Songs like Isaac Albeniz: Suite Española, Op. 47: Leyenda (Asturias) by Julian Bream
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Luigi Legnani
Fantasia, Op. 19
127 bpm • E Maj • 09:28 • -26.09db
13% Popularity • 41% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
13% Popularity • 41% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
► Preview
Dilermando Reis
Promessa - Waltz (Paschoito)
127 bpm • E Maj • 03:22 • -30.08db
18% Popularity • 30% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 30% Positiveness
18% Popularity • 30% Danceability • 3% Energy • 12% Liveness
93% Instrumentalness • 30% Positiveness
► Preview
Federico Moreno Torroba
Castillos de Espana II: No. 2. Manzanare...
127 bpm • A min • 01:05 • -27db
31% Popularity • 36% Danceability • 16% Energy • 10% Liveness
84% Instrumentalness • 78% Positiveness
31% Popularity • 36% Danceability • 16% Energy • 10% Liveness
84% Instrumentalness • 78% Positiveness
► Preview
Norbert Kraft
8 Etudes: 24 Studies, Op. 35, "Exercises...
127 bpm • A Maj • 01:21 • -29.83db
35% Popularity • 28% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 30% Positiveness
35% Popularity • 28% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 30% Positiveness
► Preview
JoaquÃn Rodrigo
Concierto de Aranjuez: I. Allegro con sp...
127 bpm • D Maj • 05:53 • -17.33db
9% Popularity • 54% Danceability • 22% Energy • 8% Liveness
87% Instrumentalness • 28% Positiveness
9% Popularity • 54% Danceability • 22% Energy • 8% Liveness
87% Instrumentalness • 28% Positiveness
► Preview
Carlo Domeniconi
Koyunbaba, Op. 19: 4. Presto
127 bpm • A Maj • 03:40 • -22.64db
12% Popularity • 26% Danceability • 30% Energy • 9% Liveness
84% Instrumentalness • 7% Positiveness
12% Popularity • 26% Danceability • 30% Energy • 9% Liveness
84% Instrumentalness • 7% Positiveness
► Preview
John Dowland
Lachrimae verae
127 bpm • A min • 03:10 • -21.34db
5% Popularity • 61% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 9% Positiveness
5% Popularity • 61% Danceability • 3% Energy • 12% Liveness
87% Instrumentalness • 9% Positiveness
► Preview
Julian Bream
Isaac Albeniz: Suite Española, Op. 47: ...
127 bpm • E min • 05:56 • -25.84db
8% Popularity • 36% Danceability • 8% Energy • 9% Liveness
84% Instrumentalness • 25% Positiveness
8% Popularity • 36% Danceability • 8% Energy • 9% Liveness
84% Instrumentalness • 25% Positiveness
► Preview
Ricardo Cobo
El choclo (arr. R. Cobo): El Choclo (arr...
127 bpm • D Maj • 04:09 • -26.94db
29% Popularity • 34% Danceability • 10% Energy • 9% Liveness
91% Instrumentalness • 35% Positiveness
29% Popularity • 34% Danceability • 10% Energy • 9% Liveness
91% Instrumentalness • 35% Positiveness
► Preview
Antonio Ruiz Pipó
Chansons et danses: Danse
128 bpm • D Maj • 01:45 • -29db
28% Popularity • 42% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 58% Positiveness
28% Popularity • 42% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 58% Positiveness
► Preview
Philip Hemmo
Estudio Brillante de Alard
128 bpm • A Maj • 02:53 • -20db
9% Popularity • 34% Danceability • 19% Energy • 10% Liveness
91% Instrumentalness • 35% Positiveness
9% Popularity • 34% Danceability • 19% Energy • 10% Liveness
91% Instrumentalness • 35% Positiveness
► Preview
Maximo Diego Pujol
Suite del Plata for guitar No. 1: 3. Mil...
