Songs like Suite Colombiana No. 3: IV. German (Bambuco) by Gentil Montaña
Based on a tempo of (+/- 10%) and a similar genre
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Federico Moreno Torroba
Castillos de Espana II: No. 2. Manzanare...
127 bpm • A min • 01:05 • -27db
30% Popularity • 36% Danceability • 16% Energy • 10% Liveness
84% Instrumentalness • 78% Positiveness
30% Popularity • 36% Danceability • 16% Energy • 10% Liveness
84% Instrumentalness • 78% Positiveness
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Leo Brouwer
Danza Caracteristica: Danza caracteristi...
127 bpm • G min • 02:07 • -23db
8% Popularity • 36% Danceability • 19% Energy • 12% Liveness
84% Instrumentalness • 24% Positiveness
8% Popularity • 36% Danceability • 19% Energy • 12% Liveness
84% Instrumentalness • 24% Positiveness
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Jorge Cardoso
Alfonsina y el Mar - Zamba
127 bpm • E min • 05:20 • -22.72db
17% Popularity • 43% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
17% Popularity • 43% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
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Violeta Parra
5 Anticuecas: Anticueca No. 5
127 bpm • G Maj • 04:13 • -24.57db
0% Popularity • 34% Danceability • 9% Energy • 14% Liveness
88% Instrumentalness • 4% Positiveness
0% Popularity • 34% Danceability • 9% Energy • 14% Liveness
88% Instrumentalness • 4% Positiveness
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Gentil Montaña
Suite Colombiana No. 3: IV. German (Bamb...
127 bpm • D min • 03:25 • -26.71db
11% Popularity • 39% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 37% Positiveness
11% Popularity • 39% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 37% Positiveness
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AnÃbal Arias
El BulÃn De La Calle Ayacucho
127 bpm • A min • 02:44 • -19.3db
10% Popularity • 48% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 54% Positiveness
10% Popularity • 48% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 54% Positiveness
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Federico Moreno Torroba
Castillos de Espana II: No. 4. Siguenza
127 bpm • E min • 01:56 • -31.37db
16% Popularity • 30% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 23% Positiveness
16% Popularity • 30% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 23% Positiveness
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Frantz Casseus
Haitian Suite #4: Coumbite
127 bpm • E min • 02:42 • -21.19db
7% Popularity • 41% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 69% Positiveness
7% Popularity • 41% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 69% Positiveness
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Sergio & Odair Assad
Suite Popular Brasileira, Gavota-Choro
128 bpm • D Maj • 04:28 • -15.95db
12% Popularity • 53% Danceability • 27% Energy • 12% Liveness
93% Instrumentalness • 41% Positiveness
12% Popularity • 53% Danceability • 27% Energy • 12% Liveness
93% Instrumentalness • 41% Positiveness
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Antonio Restucci
Arrayanes
126 bpm • D Maj • 02:45 • -24.99db
1% Popularity • 31% Danceability • 11% Energy • 17% Liveness
89% Instrumentalness • 45% Positiveness
1% Popularity • 31% Danceability • 11% Energy • 17% Liveness
89% Instrumentalness • 45% Positiveness
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Gentil Montaña
Suite colombiana No. 2: 2. Guabina viaje...
127 bpm • E Maj • 04:20 • -27.99db
6% Popularity • 53% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 30% Positiveness
6% Popularity • 53% Danceability • 6% Energy • 11% Liveness
88% Instrumentalness • 30% Positiveness
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Victor Villadangos
Cinco Piezas para Guitarra: Compadre
128 bpm • A min • 03:12 • -26db
11% Popularity • 42% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 14% Positiveness
11% Popularity • 42% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 14% Positiveness
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Sergio Assad
Aquarelle: III. Preludio e Toccatina
128 bpm • D min • 02:58 • -29.79db
10% Popularity • 28% Danceability • 9% Energy • 8% Liveness
93% Instrumentalness • 35% Positiveness
10% Popularity • 28% Danceability • 9% Energy • 8% Liveness
93% Instrumentalness • 35% Positiveness
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Pedro Aguiar
Jorge do fusa (Arr. P. Bellinati for Gui...
