Songs like Suis-moi Reprise - French Version by Hans Zimmer
Based on a tempo of (+/- 10%) and a similar genre
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Hans Zimmer
Suis-moi Reprise - French Version
78 bpm • C Maj • 03:09 • -18.14db
28% Popularity • 49% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
28% Popularity • 49% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Vincent Courtois
La chanson d'Ernest et Célestine
78 bpm • G min • 03:08 • -9.22db
18% Popularity • 57% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
18% Popularity • 57% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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Renée Fleming
You'll Never Know - Alternative Version
78 bpm • C Maj • 06:49 • -15db
24% Popularity • 53% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 53% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Nancy Adams
Love
78 bpm • D# Maj • 01:52 • -12.63db
38% Popularity • 18% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
38% Popularity • 18% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Anže Rozman
Prehistoric Planet Suite
78 bpm • F Maj • 09:09 • -18.74db
35% Popularity • 7% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
35% Popularity • 7% Danceability • 16% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Cyntia M.
La vien en rose
78 bpm • G Maj • 02:51 • -9.97db
28% Popularity • 42% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 42% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Hans Zimmer
Suis-moi - French Version
78 bpm • C Maj • 03:26 • -17.42db
45% Popularity • 65% Danceability • 20% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
45% Popularity • 65% Danceability • 20% Energy • 35% Liveness
0% Instrumentalness • 57% Positiveness
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Randy Newman
Last Critique
78 bpm • C Maj • 01:41 • -18db
25% Popularity • 33% Danceability • 5% Energy • 15% Liveness
92% Instrumentalness • 15% Positiveness
25% Popularity • 33% Danceability • 5% Energy • 15% Liveness
92% Instrumentalness • 15% Positiveness
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Renée Fleming
You'll Never Know
78 bpm • A# Maj • 04:38 • -14db
31% Popularity • 39% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 39% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Daniel Pemberton
Enola Holmes (Wild Child)
78 bpm • C Maj • 03:00 • -12.43db
33% Popularity • 36% Danceability • 39% Energy • 16% Liveness
94% Instrumentalness • 13% Positiveness
33% Popularity • 36% Danceability • 39% Energy • 16% Liveness
94% Instrumentalness • 13% Positiveness
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Geoff Zanelli
Storybook
77 bpm • A min • 01:22 • -20.87db
50% Popularity • 44% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
50% Popularity • 44% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
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Ari Posner
Good Morning Anne
77 bpm • G Maj • 01:33 • -20.47db
41% Popularity • 38% Danceability • 15% Energy • 19% Liveness
92% Instrumentalness • 23% Positiveness
41% Popularity • 38% Danceability • 15% Energy • 19% Liveness
92% Instrumentalness • 23% Positiveness
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Hans Zimmer
Turnaround
78 bpm • C Maj • 03:26 • -16.4db
39% Popularity • 63% Danceability • 19% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
39% Popularity • 63% Danceability • 19% Energy • 40% Liveness
0% Instrumentalness • 56% Positiveness
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Randy Newman
New House
78 bpm • F min • 01:32 • -16db
20% Popularity • 28% Danceability • 14% Energy • 7% Liveness
47% Instrumentalness • 11% Positiveness
20% Popularity • 28% Danceability • 14% Energy • 7% Liveness
47% Instrumentalness • 11% Positiveness
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Chorus - Sleeping Beauty
Symphonic Du Fond Des Bois/J'en ai rêv�...
77 bpm • F Maj • 03:29 • -15.02db
26% Popularity • 23% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 23% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Camille
La jeune fille aux cheveux blancs
77 bpm • B min • 02:16 • -10.9db
30% Popularity • 34% Danceability • 24% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 34% Danceability • 24% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
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David Torn
in the forest
79 bpm • D# Maj • 01:16 • -17.34db
28% Popularity • 21% Danceability • 20% Energy • 17% Liveness
93% Instrumentalness • 8% Positiveness
28% Popularity • 21% Danceability • 20% Energy • 17% Liveness
93% Instrumentalness • 8% Positiveness
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Emma Stone
Audition (The Fools Who Dream)
79 bpm • D min • 04:12 • -13db
35% Popularity • 33% Danceability • 13% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
35% Popularity • 33% Danceability • 13% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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Hans Zimmer
Turnaround Reprise
78 bpm • C Maj • 03:09 • -17.04db
34% Popularity • 40% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
34% Popularity • 40% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
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Ralf Wengenmayr
Rosie Dunne, Can I Take You to the Dance...