128 bpm • D min • 02:43 • -27.01db
19% Popularity • 31% Danceability • 6% Energy • 12% Liveness
94% Instrumentalness • 24% Positiveness
19% Popularity • 31% Danceability • 6% Energy • 12% Liveness
94% Instrumentalness • 24% Positiveness
► Preview
John Dowland
The Shoemaker's Wife
127 bpm • F Maj • 01:18 • -17.93db
5% Popularity • 50% Danceability • 22% Energy • 8% Liveness
88% Instrumentalness • 28% Positiveness
5% Popularity • 50% Danceability • 22% Energy • 8% Liveness
88% Instrumentalness • 28% Positiveness
► Preview
William Walton
5 Bagatelles: No. 1, Allegro
126 bpm • F Maj • 03:35 • -22.86db
15% Popularity • 45% Danceability • 11% Energy • 14% Liveness
84% Instrumentalness • 22% Positiveness
15% Popularity • 45% Danceability • 11% Energy • 14% Liveness
84% Instrumentalness • 22% Positiveness
► Preview
Luis de Milán
El Maestro: Pavana V
128 bpm • F Maj • 01:28 • -13.43db
0% Popularity • 55% Danceability • 34% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
0% Popularity • 55% Danceability • 34% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
126 bpm • E Maj • 02:04 • -24.17db
24% Popularity • 63% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 28% Positiveness
24% Popularity • 63% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 28% Positiveness
► Preview
Berta Rojas
Sons De Carrilhoes
128 bpm • D Maj • 02:39 • -17.38db
20% Popularity • 55% Danceability • 22% Energy • 14% Liveness
94% Instrumentalness • 55% Positiveness
20% Popularity • 55% Danceability • 22% Energy • 14% Liveness
94% Instrumentalness • 55% Positiveness
► Preview
Roland Dyens
Triaela: I. Light Motif (Takemitsu au Br...
125 bpm • A min • 04:57 • -34db
9% Popularity • 46% Danceability • 1% Energy • 13% Liveness
86% Instrumentalness • 12% Positiveness
9% Popularity • 46% Danceability • 1% Energy • 13% Liveness
86% Instrumentalness • 12% Positiveness
► Preview
José Luis Merlin
Suite del Recuerdo: 1. Evocación
128 bpm • E min • 02:09 • -25.45db
20% Popularity • 32% Danceability • 10% Energy • 7% Liveness
95% Instrumentalness • 20% Positiveness
20% Popularity • 32% Danceability • 10% Energy • 7% Liveness
95% Instrumentalness • 20% Positiveness
► Preview
William Walton
5 Bagatelles: V. Con slancio
129 bpm • B min • 02:10 • -25.71db
24% Popularity • 28% Danceability • 19% Energy • 11% Liveness
85% Instrumentalness • 48% Positiveness
24% Popularity • 28% Danceability • 19% Energy • 11% Liveness
85% Instrumentalness • 48% Positiveness
► Preview
John Dowland
Loth To Depart
125 bpm • G min • 05:38 • -14.72db
5% Popularity • 54% Danceability • 20% Energy • 14% Liveness
92% Instrumentalness • 36% Positiveness
5% Popularity • 54% Danceability • 20% Energy • 14% Liveness
92% Instrumentalness • 36% Positiveness
► Preview
Heitor Villa-Lobos
5 Preludes, W419: No. 1 in E Minor
129 bpm • E min • 04:08 • -17.35db
11% Popularity • 41% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
11% Popularity • 41% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
► Preview
Manuel Ponce
Guitar Sonata No. 3: I. Allegro moderato
125 bpm • E min • 07:52 • -26db
9% Popularity • 42% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 17% Positiveness
9% Popularity • 42% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 17% Positiveness
► Preview
Leo Brouwer
Un dia de Noviembre
130 bpm • A min • 04:48 • -29.83db
13% Popularity • 26% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
13% Popularity • 26% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 28% Positiveness
► Preview
Federico Moreno Torroba
Castillos de Espana II: No. 6. Torija
124 bpm • D Maj • 02:10 • -32.19db
34% Popularity • 36% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 18% Positiveness
34% Popularity • 36% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 18% Positiveness
► Preview
Norbert Kraft
4 Mazurkas : No. 3. Marieta
124 bpm • A Maj • 02:17 • -26.08db
27% Popularity • 43% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 28% Positiveness