128 bpm • D Maj • 02:47 • -29.3db
16% Popularity • 53% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 52% Positiveness
16% Popularity • 53% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 52% Positiveness
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Heitor Villa-Lobos
Suite populaire brésilienne, W020: I. M...
128 bpm • A min • 03:08 • -30db
14% Popularity • 38% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 20% Positiveness
14% Popularity • 38% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 20% Positiveness
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Horacio Salgán
A Don Agustin Bardi (arr. J. Morel): Don...
128 bpm • A min • 03:15 • -26.55db
13% Popularity • 36% Danceability • 10% Energy • 9% Liveness
85% Instrumentalness • 57% Positiveness
13% Popularity • 36% Danceability • 10% Energy • 9% Liveness
85% Instrumentalness • 57% Positiveness
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Gentil Montaña
Guabina Huilense
128 bpm • A Maj • 03:26 • -10.1db
5% Popularity • 60% Danceability • 29% Energy • 10% Liveness
92% Instrumentalness • 35% Positiveness
5% Popularity • 60% Danceability • 29% Energy • 10% Liveness
92% Instrumentalness • 35% Positiveness
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William Walton
Cinco Bagatelas: I. Allegro
129 bpm • A Maj • 03:39 • -23.17db
14% Popularity • 45% Danceability • 8% Energy • 22% Liveness
82% Instrumentalness • 21% Positiveness
14% Popularity • 45% Danceability • 8% Energy • 22% Liveness
82% Instrumentalness • 21% Positiveness
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Johann Kaspar Mertz
Bardenklange, Op. 13: Capriccio
129 bpm • D min • 01:48 • -27.45db
24% Popularity • 19% Danceability • 10% Energy • 12% Liveness
84% Instrumentalness • 32% Positiveness
24% Popularity • 19% Danceability • 10% Energy • 12% Liveness
84% Instrumentalness • 32% Positiveness
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Jaime González
Adele
129 bpm • F# min • 02:42 • -17.01db
0% Popularity • 35% Danceability • 9% Energy • 17% Liveness
96% Instrumentalness • 7% Positiveness
0% Popularity • 35% Danceability • 9% Energy • 17% Liveness
96% Instrumentalness • 7% Positiveness
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Roland Dyens
Triaela: I. Light Motif (Takemitsu au Br...
125 bpm • A min • 04:57 • -34db
8% Popularity • 46% Danceability • 1% Energy • 13% Liveness
86% Instrumentalness • 12% Positiveness
8% Popularity • 46% Danceability • 1% Energy • 13% Liveness
86% Instrumentalness • 12% Positiveness
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Heitor Villa-Lobos
Suite populaire brésilienne, W020 (1948...
125 bpm • A min • 02:58 • -19.25db
9% Popularity • 50% Danceability • 22% Energy • 12% Liveness
86% Instrumentalness • 52% Positiveness
9% Popularity • 50% Danceability • 22% Energy • 12% Liveness
86% Instrumentalness • 52% Positiveness
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Mauro Giuliani
Studio Op.100 N.11 - Allegro
129 bpm • A min • 01:13 • -22.98db
26% Popularity • 26% Danceability • 31% Energy • 13% Liveness
86% Instrumentalness • 38% Positiveness
26% Popularity • 26% Danceability • 31% Energy • 13% Liveness
86% Instrumentalness • 38% Positiveness
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Sergio & Odair Assad
Estudo No. 2
125 bpm • E Maj • 01:44 • -14.93db
9% Popularity • 34% Danceability • 42% Energy • 10% Liveness
87% Instrumentalness • 84% Positiveness
9% Popularity • 34% Danceability • 42% Energy • 10% Liveness
87% Instrumentalness • 84% Positiveness
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Ernesto Méndez
Alma GuaranÃ
125 bpm • A min • 03:31 • -16.33db
13% Popularity • 48% Danceability • 24% Energy • 8% Liveness
85% Instrumentalness • 18% Positiveness
13% Popularity • 48% Danceability • 24% Energy • 8% Liveness
85% Instrumentalness • 18% Positiveness
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Domenico Scarlatti
Sonata in C Major L. 305/K 251
125 bpm • C Maj • 02:46 • -22.69db
10% Popularity • 36% Danceability • 26% Energy • 18% Liveness
88% Instrumentalness • 75% Positiveness
10% Popularity • 36% Danceability • 26% Energy • 18% Liveness
88% Instrumentalness • 75% Positiveness