79 bpm • G Maj • 02:59 • -15.24db
25% Popularity • 20% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
25% Popularity • 20% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Craig Armstrong
Croissants In France
76 bpm • C Maj • 01:07 • -23.13db
55% Popularity • 22% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 23% Positiveness
55% Popularity • 22% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 23% Positiveness
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Daphné
Ma plus belle histoire d'amour
79 bpm • A Maj • 04:20 • -11db
22% Popularity • 58% Danceability • 28% Energy • 8% Liveness
2% Instrumentalness • 49% Positiveness
22% Popularity • 58% Danceability • 28% Energy • 8% Liveness
2% Instrumentalness • 49% Positiveness
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Rachel Portman
Never Let Me Go
80 bpm • C Maj • 02:43 • -13.83db
31% Popularity • 46% Danceability • 28% Energy • 40% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 46% Danceability • 28% Energy • 40% Liveness
0% Instrumentalness • 31% Positiveness
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Patrick Doyle
The Picnic
80 bpm • E Maj • 02:57 • -18.69db
16% Popularity • 26% Danceability • 15% Energy • 10% Liveness
64% Instrumentalness • 12% Positiveness
16% Popularity • 26% Danceability • 15% Energy • 10% Liveness
64% Instrumentalness • 12% Positiveness
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Hans Zimmer
Top Floor Please
78 bpm • G min • 00:57 • -23.14db
18% Popularity • 29% Danceability • 6% Energy • 19% Liveness
93% Instrumentalness • 5% Positiveness
18% Popularity • 29% Danceability • 6% Energy • 19% Liveness
93% Instrumentalness • 5% Positiveness
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John Williams
Across the Stars (Love Theme) [From "Sta...
76 bpm • C Maj • 06:03 • -18.7db
31% Popularity • 9% Danceability • 14% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
31% Popularity • 9% Danceability • 14% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Beatrice Bonifassi
Attila Marcel
80 bpm • A min • 02:22 • -4db
21% Popularity • 65% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 65% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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Coin Op. Studios
Le Temps des Cerises
80 bpm • C# Maj • 02:57 • -18.16db
12% Popularity • 48% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 48% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Vitamin String Quartet
Spirited Away - One Summer's Day
76 bpm • C Maj • 04:51 • -12.42db
29% Popularity • 20% Danceability • 19% Energy • 41% Liveness
0% Instrumentalness • 8% Positiveness
29% Popularity • 20% Danceability • 19% Energy • 41% Liveness
0% Instrumentalness • 8% Positiveness
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James Newton Howard
Corynorhinus
80 bpm • F min • 05:04 • -25.39db
45% Popularity • 8% Danceability • 3% Energy • 55% Liveness
76% Instrumentalness • 4% Positiveness
45% Popularity • 8% Danceability • 3% Energy • 55% Liveness
76% Instrumentalness • 4% Positiveness
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Hans Zimmer
The Journey
79 bpm • F# Maj • 02:35 • -14.21db
17% Popularity • 24% Danceability • 28% Energy • 13% Liveness
64% Instrumentalness • 5% Positiveness
17% Popularity • 24% Danceability • 28% Energy • 13% Liveness
64% Instrumentalness • 5% Positiveness
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Rachel Clinton
Peace Excerpt
80 bpm • C Maj • 04:25 • -27.88db
12% Popularity • 38% Danceability • 0% Energy • 9% Liveness
87% Instrumentalness • 17% Positiveness
12% Popularity • 38% Danceability • 0% Energy • 9% Liveness
87% Instrumentalness • 17% Positiveness
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John Powell
For the Dancing and the Dreaming
76 bpm • C Maj • 03:06 • -19.58db
50% Popularity • 33% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
50% Popularity • 33% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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Gabriel Yared
Découverte de Paris
81 bpm • G Maj • 02:13 • -16db
12% Popularity • 29% Danceability • 14% Energy • 16% Liveness
1% Instrumentalness • 17% Positiveness