27% Popularity • 43% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 28% Positiveness
► Preview
Roland Dyens
Tango en skai
124 bpm • A min • 02:50 • -21.05db
18% Popularity • 53% Danceability • 11% Energy • 8% Liveness
88% Instrumentalness • 35% Positiveness
18% Popularity • 53% Danceability • 11% Energy • 8% Liveness
88% Instrumentalness • 35% Positiveness
► Preview
Jorge Cardoso
Milonga (Cardoso)
124 bpm • D min • 03:54 • -22.1db
11% Popularity • 49% Danceability • 33% Energy • 12% Liveness
88% Instrumentalness • 46% Positiveness
11% Popularity • 49% Danceability • 33% Energy • 12% Liveness
88% Instrumentalness • 46% Positiveness
► Preview
John Dowland
Unnamed piece (Almaine)
123 bpm • D Maj • 01:17 • -17.68db
5% Popularity • 56% Danceability • 18% Energy • 10% Liveness
86% Instrumentalness • 71% Positiveness
5% Popularity • 56% Danceability • 18% Energy • 10% Liveness
86% Instrumentalness • 71% Positiveness
► Preview
Leo Brouwer
Estudios sencillos: Second Series: VI
130 bpm • A Maj • 00:53 • -26.52db
28% Popularity • 16% Danceability • 26% Energy • 9% Liveness
84% Instrumentalness • 27% Positiveness
28% Popularity • 16% Danceability • 26% Energy • 9% Liveness
84% Instrumentalness • 27% Positiveness
► Preview
Adam Holzman
Preludio : Preludio
131 bpm • A Maj • 02:16 • -27db
31% Popularity • 50% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 70% Positiveness
31% Popularity • 50% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 70% Positiveness
► Preview
Mauro Giuliani
Grande ouverture, Op. 61
123 bpm • A Maj • 07:30 • -19.4db
10% Popularity • 39% Danceability • 25% Energy • 11% Liveness
87% Instrumentalness • 23% Positiveness
10% Popularity • 39% Danceability • 25% Energy • 11% Liveness
87% Instrumentalness • 23% Positiveness
► Preview
Jorge Morel
Milonga del viento
123 bpm • A min • 03:23 • -29db
25% Popularity • 27% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 51% Positiveness
25% Popularity • 27% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 51% Positiveness
► Preview
JoaquÃn Rodrigo
FantasÃa para un Gentilhombre: III. Dan...
123 bpm • C Maj • 02:01 • -15.24db
14% Popularity • 69% Danceability • 18% Energy • 26% Liveness
91% Instrumentalness • 71% Positiveness
14% Popularity • 69% Danceability • 18% Energy • 26% Liveness
91% Instrumentalness • 71% Positiveness
► Preview
Niccolò Paganini
Grand Sonata in A Major, MS 3: I. Allegr...
123 bpm • A Maj • 09:28 • -24.95db
11% Popularity • 35% Danceability • 13% Energy • 20% Liveness
89% Instrumentalness • 35% Positiveness
11% Popularity • 35% Danceability • 13% Energy • 20% Liveness
89% Instrumentalness • 35% Positiveness
► Preview
Johann Kaspar Mertz
Standchen (Serenade)
132 bpm • C Maj • 05:58 • -29.27db
13% Popularity • 40% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
13% Popularity • 40% Danceability • 3% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
► Preview
Roland Dyens
Libra Sonatine: III. Fuoco
132 bpm • E min • 04:03 • -21.62db
14% Popularity • 28% Danceability • 14% Energy • 8% Liveness
91% Instrumentalness • 17% Positiveness
14% Popularity • 28% Danceability • 14% Energy • 8% Liveness
91% Instrumentalness • 17% Positiveness
► Preview
Johann Sebastian Bach
Bach, JS: Suite in E Minor, BWV 996: V. ...
133 bpm • G Maj • 01:34 • -21.07db
14% Popularity • 54% Danceability • 22% Energy • 28% Liveness
89% Instrumentalness • 77% Positiveness
14% Popularity • 54% Danceability • 22% Energy • 28% Liveness
89% Instrumentalness • 77% Positiveness
► Preview
Luigi Mozzani
Feste Lariane
122 bpm • A min • 02:34 • -26.37db
13% Popularity • 32% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
13% Popularity • 32% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
133 bpm • D min • 02:19 • -26.37db
42% Popularity • 61% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 66% Positiveness
42% Popularity • 61% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 66% Positiveness
► Preview
Niccolò Paganini
Grand sonata in A Major, MS 3: III. Anda...
