32% Danceability • 67% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
27% Popularity • 32% Danceability • 67% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Twin Tribes
Portal to the Void
154 bpm • A min • 03:59 • -9.18db
35% Popularity • 50% Danceability • 86% Energy • 25% Liveness
87% Instrumentalness • 68% Positiveness
35% Popularity • 50% Danceability • 86% Energy • 25% Liveness
87% Instrumentalness • 68% Positiveness
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Fevr
IF YOU WANT, I'LL LET YOU
154 bpm • C Maj • 03:44 • -8.7db
29% Popularity • 46% Danceability • 74% Energy • 69% Liveness
67% Instrumentalness • 18% Positiveness
29% Popularity • 46% Danceability • 74% Energy • 69% Liveness
67% Instrumentalness • 18% Positiveness
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The Masqs
the noise
166 bpm • A min • 02:05 • -16.99db
34% Popularity • 57% Danceability • 53% Energy • 9% Liveness
13% Instrumentalness • 56% Positiveness
34% Popularity • 57% Danceability • 53% Energy • 9% Liveness
13% Instrumentalness • 56% Positiveness
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Sydney Valette
Please
167 bpm • F# min • 03:40 • -7db
42% Popularity • 47% Danceability • 86% Energy • 9% Liveness
9% Instrumentalness • 88% Positiveness
42% Popularity • 47% Danceability • 86% Energy • 9% Liveness
9% Instrumentalness • 88% Positiveness
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Adam Tristar
Hate Close to Love (Remix)
165 bpm • A min • 03:51 • -6.4db
1% Popularity • 59% Danceability • 76% Energy • 17% Liveness
75% Instrumentalness • 67% Positiveness
1% Popularity • 59% Danceability • 76% Energy • 17% Liveness
75% Instrumentalness • 67% Positiveness
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Haunt Me
Night Prowler
167 bpm • F# min • 03:38 • -4.97db
28% Popularity • 44% Danceability • 80% Energy • 16% Liveness
1% Instrumentalness • 50% Positiveness
28% Popularity • 44% Danceability • 80% Energy • 16% Liveness
1% Instrumentalness • 50% Positiveness
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Bootblacks
Nostalgia Void
153 bpm • C# min • 03:36 • -6.58db
14% Popularity • 48% Danceability • 92% Energy • 10% Liveness
75% Instrumentalness • 89% Positiveness
14% Popularity • 48% Danceability • 92% Energy • 10% Liveness
75% Instrumentalness • 89% Positiveness
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Christian Death
Spiritual Cramp (Creux Lies Mix)
153 bpm • B min • 03:25 • -5.71db
28% Popularity • 52% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 52% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Hapax
Hands
168 bpm • B min • 03:27 • -5.64db
19% Popularity • 47% Danceability • 94% Energy • 16% Liveness
78% Instrumentalness • 78% Positiveness
19% Popularity • 47% Danceability • 94% Energy • 16% Liveness
78% Instrumentalness • 78% Positiveness
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Second Still
Eternal Love
152 bpm • D Maj • 03:30 • -6.38db
33% Popularity • 56% Danceability • 88% Energy • 23% Liveness
59% Instrumentalness • 67% Positiveness
33% Popularity • 56% Danceability • 88% Energy • 23% Liveness
59% Instrumentalness • 67% Positiveness
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Adam Tristar
Awakening
155 bpm • A# min • 03:39 • -7.92db
4% Popularity • 43% Danceability • 70% Energy • 7% Liveness
4% Instrumentalness • 81% Positiveness
4% Popularity • 43% Danceability • 70% Energy • 7% Liveness
4% Instrumentalness • 81% Positiveness
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Double Echo
The Balloon Girl
169 bpm • A# min • 03:36 • -13db
21% Popularity • 43% Danceability • 69% Energy • 25% Liveness
88% Instrumentalness • 92% Positiveness
21% Popularity • 43% Danceability • 69% Energy • 25% Liveness
88% Instrumentalness • 92% Positiveness
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Corbeau Hangs
Light to Dark
152 bpm • D Maj • 04:28 • -7.63db
25% Popularity • 60% Danceability • 89% Energy • 8% Liveness
77% Instrumentalness • 51% Positiveness
25% Popularity • 60% Danceability • 89% Energy • 8% Liveness
77% Instrumentalness • 51% Positiveness
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House of Harm
Valentine
170 bpm • C# Maj • 04:40 • -9db
26% Popularity • 53% Danceability • 82% Energy • 28% Liveness
1% Instrumentalness • 54% Positiveness
26% Popularity • 53% Danceability • 82% Energy • 28% Liveness
1% Instrumentalness • 54% Positiveness
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Hapax
Vitriol
152 bpm • D Maj • 04:31 • -6db
27% Popularity • 45% Danceability • 88% Energy • 9% Liveness
91% Instrumentalness • 24% Positiveness
27% Popularity • 45% Danceability • 88% Energy • 9% Liveness
91% Instrumentalness • 24% Positiveness
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Sydney Valette
What Must I Do
170 bpm • D Maj • 02:50 • -10.54db
17% Popularity • 43% Danceability • 86% Energy • 34% Liveness
12% Instrumentalness • 49% Positiveness
17% Popularity • 43% Danceability • 86% Energy • 34% Liveness
12% Instrumentalness • 49% Positiveness
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Adam Tristar
She Lost Control
153 bpm • F min • 03:58 • -8.24db
2% Popularity • 53% Danceability • 67% Energy • 9% Liveness
58% Instrumentalness • 90% Positiveness
2% Popularity • 53% Danceability • 67% Energy • 9% Liveness