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Antonio Restucci
La disyuntiva
125 bpm • F Maj • 04:03 • -26.78db
1% Popularity • 33% Danceability • 9% Energy • 9% Liveness
85% Instrumentalness • 34% Positiveness
1% Popularity • 33% Danceability • 9% Energy • 9% Liveness
85% Instrumentalness • 34% Positiveness
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Heitor Villa-Lobos
12 Estudos, W235: V. Andantino
125 bpm • C Maj • 02:20 • -20.3db
9% Popularity • 63% Danceability • 8% Energy • 14% Liveness
86% Instrumentalness • 27% Positiveness
9% Popularity • 63% Danceability • 8% Energy • 14% Liveness
86% Instrumentalness • 27% Positiveness
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Frantz Casseus
Meringue Franguel
129 bpm • D Maj • 01:06 • -25.28db
15% Popularity • 51% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 49% Positiveness
15% Popularity • 51% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 49% Positiveness
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Jaime Romero
Florecita del Camino
129 bpm • G Maj • 05:00 • -20.34db
9% Popularity • 46% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 34% Positiveness
9% Popularity • 46% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 34% Positiveness
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Gentil Montaña
La Catedral
130 bpm • A# min • 02:50 • -14.01db
1% Popularity • 42% Danceability • 22% Energy • 11% Liveness
94% Instrumentalness • 45% Positiveness
1% Popularity • 42% Danceability • 22% Energy • 11% Liveness
94% Instrumentalness • 45% Positiveness
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Luiz Bonfá
Manha de Carnaval (Morning of the Carniv...
125 bpm • A min • 03:22 • -31.72db
17% Popularity • 31% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 18% Positiveness
17% Popularity • 31% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 18% Positiveness
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Roland Dyens
Tango en Skai
124 bpm • A min • 02:49 • -19db
15% Popularity • 53% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 42% Positiveness
15% Popularity • 53% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 42% Positiveness
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Leo Brouwer
Estudios sencillos: Second Series: VI
130 bpm • A Maj • 00:53 • -26.52db
24% Popularity • 16% Danceability • 26% Energy • 9% Liveness
84% Instrumentalness • 27% Positiveness
24% Popularity • 16% Danceability • 26% Energy • 9% Liveness
84% Instrumentalness • 27% Positiveness
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AgustÃn Barrios Mangoré
La Catedral
130 bpm • A# min • 05:36 • -16.5db
9% Popularity • 38% Danceability • 22% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
9% Popularity • 38% Danceability • 22% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
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Sergio & Odair Assad
Prelúdio No. 5
130 bpm • B min • 03:22 • -19.23db
10% Popularity • 52% Danceability • 22% Energy • 15% Liveness
84% Instrumentalness • 25% Positiveness
10% Popularity • 52% Danceability • 22% Energy • 15% Liveness
84% Instrumentalness • 25% Positiveness
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Gentil Montaña
Minueto En A
130 bpm • G# Maj • 02:17 • -12.43db
1% Popularity • 65% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 50% Positiveness
1% Popularity • 65% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 50% Positiveness
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Fernando Sor
Guitar Sonata No. 1 in D major, Op. 14, ...
124 bpm • D Maj • 10:01 • -32db
7% Popularity • 41% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 13% Positiveness
7% Popularity • 41% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 13% Positiveness
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Jorge Cardoso
Sons de Carrilhoes
131 bpm • G Maj • 02:35 • -20.02db
22% Popularity • 47% Danceability • 15% Energy • 11% Liveness
96% Instrumentalness • 78% Positiveness
22% Popularity • 47% Danceability • 15% Energy • 11% Liveness
96% Instrumentalness • 78% Positiveness
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Julian Bream
Guitar Sonata in A Major, Op. 29, No. 2 ...