132 bpm • A Maj • 07:48 • -22.65db
5% Popularity • 42% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 44% Positiveness
5% Popularity • 42% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 44% Positiveness
► Preview
Johann Kaspar Mertz
Elegie: Elegy
133 bpm • A min • 08:32 • -29db
17% Popularity • 33% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 33% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Roland Dyens
Cécile ma fille
122 bpm • D# Maj • 06:07 • -26.69db
20% Popularity • 44% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 25% Positiveness
20% Popularity • 44% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 25% Positiveness
► Preview
Berta Rojas
Prelude in C Minor
121 bpm • C min • 01:56 • -19.49db
30% Popularity • 36% Danceability • 15% Energy • 14% Liveness
96% Instrumentalness • 34% Positiveness
30% Popularity • 36% Danceability • 15% Energy • 14% Liveness
96% Instrumentalness • 34% Positiveness
► Preview
Fernando Sor
Voyons si c'est ca - 6 Pieces, Op. 45: N...
134 bpm • A Maj • 02:58 • -28.54db
31% Popularity • 37% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 49% Positiveness
31% Popularity • 37% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 49% Positiveness
► Preview
Julian Bream
Segovia, Op. 29
121 bpm • C Maj • 02:22 • -21.53db
2% Popularity • 49% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 18% Positiveness
2% Popularity • 49% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 18% Positiveness
► Preview
Johann Sebastian Bach
Lute Suite No. 1 in E Minor, BWV 996: V....
134 bpm • G Maj • 01:36 • -17.15db
21% Popularity • 59% Danceability • 34% Energy • 13% Liveness
81% Instrumentalness • 70% Positiveness
21% Popularity • 59% Danceability • 34% Energy • 13% Liveness
81% Instrumentalness • 70% Positiveness
► Preview
Luis de Milán
El Maestro: FantasÃa XXII
134 bpm • F Maj • 02:45 • -12.93db
0% Popularity • 46% Danceability • 32% Energy • 12% Liveness
86% Instrumentalness • 75% Positiveness
0% Popularity • 46% Danceability • 32% Energy • 12% Liveness
86% Instrumentalness • 75% Positiveness
► Preview
Andrew York
The Pachelbel "Loose" Canon (after J. Pa...
120 bpm • D Maj • 06:27 • -19.33db
17% Popularity • 46% Danceability • 28% Energy • 8% Liveness
91% Instrumentalness • 59% Positiveness
17% Popularity • 46% Danceability • 28% Energy • 8% Liveness
91% Instrumentalness • 59% Positiveness
► Preview
Jérémy Jouve
4 Piano Pieces: No. 2. Fandango del vent...
120 bpm • F min • 01:41 • -28db
35% Popularity • 52% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 20% Positiveness
35% Popularity • 52% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 20% Positiveness
► Preview
Daniel Batchelar
Mounsiers Almaine
135 bpm • G Maj • 02:23 • -19.4db
2% Popularity • 43% Danceability • 23% Energy • 12% Liveness
93% Instrumentalness • 65% Positiveness
2% Popularity • 43% Danceability • 23% Energy • 12% Liveness
93% Instrumentalness • 65% Positiveness
► Preview
Julian Bream
John Dowland: Orlando Sleepeth
134 bpm • C Maj • 02:04 • -33.53db
1% Popularity • 46% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 25% Positiveness
1% Popularity • 46% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 25% Positiveness
► Preview
Roland Dyens
Tango en Skai
119 bpm • A min • 02:57 • -21.43db
29% Popularity • 48% Danceability • 13% Energy • 9% Liveness
81% Instrumentalness • 25% Positiveness
29% Popularity • 48% Danceability • 13% Energy • 9% Liveness
81% Instrumentalness • 25% Positiveness
► Preview
Regino Sáinz de la Maza
Sainz de la Maza: Zapateado
135 bpm • E Maj • 02:46 • -25.84db
15% Popularity • 31% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 54% Positiveness
15% Popularity • 31% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 54% Positiveness
► Preview
Luis de Narváez
Los seys libros del DelphÃn de Música ...
135 bpm • D min • 01:16 • -14db
0% Popularity • 46% Danceability • 39% Energy • 6% Liveness
86% Instrumentalness • 77% Positiveness
0% Popularity • 46% Danceability • 39% Energy • 6% Liveness
86% Instrumentalness • 77% Positiveness
► Preview
Napoléon Coste
25 Etudes, Op. 38: No. 6 in A Major: And...
119 bpm • D Maj • 01:46 • -30.02db
28% Popularity • 36% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 16% Positiveness
28% Popularity • 36% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 16% Positiveness
► Preview
Manuel de Falla
El Sombrero de Tres Picos: Danza del Mol...