12% Popularity • 29% Danceability • 14% Energy • 16% Liveness
1% Instrumentalness • 17% Positiveness
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Fernando Velázquez
Edith's Theme
81 bpm • G min • 01:56 • -14.8db
41% Popularity • 22% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
41% Popularity • 22% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Frank Tapp
Picnic for Two
75 bpm • G Maj • 02:50 • -11.96db
28% Popularity • 30% Danceability • 24% Energy • 15% Liveness
85% Instrumentalness • 32% Positiveness
28% Popularity • 30% Danceability • 24% Energy • 15% Liveness
85% Instrumentalness • 32% Positiveness
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Hans Zimmer
Farewell
77 bpm • C Maj • 01:58 • -24.22db
25% Popularity • 15% Danceability • 8% Energy • 22% Liveness
87% Instrumentalness • 4% Positiveness
25% Popularity • 15% Danceability • 8% Energy • 22% Liveness
87% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
Japan
75 bpm • A min • 03:27 • -19.19db
34% Popularity • 20% Danceability • 19% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
34% Popularity • 20% Danceability • 19% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
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Carla Bruni
Liberté
75 bpm • B Maj • 03:36 • -8.07db
48% Popularity • 54% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
48% Popularity • 54% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Gael Garcia Bernal
Recuérdame (Arrullo)
81 bpm • E min • 01:09 • -19db
51% Popularity • 59% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
51% Popularity • 59% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Cody Fry
I Hear a Symphony - Instrumental
81 bpm • A# Maj • 02:48 • -10.93db
28% Popularity • 14% Danceability • 28% Energy • 22% Liveness
85% Instrumentalness • 26% Positiveness
28% Popularity • 14% Danceability • 28% Energy • 22% Liveness
85% Instrumentalness • 26% Positiveness
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Dan Romer
The Portorosso Cup
81 bpm • C Maj • 07:34 • -12.95db
27% Popularity • 26% Danceability • 40% Energy • 41% Liveness
92% Instrumentalness • 13% Positiveness
27% Popularity • 26% Danceability • 40% Energy • 41% Liveness
92% Instrumentalness • 13% Positiveness
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Hans Zimmer
The Interview
77 bpm • D Maj • 02:15 • -25.2db
20% Popularity • 24% Danceability • 6% Energy • 37% Liveness
79% Instrumentalness • 6% Positiveness
20% Popularity • 24% Danceability • 6% Energy • 37% Liveness
79% Instrumentalness • 6% Positiveness
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James Newton Howard
Lasiurus
82 bpm • G min • 07:27 • -24.4db
45% Popularity • 9% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
45% Popularity • 9% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Nancy Adams
Love
74 bpm • D# Maj • 01:56 • -15.08db
56% Popularity • 30% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
56% Popularity • 30% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Gregory Mann
Ciao Papa
82 bpm • A# Maj • 02:48 • -12db
33% Popularity • 58% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 58% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Graham Reynolds
Captain Nina
74 bpm • D Maj • 01:14 • -12.03db
19% Popularity • 65% Danceability • 24% Energy • 12% Liveness
70% Instrumentalness • 28% Positiveness
19% Popularity • 65% Danceability • 24% Energy • 12% Liveness
70% Instrumentalness • 28% Positiveness
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Arturo Cardelús
In a Heartbeat
74 bpm • F Maj • 02:02 • -18.09db
18% Popularity • 26% Danceability • 10% Energy • 9% Liveness
67% Instrumentalness • 11% Positiveness
18% Popularity • 26% Danceability • 10% Energy • 9% Liveness
67% Instrumentalness • 11% Positiveness
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Hans Zimmer
Remember Who You Are
80 bpm • G Maj • 07:48 • -13.79db
37% Popularity • 13% Danceability • 30% Energy • 41% Liveness
70% Instrumentalness • 10% Positiveness
37% Popularity • 13% Danceability • 30% Energy • 41% Liveness
70% Instrumentalness • 10% Positiveness
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The Meridian Studio Ensemble
Irenes Theme - Series 2 (Extended Versio...