130 bpm • E Maj • 03:29 • -27.38db
12% Popularity • 40% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 12% Positiveness
12% Popularity • 40% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 12% Positiveness
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AgustÃn Barrios Mangoré
Minueto en La
130 bpm • G# Maj • 02:15 • -12.38db
12% Popularity • 56% Danceability • 31% Energy • 10% Liveness
93% Instrumentalness • 52% Positiveness
12% Popularity • 56% Danceability • 31% Energy • 10% Liveness
93% Instrumentalness • 52% Positiveness
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Hector Ayala
Serie Americana: Tonada
123 bpm • A Maj • 01:55 • -28db
17% Popularity • 59% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 40% Positiveness
17% Popularity • 59% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 40% Positiveness
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Juan Antonio Sánchez
Guitar Sonata, "Homenaje a Violeta Parra...
123 bpm • G Maj • 02:59 • -25.43db
0% Popularity • 46% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
0% Popularity • 46% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 6% Positiveness
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Jorge Morel
Milonga del viento
123 bpm • A min • 03:23 • -29db
25% Popularity • 27% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 51% Positiveness
25% Popularity • 27% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 51% Positiveness
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Maximo Diego Pujol
5 Preludios: No. 5, Candombe en Mi
123 bpm • E min • 02:51 • -21db
8% Popularity • 40% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
8% Popularity • 40% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
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Rodrigo Zambrano
Lo que Va a Pasar
123 bpm • F Maj • 05:07 • -12.65db
12% Popularity • 51% Danceability • 33% Energy • 16% Liveness
86% Instrumentalness • 73% Positiveness
12% Popularity • 51% Danceability • 33% Energy • 16% Liveness
86% Instrumentalness • 73% Positiveness
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Roland Dyens
Tango en Skai
131 bpm • E min • 02:34 • -22.33db
12% Popularity • 51% Danceability • 12% Energy • 7% Liveness
76% Instrumentalness • 17% Positiveness
12% Popularity • 51% Danceability • 12% Energy • 7% Liveness
76% Instrumentalness • 17% Positiveness
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Luis de Milán
Libro de musica de vihuela de mano intit...
132 bpm • F# min • 01:41 • -29.38db
5% Popularity • 39% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 46% Positiveness
5% Popularity • 39% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 46% Positiveness
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Johann Kaspar Mertz
Standchen (Serenade)
132 bpm • C Maj • 05:58 • -29.27db
14% Popularity • 40% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
14% Popularity • 40% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
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Jaime González
Habanera
132 bpm • G Maj • 03:11 • -22.18db
0% Popularity • 29% Danceability • 6% Energy • 6% Liveness
96% Instrumentalness • 6% Positiveness
0% Popularity • 29% Danceability • 6% Energy • 6% Liveness
96% Instrumentalness • 6% Positiveness
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Lucas Saboya
Suite Ernestina: II. De algun modo
132 bpm • D min • 02:15 • -27db
13% Popularity • 42% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 37% Positiveness
13% Popularity • 42% Danceability • 10% Energy • 12% Liveness
93% Instrumentalness • 37% Positiveness
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AgustÃn Barrios Mangoré
Vals, Op. 8 No. 4
132 bpm • C# Maj • 03:42 • -14.05db
11% Popularity • 43% Danceability • 26% Energy • 9% Liveness
96% Instrumentalness • 40% Positiveness
11% Popularity • 43% Danceability • 26% Energy • 9% Liveness
96% Instrumentalness • 40% Positiveness
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Thibault Cauvin
Ad Hoc: I. Tag
122 bpm • E min • 01:34 • -26.21db
9% Popularity • 51% Danceability • 13% Energy • 8% Liveness
87% Instrumentalness • 40% Positiveness
9% Popularity • 51% Danceability • 13% Energy • 8% Liveness
87% Instrumentalness • 40% Positiveness
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Luis de Milán
Libro de musica de vihuela de mano intit...