119 bpm • C Maj • 02:53 • -16.61db
14% Popularity • 58% Danceability • 20% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
14% Popularity • 58% Danceability • 20% Energy • 15% Liveness
86% Instrumentalness • 8% Positiveness
► Preview
Julian Bream
Johann Sebastian Bach: Prelude, Fugue & ...
119 bpm • D Maj • 06:51 • -22.7db
1% Popularity • 48% Danceability • 13% Energy • 13% Liveness
90% Instrumentalness • 32% Positiveness
1% Popularity • 48% Danceability • 13% Energy • 13% Liveness
90% Instrumentalness • 32% Positiveness
► Preview
Domenico Scarlatti
Keyboard Sonata in D Major, K.178/L.162/...
119 bpm • A Maj • 02:17 • -27db
33% Popularity • 37% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 56% Positiveness
33% Popularity • 37% Danceability • 11% Energy • 11% Liveness
90% Instrumentalness • 56% Positiveness
► Preview
Luigi Legnani
36 Caprices, Op. 20: VII. Prestissimo
136 bpm • A Maj • 01:29 • -24db
28% Popularity • 38% Danceability • 15% Energy • 13% Liveness
92% Instrumentalness • 67% Positiveness
28% Popularity • 38% Danceability • 15% Energy • 13% Liveness
92% Instrumentalness • 67% Positiveness
► Preview
Luis de Milán
El Maestro: FantasÃa XVI
136 bpm • G# Maj • 03:08 • -18.62db
0% Popularity • 46% Danceability • 12% Energy • 7% Liveness
92% Instrumentalness • 44% Positiveness
0% Popularity • 46% Danceability • 12% Energy • 7% Liveness
92% Instrumentalness • 44% Positiveness
► Preview
John Dowland
Sir John Smith's Almaine
119 bpm • F Maj • 02:20 • -17.62db
4% Popularity • 47% Danceability • 27% Energy • 9% Liveness
89% Instrumentalness • 43% Positiveness
4% Popularity • 47% Danceability • 27% Energy • 9% Liveness
89% Instrumentalness • 43% Positiveness
► Preview
Napoléon Coste
25 Etudes, Op. 38: No. 23 in A Major: Mo...
119 bpm • D Maj • 02:24 • -29.08db
26% Popularity • 38% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 71% Positiveness
26% Popularity • 38% Danceability • 16% Energy • 12% Liveness
88% Instrumentalness • 71% Positiveness
► Preview
Gaspar Sanz
Canarios
136 bpm • D Maj • 02:27 • -12.15db
37% Popularity • 38% Danceability • 42% Energy • 9% Liveness
88% Instrumentalness • 67% Positiveness
37% Popularity • 38% Danceability • 42% Energy • 9% Liveness
88% Instrumentalness • 67% Positiveness
► Preview
Frederik Rung
Albumsblade No. 43: Humoreske
118 bpm • E min • 01:11 • -17.97db
26% Popularity • 53% Danceability • 17% Energy • 12% Liveness
93% Instrumentalness • 40% Positiveness
26% Popularity • 53% Danceability • 17% Energy • 12% Liveness
93% Instrumentalness • 40% Positiveness
► Preview
JoaquÃn Malats
Serenata española - 1981 Remastered Ver...
118 bpm • A Maj • 03:48 • -18.59db
12% Popularity • 48% Danceability • 16% Energy • 11% Liveness
91% Instrumentalness • 31% Positiveness
12% Popularity • 48% Danceability • 16% Energy • 11% Liveness
91% Instrumentalness • 31% Positiveness
► Preview
Johann Sebastian Bach
Bach, JS / Arr. Bream for Guitar: Prelud...