74 bpm • D min • 02:17 • -18db
22% Popularity • 39% Danceability • 13% Energy • 23% Liveness
33% Instrumentalness • 17% Positiveness
22% Popularity • 39% Danceability • 13% Energy • 23% Liveness
33% Instrumentalness • 17% Positiveness
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John Bacchus Dykes
Roll Tide
82 bpm • D min • 07:33 • -16db
44% Popularity • 8% Danceability • 18% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
44% Popularity • 8% Danceability • 18% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Daniel Hart
Ma Petite Libellule
74 bpm • B min • 02:44 • -14.13db
17% Popularity • 31% Danceability • 17% Energy • 11% Liveness
43% Instrumentalness • 26% Positiveness
17% Popularity • 31% Danceability • 17% Energy • 11% Liveness
43% Instrumentalness • 26% Positiveness
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Camille
Tout dit
83 bpm • G# Maj • 03:01 • -22.29db
26% Popularity • 79% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
26% Popularity • 79% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
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Édith Piaf
La vie en rose
83 bpm • G# Maj • 03:06 • -9db
61% Popularity • 39% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
61% Popularity • 39% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Hans Zimmer
Trapped Stars
74 bpm • D min • 04:00 • -25.43db
22% Popularity • 11% Danceability • 6% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
22% Popularity • 11% Danceability • 6% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
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Rachel Portman
Little Edie On Chair
83 bpm • F Maj • 02:47 • -20db
27% Popularity • 24% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 5% Positiveness
27% Popularity • 24% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 5% Positiveness
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Mark Bradshaw
Human Orchestra
74 bpm • D# Maj • 01:48 • -15.23db
13% Popularity • 7% Danceability • 23% Energy • 14% Liveness
6% Instrumentalness • 16% Positiveness
13% Popularity • 7% Danceability • 23% Energy • 14% Liveness
6% Instrumentalness • 16% Positiveness
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Daniel Hart
The Secret In The Wall
82 bpm • C Maj • 04:11 • -14.29db
31% Popularity • 18% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
31% Popularity • 18% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Randy Newman
Boo's Tired
83 bpm • B Maj • 01:03 • -16.61db
38% Popularity • 16% Danceability • 25% Energy • 28% Liveness
7% Instrumentalness • 10% Positiveness
38% Popularity • 16% Danceability • 25% Energy • 28% Liveness
7% Instrumentalness • 10% Positiveness
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Gabriel Yared
La grande pavane
83 bpm • C Maj • 03:01 • -10.92db
17% Popularity • 33% Danceability • 19% Energy • 11% Liveness
94% Instrumentalness • 21% Positiveness
17% Popularity • 33% Danceability • 19% Energy • 11% Liveness
94% Instrumentalness • 21% Positiveness
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Hans Zimmer
Growing Up
82 bpm • E min • 04:17 • -20.4db
23% Popularity • 12% Danceability • 9% Energy • 14% Liveness
82% Instrumentalness • 3% Positiveness
23% Popularity • 12% Danceability • 9% Energy • 14% Liveness
82% Instrumentalness • 3% Positiveness
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Ralf Wengenmayr
We Keep in Touch, Okay ?
73 bpm • G Maj • 02:50 • -22.16db
27% Popularity • 12% Danceability • 4% Energy • 11% Liveness
72% Instrumentalness • 4% Positiveness
27% Popularity • 12% Danceability • 4% Energy • 11% Liveness
72% Instrumentalness • 4% Positiveness
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Harry Gregson-Williams
Fairytale
83 bpm • G# Maj • 01:26 • -18.77db
61% Popularity • 9% Danceability • 16% Energy • 46% Liveness
50% Instrumentalness • 10% Positiveness
61% Popularity • 9% Danceability • 16% Energy • 46% Liveness
50% Instrumentalness • 10% Positiveness
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Les Chauds Lapins
Cette Nuit lÃ
73 bpm • F min • 02:30 • -10.41db
53% Popularity • 59% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
53% Popularity • 59% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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John Williams
The Book Thief
73 bpm • G min • 07:05 • -18.79db
29% Popularity • 20% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
29% Popularity • 20% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Jean Amadou
Prologue - La Bella et La Bête - De "La...