58% Instrumentalness • 90% Positiveness
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My Manifesto
Bleach
170 bpm • F# Maj • 02:16 • -6.8db
30% Popularity • 41% Danceability • 71% Energy • 10% Liveness
93% Instrumentalness • 60% Positiveness
30% Popularity • 41% Danceability • 71% Energy • 10% Liveness
93% Instrumentalness • 60% Positiveness
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Casket Cassette
Who Am I to You
170 bpm • A Maj • 03:04 • -4.45db
26% Popularity • 45% Danceability • 78% Energy • 15% Liveness
38% Instrumentalness • 10% Positiveness
26% Popularity • 45% Danceability • 78% Energy • 15% Liveness
38% Instrumentalness • 10% Positiveness
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Iamnoone
Labyrinth
170 bpm • G# Maj • 02:42 • -9.63db
17% Popularity • 44% Danceability • 88% Energy • 14% Liveness
90% Instrumentalness • 79% Positiveness
17% Popularity • 44% Danceability • 88% Energy • 14% Liveness
90% Instrumentalness • 79% Positiveness
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Bragolin
All Things That Live Will Die
170 bpm • A Maj • 04:02 • -5.8db
31% Popularity • 65% Danceability • 85% Energy • 23% Liveness
81% Instrumentalness • 21% Positiveness
31% Popularity • 65% Danceability • 85% Energy • 23% Liveness
81% Instrumentalness • 21% Positiveness
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Sydney Valette
Run
170 bpm • B Maj • 03:16 • -7.7db
17% Popularity • 48% Danceability • 94% Energy • 17% Liveness
92% Instrumentalness • 55% Positiveness
17% Popularity • 48% Danceability • 94% Energy • 17% Liveness
92% Instrumentalness • 55% Positiveness
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Adam Tristar
Mind Games
170 bpm • A min • 03:50 • -7.8db
3% Popularity • 66% Danceability • 72% Energy • 17% Liveness
93% Instrumentalness • 40% Positiveness
3% Popularity • 66% Danceability • 72% Energy • 17% Liveness
93% Instrumentalness • 40% Positiveness
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Haunt Me
Dancing In The Dark
170 bpm • A Maj • 03:27 • -13.48db
40% Popularity • 50% Danceability • 57% Energy • 50% Liveness
7% Instrumentalness • 62% Positiveness
40% Popularity • 50% Danceability • 57% Energy • 50% Liveness
7% Instrumentalness • 62% Positiveness
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Ductape
King
170 bpm • B min • 02:14 • -9.57db
35% Popularity • 38% Danceability • 66% Energy • 8% Liveness
33% Instrumentalness • 55% Positiveness
35% Popularity • 38% Danceability • 66% Energy • 8% Liveness
33% Instrumentalness • 55% Positiveness
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Kalte Nacht
Humans Are Mistakes
150 bpm • G Maj • 03:41 • -7.95db
19% Popularity • 53% Danceability • 83% Energy • 39% Liveness
73% Instrumentalness • 37% Positiveness
19% Popularity • 53% Danceability • 83% Energy • 39% Liveness
73% Instrumentalness • 37% Positiveness
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S Y Z Y G Y X
Self-Sabotage
150 bpm • C# Maj • 03:02 • -8db
14% Popularity • 71% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 71% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Sydney Valette
Safety Net
170 bpm • F min • 03:57 • -6.58db
24% Popularity • 59% Danceability • 87% Energy • 4% Liveness
74% Instrumentalness • 92% Positiveness
24% Popularity • 59% Danceability • 87% Energy • 4% Liveness
74% Instrumentalness • 92% Positiveness
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Ringfinger
Cloak and Dagger
150 bpm • C Maj • 03:38 • -10db
8% Popularity • 64% Danceability • 67% Energy • 10% Liveness
57% Instrumentalness • 8% Positiveness
8% Popularity • 64% Danceability • 67% Energy • 10% Liveness
57% Instrumentalness • 8% Positiveness
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Ash Code
Dry Your Eyes
150 bpm • C Maj • 03:09 • -6.7db
25% Popularity • 37% Danceability • 96% Energy • 56% Liveness
82% Instrumentalness • 41% Positiveness
25% Popularity • 37% Danceability • 96% Energy • 56% Liveness
82% Instrumentalness • 41% Positiveness
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The City Gates
Le Silence
150 bpm • C# min • 02:41 • -10db
22% Popularity • 55% Danceability • 81% Energy • 18% Liveness
88% Instrumentalness • 49% Positiveness
22% Popularity • 55% Danceability • 81% Energy • 18% Liveness
88% Instrumentalness • 49% Positiveness
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Nuovo Testamento
Exposure
150 bpm • D min • 04:13 • -8.15db
25% Popularity • 54% Danceability • 78% Energy • 10% Liveness
82% Instrumentalness • 37% Positiveness
25% Popularity • 54% Danceability • 78% Energy • 10% Liveness
82% Instrumentalness • 37% Positiveness
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Blind Delon
Mourir Seul
150 bpm • D# min • 04:23 • -8.41db
13% Popularity • 53% Danceability • 83% Energy • 12% Liveness
81% Instrumentalness • 46% Positiveness
13% Popularity • 53% Danceability • 83% Energy • 12% Liveness
81% Instrumentalness • 46% Positiveness
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Geometric Vision
Solitude of the Trees
150 bpm • C# Maj • 03:07 • -6.45db
13% Popularity • 57% Danceability • 85% Energy • 9% Liveness
75% Instrumentalness • 38% Positiveness
13% Popularity • 57% Danceability • 85% Energy • 9% Liveness
75% Instrumentalness • 38% Positiveness