137 bpm • D Maj • 06:54 • -23.69db
16% Popularity • 45% Danceability • 10% Energy • 8% Liveness
93% Instrumentalness • 27% Positiveness
16% Popularity • 45% Danceability • 10% Energy • 8% Liveness
93% Instrumentalness • 27% Positiveness
► Preview
Roland Dyens
Tango en Skaï
137 bpm • A min • 02:25 • -23db
9% Popularity • 44% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 23% Positiveness
9% Popularity • 44% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 23% Positiveness
► Preview
Matteo Carcassi
Carcassi Op.60 N.3 Andantino
118 bpm • A Maj • 02:41 • -20db
30% Popularity • 32% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 23% Positiveness
30% Popularity • 32% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 23% Positiveness
► Preview
Regino Sáinz de la Maza
Sainz de la Maza: Rondeña
118 bpm • G min • 04:09 • -24.43db
14% Popularity • 42% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
14% Popularity • 42% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 16% Positiveness
► Preview
Luis de Milán
El Maestro: Pavana VI
137 bpm • F Maj • 02:17 • -15.14db
0% Popularity • 60% Danceability • 12% Energy • 8% Liveness
77% Instrumentalness • 44% Positiveness
0% Popularity • 60% Danceability • 12% Energy • 8% Liveness
77% Instrumentalness • 44% Positiveness
► Preview
Niccolò Paganini
Guitar Sonata No. 30 in A Major: Minuet ...
117 bpm • A Maj • 03:11 • -26db
16% Popularity • 34% Danceability • 15% Energy • 8% Liveness
83% Instrumentalness • 50% Positiveness
16% Popularity • 34% Danceability • 15% Energy • 8% Liveness
83% Instrumentalness • 50% Positiveness
► Preview
Maximo Diego Pujol
Stella australis
137 bpm • E Maj • 04:04 • -27.62db
20% Popularity • 32% Danceability • 8% Energy • 9% Liveness
91% Instrumentalness • 29% Positiveness
20% Popularity • 32% Danceability • 8% Energy • 9% Liveness
91% Instrumentalness • 29% Positiveness
► Preview
Domenico Scarlatti
Sonata K 40
138 bpm • A Maj • 01:18 • -16db
28% Popularity • 53% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 39% Positiveness
28% Popularity • 53% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 39% Positiveness
► Preview
John Dowland
Galliard upon a Galliard of Daniel Batch...
117 bpm • C min • 03:01 • -20.46db
3% Popularity • 49% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 42% Positiveness
3% Popularity • 49% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 42% Positiveness
► Preview
Regino Sáinz de la Maza
La Frontera de Dios: II. Meditacion
117 bpm • E min • 01:31 • -21db
27% Popularity • 54% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 13% Positiveness
27% Popularity • 54% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 13% Positiveness
► Preview
Leo Brouwer
Un Dia de Noviembre
117 bpm • A min • 04:38 • -21.01db
34% Popularity • 44% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 21% Positiveness
34% Popularity • 44% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 21% Positiveness
► Preview
Niccolò Paganini
24 Caprices, Op. 1 (arr. for guitar): No...
138 bpm • A min • 05:19 • -23.18db
13% Popularity • 32% Danceability • 15% Energy • 12% Liveness
87% Instrumentalness • 46% Positiveness
13% Popularity • 32% Danceability • 15% Energy • 12% Liveness
87% Instrumentalness • 46% Positiveness
► Preview
Felix Mendelssohn
No. 6, Venetian Boat Song. Andante soste...
117 bpm • E min • 02:39 • -23.77db
11% Popularity • 57% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 28% Positiveness
11% Popularity • 57% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 28% Positiveness
► Preview
Domenico Scarlatti
Keyboard Sonata in D Minor, K.32/L.423/P...
137 bpm • E min • 02:18 • -33.24db
38% Popularity • 43% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
38% Popularity • 43% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
► Preview
William Walton
5 Bagatelles: IV. Sempre espressivo
117 bpm • B min • 02:03 • -37.57db
30% Popularity • 32% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 8% Positiveness
30% Popularity • 32% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 8% Positiveness
► Preview
Regino Sáinz de la Maza
Rondena
117 bpm • G min • 03:56 • -20db
19% Popularity • 48% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 32% Positiveness
19% Popularity • 48% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 32% Positiveness
► Preview
Jérémy Jouve
3 Piezas espanolas (3 Spanish Pieces): N...
117 bpm • A Maj • 02:47 • -28db
31% Popularity • 29% Danceability • 14% Energy • 14% Liveness
84% Instrumentalness • 78% Positiveness
31% Popularity • 29% Danceability • 14% Energy • 14% Liveness
84% Instrumentalness • 78% Positiveness
► Preview
Julian Bream
Joaquin Malats: Serenata
117 bpm • A Maj • 03:55 • -20.16db
10% Popularity • 48% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 26% Positiveness
10% Popularity • 48% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 26% Positiveness
► Preview
Niccolò Paganini
Grand sonata in A Major, MS 3: I. Allegr...