84 bpm • C min • 02:26 • -23.76db
28% Popularity • 38% Danceability • 24% Energy • 62% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 38% Danceability • 24% Energy • 62% Liveness
0% Instrumentalness • 46% Positiveness
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Hans Zimmer
Draw Me a Sheep
83 bpm • A min • 03:39 • -24.17db
25% Popularity • 11% Danceability • 10% Energy • 81% Liveness
58% Instrumentalness • 4% Positiveness
25% Popularity • 11% Danceability • 10% Energy • 81% Liveness
58% Instrumentalness • 4% Positiveness
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Ralf Wengenmayr
Love, Rosie
83 bpm • D Maj • 01:02 • -12db
25% Popularity • 37% Danceability • 33% Energy • 9% Liveness
87% Instrumentalness • 16% Positiveness
25% Popularity • 37% Danceability • 33% Energy • 9% Liveness
87% Instrumentalness • 16% Positiveness
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Jerry Goldsmith
Mulan's Decision
83 bpm • A# min • 03:23 • -19.27db
42% Popularity • 21% Danceability • 26% Energy • 14% Liveness
81% Instrumentalness • 6% Positiveness
42% Popularity • 21% Danceability • 26% Energy • 14% Liveness
81% Instrumentalness • 6% Positiveness
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Randy Newman
Shouting and Shopping
73 bpm • F Maj • 01:40 • -19.48db
18% Popularity • 9% Danceability • 10% Energy • 12% Liveness
89% Instrumentalness • 5% Positiveness
18% Popularity • 9% Danceability • 10% Energy • 12% Liveness
89% Instrumentalness • 5% Positiveness
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The Meridian Studio Ensemble
Main Title from "Pan's Labyrinth"
84 bpm • A min • 02:58 • -17db
34% Popularity • 8% Danceability • 9% Energy • 10% Liveness
97% Instrumentalness • 8% Positiveness
34% Popularity • 8% Danceability • 9% Energy • 10% Liveness
97% Instrumentalness • 8% Positiveness
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Mary-Jess
Did I Make The Most Of Loving You
84 bpm • F Maj • 04:13 • -12.03db
32% Popularity • 33% Danceability • 34% Energy • 10% Liveness
6% Instrumentalness • 29% Positiveness
32% Popularity • 33% Danceability • 34% Energy • 10% Liveness
6% Instrumentalness • 29% Positiveness
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Hans Zimmer
Finding the Rose
84 bpm • D Maj • 04:22 • -22.02db
23% Popularity • 9% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
23% Popularity • 9% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Nicholas Hooper
When Ginny Kissed Harry
84 bpm • E min • 02:38 • -28.26db
55% Popularity • 48% Danceability • 6% Energy • 4% Liveness
96% Instrumentalness • 8% Positiveness
55% Popularity • 48% Danceability • 6% Energy • 4% Liveness
96% Instrumentalness • 8% Positiveness
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Chorus - Sleeping Beauty
L'oiseau bleu/Je voudrais - De "La Belle...
84 bpm • C# Maj • 03:57 • -15.83db
22% Popularity • 22% Danceability • 15% Energy • 10% Liveness
9% Instrumentalness • 13% Positiveness
22% Popularity • 22% Danceability • 15% Energy • 10% Liveness
9% Instrumentalness • 13% Positiveness
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Theodore Shapiro
We Can Try
84 bpm • C Maj • 02:08 • -24db
26% Popularity • 16% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
26% Popularity • 16% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Dan Romer
Portorosso
72 bpm • G Maj • 01:36 • -13.52db
35% Popularity • 37% Danceability • 9% Energy • 11% Liveness
39% Instrumentalness • 33% Positiveness
35% Popularity • 37% Danceability • 9% Energy • 11% Liveness
39% Instrumentalness • 33% Positiveness
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Ilan Eshkeri
Butterfly
72 bpm • E min • 01:37 • -17db
46% Popularity • 21% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
46% Popularity • 21% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Hans Zimmer
Mufasa Dies
72 bpm • E Maj • 03:27 • -10.83db
33% Popularity • 9% Danceability • 28% Energy • 38% Liveness
81% Instrumentalness • 6% Positiveness
33% Popularity • 9% Danceability • 28% Energy • 38% Liveness
81% Instrumentalness • 6% Positiveness
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Bryony Marks
Josh the Brave
85 bpm • G Maj • 02:01 • -16.69db
9% Popularity • 77% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 25% Positiveness
9% Popularity • 77% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 25% Positiveness
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Adam Crystal
Charlie's Theme
72 bpm • C Maj • 01:51 • -15.07db
10% Popularity • 13% Danceability • 21% Energy • 9% Liveness
4% Instrumentalness • 6% Positiveness
10% Popularity • 13% Danceability • 21% Energy • 9% Liveness
4% Instrumentalness • 6% Positiveness
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Christophe Julien
La terrasse
85 bpm • G min • 03:40 • -20.98db
11% Popularity • 22% Danceability • 6% Energy • 10% Liveness
75% Instrumentalness • 5% Positiveness
11% Popularity • 22% Danceability • 6% Energy • 10% Liveness
75% Instrumentalness • 5% Positiveness
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David Newman
Walking Through
85 bpm • A# min • 01:25 • -17.91db
35% Popularity • 47% Danceability • 27% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
35% Popularity • 47% Danceability • 27% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
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-M-
Un monstre à Paris - Live 2020
86 bpm • C Maj • 02:02 • -13.8db
27% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Hans Zimmer
The Life Plan
85 bpm • F Maj • 01:12 • -22.13db
27% Popularity • 18% Danceability • 13% Energy • 9% Liveness
97% Instrumentalness • 20% Positiveness
27% Popularity • 18% Danceability • 13% Energy • 9% Liveness
97% Instrumentalness • 20% Positiveness
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Daniel Pemberton
Gifts From Mother
86 bpm • C min • 01:09 • -24db
32% Popularity • 19% Danceability • 5% Energy • 16% Liveness
98% Instrumentalness • 4% Positiveness
32% Popularity • 19% Danceability • 5% Energy • 16% Liveness
98% Instrumentalness • 4% Positiveness
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The Meridian Studio Ensemble
Waltz For John And Mary - Series 3 (Exte...