132 bpm • D Maj • 02:05 • -29.44db
3% Popularity • 36% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 53% Positiveness
3% Popularity • 36% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 53% Positiveness
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Mauro Giuliani
Studio Op.48 N.22 - Allegro Maestoso
121 bpm • E Maj • 01:07 • -20.2db
25% Popularity • 41% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 94% Positiveness
25% Popularity • 41% Danceability • 26% Energy • 11% Liveness
88% Instrumentalness • 94% Positiveness
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AnÃbal Augusto Sardinha
Jorge da Fusa
133 bpm • E min • 02:08 • -22.9db
12% Popularity • 53% Danceability • 15% Energy • 10% Liveness
76% Instrumentalness • 60% Positiveness
12% Popularity • 53% Danceability • 15% Energy • 10% Liveness
76% Instrumentalness • 60% Positiveness
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Jose Luis Merlin
Suite Del Recuerdo: IV. Carnavalito
121 bpm • E min • 02:02 • -18.81db
14% Popularity • 34% Danceability • 26% Energy • 20% Liveness
92% Instrumentalness • 51% Positiveness
14% Popularity • 34% Danceability • 26% Energy • 20% Liveness
92% Instrumentalness • 51% Positiveness
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Maximo Diego Pujol
3 Piezas Rioplatenses: Rojo y negro
133 bpm • B min • 02:49 • -22db
18% Popularity • 36% Danceability • 18% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
18% Popularity • 36% Danceability • 18% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
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Carlo Domeniconi
Schnee in Istanbul & Schneeschmelze, Op....
134 bpm • E Maj • 02:25 • -30.84db
16% Popularity • 27% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
16% Popularity • 27% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
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Carlos Moscardini
El corazón manda
134 bpm • B min • 02:26 • -19.12db
14% Popularity • 57% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 53% Positiveness
14% Popularity • 57% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 53% Positiveness
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Mauro Giuliani
Grande Ouverture, Op.61:Andante sostenut...
134 bpm • A min • 00:58 • -30.81db
14% Popularity • 55% Danceability • 1% Energy • 9% Liveness
28% Instrumentalness • 26% Positiveness
14% Popularity • 55% Danceability • 1% Energy • 9% Liveness
28% Instrumentalness • 26% Positiveness
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Antônio Carlos Jobim
Luiza
120 bpm • E min • 03:28 • -31.82db
13% Popularity • 31% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
13% Popularity • 31% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 12% Positiveness
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William Walton
Cinco Bagatelas: III. Alla Cubana
120 bpm • D Maj • 01:52 • -19.39db
10% Popularity • 43% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
10% Popularity • 43% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
► Preview
Luis de Milán
Libro de musica de vihuela de mano intit...
120 bpm • F# min • 02:05 • -28.02db
2% Popularity • 43% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 57% Positiveness
2% Popularity • 43% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 57% Positiveness
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Lucas Saboya
Suite Ernestina: III. Cancion de cuna pa...
120 bpm • D Maj • 05:53 • -33.53db
9% Popularity • 34% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 21% Positiveness
9% Popularity • 34% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 21% Positiveness
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Joaquim Homs
Piano Suite "Entre dues lÃnies" (Versio...