117 bpm • A Maj • 09:11 • -19.79db
8% Popularity • 45% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 61% Positiveness
8% Popularity • 45% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 61% Positiveness
► Preview
JoaquÃn Turina
Homenaje a Tárrega, Op. 69: II. Soleare...
116 bpm • D Maj • 01:51 • -26db
19% Popularity • 30% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 47% Positiveness
19% Popularity • 30% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 47% Positiveness
► Preview
Manuel Ponce
Sonata romantica: II. Andante epressivo
138 bpm • E Maj • 04:34 • -29.99db
8% Popularity • 37% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
8% Popularity • 37% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
► Preview
Napoléon Coste
25 Etudes, Op. 38: No. 3 in D Minor: Pre...
116 bpm • D min • 01:07 • -31.64db
36% Popularity • 31% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 17% Positiveness
36% Popularity • 31% Danceability • 5% Energy • 12% Liveness
90% Instrumentalness • 17% Positiveness
► Preview
Ferdinando Carulli
Andantino in G Major
116 bpm • G Maj • 01:14 • -31db
25% Popularity • 35% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 46% Positiveness
25% Popularity • 35% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 46% Positiveness
► Preview
Johann Kaspar Mertz
Tarantella
139 bpm • A min • 03:53 • -13.52db
20% Popularity • 36% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 34% Positiveness
20% Popularity • 36% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 34% Positiveness
► Preview
Dionisio Aguado
3 Rondos Brillants, Op. 2: No. 1, Adagio
139 bpm • G Maj • 06:16 • -26.3db
5% Popularity • 50% Danceability • 3% Energy • 10% Liveness
80% Instrumentalness • 19% Positiveness
5% Popularity • 50% Danceability • 3% Energy • 10% Liveness
80% Instrumentalness • 19% Positiveness
► Preview
Julian Bream
Five Preludes, W 419
116 bpm • E Maj • 02:43 • -25.9db
1% Popularity • 34% Danceability • 15% Energy • 16% Liveness
88% Instrumentalness • 31% Positiveness
1% Popularity • 34% Danceability • 15% Energy • 16% Liveness
88% Instrumentalness • 31% Positiveness
► Preview
Leo Brouwer
Preludios Epigramaticos: No. 1
116 bpm • G Maj • 01:41 • -35.29db
32% Popularity • 34% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 23% Positiveness
32% Popularity • 34% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 23% Positiveness
► Preview
Luigi Legnani
36 Caprices, Op. 20: II. Allegro
139 bpm • E min • 00:50 • -26db
36% Popularity • 31% Danceability • 18% Energy • 13% Liveness
91% Instrumentalness • 79% Positiveness
36% Popularity • 31% Danceability • 18% Energy • 13% Liveness
91% Instrumentalness • 79% Positiveness
► Preview
AgustÃn Barrios Mangoré
La catedral
116 bpm • B min • 07:13 • -28.65db
31% Popularity • 34% Danceability • 5% Energy • 6% Liveness
87% Instrumentalness • 18% Positiveness
31% Popularity • 34% Danceability • 5% Energy • 6% Liveness
87% Instrumentalness • 18% Positiveness
► Preview
Matteo Carcassi
Carcassi Op.26 N.4 Allegro
140 bpm • A min • 01:58 • -17.39db
27% Popularity • 27% Danceability • 28% Energy • 12% Liveness
87% Instrumentalness • 56% Positiveness
27% Popularity • 27% Danceability • 28% Energy • 12% Liveness
87% Instrumentalness • 56% Positiveness
► Preview
Felix Mendelssohn
II. Canzonetta (Arranged by Julian Bream...
115 bpm • A Maj • 04:32 • -19.79db
5% Popularity • 45% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 72% Positiveness
5% Popularity • 45% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 72% Positiveness
► Preview
Luis de Narváez
Los seys libros del DelphÃn de Música ...
140 bpm • G min • 01:05 • -14.27db
0% Popularity • 46% Danceability • 35% Energy • 9% Liveness
88% Instrumentalness • 44% Positiveness
0% Popularity • 46% Danceability • 35% Energy • 9% Liveness
88% Instrumentalness • 44% Positiveness