86 bpm • C Maj • 03:16 • -21.46db
14% Popularity • 24% Danceability • 7% Energy • 10% Liveness
59% Instrumentalness • 27% Positiveness
14% Popularity • 24% Danceability • 7% Energy • 10% Liveness
59% Instrumentalness • 27% Positiveness
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John Powell
Po Finds The Truth
70 bpm • C min • 05:03 • -16.31db
44% Popularity • 18% Danceability • 23% Energy • 10% Liveness
60% Instrumentalness • 4% Positiveness
44% Popularity • 18% Danceability • 23% Energy • 10% Liveness
60% Instrumentalness • 4% Positiveness
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Deyan Pavlov
La chambre
86 bpm • C min • 01:12 • -9.84db
7% Popularity • 34% Danceability • 12% Energy • 18% Liveness
5% Instrumentalness • 19% Positiveness
7% Popularity • 34% Danceability • 12% Energy • 18% Liveness
5% Instrumentalness • 19% Positiveness
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Georges Delerue
King Of Hearts Le Repos
87 bpm • A Maj • 01:42 • -13.21db
24% Popularity • 40% Danceability • 18% Energy • 10% Liveness
73% Instrumentalness • 16% Positiveness
24% Popularity • 40% Danceability • 18% Energy • 10% Liveness
73% Instrumentalness • 16% Positiveness
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Hans Zimmer
The Lion King Orchestra Suite - Live
87 bpm • F Maj • 08:55 • -11.7db
43% Popularity • 20% Danceability • 53% Energy • 46% Liveness
52% Instrumentalness • 18% Positiveness
43% Popularity • 20% Danceability • 53% Energy • 46% Liveness
52% Instrumentalness • 18% Positiveness
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Dan Romer
Meet Luca
87 bpm • C min • 04:08 • -17.04db
39% Popularity • 32% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
39% Popularity • 32% Danceability • 19% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
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Rachel Zegler
The Old Therebefore / Singing at Snakes ...
70 bpm • B Maj • 02:48 • -13.72db
57% Popularity • 40% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
57% Popularity • 40% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Paul Englishby
If You'll Have Me
70 bpm • C Maj • 01:59 • -19.15db
11% Popularity • 26% Danceability • 5% Energy • 23% Liveness
71% Instrumentalness • 4% Positiveness
11% Popularity • 26% Danceability • 5% Energy • 23% Liveness
71% Instrumentalness • 4% Positiveness
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Geoff Zanelli
...Now What?
70 bpm • E Maj • 02:25 • -22.53db
13% Popularity • 7% Danceability • 9% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
13% Popularity • 7% Danceability • 9% Energy • 14% Liveness
94% Instrumentalness • 4% Positiveness
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Jerry Herman
It Only Takes A Moment
87 bpm • C# Maj • 04:12 • -17db
41% Popularity • 25% Danceability • 15% Energy • 36% Liveness
0% Instrumentalness • 16% Positiveness
41% Popularity • 25% Danceability • 15% Energy • 36% Liveness
0% Instrumentalness • 16% Positiveness
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Hans Zimmer
Parachutes
70 bpm • A# Maj • 03:48 • -22.55db
20% Popularity • 18% Danceability • 12% Energy • 19% Liveness
80% Instrumentalness • 7% Positiveness
20% Popularity • 18% Danceability • 12% Energy • 19% Liveness
80% Instrumentalness • 7% Positiveness
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Adriana Figueroa
Legend Of Korra (Main Theme)
87 bpm • D min • 01:39 • -17.22db
34% Popularity • 52% Danceability • 6% Energy • 8% Liveness
87% Instrumentalness • 32% Positiveness
34% Popularity • 52% Danceability • 6% Energy • 8% Liveness
87% Instrumentalness • 32% Positiveness