120 bpm • A min • 01:19 • -27db
24% Popularity • 63% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 95% Positiveness
24% Popularity • 63% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 95% Positiveness
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Heitor Villa-Lobos
12 Estudos, W235: IX. Très peu animé
120 bpm • B min • 02:12 • -18.86db
8% Popularity • 40% Danceability • 27% Energy • 10% Liveness
87% Instrumentalness • 22% Positiveness
8% Popularity • 40% Danceability • 27% Energy • 10% Liveness
87% Instrumentalness • 22% Positiveness
► Preview
Eduardo Sainz De La Maza
Platero y Yo: III. La Azotea
119 bpm • E min • 02:42 • -26.52db
3% Popularity • 51% Danceability • 14% Energy • 12% Liveness
83% Instrumentalness • 64% Positiveness
3% Popularity • 51% Danceability • 14% Energy • 12% Liveness
83% Instrumentalness • 64% Positiveness
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Juan Falú
3 Piezas: Del buen riego
120 bpm • A Maj • 01:47 • -28.64db
10% Popularity • 48% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 41% Positiveness
10% Popularity • 48% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 41% Positiveness
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Nico Rojas
Francito y Alfonsito
119 bpm • A Maj • 02:37 • -30.12db
8% Popularity • 42% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 25% Positiveness
8% Popularity • 42% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 25% Positiveness
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Sergio Assad
Recife dos Corais
135 bpm • F# min • 02:09 • -22db
9% Popularity • 41% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 49% Positiveness
9% Popularity • 41% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 49% Positiveness
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Rodrigo Zambrano
Caridad Amaro
119 bpm • F Maj • 05:00 • -18.21db
13% Popularity • 56% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 48% Positiveness
13% Popularity • 56% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 48% Positiveness
► Preview
Domenico Scarlatti
Keyboard Sonata in D Major, K.178/L.162/...
119 bpm • A Maj • 02:17 • -27db
32% Popularity • 37% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 56% Positiveness
32% Popularity • 37% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 56% Positiveness
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Sergio & Odair Assad
Suite Popular Brasileira, Chorinho
136 bpm • C Maj • 03:38 • -16.48db
9% Popularity • 49% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 34% Positiveness
9% Popularity • 49% Danceability • 27% Energy • 11% Liveness
95% Instrumentalness • 34% Positiveness
► Preview
Eduardo Sainz De La Maza
Platero y Yo: II. El Loco
136 bpm • E Maj • 02:53 • -32.27db
4% Popularity • 37% Danceability • 1% Energy • 13% Liveness
94% Instrumentalness • 19% Positiveness
4% Popularity • 37% Danceability • 1% Energy • 13% Liveness
94% Instrumentalness • 19% Positiveness
► Preview
Juan Antonio Sánchez
Tangos de Hielo para Cuarteto de Guitarr...
119 bpm • A min • 05:40 • -20.95db
10% Popularity • 55% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 14% Positiveness
10% Popularity • 55% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 14% Positiveness
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Leo Brouwer
El decameron negro: Balada de la doncell...
118 bpm • G Maj • 06:28 • -31db
12% Popularity • 31% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 20% Positiveness
12% Popularity • 31% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 20% Positiveness
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David Camilli
Crackling of an Old Fireplace
118 bpm • F# min • 02:15 • -19db
13% Popularity • 47% Danceability • 17% Energy • 11% Liveness
87% Instrumentalness • 10% Positiveness
13% Popularity • 47% Danceability • 17% Energy • 11% Liveness
87% Instrumentalness • 10% Positiveness
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Maximo Diego Pujol
Elegia por la muerte de un tanguero (Ele...
137 bpm • E min • 03:32 • -22db
13% Popularity • 36% Danceability • 13% Energy • 16% Liveness
88% Instrumentalness • 13% Positiveness
13% Popularity • 36% Danceability • 13% Energy • 16% Liveness
88% Instrumentalness • 13% Positiveness
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Miguel Llobet Solés
Mazurka
137 bpm • G min • 04:00 • -23.41db
7% Popularity • 42% Danceability • 8% Energy • 8% Liveness
88% Instrumentalness • 21% Positiveness
7% Popularity • 42% Danceability • 8% Energy • 8% Liveness
88% Instrumentalness • 21% Positiveness
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Renata Tarragó
Fernando Sor : Minuetto en do mayor, op....
137 bpm • C# Maj • 02:30 • -16.06db
7% Popularity • 61% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 50% Positiveness
7% Popularity • 61% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 50% Positiveness
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AgustÃn Barrios Mangoré
Allegro Sinfónico
118 bpm • C# Maj • 02:07 • -12.67db
11% Popularity • 54% Danceability • 37% Energy • 13% Liveness
94% Instrumentalness • 34% Positiveness
11% Popularity • 54% Danceability • 37% Energy • 13% Liveness
94% Instrumentalness • 34% Positiveness
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Eduardo Sainz De La Maza
Platero y Yo: VI. La Tortuga
117 bpm • F Maj • 02:29 • -31.67db
2% Popularity • 41% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 13% Positiveness
2% Popularity • 41% Danceability • 3% Energy • 12% Liveness
91% Instrumentalness • 13% Positiveness
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Domenico Scarlatti
Sonata K 40
138 bpm • A Maj • 01:18 • -16db
29% Popularity • 53% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 39% Positiveness
29% Popularity • 53% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 39% Positiveness
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Maximo Diego Pujol
Stella australis
137 bpm • E Maj • 04:04 • -27.62db
20% Popularity • 32% Danceability • 8% Energy • 9% Liveness
91% Instrumentalness • 29% Positiveness
20% Popularity • 32% Danceability • 8% Energy • 9% Liveness
91% Instrumentalness • 29% Positiveness
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Regino Sáinz de la Maza
Rondena
117 bpm • G min • 03:56 • -20db
18% Popularity • 48% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 32% Positiveness
18% Popularity • 48% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 32% Positiveness
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Antonio Lauro
Adios a Ocumare
138 bpm • A min • 02:40 • -29.97db
13% Popularity • 30% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 53% Positiveness
13% Popularity • 30% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 53% Positiveness
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Luis de Milán
Libro de musica de vihuela de mano intit...
117 bpm • A Maj • 02:03 • -26.68db
2% Popularity • 46% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 60% Positiveness
2% Popularity • 46% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 60% Positiveness
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Rodrigo Zambrano
Congodanza
117 bpm • D min • 06:40 • -13.33db
12% Popularity • 55% Danceability • 28% Energy • 11% Liveness
84% Instrumentalness • 63% Positiveness
12% Popularity • 55% Danceability • 28% Energy • 11% Liveness
84% Instrumentalness • 63% Positiveness
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William Walton
5 Bagatelles: IV. Sempre espressivo
117 bpm • B min • 02:03 • -37.57db
29% Popularity • 32% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 8% Positiveness
29% Popularity • 32% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 8% Positiveness
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JoaquÃn Turina
Homenaje a Tárrega, Op. 69: II. Soleare...
116 bpm • D Maj • 01:51 • -26db
19% Popularity • 30% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 47% Positiveness
19% Popularity • 30% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 47% Positiveness
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Carlos Moscardini
Payada de Contrapunto
139 bpm • D Maj • 02:22 • -14db
20% Popularity • 53% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
20% Popularity • 53% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
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Frantz Casseus
Haitian Suite #2: Yanvalloux
139 bpm • E min • 02:38 • -27.21db
9% Popularity • 39% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 36% Positiveness
9% Popularity • 39% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 36% Positiveness
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Luis de Milán
Libro de musica de vihuela de mano intit...
117 bpm • A Maj • 02:40 • -28.15db
2% Popularity • 45% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 50% Positiveness
2% Popularity • 45% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 50% Positiveness
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Renata Tarragó
Gaspar Sanz : Folias
116 bpm • D# min • 01:34 • -19.18db
25% Popularity • 60% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 36% Positiveness
25% Popularity • 60% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 36% Positiveness
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Mario Castelnuovo-Tedesco
Les guitares bien temperees (The Well-Te...
140 bpm • D# Maj • 01:55 • -27.21db
12% Popularity • 34% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 25% Positiveness
12% Popularity • 34% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 25% Positiveness
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Heitor Villa-Lobos
12 Estudos, W235: VIII. Modéré - Lent
140 bpm • F# min • 02:57 • -19.94db
9% Popularity • 55% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
9% Popularity • 55% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
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Vicente Asencio
Collectici intim: La Gaubanca
115 bpm • E min • 01:50 • -23.77db
0% Popularity • 41% Danceability • 10% Energy • 17% Liveness
85% Instrumentalness • 51% Positiveness
0% Popularity • 41% Danceability • 10% Energy • 17% Liveness
85% Instrumentalness • 51% Positiveness
